Follow TV Tropes

Following

Funny / Castlevania (2017)

Go To


Warning: Spoilers Off applies to this page. Proceed at your own risk.


https://static.tvtropes.org/pmwiki/pub/images/eat_shit_and_die_yes_fuck_you_god_bless_netflixs_40634166_2.png
The Last Descendant of the Belmont Family and the Son of Dracula, everybody.

    open/close all folders 

    General 

    Season 1 
Witchbottle
  • The series begins with a barren field of impaled skeletons, then gets ridiculously sweet as Lisa and Dracula start interacting. Let's be honest, of all the things we expected to have a Castlevania series start with, the Lord of Darkness getting his pants charmed off was not one of them.
    Lisa: I can teach you to like people... or tolerate them... or stop putting them on sticks!
    • It's also hilarious to see that of all the things the series imported from the games, it's that Dracula is at least two heads taller than every other character.
    • Bonus points for Dracula sounding slightly offended when Lisa says he doesn't travel.
      Dracula: Where is Lupu Village?
      Lisa: You don't travel much.
      Dracula: I can travel. This entire structure is a traveling machine.
      Lisa: But... You don't.
  • Right after the initial massacre caused by Dracula's forces, we cut to two men in a tavern discussing how one of them hit another man between the eyes with a shovel - because he caught the guy in the aftermath of having screwed one of his goats. This is something Ellis has wanted to write since 2007.
    Bosha: So I says to him, "It's my goat. I been tending goats since I was four years old –
    Kob: Right, right.
    Bosha: – and I'd know if my goat was in love with you".
    Kob: For God's sake.
    Bosha: He says to me, "I know your goat is in love with me".
    Kob: So you says "how", Bosha?
    Bosha: So I says, "how?" And he says, "Well, she fucks me, don't she?"
    Kob: And that's when you hit him.
    Bosha: Right across the eyes with a shovel. And now the headman says I have to pay the bastard money because he went blind.
    Kob: Not fair.
    Bosha: So I says to him, "You didn't think he was gonna go blind fucking a goat with mange"?
    Kob: That would've been your fault too.
    Bosha: I would've gotten blamed for that, too. But what am I supposed to do when I find my goat laying on its side, in the field, fucked within an inch of its life, and a naked man with blood and straw all over his peck?
    Kob: Hit him with a shovel!
    Bosha: Fucking right I hit him with a shovel!
  • Bosha insisting he and Kob are cousins, not brothers.
  • Once the drunks start talking about house Belmont and how everything that happened is their fault, cut to Trevor who turns away and mutters "Shit." Cue credits.

Necropolis

  • The first episode is incredibly grim. The second episode starts with a group of drunken peasants telling what is probably an oft-repeated bawdy story, while a drunken Trevor tries to avoid a fight and just get another drink before finding a place to piss and pass out.
    Trevor: I'm Trevor fucking Belmont, and I've never lost a fight to man nor fucking beast. (Trevor immediately gets tripped and an incredibly large man walks up to him, holding a chair over his head) Oh shit... (WHACK)
  • As Bosha's argument gets more heated, he asks Kob where he came from.
    Kob: Well, out of your aunt, according to you.
    Bosha: You came from shit! I came from shit! We all came from shit!
  • When Bosha interrogates Trevor and asks him for his name, Trevor smugly and drunkenly replies, "Jesus of Nazareth".
    • Just to give context, prior to that Bosha had seen Trevor's family crest and was trying to get him to admit to being a Belmont. The Belmonts were excommunicated, stripped of their lands, and basically had their names dragged through the mud for allegedly using witchcraft. Trevor is the last of the Belmonts, and the villagers are angry with him because they blame the Belmonts for bringing Dracula's wrath down upon them by consorting with the devil. His reply that he is "Jesus of Nazareth" is both hilarious and brilliant foreshadowing as both he and Jesus are saviors to people that didn't appreciate them in their time. At least, not at first.
    • Prior to the actual fight, we have Trevor trying (and failing) to hide his lineage.
      Trevor: (seething) The Belmonts fought monsters, son. (Beat, he realizes what he just said) ...So I'm told.
    • Also, just before that exchange, an amusing Call-Back to the goat-fucking rant from the last episode:
      Trevor: I’m leaving, okay? I’m. Leaving. Now.
      Bosha: So you can lead your monster friends back here?
      Trevor: So I can find somewhere to piss and somewhere else to sleep.
      Bosha: [belligerently] Oh, you can sleep right here.
      Trevor: [smug grin] You haven’t got your shovel.
  • Trevor letting the men know he has a shortsword and a whip, but he's so drunk that he mixes up the two, gesturing to his whip and calling it a shortsword and his shortsword is the whip.
  • Once Trevor starts fighting instead of trying to de-escalate, things get pretty funny. He deals with Bosha trying to kick him while he's doubled over by just grabbing the man's leg, one-handed, and lifting him until he falls flat on his face. The other brawlers he can easily deflect past him with minor movements. . . until the fact that he's shit-faced drunk catches up with him. The kicker is the music: a light, whimsical peice that tells us for dead certain Trevor is in precisely zero real danger.
  • After Trevor knocks down the man confronting him, he gets charged by the barkeep, and two others, and as they run towards him, one carelessly stomps right on the man's face.
    Bosha: Fucking FACE down 'ere!
  • The same fight has Trevor getting very unamused over the numerous kicks to his crotch.
    Trevor: (wheezing) Would you please leave my testicles alone?!
  • Although Trevor gets his ass thoroughly kicked, he still walks out of the tavern, under his own power, and none of the barflies follow him. Trevor then proceeds to vomit all over the road. And then he curses the barflies one last time:
    Trevor: Bastards. I hope you all bleed out (breathes heavily)... THROUGH YOUR ARSES! Every last rat bastard one of you.
  • Also from the same episode, Trevor's tussle with a couple of corrupt priests. This time, he's stone-cold sober.
    Trevor: (sounding not very sorry at all) Oh, hell! I'm sorry, I was trying to snatch the stave out of your hand. How's your finger?
    Priest: WHAT FUCKIN' FINGER?!
    Trevor: (Rather knowingly) That's no way for a man of the cloth to talk.
  • When Trevor asks for a drink from the Speaker, he's offered water. Trevor stutters in disgust and opts out.
  • Trevor reveals he knows about the Speakers and casually mentions his father got into a fistfight with one. The Elder Speaker insists that no Speaker would willingly indulge in violence. Trevor clarifies that his father wanted to write down the Speakers' stories on paper. Seems even pacifists have limits.
  • As he leaves to find the Speaker elder's grandchild, Trevor casually snatches an apple just as a Speaker tries to take a bite of it.

Labyrinth

  • While descending into the cyclops' lair, the floor crumbles underneath Trevor, but he manages to land on his feet.
    Trevor: Hah! Reflexes like a cat! *floor crumbles again, and this time his landing is not as smooth*
  • Trevor discovering the Cyclops.
    Trevor: (taps Sypha’s statue form lightly on the forehead with his short sword) Either someone left a statue of a Speaker down here or-
    (Cue rumbling footsteps and the Cyclops coming into view)
    Trevor: Cyclops... (dodges the Cyclops’s petrification beam and hides behind a column) Stone-Eye Cyclops! Right out of the family bestiary! God shits in my dinner once again.
    • Later in the fight, he is not happy when his idea of stabbing it in the chest doesn't get the desired result.
      Trevor: Come on. Come on! You're dead! Stop and notice you're dead! (dodges eye laser AGAIN, getting part of his cloak petrified in the process and having to break it off) Bastard!
  • Unlike the games, Trevor and Sypha don't exactly get off to a good start. After defeating the cyclops, Sypha is restored from being turned to stone and then proceeds to throw up.
    • Just the timing of her vomiting. It looks like she's about to thank Trevor for saving her. ...but then, she gags and throws up.
    • Her reaction upon realizing Trevor essentially used her statue form as a literal stepping stone, she's far from amused...
      Sypha: Did— Did you climb on me?!
      Trevor: Mm, a bit...
      Sypha: That was rude.
      Trevor: Excuse me?
    • And...
      Sypha: I'm Sypha Belnades.
      Trevor: (whispering) I don't care.
  • Trevor describing the Bishop as "over-the-top and into new lands of just snake-fuckingly crazy". There are hand gestures.
  • After Trevor leaves after returning Sypha to her grandfather and declines their help, she of all people suggests this line:
    Sypha: I could pee in a bucket and tell him it's beer.
    Elder Speaker: Sypha! He saved your life!
    Sypha: He's RUDE.
  • When the priests come for the Speakers, they only find Trevor in their hiding place. Trevor says he sent the Speakers "somewhere safe". Cut to them in the Cyclops' lair, with the monster's still-bleeding corpse, in a scene that lasts just long enough to see where they are and for Arn to say:
    Speaker: I swear it just moved.

Monument

  • Trevor steps on a pressure plate that obviously causes something to move and, with his foot still on top of it, looks at Sypha and says: "I didn't do that."
  • Alucard's reveal is very over the top. He spends at least two minutes floating while having a conversation with Trevor and Sypha about what they believe and think, and he hides his fangs behind long blond hair.
    • Heck, his appearance is, essentially, a beautiful shirtless floating young man with black skinny jeans, long blond hair, and a massive scar over his chest. Meanwhile, Sypha is wearing full-length robes and Trevor is clad in pants and a tunic that has his family crest embroidered on it. Alucard is just so out of place that the only reason it really works is because it's him.
    • Trevor delicately hanging a lampshade on the whole situation by referring to Alucard as "Floating Vampire Jesus."
  • As Trevor unfurls his whip and strikes at Alucard, he mutters, "Stone the fuck up."
  • When Trevor starts losing his battle with Alucard, he tries going for a Groin Attack, which Alucard shrugs off without even flinching. Even the music stops as if to say "What the hell?"
    Alucard: (entirely unruffled) Please. This isn't a bar fight. Have some class.
    Trevor : (headbutt)
  • After Alucard seems convinced of the sincerity of Trevor and Sypha's quest...
    Sypha: You are the sleeping soldier!
    Alucard: I'm aware of the stories. I'm also aware that the Speakers consider the story to be information from the future. Do you know the whole story?
    Sypha: (starts, blushes) Yes.
    • It's possible that she's finally realized that she represents one of the trio foretold to defeat Dracula... or the rest of the story mentions what the hunter and the scholar would do after defeating Dracula.
    • Trevor says that no one told him about the Hunter and the Scholar helping the Sleeping Soldier.
      Sypha: Why do you think my grandfather was so desperate for you to stay?
      (Beat as Trevor thinks)
      Trevor: (exasperated) I hate Speakers.
  • Sypha portentously says she came into the labyrinth to search for the sleeping soldier. Trevor adds that he just fell down a hole.
  • The fact that after the fight with Blue Fangs and his minions, Trevor and Sypha spend several minutes just continuously falling through the ruins under the city with collapsing floor after collapsing floor, until it reaches Overly Long Gag status.

    Season 2 
War Council
  • Lisa helping an old woman by giving her some medicine which was powder mixed with strawberry wine. The old lady asks if there was foot skin powder, which her old healer used.
    Lisa: My God. I'm amazed any of you are still alive.
    • As she leads her patient out, she adds that her medicine was science of things they have long forgotten, "No foot skin required."
  • Godbrand objects to Hector and Isaac being in charge of the next attack. Their responses?
    Hector: Godbrand, you've never met anything you didn't immediately kill, fuck, or make a boat out of.
    Isaac: I don't understand why our lord doesn't tie you up outside with the rest of the animals.
    • Godbrand's counterargument?
    "Bigot! I like boats! I'm a fuckin' Viking! We're supposed to make boats out of things!"
  • Trevor's less than optimistic words to Sypha after she watches her family leave. She notes that he's terrible at being nice to others.

Old Homes

  • Trevor and Sypha arguing again.
    Trevor: I'm a nice person, I am! I know how to be nice!
    Sypha: No, you don't!
    Trevor: I do! I'm nice to everybody!
    Sypha: Then why are most of the stories you've told me in the last few days been about you arriving somewhere and then getting punched in the face?
    Trevor: That's because... everyone else is a horrible piece of shit!
    Sypha: See?
    Trevor: What?
  • After Alucard tells Sypha he hopes she will be able to reunite with her family soon, she points out to Trevor how much nicer Alucard was, while Trevor looks around a chest for alcohol.
    Trevor: Tell her about Dracula's castle, Alucard. Her day can't get any more ruined.
  • Alucard and Trevor both admitting to being glad they didn't kill each other, but there's still a bit of hostility in their tones. With Alucard saying how he would have killed Trevor, and how Trevor would have flayed Alucard and made him into shoes. Again, hand gestures are involved.
  • Sypha goes off to find a covered wagon on the proviso that Trevor and Alucard do not kill each other. The following pretty much summarizes Trevor and Alucard's entire relationship.
    Alucard: Oh please, we're not children. (Sypha leaves)
    Trevor: Eat shit and die.
    Alucard: Yes, fuck you. (Both begin laughing)
    • Sypha's face as she leaves sells the scene. She clearly realizes she is now den mother to these two childish assholes.
  • When Dracula asks Carmilla about Godbrand's chances with her, Carmilla answers:
    "I may, if all the other Vampire males in the world dropped dead... and half the females... some of the animals."
  • Explaining Dracula's plans to Trevor and Sypha, Alucard describes a world without humans: "Flowers will still grow. Birds will still sing. Animals will still hump away in the undergrowth."
    • Soon after, the conversation is interrupted:
      Trevor: You hear that?
      Alucard: Animals humping in the undergrowth?
    • Being a vampire with superhuman senses, he might actually be able to hear them.
  • While deciding whether or not to attack a town near running water (as vampires can't cross running water), Godbrand, Carmilla, Hector, and Isaac get into a debate about what qualifies as "running water" until Dracula silences them. It's supposed to be a tense moment, but the way Dracula shouts "Enough!" makes him come off less like the unholy lord of Castlevania addressing his infernal court and more like an annoyed father breaking up his arguing children. The entire conversation is almost Seinfeldian.
    Isaac: Running water? I've never heard of that affecting vampires...
    Godbrand: Death by running water hasn't happened in many centuries.
    Hector: Why not?
    Godbrand: Look around! We moved into the middle of countries!
    Hector: I've been told vampires couldn't cross running water.
    Godbrand: I've been on boats. I've had baths.
    Isaac: When?
    Hector: Baths aren't running water though, are they?
    Godbrand: Course they are.
    Isaac: How can baths be running water? The water stopped being poured when you get in.
    Carmilla: The Greeks used to bury us on small islands because the whole graves would be surrounded by running water.
    Godbrand: I think I would probably feel like running water would kill me.
    Carmilla: Really? Do you feel like poison would kill you? Of course you don't. It's a thing you learn. It's not like we're given a manual for being a vampire.
    Dracula: (suddenly rises from his throne) Enough!

Shadow Battles

  • While a bit tearjerking and heartwarming for Trevor to reminiscence over a tree from his childhood to Sypha, it is a bit funny the way he says, "Good night, tree."
  • Alucard is disturbed that he had a better childhood than Trevor, to which Trevor points out, "And your dad's fucking Dracula." Alucard cracks a smile at this, and they share a laugh with Sypha over it.
  • As Trevor tries to move the rubble away from the stone tablet, he grunts and asks help clearing it. Being half-vampire, Alucard walks over and simply tosses the stones aside as if they were made of cardboard (with one hand). Sypha wordlessly hands Trevor back his torch, which he takes in equal shock. Alucard's done in about ten seconds.
  • When Sypha succeeds in opening the secret door to the Belmont hold, Alucard can't resist needling Trevor, with understated but very evident glee:
    Alucard: Well, well. Naughty Belmonts, hunting the terrible things of the forest but sitting on a magic door opened by occult language.
    Trevor: I didn't know it was a fucking magic door. Doesn't make us black magicians.
    Alucard: But you know that the word 'Teloch' means 'of death', right?
    Trevor: Shut up.
    Alucard: It's the magical door of death, Belmont.
  • Trevor explains some of his family background, including the fact that they're originally French but moved to Wallachia a few centuries previously to follow the monsters they hunt after Leon Belmont paved the way.
    Alucard: Moved, or chased?
    Trevor: Moved, thank you very much.
    Alucard: With people behind you waving pitchforks and torches? (Sypha facepalms)
  • There's also Alucard's description of the interior of the hold, after the trio get their first good look at it.
    Alucard: Your ancestors were apparently mentally ill hoarders. I fully expect to find family cats mummified on some of these shelves. ...Unless your family preferred to eat them.
    • When Sypha asks about whether or not the books were properly shelved, Alucard still manages to snark about the whole damn place.
      Alucard: I imagine one sacrifices a chicken, divines the location of the book you want from the intestines. Maybe Belmont has a crystal ball in here you can ask.
      Trevor: Shut up.
  • Godbrand complains to Dracula about how they would be fed, since Dracula would provide them with mainly animal blood, Godbrand says that pigs blood gives him the shits.
  • Carmilla confronts Godbrand about what happened between him and Dracula, he storms off saying how they were all gonna die because what Dracula was doing was practically suicide and Carmilla tries to get him to listen to her.
    Godbrand: I'm not gonna fuck you, Carmilla! I'm too pissed off!
    Carmilla: You stupid bastard. (cue Literal Ass-Kicking)

Broken Mast

  • Sypha needling Trevor about the origin of his name. He explains that he was named after Trefor, a friend of his ancestor Leon Belmont. To his exasperation, Sypha starts trying to make nicknames out of it.
    Sypha: Tre-for. I like that.
    Trevor: Oh, it's terrible.
    Sypha: Treff. Treffy?
    Trevor: Oh, my God, no.
    Sypha: You are Treffy, now!
    Trevor: Don't— (the two burst out laughing)
    • What makes it funnier is how the scene cuts to Alucard, whose reflection looks confused at all the cheery laughter.
  • Dracula and Isaac talking about Hector and how he may be wavering. Isaac notes that Hector equates everything to animals and how he's still innocent like a child, especially when bringing dead animals back to life as pets. This resulted in Hector's parents' scorning him. Dracula amusingly comments that it would be mildly disturbing for any parent to see a reanimated cat doing tricks for their son.

Last Spell

  • Carmilla gets a report that they couldn't find Godbrand anywhere in the castle.
    Carmilla: Really? How hard could it be to find Godbrand? There's only so many things in this castle he can sleep under, drink, and try to have sex with.
    • Hilariously, Issac can be seen from her window scattering Godbrand's ashes
  • Sypha says she found a box of spells... all about penises. Alucard is not sure if it belonged to Trevor or his ancestors.
    Alucard: (jokingly) You're certain it's one of his ancestors? You didn't find it under his childhood bed?
  • Hector trying to get Isaac to agree on moving the castle to Braila makes Isaac show some without even trying.
    Hector: I know that, strictly speaking, we've never really been friends.
    Isaac: It seems counterproductive to cultivate human friends when we're engaged in the project of ending the human race.
    Hector: But we are in the same side.
    Isaac: Is this where we kiss like benedictine monks from different monasteries?
    Hector: (Genuinely shocked) ...I don't think I've ever heard you try to tell a joke before.
    Isaac: You still haven't.
    • Isaac's reasons for accepting Hector's proposal are Hilarious in Hindsight. He agrees on the grounds that it would get Carmilla to stop scheming (It doesn't) and point the war effort in the right direction. The generals end up fighting against Carmilla's forces from Styria before the main trio come to kill them all.
    • The latter even makes Isaac chuckle; "I imagine it would even make Godbrand smile." No doubt Godbrand is cursing him from hell.
      • Hector's response to that line ("Well, you talked me out of it.") even gets a chuckle out of Isaac.
  • While looking around the library, Alucard scolds Sypha on being distracted by Trevor, which Sypha shoots back by asking if she wasn't working hard enough for Alucard. Cue Alucard following her around while listing all of Trevor's negative aspects, and he doesn't seem to realize that he's become the distracted one.
  • Alucard telling Sypha that he grew up really quickly, prompting her to ask Alucard to explain what he meant. He tells her he literally grew incredibly fast, to her amusement.
    Sypha: That... may explain something.
    Alucard: What?
    Sypha: Perhaps you're just an angry teenager in an adult's body.
    Alucard: (looks at her in confusion)
    • The look on his face is doubly amusing because it also implies that it's exactly what he is. She basically called him an angsty teenage edgelord, and he can't even deny it.
  • Sypha's first belief to the demons banging on the door is that it's God Himself coming to enact holy vengeance on her for knowing a "forbidden" language.
    Sypha: See? God hates me!
    (Pounding becomes more intense, followed by the howls of the Damned)
    Alucard: That's probably not God.
    Sypha: (look of horrified understanding)

The River

  • Trevor tries to board up the door, but it doesn't fit, so he decides to just lean the plank onto the door to hold it. It falls down a few seconds later, and the door opens the other way, so he decides to just walk through it.
  • Trevor looks up to see one of the many monsters coming towards him, and one is a firedrake.
    Trevor: Firedrake. Just what I need in an underground hold full of paper.
    • After he manages to take it out with the morning star, the explosion blasts him into the other room.
      Trevor: Probably just as well I didn't get to play with the whip when I was a kid.
  • Trevor trying to intimidate a monster with a stick.
    Trevor: You're an evil-looking bastard, aren't you? Well, I'm armed with a- (looks down at his stick) A stick! Hm? So, I'll understand if you want to run away now.
    • Made even funnier and also somewhat awesome when he kicks the monster's ass with said stick.
  • Carmilla's stunned reaction when the castle suddenly starts to move on Sypha's will and vanishes. In doing so killing most of her troops when it causes the (holy water) river to flood the city and castle entrance.
    "What the fuck just happened?"
  • Sypha at first is giddy that she managed to move Dracula's castle on top of them... Only to realize that since it was literally on the surface of the Belmont library, that may have not been the best idea.
    Alucard: Where did you land the Castle, Sypha?
    Sypha: (cheerfully) Right on top of us! (Realizes) Oh. Hmm, yes, I... landed it on the surface. Right above this... underground space that's probably only held up by wood and... dirt. [Beat] Let's go.
  • There's something darkly funny about the Bishop of Gresit being reanimated as a zombie in the service of a vampire.
    • If what Blue Fangs said about God is true, it means He appreciates the bishop more as a mindless undead servant. Or that whatever demon that inhabits his body is more pious than the bishop himself!
  • Fridge-Funny: So Carmilla has Hector revive the Bishop with Necromancy and has him somehow bless an entire river to be made of Holy Water. On paper, that doesn't make sense. ...Until one realizes the entire thing is one big Stealth Insult to the bishop: as a soulless zombie brought on by necromancy, he's far holier than he ever was in life.

For Love

  • After Sypha lifts the group out using an ice pillar, she brings up the rest and tosses it off into the woods. It's pretty funny even after she explains why she did that.
    Sypha: Well, I didn't want to leave it in there to melt and ruin all your beautiful books.
    Alucard: (lifts up his boot) It seems damp enough out here as it is.
  • Trevor pretty much sums up the upcoming fight sequence of the trio versus the vampires. Even better is that Sypha enthusiastically agrees and Alucard says nothing to disagree:
    Trevor: I terrify them. Sypha disorients them. Alucard goes over the top and we support him.
    Sypha: Yes!
    Alucard: (unsheathes his sword) Begin.
  • Trevor's Oh, Crap! face when Dracula launches himself at him from across the room.
  • Trevor, despite having a wooden stake, Leon Belmont's sword, and the Morning Star with him, decides that his opening move is to punch Dracula in the face. Repeatedly. This ends up being about as successful as his attempt to knee Alucard in the junk. Dracula's reaction could also be interpreted as Trevor not being the first Belmont to try this tactic, which makes it even funnier that he identifies him because of it.
    • It's difficult to describe without seeing it, but Dracula is so unaffected by Trevor's punches he doesn't even move, like the physical impact literally doesn't register. Dracula had already started speaking the above line before Trevor even stopped.
    • You can also hear Dracula's amusement at Trevor punching him, like for the first time in the fight he's actually enjoying himself.
  • When Sypha holds back Dracula's enormous fireball, she is slowly being pushed backwards. How does Trevor support her? He helpfully leans against her back to keep her in place. It essentially amounts to a great vampire hunter using his own body for Mundane Utility.

End Times

  • Trevor constantly blaming Sypha for breaking the castle and her indignation. It gets even better when Alucard also agrees that she broke the castle.
    Trevor: We can't move this thing. Sypha broke it—
    Sypha: I did not!
    Alucard: You kind of did.
    Sypha: I do not break things.
    Trevor: So we agreed she broke it.
    Alucard: Oh, yes.
  • Instead of wasting away, Trevor proposes Alucard does something else since he has Castlevania and the Belmont library in the same place, in blunt-Trevor fashion.
    Trevor: Behold, you sulky half-vampire bastard. I bequeath you the Belmont Hold.
  • Sypha wants Trevor to join her as her handsome sidekick. Or mascot. Or her deformed pet bear who people throw free food at.
  • Sypha and Alucard are saying their farewells to each other.
    Alucard: (referring to Trevor) Don't let that idiot get you into too much trouble.
    Sypha: Never.
    Trevor: (the sacks he was stacking fall on him)
    Sypha: Well, maybe just enough trouble.
    Alucard: (grinning) Just enough.
  • How does Alucard say goodbye to Trevor? He flips him off.
    Trevor: Ah... Fuck you.
  • While Carmilla and Hector are holed up, waiting for sundown, Hector notes that the townspeople have been keeping their distance. Carmilla muses that they're probably getting their Torches and Pitchforks ready, then dryly remarks that she can't really blame them, all things considered.

    Season 3 
Bless Your Dead Little Hearts
  • After the somewhat tranquil scene of Alucard fetching food for his dinner, he starts talking to a doll of Trevor and then he voices the Trevor doll's lines in what's both incredibly amusing and heart-wrenching. Then the camera pans over to a Sypha doll who he also voices for. What sells it is his reactions after he finishes the full conversation.
    Alucard: What do you think, Trevor?
    "Trevor": I think I hate everything and everybody, so I'm gonna get drunk on beer that's been brewed in an old sheep carcass, and then I'm going to stick my tiny penis in a dead dog I found in a ditch to make hate-babies or something 'cause I actually am more stupid than mud.
    "Sypha": You are a horrible, terrible person, and many other words for "horrible" and "terrible", 'cause I know all the words, 'cause I'm smarter than everybody, and one day, I will go back to live with my flea-bitten family in a cart, which makes me better than everyone, and you will all die in a fire. A big one.
    (beat)
    Alucard: Oh my god. I am losing my mind. (glances at his wine glass and downs the entire thing) It's only been a month. I think.
    • Part of what really sells the scene is that Alucard's impression of Trevor's voice is very accurate and his Sypha voice includes her accent. He even gets the rhythm of Sypha's dialogue right!
      • An earlier version of the scene has a pair of turnips instead of dolls, complete with roots positioned in a way that resembles a grumpy arm cross and a cross-legged sitting gesture, perfectly in-character for Trevor and Sypha.
  • Sypha's intentional Bad "Bad Acting" as the night creatures close in on them, Trevor's expression shows that this isn't the first time he's had to sit through this.
    • Speaking of the Night Creatures, there's something humorous about how, after two seasons of seeing them exclusively in dark or bone-white color schemes, the first ones we see in this season are bright green and pink.
  • When recounting the various unpleasant folks they've run into on the road, Trevor reserves particular annoyance for one man who dressed up his carriage like a boat to call himself "The Pirate of the Roads." Later on, when they get to town, the Count of St. Germain grumbles that he hopes it isn't "that idiot who put wheels on his boat" again.
  • A merchant comes up and asks for 3 coins for every tooth on the monster. Trevor replies he can have the teeth if he pulls it out himself. Cue a Funny Background Event of the man trying to pry the teeth out as best he can.
  • Trevor finds something he's been longing for: a man selling beer.
    Trevor: Could I get a mug? I'll have some coins in a minute.
    Barkeeper: You killed that bastard thing, you get one free.
    Trevor: (clasping his hands) I love you.
    • What makes the scene even more hilarious is Trevor's response after he finally has his drink: to say that it's Better than Sex. Then has to verbally backspace when he realizes Sypha was standing right behind him. Even better, this is how we confirm their Relationship Upgrade since last season.
      Trevor: Oh my god. (sighs) That is better than sex.
      Sypha: (looks offended and freezes his beer) "Better than sex"? (storms off)
    • Trevor’s face as he stares at the frozen remains of his drink gives the impression that he might just cry.
    • Trevor tries to calm Sypha down which goes as well as one would expect from these two.
      Sypha: I do hope you sleep well tonight. With my tiny, icy foot shoved all the way up your-!
      (Cut to a vampire breaking some ice in a barrel)

The Reparation of My Heart

  • Carmilla recalling an incident of Lenore nearly tearing down the castle because she was looking for a splint small enough for a spider she found with a broken leg. Lenore pouts at the accusation.
  • Trevor wakes up lightly snoring next to Sypha, both of them naked and very much at peace. He relaxes in bed for a while... and then Sypha turns around and flops her hand onto his face.
    Trevor: I'm awake now.
    Sypha: Mmm, Sh'up.
    Trevor: I'm sorry?
    Sypha: (pats him lightly) Good boy.
  • After convincing Sala to grant him access to the priory, Saint Germain excitedly ponders to himself that his plan might actually succeed:
    Saint Germain: How could it be otherwise? I am immortal and glorious, and all these other people smell of piss.

Investigators

  • Apparently one of the monsters Sypha and Trevor had to fight off was a group of flying demon goats that flew around, with the worst of it being that "their shit was on fire," or as Trevor puts it, "burning devil goat turds from the sky". Trevor, the experienced monster hunter who punched Dracula in the face, sounds absolutely traumatized as he tries to describe it, and outright calls it "disturbing."
    Trevor: They shat on the farm, Sypha. And their shit was on fire. [...] Burning. Devil. Goat. Turds. From the sky.
  • Sypha telling Trevor if he knows that people sometimes have sex with goats.
    Trevor: Oh, I've heard.
  • The Judge tells Trevor and Sypha that he's asking for their help because they're heroes... and because he thinks they might actually like doing something. Trevor says he's not a hero, Sypha is... and adds that she's mad. The Judge states that he noticed, and that's why he thinks they might actually like doing something.
  • Sypha teasing Trevor that if he looked at her, he'd "crack like an egg". Trevor sweats as he gives in with a whimpered "yes".
  • The Captain describing Isaac's service under Dracula as "suicide the long way around".

I Have a Scheme

  • Sumi and Taka find Alucard's dolls of Sypha and Trevor while he's fetching wine. He tries to get them to ignore them. They proceed to ask him exactly how long he's lived alone, to which he replies "Years", before correcting himself.
    Alucard: Oh, years... or possibly a couple of months.

A Seat of Civilisation and Refinement

  • When Saint Germain asks Sypha where she took to drinking ale, she slyly mentions that she's taken to the rough aspects of the world. Cue Trevor stating that she means him.
  • Saint Germain is clearly attempting to build up the mystique about his interest in the priory to both Trevor and Sypha, but when he finally and almost breathlessly asks if they had heard anything of the Infinite Corridor, they both reply with a flat and unimpressed "Yes".
    Saint Germaine: Well, I suppose this was the wrong company to unveil occult secrets in and expect to be impressive.
  • Saint Germain taking a break from his metaphysical monologue about the Infinite Corridor to complain about having to hike all the way across "the gaping, gray asshole of Eastern Europe" to find it. He also takes a moment to complain about the wine.

The Good Dream

Worse Things Than Betrayal

  • Alucard asks the two what they know about vampire anatomy.
    • Alucard then points out it's a little more complicated than that — but that it's a good place to start.
  • Carmilla telling Morana and Striga she could hear their spat through several walls and three snoring boys.
    Morana: I do not want to know.
  • St. Germain brushing off the Judge who questions why he was drinking with Belnades and Belmont the other day.
    St. Germain: I'm extremely famous and they wanted to meet someone who'd seen toilet paper.
    Judge: What the fuck is toilet paper?
    St. Germain: It's Chinese. Good morning, Judge.
    • The joke comes back around when St. Germain questions why some pages in a book are missing, in which he gets a response of, "maybe someone wanted to rub their backside with it. I understand they use paper for that in the orient." Even funnier, it's the borderline Cloudcuckoolander Sinister Minister Sala who already knows what the hell toilet paper is.
  • As Trevor takes on two of the cult members, he manages to knock out one and kill the other. However, he has to dispose of the one he killed so he stuffs him in a nearby barrel. Which leads to further problems when the man won't fit. So... with a bit of disgust on his part, Trevor takes the man's leg, bends and breaks it.
    • What makes this scene slightly funnier is how there are three children playing in the background as Trevor tries to hide the man's body.

What the Night Brings

  • As the cult follower Trevor brought over protests, St. Germain barges in leading Trevor to ask him to wait a moment before pinching their captive's neck and knocking him out.
    Trevor: Carry on.

The Harvest

  • Alucard trying to sleep, even crossing his arms the way vampires would.
    Alucard: ...Maybe I should make myself a coffin.
    • Made even more hilarious because we've previously seen that vampires sleep in the daytime. Even if he did get a coffin, Alucard probably wouldn't sleep much better.

Abandon All Hope

  • When St. Germain realizes the Infinite Corridor has been opened into Hell, Trevor asks how he can even be sure that's what they're looking at. St. Germain starts to bring up a bad night with the King of Bohemia and a bag of something that turned out not to be opium before saying it's not important.
    Trevor: What the hell is that?!
    St. Germain: Well, that is very probably actually Hell!
  • By the time he finds the Magician's traveling mirror, Isaac is a little tired.
    Isaac: (Looks at the shards floating in the air) If I have to call you "Sir," I am going to give up and live in a ghost town with a mad magician woman who will probably eat my eyes while I sleep.
  • A minor moment occurs when Lenore and Hector are accompanied by two guards when they meet the sisters so Lenore can report on her success. Carmilla sounds annoyed that Hector is being allowed into "their room", before she takes a glance at the guards behind them and says "Seriously, we don't even let the guards in here". The two guards who accompanied Hector and Lenore proceed to look distraught before fleeing out of said room while Lenore continues the conversation like nothing happened.
  • Definitely a case of Black Comedy, but when Lenore adds a large bed to her list of demands for Hector's accommodations, Carmilla and the other members of her council act with disgust; basically equating Lenore is going to having sex with her pet.
    Lenore: Oh and the house is going to need a really big bed. It turns out he's actually very good at sex, and I want to train him.
    Carmilla: Eww, get away from me.
    Morana: Seriously, I didn't need that information.
    Striga: Leave, now.
  • Lenore liked Hector, so she put a ring on him. ALL THE SINGLE LADIES!

    Season 4 

General

  • Everything involving Varney. He's a pompous, lazy git who brags about his age and how Dracula personally sent him, and absolutely nobody respects him. Not Ratko, not Isaac, not Saint Germain, and perhaps not even the civilians he terrorizes. And when he turns out to be Death, it makes everyone pissing on him more hilarious.
    • Isaac takes a call from Varney, then forbids his mirror from accepting his contact ever again. Yep, he used an evil magic mirror to block Varney.
      Issac: Sir Mirror, do not allow this one to call me again, and go to sleep.
      Varney: Fuck y-(call ended)
    • And the mirror still wants to be called "Sir." Isaac even rolls his eyes and sighs in exasperation when he remembers this after first addressing the mirror and not getting an answer.
    • Saint Germain and Varney meet in person, and Varney instantly begins posturing, trying to prove his cleverness to Saint Germain to hilariously failed results. Even funnier when you learn that Varney is much more than he seems.

Episode 1: "Murder Wakes It Up"

  • The Cameo in the opening montage from Shaft and Gilles De Rais. Two of Dracula's most prominent henchmen, both of whom successfully revived him in their respective games, and both get unceremoniously killed in the first five minutes of the episode.
  • After several weeks of tracking various vampires that are constantly engaged in necromantic research, Trevor kills a vampiric priest that it turns out was trying to resurrect Dracula:
    Sypha: (examining a bunch of glowing runes) It's a spell. It will have the name of the person he was trying to bring back from the dead.
    Trevor: Oh, let me guess...
    Sypha: It decodes as "Vlad Dracula Ţepeş".
    Trevor: Why the fuck would anyone do that?
    (the captives shrug)
    Trevor: (to the captive humans) Hm? Would you do that?
    (most of the captives shake their heads)
    Trevor: Oh, exactly. God, this is getting on my nerves! (to the dead vampire priest) I wish I could fucking kill you twice!
    • One of their adventures leads them to a swamp with a vampire controlling skeletons. Once they get rid of it, Sypha snarkily asks Trevor to pick a better spot to pee next time. The next week, they slay a group of night creatures that they stumbled across who were worshipping a painting of Dracula. This time it was Sypha who picked the wrong spot to go to the bathroom.
  • Sypha complaining about how her time with Trevor has coarsened her language in the middle of a battle against a pack of Fleamen.
    Sypha: Shit!
    Trevor: ...what did you just say?
    Sypha: I said "shit", okay?!
    Trevor: Yes, it's just that you never, y'know...curse...
    Sypha: I never used to, and then all this happened, and then you happened!
    Trevor: Me?!
    Sypha: Yes, you! I was nice! And then I met you, and now, I'm like you!
    Trevor: Oh, so it's my fault.
    Sypha: It's all your fault! You did this to me!
    Trevor: I found you turned into a statue in a fucking tomb!
    Sypha: And climbed all over me, and since that moment, everything has been shit, and...I'M FUCKING TALKING HERE! (incinerates the last remaining Fleamen) You turned me into someone who says "shit"! FUCKITY SHIT HAIRY ARSE-WARTS GIANT SLIMY BALLS! SHIT!
    • Of course it's Fleamen who end up irritating her to the point of swearing.
  • In an incredibly Black Comedy moment, Alucard comes out from the Castle to relieve himself on the rotten corpses of Taka and Sumi.
    Alucard: I should drink more water and less wine. This is coming out as scabs and wax.
    • As he reads the plea for help that arrives shortly afterward, he briefly ponders when exactly people started calling him "The Alucard of the Castle".
  • Alucard's back and forth with the horse, telling it not to move from where it was and then grumbling as it snorts. It's unclear if Alucard Speaks Fluent Animal, or is just that bad off from his isolation.
    Horse: (whinnies unhappily)
    Alucard: A little less of your shit, please.
  • While Alucard is washing himself up he looks at himself in the mirror and comes to the realization of who he's becoming, after having so many bad things happening to him and returning them in kindnote ... He's becoming Belmont.
    • Afterwards, Alucard makes a concentrated effort to go out of his way to help the villagers pleading for aid and get himself out of his depressed funk throughout the season, with his comments and wording implying that the idea of starting to become even remotely like Trevor Belmont horrified him so much, it motivated him to do anything he could to avoid it.

Episode 2: "Having the World"

  • Hector bribes a vampire sorcerer with a bottle of either blood or wine from Carmilla's personal supply in order to get him to talk about a map of Hell in his possession...and then threatens him that he will tell Carmilla what was the sorcerer doing with her shoes, if he doesn't comply. The vampire stares at him and lets out a small nervous grunt.
  • Hector and Lenore's back and forth when he claims he needs his hammer to be perfect and precise, which Lenore then jokes that it was probably a metaphor for men holding their penises. This turns into the two comparing items that need the right "length" and "holes" for "fingering". Hector repeatedly tries to stop Lenore from making innuendoes, she insists that making him uncomfortable entertains her and she's bored. Finally, at the end of the conversation, Hector insists he must make a hammer to do his devil-forging, and it must be made to exacting specifications, "or nothing will come out of the tip." Lenore immediately declares him disgusting.
  • Trevor asks Sypha not to burn the farmhouse down like last time and both start fighting about it. While fighting off night creatures.
    Sypha: I did that one time!
    Trevor: One time was enough!
    Sypha: It had a giant spider in it!!
    Trevor: It wasn't giant!
    Sypha: It was ten feet tall!!
    Trevor: Maybe eight.
    Sypha: So what, eight feet tall isn't giant?!
  • Ratko and Varney watching Trevor and Sypha attempt to fight off their creatures. Ratko then talks about how smooth and pretty Trevor and Sypha's skins looked.
    Varney: What? You want to go down there and marry the two of them?
    Ratko: I want to wear their skins.

Episode 3: "Walk Away"

  • Isaac's plotline is re-introduced by Flyseyes playing with the doll of a dead girl. One of the night creatures sees what he's doing and his only defense is that he was checking if it still worked. When Flyseyes leaves to talk with Isaac, the night creature picks the doll up and grunts to ask if he still wants it, much to the latter's embarrassed indignation. The night creature drops the doll and walks away while chuckling.
    • The scene immediately following is funny in just how weird it is seeing all these monstrosities doing something as normal as fixing up a town. Over there's a thing with four wings helping with a second floor wall, and over there's something that looks like a cross between a dog and a dragon carrying a brick in its jaws...
  • As their camp is under attack, Striga quickly goes to the coffin she brought to take out her armor. Morana notes Striga never opens that crate, and Striga gives only a slight explanation of it holding "Day Armor" before getting on to business.
    Striga: Get in the damn coffin, love.
    • After the battle, Striga goes to retrieve Morana who tells her she's glad she's alive so she could kill her herself. She complains about how awful the coffin smelled as she's helped out.

Episode 4: "You Must Sacrifice"

  • When Alucard meets Greta, he tells her to call him "Alucard", and specifies "no 'the'".
  • Alucard's first time meeting Germain? He sees him come walking out of the latrine and asked if he was hiding in there because he was scared. Germain attempts to lie his way through, but only starts to dig himself deep.
  • Greta giving Alucard the run down of what she wants and how she won't take any of his shit if he wasn't going to be fully committed to help protecting her people. But she does note that he made quite the entrance.
  • Just like Sypha, Alucard's time with Trevor has made him not just bitter and distant, but also very coarse, and he laments he's turning into Trevor.
    Alucard: [After being roped into dealing with more human problems] And God shits in my dinner once again... Oh no... I really am turning into Belmont. Is life even worth living through?
    • It's funny to think that part of the reason he was spurred to action is because he realized he's becoming just like Trevor in season 1 and wants absolutely none of that.
    • The really funny part is that we never heard Trevor say that in front of Alucard. So either there was some offscreen moment where Alucard heard Trevor, or Alucard really is not so different from Trevor after all.
    • And the funniest part is that he sounds like he's about to break down into tears, like turning into Trevor is the worst fate imaginable.
    • It's even funnier when you take into account that there is a universe where Alucard is Trevor.
  • While they discuss their plan to bring back Dracula, Dragan begins posturing and threatening Saint Germain. The latter is completely unfazed, mocking the vampire's reputation as "storied Dragan of hundred ambushes and a thousand dead". Infuriated Dragan hisses at him....prompting Saint Germain to backhand him and compare his threatening gesture to a "cow farting." Dragan's Blink-and-You-Miss-It baffled expression when Saint Germaine slaps him has to be seen to be believed.

Episode 5: "Back in the World"

  • During the march towards his castle to give the Danesti villagers shelter, Alucard confides in Greta his tragic dealings with Sumi and Taka, including how they seduced him before trying to murder him. As it turns out, Greta and Alucard have much in common: they are both bisexual, and she was also in a three-way relationship with a man and a woman that also ended with an attempt on her life. Birds of a feather!
    Greta: I had a boyfriend and a girlfriend at the same time once, but they never tried to kill me. Actually, no; I tell a lie. His wife went for me with a pitchfork.
    (Alucard laughs at that)
  • Greta identifying Germain as a wizard and claims she can smell magic. Alucard apparently smells of sweet spices while Germain smells foul. Germain tries to salvage this by claiming it was because Alucard was able to take a bath with soaps while he had to fight her chickens for the pond water.
    Greta: And lost.
  • Everyone's reactions to seeing the castle. Germain is astounded and excited to see more. Greta? She talks about how it's as ugly as sin and it looks cold and unwelcoming.
    Alucard: That's my childhood home you're talking about.
    Greta: Well, that explains a lot.

Episode 6: "You Don't Deserve My Blood"

  • As Isaac breaks through a window, he comes across a group of vampires who had been studying and the vampires look on in shock. Isaac then calmly snaps his fingers and his night creatures immediately massacre the entire room.
  • Hector's serene manner as he hurries through finishing up his tasks and explaining to Lenore what he's been up to, all the while she's trapped in a magical cage and freaking out, while Isaac's minions rampage through Styria. He's fully expecting Isaac to show up and kill him at any moment and at most he sounds like someone trying to finish up his tasks for the day before clocking out. His deadpan prediction of what's going to happen to him crosses over into Black Humor.
    Hector: If you'll excuse me, I have to go and get killed now.
  • Isaac finishes his business with Hector and goes to face Carmilla. As he walks through Lenore's cage he sarcastically gives her a "Lady" before leaving.
    Lenore: Fuck you!
  • Hector is stunned when Isaac lets him live, because he genuinely had no plan after confronting him again.
  • Before Carmilla kills herself, she prepares to make a final declaration, until Issac and his night creatures avert Talking Is a Free Action.
    Carmilla: I am Carmilla of Styria, and-
    (Issac rushes at her)
    Carmilla: FUCK YOU!

Episode 7: "The Great Work"

  • Alucard playing with the children. By jumping off the roof, falling down towards them and halting midair as he's right over them.
    Alucard: Boo.
    (The kids stare for a second, then break into laughter)
  • As Germain is scanning the castle in order to set his talismans, he looks at a particular painting and scoffs over how ugly it is. The painting in question? A cat stuck in a flower vase.
    • Remember, this oddly-innocuous painting is currently hanging in Castlevania.
  • Trevor and Sypha flat-out tell Zamfir that they have to see the Underground of Targoviste and won't take "no" for an answer. Zamfir apparently concedes... and then says that she tuned out whatever they had been saying the last few minutes, simply deemed them finally worthy of the visit, and that they should "know their place." Can you say, "arrogant aristocrat-turned-defender of a ruined city?"
    • At this point, it's Sypha who's making strangling motions behind her back and Trevor who placates his girl.
  • The episode introduces the Cross Haladie, as well as an... interesting explanation for why vampires hate crosses. As it turns out, while Holy Burns Evil, crosses themselves aren't inherently "holy" icons. According to Trevor, the reason why all vampires (including non-European ones) nevertheless flinch in sight of them is that vampires have different eyesight compared to humans, including poor field-of-view close up, so shoving a geometric shape up right in their face "confuses the shit out of their brains and makes them panic."
    • Consider that the power of the divine is provably real in the Castlevania universe, making it hillarious that Crosses and Crucifixes being holy is apparently just old superstition, but Holy Water is very much real.
  • When Trevor moves to barge past the men guarding the supposed royal family, Zamfir is behind him making poking motions with both hands at him. The guards let him pass, leaving her to glare at them like, "Oh come on, can't you dimwits just impale the asshole?"
  • When Zamfir reveals the titular Great Plan and how it all hinges on completely impossible logic and dooms hundreds of people to death, Sypha points out that she's insane. Zamfir agrees, catching Sypha completely off-guard.
  • The entire time Sypha is trying to get through to Zamfir and her delusional rantings, we can see Trevor poking through all of the things in the Underground Court trying to find useful magical items.

Episode 8: "Death Magic"

  • In the previous episode, Zamfir made a point of how critical the Underground Court's channel of holy water was to protect the people against vampires, and how they couldn't let anyone drink it because the water would protect them. In this episode, Varney just jumps over the channel with barely a pause. Potential Foreshadowing that he's not actually a vampire, though he does register distaste at it.
  • The group is pushed into the castle with Greta and Alucard holding the monsters back. Alucard signals for Greta to get inside but she keeps looking back and realizing that Alucard may be trying a Heroic Sacrifice. She simply grabs his belt and yanks him inside the castle just as the doors close as if saying, "Nope. You are not being a sacrificial idiot on my watch".
  • As Alucard and Greta get the people inside and attempt to board up the door.
    Greta: I assume those fuckers can climb.
    Alucard: (beat) I should have thought of that.
    Greta: (grinning) Lucky you have me here to run your life for you now.
  • Saint Germain begins going off the deep end, comparing himself to God, then declaring:
    "And He's finally going to have sex again."

Episode 9: "The Endings"

  • As the Night Creatures rampage through Castlevania, one ends up shredding the dolls Alucard made of Trevor and Sypha. Truly, many sins can be laid at Death's feet.
  • Trevor and Alucard re-unite.
    Trevor: Evenin'.
    Alucard: (smiling) As if my day wasn't going badly enough: It's Trevor Belmont.
  • Death is hilariously casual and moreover crass in his speaking habits for a soul-devouring entity that has existed since the dawn of all life itself.
    Death: Why is it that only human hands can reach into Hell? Don't you think that's weirdly fucked up?
    Death: ...is there a point to this? Are you dictating your fucking obituary to me, Belmont?
    Death: (After a battered Trevor falls over) Aw, he fell down!
    • Death's Badass Boast to Trevor in the trailer sounds ominous enough, until the show shows it to be a truncated version.
      Death in the trailer: "You know me. I'm going to eat your soul."
      Death's full quote: "I'm going to eat your soul, shit it out, and use it to smother your fucking girlfriend to death."
    • Even his voice is funny. Rather than something silky smooth, or booming and authoritative, he's a bit wheezy and raspy, like he desperately needs a glass of water, and speaks in a deadpan tone.
  • Trevor's parting words to Sypha?
    Trevor: "Trefor" is a terrible name!
    • Made funnier when it's revealed he said that because Sypha was likely going to name their child that.
  • Even though it's the prelude to a Badass Boast, Trevor calling out to Death like it simply owes him money is hilarious
    Trevor: "Oi, Death, I want a word with you."

Episode 10: "It's Been a Strange Ride"

  • Hector and Lenore both remarking on how weird it is seeing Isaac being so happy.
    Lenore: King Isaac, the happy bastard!
  • Greta teasing Alucard that everything was her idea, while Alucard says she's wrong and everything was actually his idea. She then starts to run circles around him by claiming she only said that in a way that would make him think it was his idea.
    Alucard: Ignoring for the moment that you are considerably more insane than I previously assumed...
  • Greta in general is having a great deal of fun lovingly bullying the son of Dracula for his own good. At one point she encourages Sypha to stay in Belmont specifically to help Greta teach "this brilliant but actually fairly useless man" how to run his life. Alucard, who was standing right next to her at the time, just smiles.
  • As Alucard approaches a somber Sypha who has apparently not spoken to anyone for two weeks according to Greta, she tells him she's going through with her and Trevor's original plan. To return to her caravan because she's pregnant and would need a community to help her raise and help her properly when she has to give birth. Alucard's only response was to give her a flat "Congratulations".
    • Sypha half-jokingly tells him to say it like Trevor before attempting an impression of him. Alucard admits it's very close.
  • Trevor returning to the castle and Sypha tearfully runs up to him. He reveals he was aware she was pregnant, she wonders how he could have possibly known. Trevor replies that he's apparently picked up a knack for such things, how else could he have remained single all this time? She immediately drops him on the ground and angrily storms off.
    Sypha: Can someone please come over and kill this man?!
    Trevor: (groaning face down in the dirt) It won't be hard.
    • A moment later, Trevor begins to needle Alucard about the fact that Alucard now runs a village. Alucard needles him right back.
      Trevor: You have a village now? What's it called?
      Alucard: (straight-faced) Treffy.
      Trevor: [Beat] Can someone please come over and kill me?
    • When she realizes it's Trevor she's holding, Sypha's so shocked she devolves into Buffy speak.
      Sypha: How- What- All the questions! You, answer, now!
  • Trevor explains what the dagger he used to kill Death really was: a weapon an insane blacksmith wizard enchanted to enact a Murder-Suicide pact with God Himself. Trevor does tell Alucard that the pact was "very one-sided", though.
  • Lisa and Dracula are alive again and find shelter at an inn for the night. Lisa jokes to Dracula he'd have to get used to people just calling him "Vlad".
    Lisa: I can't be introducing you as Dracula Ţepeş, honestly no relation, don't look too closely at his teeth.
  • The fact that Lisa and Dracula woke naked in the field, and thus had to steal some clothes is a hilarious thought. it also begs the question of how they managed to find a man who is as tall as a vampire overlord.
  • Lisa jokingly suggests the idea of Dracula, upon dying and being sent to hell, confronting Satan and demanding that he get out of his chair.
    Lisa: I assumed you had other options; shouting at Satan until he admitted he was just keeping the chair warm for you.

Top