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* ''VideoGame/RuneScape'': In the game's early years most quests dealt with various separate plots taking place across Gielinor, with small connections here and there. The closest thing to a Myth Arc were the Mahjarrat, a tribe of seemingly immortal beings ShroudedInMyth whose magical power was unmatched by most mortals, and the player's efforts in aiding or hindering them as they collectively prepared to gather in the north for a ritual that would see one of them sacrificed in order to rejuvenate the rest. This particular plot culminated with the release of the quest Ritual of the Mahjarrat, where [[spoiler:[[ArcVillain Lucien]] was killed by the [[DraconicHumanoid Dragonkin]] for abusing the power of the [[ArtifactOfDoom Stone of Jas]]]]. After that things escalated as various other Myth Arcs began to develop, such as [[spoiler:the return of the gods to Gielinor following [[BalanceBetweenGoodAndEvil Guthix]] being [[KillTheGod assassinated]], [[ManipulativeBastard Sliske]] forcing the gods to [[DivineConflict fight each other]] for the Stone of Jas, the [[TheOldGods Elder Gods]] and their conflict with the mortal races as they prepare to [[EndOfTheWorldAsWeKnowIt remake the universe]], and the looming threat of [[EldritchLocation Erebus]], a separate universe of entropy and death whose inhabitants possess [[OmnicidalManiac unending hatred for all life]]]].

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* ''Literature/TheGardenOfSinners'' is heavily myth arc-driven, but half of its chapters/movies are actually mostly self-contained episodes. The mythology arc concerns Shiki's Void Origin and [[BigBad Souren Araya's]] schemes to capture it and consists of the chapters (in chronological order) "Murder Speculation (Part 1)", "Hollow Shrine", "Paradox Spiral", and "Murder Speculation (Part 2)", as well as the original epilogue. The remaining chapters, "Overlooking View", "Lingering Pain", "Oblivion Recorder", and the bonus chapter "Future Gospel", are mostly standalone VillainOfTheWeek entries, even though said villains all eventually turn out to have a connection to Araya (except in the bonus chapter).



* ''Literature/TheGardenOfSinners'' is heavily myth arc-driven, but half of its chapters/movies are actually mostly self-contained episodes. The mythology arc concerns Shiki's Void Origin and [[BigBad Souren Araya's]] schemes to capture it and consists of the chapters (in chronological order) "Murder Speculation (Part 1)", "Hollow Shrine", "Paradox Spiral", and "Murder Speculation (Part 2)", as well as the original epilogue. The remaining chapters, "Overlooking View", "Lingering Pain", "Oblivion Recorder", and the bonus chapter "Future Gospel", are mostly standalone VillainOfTheWeek entries, even though said villains all eventually turn out to have a connection to Araya (except in the bonus chapter).
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* ''WebAnimation/AlgicosathlonRises'' has the outbreak of a war in the show's world during the competition, leading to the discovery of evil factions trying their best to capitalize on the conflict.
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* ''Webcomic/{{Housepets}}'': The mystery of Pete the Gryphon and his freeing (When Grape and Peanut are the primary focus), the Cosmic Game (When King is introduced), its end, and its aftershocks (When Marion is introduced) tie into each other to form one grand storyline.
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It is also believed that {{anime}}, which [[UsefulNotes/TheJapaneseInvasion began reaching overseas popularity during the 1990s]], played a factor in Western cartoons (which traditionally runs on the idea of the ResetButton) starting to display more and more examples of this trope as well, thanks to a lot of popular shows from that part of the animation medium having story arcs running the entirety of their series, which can sometimes span hundreds of episodes, with examples including the ''Anime/{{Macross}}'' and ''Franchise/{{Gundam}}'' franchises.

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It is also believed that {{anime}}, which [[UsefulNotes/TheJapaneseInvasion [[MediaNotes/TheJapaneseInvasion began reaching overseas popularity during the 1990s]], played a factor in Western cartoons (which traditionally runs on the idea of the ResetButton) starting to display more and more examples of this trope as well, thanks to a lot of popular shows from that part of the animation medium having story arcs running the entirety of their series, which can sometimes span hundreds of episodes, with examples including the ''Anime/{{Macross}}'' and ''Franchise/{{Gundam}}'' franchises.
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* The basic goal of ''Toys/{{Bionicle}}'' is the inhabitants of the Matoran Universe uncovering mysteries about their own origin and about their "deities", [[BigGood the Great Spirit]] Mata Nui and the elusive Great Beings. It has a couple broader arcs:
** The primary SeriesGoal is various Toa teams trying to reawaken Mata Nui and stop [[BigBad Makuta]]'s schemes. There's also a subplot of the first introduced Toa team (the Toa Mata, later updated to Toa Nuva) discovering their past after suffering from LaserGuidedAmnesia.
*** The 2001-03 Mata Nui saga (titled "The Joy and Deception of Mata Nui" in the UniverseBible) is about protecting the island named Mata Nui from Makuta's underlings, but that not all is what it seems. The main heroes are the Toa Mata/Nuva and the adventurous Matoran villager Takua.
*** The 2004-05 Metru Nui saga is a {{prequel}} explaining Makuta's turn to evil and how the Matoran abandoned and forgot about Metru Nui and relocated to Mata Nui. The main heroes are the Toa Metru/Hordika team. Organizations like the Brotherhood of Makuta, the Dark Hunters and an expanded universe is introduced.

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* The basic goal summary of ''Toys/{{Bionicle}}'' is the inhabitants of the Matoran Universe uncovering mysteries about their own origin and about their "deities", [[BigGood the Great Spirit]] Mata Nui and the elusive Great Beings. It has a couple broader arcs:
** The primary SeriesGoal is for various Toa teams trying to reawaken Mata Nui and stop who has been put to sleep by [[BigBad Makuta]]'s schemes. Makuta]]. There's also a subplot of the first introduced Toa team (the Toa Mata, [[MidSeasonUpgrade later updated upgraded]] to Toa Nuva) discovering their past after suffering from LaserGuidedAmnesia.
*** The 2001-03 Mata Nui saga (titled "The Joy and Deception of Mata Nui" in the UniverseBible) is about protecting the island named Mata Nui after the Great Spirit from Makuta's underlings, but that not all is what it seems. The main heroes are the Toa Mata/Nuva and the adventurous Matoran villager Takua.
Takua. This arc is a literal surface-level introduction setting up the reveal that the true Matoran Universe is under the island.
*** The 2004-05 Metru Nui saga is a {{prequel}} explaining Makuta's turn to evil and how the Matoran abandoned and forgot about Metru Nui and relocated to Mata Nui. The main heroes are the Toa Metru/Hordika team. Organizations like the Brotherhood of Makuta, the Dark Hunters Hunters, multiple other Toa groups and an expanded universe is are introduced.
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* The basic goal of ''Toys/{{Bionicle}}'' is the inhabitants of the Matoran Universe uncovering mysteries about their own origin and about their "deities", [[BigGood the Great Spirit]] Mata Nui and the elusive Great Beings. It has a couple broader arcs:
** The primary SeriesGoal is various Toa teams trying to reawaken Mata Nui and stop [[BigBad Makuta]]'s schemes. There's also a subplot of the first introduced Toa team (the Toa Mata, later updated to Toa Nuva) discovering their past after suffering from LaserGuidedAmnesia.
*** The 2001-03 Mata Nui saga (titled "The Joy and Deception of Mata Nui" in the UniverseBible) is about protecting the island named Mata Nui from Makuta's underlings, but that not all is what it seems. The main heroes are the Toa Mata/Nuva and the adventurous Matoran villager Takua.
*** The 2004-05 Metru Nui saga is a {{prequel}} explaining Makuta's turn to evil and how the Matoran abandoned and forgot about Metru Nui and relocated to Mata Nui. The main heroes are the Toa Metru/Hordika team. Organizations like the Brotherhood of Makuta, the Dark Hunters and an expanded universe is introduced.
*** The 2006-08 Ignition Trilogy continues the present-day story, focusing on the hunt for the Mask of Life to save Mata Nui's life and finally awaken him. Further prequel plots were crammed into flashbacks to detail the origins of the Toa Mata, the Makuta species and the Matoran Universe as a whole. Many new islands and the Order of Mata Nui are introduced. The 2006 Voya Nui arc focuses on the Toa Inika team, who then become the Toa Mahri for the 2007 Mahri Nui arc. This is followed by the return of the Toa Nuva for the final Karda Nui arc in 2008.
** After Mata Nui's awakening, further stories were planned to explore his origins and the mystery of the Great Beings on the planets Bara Magna and Bota Magna. Due to the series' cancellation, only the 2009-10 Bara Magna saga was completed, in which Mata Nui uncovers the secrets of his creation and takes down Makuta. Details about the Great Beings were shared by the writers in fan correspondence.
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Prior to the rise of streaming in 2010s, the trend was to alternate between these plot-advancing mythology stories and more one-off stories (MonsterOfTheWeek or [[BreatherEpisode breather]] episodes), making it easier for new viewers to get into the show and ensuring some short-term gratification while keeping the viewers' interest over the long run. Prior to this, [[SeasonFluidity heavily serialized shows]] like ''Series/{{Heroes}}'' did exist on network television, but they did not become frequent in Western media until streaming services such as Creator/{{Netflix}} and Creator/{{Hulu}} allowed for audiences to more easily engage with such programs without fear of ContinuityLockOut, making it easier for creators to convince studios to let them produce such programming.

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Prior to the rise of streaming in the 2010s, the trend was to alternate between these plot-advancing mythology stories and more one-off stories (MonsterOfTheWeek or [[BreatherEpisode breather]] episodes), making it easier for new viewers to get into the show and ensuring some short-term gratification while keeping the viewers' interest over the long run. Prior to this, [[SeasonFluidity heavily serialized shows]] like ''Series/{{Heroes}}'' did exist on network television, but they did not become frequent in Western media until streaming services such as Creator/{{Netflix}} and Creator/{{Hulu}} allowed for audiences to more easily engage with such programs without fear of ContinuityLockOut, making it easier for creators to convince studios to let them produce such programming.
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* ''Franchise/TheWalkingDeadTelevisionUniverse'': The original series ultimately revolves around the main cast trying to find a safe home that they can survive in and possibly rebuild civilization in a world overrun by the undead. The show ends with the main cast's community becoming a prosperous chapter of a powerful, benevolent multi-state alliance of communities where finally, they can live in peace and with the resources to prepare for any hostile threats. The subsequent sequel shows and spin-offs, ''[[Series/TheWalkingDeadDeadCity Dead City]]'', ''[[Series/TheWalkingDeadDarylDixon Daryl Dixon]]'', as well as prior-released spin-off's like ''[[Series/TheWalkingDeadWorldBeyond World Beyond]]'' and the final season of ''Series/FearTheWalkingDead'' all show that, after over a decade in the apocalypse, the world has similarly been able to see numerous civilizations take firm footholds. Small nomadic groups like what the main cast originally consisted of tend to join the larger civilizations, many of whom are establishing law and order in their territories again. A character in ''Dead City'' makes the prediction that ultimately, the MythArc of the franchise going forward is the clash of the new civilizations in the post-Fall world.

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* The ''VideoGame/XenobladeChronicles'' trilogy is also known as the "Klaus Saga," as the worlds of each game deal with the fall-out of [[spoiler: Earth being split in two due to a phase-transfer event triggered by the scientist Klaus using the Trinity Processor drawing power from the Conduit.]] Mostly serving as thematic underscoring and backstory for prominent characters, ''VideoGame/XenobladeChronicles3FutureRedeemed'' marks the conclusion of the saga by finally bringing it into the forefront while also connecting it directly to the events of ''VideoGame/XenobladeChronicles3''. [[spoiler: It's also heavily implied in ''Future Redeemed'' that the other Xeno games - ''VideoGame/XenobladeChroniclesX'', ''VideoGame/{{Xenosaga}}'' and even ''VideoGame/{{Xenogears}}'' - are, at least in BroadStrokes, canon to the Klaus Saga, with concepts and even a few characters from the previous games being referenced. If, as is assumed, the split and eventually re-merged Earth of ''Xenoblade'' is in fact ''Xenosaga'''s [[EarthThatWas Lost Jerusalem]], then the entire ''Xeno'' meta-series is all part of the same Myth Arc.]]

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* The ''VideoGame/XenobladeChronicles'' trilogy is also known as the "Klaus Saga," as the worlds of each game deal with the fall-out of [[spoiler: Earth [[spoiler:Earth being split in two due to a phase-transfer event triggered by the scientist Klaus using the Trinity Processor drawing power from the Conduit.]] Conduit]]. Mostly serving as thematic underscoring and backstory for prominent characters, ''VideoGame/XenobladeChronicles3FutureRedeemed'' marks the conclusion of the saga by finally bringing it into the forefront while also connecting it directly to the events of ''VideoGame/XenobladeChronicles3''. [[spoiler: It's [[spoiler:It's also heavily implied in ''Future Redeemed'' that the other Xeno ''Xeno'' games - -- ''VideoGame/XenobladeChroniclesX'', ''VideoGame/{{Xenosaga}}'' ''VideoGame/{{Xenosaga}}'', and even ''VideoGame/{{Xenogears}}'' - -- are, at least in BroadStrokes, canon to the Klaus Saga, with concepts and even a few characters from the previous games being referenced. If, as is assumed, the split and eventually re-merged Earth of ''Xenoblade'' is in fact ''Xenosaga'''s [[EarthThatWas Lost Jerusalem]], then the entire ''Xeno'' meta-series [[ThematicSeries meta-series]] is all part of the same Myth Arc.]]

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* In ''Series/{{Castle}}'', finding who killed Beckett's mother, and the organization behind him.
** The 3XK plotline seems to be a ''second'' myth arc for the show.

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* In ''Series/{{Castle}}'', ''Series/Castle2009'', finding who killed Beckett's mother, and the organization behind him.
**
him. The 3XK plotline seems to be a ''second'' myth arc for the show.

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* ''Manga/FairyTail'' has the dragons' disappearance (and the number 7) which it will occasionally throw a tidbit out for. [[spoiler:Until the direct involvement of seven dragons being brought from the past and seven Dragon Slayers fighting them, and later they meet one of them in the present again]].
** Another myth arc is about the dark wizard Zeref, who seems ever closer to bringing chaos about for every arc that passes by.

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* ''Manga/FairyTail'' has two. One involves the dragons' disappearance (and the number 7) which it will occasionally throw a tidbit out for. [[spoiler:Until the direct involvement of seven dragons being brought from the past and seven Dragon Slayers fighting them, and later they meet one of them in the present again]].
** Another myth arc is about
again]]. The other Myth Arc concerns the dark wizard Zeref, who seems ever closer to bringing chaos about for every arc that passes by.
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* ''VideoGame/{{Doom}}'' mixes this with CanonWelding, which retroactively turns the entire franchise into a Myth Arc. The original series started off on a relatively simplistic premise (a soldier stationed on the moons of Mars gets caught in the middle of an invasion by Hell and ends up having to fight his way out, with the sequel then moving that invasion to Earth and continuing said soldier's war there). The ContinuityReboot that is ''VideoGame/Doom3'' more or less retreads this same premise, albeit in a more grounded way (the Hell invasion is sparked by the work of an insane scientist and the protagonist is more of an ActionSurvivor than the classic series' "Doomguy"). Then came the second reboot in [[VideoGame/Doom2016 2016]] (and more specifically the revelations that came out of its sequel, ''VideoGame/DoomEternal'') that threw everything on its head: [[spoiler:For one thing these continuties ''aren't'' separate. Rather the dimension that is known as "Hell" is actually inteconnected across the entire multiverse and Hell has been allowed to invade these different dimensions at the whim of another dimension known as "Urdak" and its leader the Khan Maykr. As a result of this the superpowered individual only known as "Doom Slayer" is in fact ''the'' Doomguy from the original series of games who got pulled into this interdimensional conflict as a result of the events of ''VideoGame/Doom64'', wherein his decision to stay behind in Hell after the most recent incursion put him in contact with Argent D'Nur -- another reality that experienced a Hell invasion and whose warrior people rescued Doomguy from his endless battle with the legions. From here a long-winded series of events that gave Doom Slayer his powers and transported him to a counterpart Mars much further in the future from his own time period would eventually reveal that Doom Slayer is a counterpart to the king of evil himself who had been invading these realities for eons in a bid to claim souls to convert to Argent Energy -- the very substance that drew Doom Slayer into the battle on Mars originally]].
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* ''Literature/ReignOfTheSevenSpellblades'' has the overarching SeriesGoal of main character Oliver Horn's [[spoiler:quest to assassinate the seven professors who murdered his mother]], but this storyline mostly sits and develops in the background. The meat of most volumes is more typical WizardingSchool fare about intramural intrigue and TeenDrama.
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* ''WesternAnimation/YoungJustice2010'' has a running plot thread. It involves the Light: A collection of DC Supervillains with a goal to make Earth a galactic superpower. Season 1 was about finding a way to make Earth noticed, while Season 2 was about undermining one of their "partners", and Season 3 deals with metahuman trafficking that plagues the galaxy.

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* ''WesternAnimation/YoungJustice2010'' has a running plot thread. It involves the Light: A collection of DC Supervillains with a goal to make Earth a galactic superpower. superpower, with a buildup towards a galactic war. Season 1 was about finding a way to make Earth noticed, while Season 2 was about undermining one of their "partners", and "partners". Season 3 deals with metahuman trafficking that plagues the galaxy.galaxy as well as where the arc actually started. Season 4 was a bit more abstract, but turns out to be an arc about getting an army or a powerful lieutenant for the 2 future sides of the war to come.
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* The entire ''Film/BackToTheFuture'' trilogy is essentially a three-part story about Marty and Doc Brown trying to undo all the damage their screwing around with time travel has done to the timeline.

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* The entire ''Film/BackToTheFuture'' ''Franchise/BackToTheFuture'' trilogy is essentially a three-part story about Marty and Doc Brown trying to undo all the damage their screwing around with time travel has done to the timeline.
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** ''VideoGame/CallOfDutyZombies'', originally developed by Treyarch, has three arcs to date: The Aether story, and the Chaos story. The former consists of all ''Zombies'' maps released from ''VideoGame/CallOfDutyWorldAtWar'' to the end of ''VideoGame/CallOfDutyBlackOpsIII''; ''VideoGame/CallOfDutyBlackOpsIV'' introduces the Chaos story, which is explicitly set in another universe and is separate from the Aether storyline, which continues and concludes in ''IV''. The third story is the Dark Aether story, which is a soft reboot of the Aether story. Chaos has unfortunately, for the time being, ended on a cliffhanger due to focus shifting to the Dark Aether story. The Aether story revolves around an endless cycle of death and destruction caused by zombies raised from the dead by eldritch forces with the main protagonist, Edward Richtofen, either aiding or trying to stop the destruction. The Chaos story revolves around a group of adventurers trying to stop an ancient order from taking over the world with zombies, and the Dark Aether story follows on from the end of the Aether as a soft reboot and sequel.
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* ''Anime/RevolutionaryGirlUtena'' is usually divided into either three or four different story arcs, but the entire series is a single story building up to an [[IncrediblyLamePun apocalyptic]] finale, showing how [[spoiler: Akio grooms and manipulates Utena through a specific set of trials, all leading up to the moment where she trusts Anthy enough to let her draw the sword of her heart and stab her in the back with it]].

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* ''Anime/RevolutionaryGirlUtena'' is usually divided into either three or four different story arcs, but the entire series is a single story building up to an [[IncrediblyLamePun [[{{Pun}} apocalyptic]] finale, showing how [[spoiler: Akio grooms and manipulates Utena through a specific set of trials, all leading up to the moment where she trusts Anthy enough to let her draw the sword of her heart and stab her in the back with it]].
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* The ''VideoGame/XenobladeChronicles'' trilogy is also known as the "Klaus Saga," as the worlds of each game deal with the fall-out of [[spoiler: Earth being split in two due to a phase-transfer event triggered by the scientist Klaus using the Trinity Processor drawing power from the Conduit.]] Mostly serving as thematic underscoring and backstory for prominent characters, ''VideoGame/XenobladeChronicles3FutureRedeemed'' marks the conclusion of the saga by finally bringing it into the forefront while also connecting it directly to the events of ''VideoGame/XenobladeChronicles3''.

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* The ''VideoGame/XenobladeChronicles'' trilogy is also known as the "Klaus Saga," as the worlds of each game deal with the fall-out of [[spoiler: Earth being split in two due to a phase-transfer event triggered by the scientist Klaus using the Trinity Processor drawing power from the Conduit.]] Mostly serving as thematic underscoring and backstory for prominent characters, ''VideoGame/XenobladeChronicles3FutureRedeemed'' marks the conclusion of the saga by finally bringing it into the forefront while also connecting it directly to the events of ''VideoGame/XenobladeChronicles3''. [[spoiler: It's also heavily implied in ''Future Redeemed'' that the other Xeno games - ''VideoGame/XenobladeChroniclesX'', ''VideoGame/{{Xenosaga}}'' and even ''VideoGame/{{Xenogears}}'' - are, at least in BroadStrokes, canon to the Klaus Saga, with concepts and even a few characters from the previous games being referenced. If, as is assumed, the split and eventually re-merged Earth of ''Xenoblade'' is in fact ''Xenosaga'''s [[EarthThatWas Lost Jerusalem]], then the entire ''Xeno'' meta-series is all part of the same Myth Arc.]]
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* The ''VideoGame/XenobladeChronicles'' trilogy is also known as the "Klaus Saga," as the worlds of each game deal with the fall-out of [[spoiler: Earth being split in two due to a phase-transfer event triggered by the scientist Klaus using the Trinity Processor drawing power from the Conduit.]] Mostly serving as thematic underscoring and backstory for prominent characters, ''VideoGame/XenobladeChronicles3FutureRedeemed'' marks the conclusion of the saga by finally bringing it into the forefront.

to:

* The ''VideoGame/XenobladeChronicles'' trilogy is also known as the "Klaus Saga," as the worlds of each game deal with the fall-out of [[spoiler: Earth being split in two due to a phase-transfer event triggered by the scientist Klaus using the Trinity Processor drawing power from the Conduit.]] Mostly serving as thematic underscoring and backstory for prominent characters, ''VideoGame/XenobladeChronicles3FutureRedeemed'' marks the conclusion of the saga by finally bringing it into the forefront. forefront while also connecting it directly to the events of ''VideoGame/XenobladeChronicles3''.
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* ''Franchise/Metroid''
** The 2D ''Metroid'' games follow an arc centered around the titular creaters, from their discovery and use as a weapon, to their extermination, to the discovery of their true purpose, [[spoiler:culminating in the protagonist becoming a Metroid herself.]] WordOfGod has stated ''VideoGame/MetroidDread is the finale of this specific arc.

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* ''Franchise/Metroid''
''Franchise/{{Metroid}}''
** The 2D ''Metroid'' games follow an arc centered around the titular creaters, from their discovery and use as a weapon, to their extermination, to the discovery of their true purpose, [[spoiler:culminating in the protagonist becoming a Metroid herself.]] WordOfGod has stated ''VideoGame/MetroidDread ''VideoGame/MetroidDread'' is the finale of this specific arc.

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