Follow TV Tropes

Following

YMMV / Spy Kids 3-D: Game Over

Go To

  • Accidental Innuendo: "Hold onto your joysticks, boys"
  • Awesome Music: The credits has "Heart Drive", a rap-metal duet between Alexa Vega and Bobby Edner with a bitchin' chiptune-inspired synth hook sprinkled on top. It's so cheesy it goes around to being awesome.
  • Big-Lipped Alligator Moment: The appearance of the "real Guy". He just suddenly shows up, gives an inspirational speech... then he gets severely curb-stomped, booting him out of the game. He is never talked about again, and his only impact on the entire plot amounts to briefly helping them enter the final level.
  • Better on DVD: The home releases can be played without the 3D effects from the theatrical release, so the action can be watched without eye straining red-blue tints.
  • Ensemble Dark Horse: The "real" Guy. It helps that he's played by Elijah Wood.
  • Ham and Cheese: Sylvester Stallone as the Toymaker. He is clearly having the time of his life as a madman evil video game programmer who talks to holograms of himself as a hippie, a general and a mad scientist. Him sporadically shouting his dialogue helps.
  • Heartwarming Moments/Tear Jerker: In spite of how ridiculous the rest of the film can be, the final scene between Grandpa Valentin and Sebastian (the Toymaker's real name) is surprisingly somber and poignant.
    • To wit, the Toymaker has been spending his entire life in dread of Valentin, because of his biggest mistake during his time in the OSS forever crippling his former friend, and leading to his own fall into evil. It doesn't help that people keep on constantly (including him) believing that Valentin is seeking vengeance on the Toymaker, something that makes everyone deeply worried. Valentin calmly lays out just how much pain the fallout of the Toymaker's actions caused him, leaving him unable to enjoy many simple pleasures he once took for granted (like walking on the beach with his wife). He then reveals that despite how much pain he went through, he decided to forgive the Toymaker, because he recognizes that it was not done out of ill intent, and that he's since gained an appreciation for different aspects of his life. The Toymaker has just the absolute most guilt-ridden and heartbreaking face in response to all this, like he's never considered the possibility of this ever happening, and just wallowed in his guilt for years. Valentin, calling the Toymaker by his real name Sebastian, ends up imploring him to forgive himself (and also to make the decision quickly given their situation)...an offer that Sebastian can only too gladly take, turning off the machine with a simple two words:
      Sebastian: Game. Over.
    • Leaning more into the Tear Jerker side, Floop's opening scene (where he explains the 3-D effect to the audience) is prefaced with a brief recap of the previous film, framed as a pop-up book about a Thumb Thumb named Juni, who was considered a great hero by his village, until one day he was betrayed by the very people he swore to protect, prompting him to leave the Thumb Thumb village, never to return.
      Floop: No one lived happily ever after...
  • Hilarious in Hindsight:
    • Juni being referred to, within a video game, as "the Guy". And when the real "Guy" does show up, he dies almost instantly. Sounds about right.
    • Juni at one point is controlling a giant yellow robot.
    • Bobby Edner would later make his mark in video game history as the voice of Vaan.
  • Magnificent Bastard: "The Toymaker" real name Sebastian, is a former OSS agent, who went rogue one mission, where he was considered so dangerous that the OSS imprisoned him in Cyberspace. Plotting a way to escape, the Toymaker created a virtual reality video game named "Game Over" and released it to kids all over the world, where all the kids became hooked and their minds trapped in the game. Anticipating that the OSS would send agents in to shut the game down, Toymaker ended up capturing Carmen Cortez on Level 4. When Juni Cortez is sent into the game, he brings in Grandpa Valentin, the Toymaker's former partner who was crippled by him. Knowing Valentin was hunting him, Toymaker sees this as an opportunity to be freed. He subtly influences the game to guide Juni and the players to Level 5, including planting Demetra as "the Deceiver" and sending a powerup that restores Valentin's use of his legs. Just as predicted, Valentin releases the Toymaker where he then attacks the real world, but when Valentin forgives his old friend, Toymaker voluntarily pulls a Heel–Face Turn and is accepted by the heroes as family.
  • Memetic Mutation:
    • The sheer lunacy of "The Guy" being built up only to appear and be booted immediately afterwards. Elijah Wood playing him for basically 2 minutes makes it more surreal.
      The Guy: Cake.
    • "DID SOMEBODY RING THE DINKSTER?!" And then the quote mutated further into "The Dinkster Channel". Explanation
    • Comparing the final battle, in which Carmen and Juni call in every character from the entire series for backup, to the climax of Avengers: Endgame. Multiple videos have been made syncing this scene with "Portals", the music that plays during the Endgame scene.
    • "Gonna tell my kids this was Sword Art Online." or any comment comparing the two.
    • That the armor suits look like Iron Man suits.
  • Narm: What does Juni say after the supposed death of Demetra? That he didn’t even get her e-mail address. Uh ha.
  • Narm Charm: Gregorio violently destroying the fifth brain upon learning his children need his help, after describing it as the "most important moment of his life". With slow-motion to booth. Needlessly over-the-top, yet it works.
  • Presumed Flop: A lot of fans thought that the movie flopped financially due to the story and dated special effects, which also thought to be the contributor on why there wasn't a sequel until 8 years later. But it grossed over $197 million worldwide against a production budget of $38 and it's the highest revenue out of the original three movies.
  • Retroactive Recognition:
    • The girl that "owns" the water park at the beginning is played by a young Selena Gomez.
    • One of Glen Powell's earliest roles was the bit role of "Long-fingered Boy" in this film.
  • Sequelitis: With copious amounts of Special Effect Failure, Dull Surprise acting, and a disjointed plot, critics and audiences both disliked this entry.
  • So Bad, It's Good: Some consider it the best movie in the series for being the most unintentionally hilarious.
  • Special Effect Failure: The 3D is very poorly done, barely resembling 3D at all. Understandable, seeing as this movie came out when the advent of 3D was still trying to get on its feet, and the movie itself was filmed using a primitive version of James Cameron's 3D camera system.
    • The greenscreening is also incredibly blatant, especially during the fight scene at the end of the movie.
    • The Toymaker's Mad Scientist persona is very obviously wearing a bald cap.
  • They Wasted a Perfectly Good Character: The Programmers are established as crucial to the creation of the game and as especially powerful enemies being able to knock people back to level one and cost Juni a life just by poking his chest. Further, they're a malicious force that is completely human in contrast to the mindless monsters in the game. They're only used for a quick gag and chased away in the short scene they show up for.
  • They Wasted a Perfectly Good Plot: The film might have been a little better if it had put more focus on Grandpa getting to feel young and powerful again, instead of summing his Character Development up in a little speech at the end (on the other hand, this can work in the movie's favor, since together with the final speech to the Toymaker it gives the feeling that the idea of him needing to feel young and powerful again, or having legs, is a mistaken assumption that Juni and the Toymaker make about him, while he is happy as he is, making the speech more poignant).
  • Took the Bad Film Seriously: Ricardo Montalbán in his final live-action role as Grandpa Valentin. The scenes between him and Toymaker were easily the best of the film.
  • Toy Ship: Juni and Demetra (with a Ship Tease of Juni and Gertie at the end, too).
  • Unintentional Period Piece:
    • The OSS locates the game developers by tracking their email address. This film was released in 2003, before cell phone tracking came about.
    • Also, since this was before the prevalence of cell phones, we get this Hysterical In Hindsight quote from Juni, after Demetra's "death".
      I... I never got... her email address...
  • WTH, Costuming Department?: Some of the battle suits are quite laughable. "The Guy" in particular looks absolutely hysterical for a supposed badass, wearing Juni's suit painted silver which is too small for Elijah Wood.

Top