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Home movies taken by observers Marie Muchmore, Orville Nix, and Charles Bronson (not [[Creator/CharlesBronson the actor]]) depict the fatal headshot, but none with as much clarity or nearly as close as the Zapruder film (Zapruder was standing around 25 yards away from the limo). The Zapruder Film was inducted in the UsefulNotes/NationalFilmRegistry with the class of 1994, and has since entered the PublicDomain. It's been famously shown in films about the Kennedy assassination, for instance ''Film/{{JFK}}'' which claims it shows evidence for a second shooter (along with many theorists- some also claim the version available is edited).

to:

Home movies taken by observers Marie Muchmore, Orville Nix, and Charles Bronson (not [[Creator/CharlesBronson the actor]]) depict the fatal headshot, but none with as much clarity or nearly as close as the Zapruder film (Zapruder was standing around 25 yards away from the limo). The Zapruder Film was inducted in the UsefulNotes/NationalFilmRegistry MediaNotes/NationalFilmRegistry with the class of 1994, and has since entered the PublicDomain. It's been famously shown in films about the Kennedy assassination, for instance ''Film/{{JFK}}'' which claims it shows evidence for a second shooter (along with many theorists- some also claim the version available is edited).
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[[caption-width-right:350:''[[Film/TheGodfatherPartII "If anything in this life is certain, if history has taught us anything, it's that you can kill]]'' [[UsefulNotes/ThePresidentsOfTheUnitedStates anyone."]]]]

to:

[[caption-width-right:350:''[[Film/TheGodfatherPartII [[caption-width-right:350:''[[Film/TheGodfather "If anything in this life is certain, if history has taught us anything, it's that you can kill]]'' [[UsefulNotes/ThePresidentsOfTheUnitedStates anyone."]]]]



In the aftermath of the shooting, Zapruder came into contact with Secret Service agent Forrest Sorrels. After Sorrels promised Zapruder that the film would only be used for an official investigation, the two men searched for a facility to develop the film. They went to the studios of Dallas television station WFAA; the station's staff tried to develop the film, but they didn't have the proper equipment. While he waited, the station had Zapruder go to the newsroom [[https://www.youtube.com/watch?v=JLqOGEBcjnI where he was interviewed live on-air]]. A local industrial film company eventually developed the negative and made three additional copies on the night of November 22. Sorrels sent two of the copies off to Washington, and Zapruder kept the negative, which left one additional copy that became the subject of a furious bidding war over the next few hours, with Creator/{{CBS}} and ''LIFE Magazine'' as the main parties. Dan Rather, then the CBS Dallas bureau chief, was in the middle of all this, and an oft-repeated story claims that he was half-seriously told to go to Zapruder's house, punch him out, and steal the film (Rather has since denied this). Eventually, ''LIFE'' paid Zapruder $150,000 (over a million dollars in today's money) for the copy. However, Frame 313, which depicts the moment Kennedy is fatally shot, is not present in this version. This was due to Zapruder having a nightmare where, while in Times Square in New York City, he saw a video booth with the sign reading, "See the President’s Head Explode!"

to:

In the aftermath of the shooting, Zapruder came into contact with Secret Service agent Forrest Sorrels. After Sorrels promised Zapruder that the film would only be used for an official investigation, the two men searched for a facility to develop the film. They went to the studios of Dallas television station WFAA; the station's staff tried to develop the film, but they didn't have the proper equipment. While he waited, the station had Zapruder go to the newsroom [[https://www.youtube.com/watch?v=JLqOGEBcjnI where he was interviewed live on-air]]. A local industrial film company eventually developed the negative and made three additional copies on the night of November 22. Sorrels sent two of the copies off to Washington, and Zapruder kept the negative, which left one additional copy that became the subject of a furious bidding war over the next few hours, with Creator/{{CBS}} and ''LIFE Magazine'' as the main parties. Dan Rather, then the CBS Dallas bureau chief, was in the middle of all this, and an oft-repeated story claims that he was half-seriously told to go to Zapruder's house, punch him out, and steal the film (Rather has since denied this). Eventually, ''LIFE'' paid Zapruder $150,000 (over a million dollars in today's money) for the copy. However, Frame 313, which depicts the moment Kennedy is fatally shot, is not present in this version. This was due to Zapruder having a nightmare where, while in Times Square in New York City, he saw a video booth with the sign reading, "See the President’s President's Head Explode!"
Is there an issue? Send a MessageReason:
None


Home movies taken by observers Marie Muchmore, Orville Nix, and Charles Bronson (not [[Creator/CharlesBronson the actor]]) depict the fatal headshot, but none with as much clarity or nearly as close as the Zapruder film (Zapruder was standing around 25 yards away from the limo). The Zapruder Film was inducted in the UsefulNotes/NationalFilmRegistry with the class of 1994, and has since entered the PublicDomain. It's been famously shown in films about the Kennedy assassination, for instance ''Film/{{JFK}}'' which claims it shows evidence for a second shooter (along with many theorists-some also claim the version available is edited).

to:

Home movies taken by observers Marie Muchmore, Orville Nix, and Charles Bronson (not [[Creator/CharlesBronson the actor]]) depict the fatal headshot, but none with as much clarity or nearly as close as the Zapruder film (Zapruder was standing around 25 yards away from the limo). The Zapruder Film was inducted in the UsefulNotes/NationalFilmRegistry with the class of 1994, and has since entered the PublicDomain. It's been famously shown in films about the Kennedy assassination, for instance ''Film/{{JFK}}'' which claims it shows evidence for a second shooter (along with many theorists-some theorists- some also claim the version available is edited).
Is there an issue? Send a MessageReason:
None


In 1963 Abraham Zapruder was a 58-year-old [[UsefulNotes/DFWMetroplex Dallas]] resident who owned a downtown clothing business. Upon hearing that the motorcade of President UsefulNotes/JohnFKennedy and First Lady [[UsefulNotes/JacquelineKennedy Jackie Kennedy]] was going to pass close by his place of work, Zapruder took his 8-mm Bell & Howell Zoomatic home movie camera and went to Dealey Plaza to film the motorcade. Zapruder stood atop a concrete column on the north side of Elm Street, with his receptionist Marilyn Sitzman standing behind him to steady him. He took 26.6 seconds of footage over 486 frames. The film opens with a brief shot of police motorcycles, after which Zapruder stopped filming, realizing that the presidential car hadn't yet arrived. The footage then picks up with the presidential car after it turned on to Elm Street, then shows the reactions of Kennedy and Governor John Connally after the car passes from behind a freeway sign, then shows in graphic detail -- at Frame 313 -- the head shot that killed Kennedy as the car passed directly in front of Zapruder. Zapruder kept filming until the car went under the triple overpass to his right.

In the aftermath of the shooting, Zapruder came into contact with Secret Service agent Forrest Sorrels. After Sorrels promised Zapruder that the film would only be used for an official investigation, the two men searched for a facility to develop the film. They went to the studios of Dallas television station WFAA. The station's staff tried to develop the film, but they didn't have the proper equipment. While he waited, the station had Zapruder go to the newsroom [[https://www.youtube.com/watch?v=JLqOGEBcjnI where he was interviewed live on-air]]. A local industrial film company eventually developed the negative and made three additional copies on the night of November 22nd. Sorrels sent two of the copies off to Washington, and Zapruder kept the negative, which left one additional copy that became the subject of a furious bidding war over the next few hours, with Creator/{{CBS}} and ''LIFE Magazine'' as the main parties. Dan Rather, then the CBS Dallas bureau chief, was in the middle of all this, and an oft-repeated story claims that he was half-seriously told to go to Zapruder's house, punch him out, and steal the film (Rather has since denied this). Eventually ''LIFE'' paid Zapruder $150,000 (over a million dollars in today's money) for the copy. However, Frame 313, which depicts the moment Kennedy is fatally shot, is not present in this version. This was due to Zapruder having a nightmare where, while in Times Square in New York City, he saw a video booth with the sign reading, "See the President’s Head Explode!"

to:

In 1963 1963, Abraham Zapruder was a 58-year-old [[UsefulNotes/DFWMetroplex Dallas]] resident who owned a downtown clothing business. Upon hearing that the motorcade of President UsefulNotes/JohnFKennedy and First Lady [[UsefulNotes/JacquelineKennedy Jackie Kennedy]] was going to pass close by his place of work, Zapruder took his 8-mm Bell & Howell Zoomatic home movie camera and went to Dealey Plaza to film the motorcade. Zapruder stood atop a concrete column on the north side of Elm Street, with his receptionist Marilyn Sitzman standing behind him to steady him. He took 26.6 seconds of footage over 486 frames. The film opens with a brief shot of police motorcycles, after which Zapruder stopped filming, realizing that the presidential car hadn't yet arrived. The footage then picks up with the presidential car after it turned on to Elm Street, then shows the reactions of Kennedy and Governor John Connally after the car passes from behind a freeway sign, then shows in graphic detail -- at Frame 313 -- the head shot headshot that killed Kennedy as the car passed directly in front of Zapruder. Zapruder kept filming until the car went under the triple overpass to his right.

In the aftermath of the shooting, Zapruder came into contact with Secret Service agent Forrest Sorrels. After Sorrels promised Zapruder that the film would only be used for an official investigation, the two men searched for a facility to develop the film. They went to the studios of Dallas television station WFAA. The WFAA; the station's staff tried to develop the film, but they didn't have the proper equipment. While he waited, the station had Zapruder go to the newsroom [[https://www.youtube.com/watch?v=JLqOGEBcjnI where he was interviewed live on-air]]. A local industrial film company eventually developed the negative and made three additional copies on the night of November 22nd.22. Sorrels sent two of the copies off to Washington, and Zapruder kept the negative, which left one additional copy that became the subject of a furious bidding war over the next few hours, with Creator/{{CBS}} and ''LIFE Magazine'' as the main parties. Dan Rather, then the CBS Dallas bureau chief, was in the middle of all this, and an oft-repeated story claims that he was half-seriously told to go to Zapruder's house, punch him out, and steal the film (Rather has since denied this). Eventually Eventually, ''LIFE'' paid Zapruder $150,000 (over a million dollars in today's money) for the copy. However, Frame 313, which depicts the moment Kennedy is fatally shot, is not present in this version. This was due to Zapruder having a nightmare where, while in Times Square in New York City, he saw a video booth with the sign reading, "See the President’s Head Explode!"

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* ''Series/{{Seinfeld}}'': In "The Boyfriend", Jerry evaluates Kramer and Newman's story about being spit on by Mets player Keith Hernandez at a past game, theorizing that there was actually a "second spitter" based on the description of the event, parodying ''Film/{{JFK}}''. Accordingly, this scene includes a recreation of the spitting incident deliberately modeled after the Zapruder film.

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* ''Series/{{Seinfeld}}'': In [[Recap/SeinfeldS3E17TheBoyfriend "The Boyfriend", Boyfriend"]], Jerry evaluates Kramer and Newman's story about being spit on by Mets player Keith Hernandez at a past game, theorizing that there was actually a "second spitter" based on the description of the event, parodying ''Film/{{JFK}}''. Accordingly, this scene includes a recreation of the spitting incident deliberately modeled after the Zapruder film.



* Music/LanaDelRey: The music video for "National Anthem", a sendup to the life and legacy of JFK, includes multiple scenes recreating the Zapruder film, with Del Rey as Jackie and Music/ASAPRocky as John.
* Music/BobDylan: In [[Music/RoughAndRowdyWays "Murder Most Foul"]], Dylan mentions the film and states that he's [[SawStarWarsTwentySevenTimes "seen it before; 33 times, maybe more."]]

to:

* Music/LanaDelRey: The music video for [[Music/BornToDie "National Anthem", Anthem"]], a sendup to the life and legacy of JFK, includes multiple scenes recreating the Zapruder film, with Del Rey as Jackie and Music/ASAPRocky as John.
* Music/BobDylan: In [[Music/RoughAndRowdyWays "Murder Most Foul"]], Dylan mentions the film and states that he's [[SawStarWarsTwentySevenTimes "seen it that before; 33 seen it thirty-three times, maybe more."]]"]]
* Music/WasNotWas: The "Abe Zapp Ruder Version" of "11 MPH" is titled after the Zapruder film, alluding to the lyrics' rumination on the Kennedy assassination.
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!!The Zapruder film in popular culture:
[[folder:Film -- Live-Action]]
* ''Film/InTheLineOfFire'': The footage of Kennedy's death is featured in the movie, which features a story about another presidential assassination attempt and includes a Secret Service agent who was present during the Kennedy killing as a main character.
* ''Film/{{JFK}}'': Given that the film is about the investigations into the conspiracy theories surrounding the Kennedy assassination, the Zapruder film is inevitably featured as part of the story.
[[/folder]]

[[folder:Live-Action TV]]
* ''Series/{{Seinfeld}}'': In "The Boyfriend", Jerry evaluates Kramer and Newman's story about being spit on by Mets player Keith Hernandez at a past game, theorizing that there was actually a "second spitter" based on the description of the event, parodying ''Film/{{JFK}}''. Accordingly, this scene includes a recreation of the spitting incident deliberately modeled after the Zapruder film.
[[/folder]]

[[folder:Music]]
* Music/LanaDelRey: The music video for "National Anthem", a sendup to the life and legacy of JFK, includes multiple scenes recreating the Zapruder film, with Del Rey as Jackie and Music/ASAPRocky as John.
* Music/BobDylan: In [[Music/RoughAndRowdyWays "Murder Most Foul"]], Dylan mentions the film and states that he's [[SawStarWarsTwentySevenTimes "seen it before; 33 times, maybe more."]]
[[/folder]]

[[folder:Theater]]
* ''Theatre/{{Assassins}}'': In the Broadway run of the play, the Zapruder film is projected onto Lee Harvey Oswald's shirt as he shoots Kennedy.
[[/folder]]

[[folder:Web Video]]
* WebVideo/ShoegazerProductions: In the ''Adventures in Vinyl Land'' episode on Music/TheHumanLeague's ''Music/{{Dare}}'', footage from the Zapruder film appears when Randy discusses "Seconds", a song about the Kennedy assassination.
[[/folder]]
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to:

[[caption-width-right:350:''[[Film/TheGodfatherPartII "If anything in this life is certain, if history has taught us anything, it's that you can kill]]'' [[UsefulNotes/ThePresidentsOfTheUnitedStates anyone."]]]]
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This was a film showing a man's actual graphic murder. This kind of snark does NOT need to be here.


[[caption-width-right:350:A tale of pink hats and PinkMist.]]

to:

[[caption-width-right:350:A tale of pink hats and PinkMist.]]
Is there an issue? Send a MessageReason:
None


Home movies taken by observers Marie Muchmore, Orville Nix, and Charles Bronson (not [[Creator/CharlesBronson the actor]]) depict the fatal headshot, but none with as much clarity or nearly as close as the Zapruder film (Zapruder was standing around 25 yards away from the limo). The Zapruder Film was inducted in the UsefulNotes/NationalFilmRegistry with the class of 1994, and has since entered the PublicDomain.

to:

Home movies taken by observers Marie Muchmore, Orville Nix, and Charles Bronson (not [[Creator/CharlesBronson the actor]]) depict the fatal headshot, but none with as much clarity or nearly as close as the Zapruder film (Zapruder was standing around 25 yards away from the limo). The Zapruder Film was inducted in the UsefulNotes/NationalFilmRegistry with the class of 1994, and has since entered the PublicDomain. It's been famously shown in films about the Kennedy assassination, for instance ''Film/{{JFK}}'' which claims it shows evidence for a second shooter (along with many theorists-some also claim the version available is edited).
Is there an issue? Send a MessageReason:
None


In the aftermath of the shooting, Zapruder came into contact with Secret Service agent Forrest Sorrels. After Sorrels promised Zapruder that the film would only be used for an official investigation, the two men searched for a facility to develop the film. They went to the studios of Dallas television station WFAA. The station's staff tried to develop the film, but they didn't have the proper equipment. While he waited, the station had Zapruder go to the newsroom [[https://www.youtube.com/watch?v=JLqOGEBcjnI where he was interviewed live on-air]]. A local industrial film company eventually developed the negative and made three additional copies on the night of November 22nd. Sorrels sent two of the copies off to Washington, and Zapruder kept the negative, which left one additional copy that became the subject of a furious bidding war over the next few hours, with Creator/{{CBS}} and ''LIFE Magazine'' as the main parties. Dan Rather, then the CBS Dallas bureau chief, was in the middle of all this, and an oft-repeated story claims that he was half-seriously told to go to Zapruder's house, punch him out, and steal the film (Rather has since denied this). Eventually ''LIFE'' paid Zapruder $150,000 (over a million dollars in today's money) for the copy. However, Frame 313, which depicts the moment Kennedy is killed, is not present in this version. This was due to Zapruder having a dream where, while in Times Square in New York City, he saw a video booth with the sign reading, "See the President’s Head Explode!"

to:

In the aftermath of the shooting, Zapruder came into contact with Secret Service agent Forrest Sorrels. After Sorrels promised Zapruder that the film would only be used for an official investigation, the two men searched for a facility to develop the film. They went to the studios of Dallas television station WFAA. The station's staff tried to develop the film, but they didn't have the proper equipment. While he waited, the station had Zapruder go to the newsroom [[https://www.youtube.com/watch?v=JLqOGEBcjnI where he was interviewed live on-air]]. A local industrial film company eventually developed the negative and made three additional copies on the night of November 22nd. Sorrels sent two of the copies off to Washington, and Zapruder kept the negative, which left one additional copy that became the subject of a furious bidding war over the next few hours, with Creator/{{CBS}} and ''LIFE Magazine'' as the main parties. Dan Rather, then the CBS Dallas bureau chief, was in the middle of all this, and an oft-repeated story claims that he was half-seriously told to go to Zapruder's house, punch him out, and steal the film (Rather has since denied this). Eventually ''LIFE'' paid Zapruder $150,000 (over a million dollars in today's money) for the copy. However, Frame 313, which depicts the moment Kennedy is killed, fatally shot, is not present in this version. This was due to Zapruder having a dream nightmare where, while in Times Square in New York City, he saw a video booth with the sign reading, "See the President’s Head Explode!"
Is there an issue? Send a MessageReason:
None


In the aftermath of the shooting, Zapruder came into contact with Secret Service agent Forrest Sorrels. After Sorrels promised Zapruder that the film would only be used for an official investigation, the two men searched for a facility to develop the film. They went to the studios of Dallas television station WFAA. The station's staff tried to develop the film, but they didn't have the proper equipment. While he waited, the station had Zapruder go to the newsroom [[https://www.youtube.com/watch?v=JLqOGEBcjnI where he was interviewed live on-air]]. A local industrial film company eventually developed the negative and made three additional copies on the night of November 22nd. Sorrels sent two of the copies off to Washington, and Zapruder kept the negative, which left one additional copy that became the subject of a furious bidding war over the next few hours, with Creator/{{CBS}} and ''LIFE Magazine'' as the main parties. Dan Rather, then the CBS Dallas bureau chief, was in the middle of all this, and an oft-repeated story claims that he was half-seriously told to go to Zapruder's house, punch him out, and steal the film (Rather has since denied this). Eventually ''LIFE'' paid Zapruder $150,000 (over a million dollars in today's money) for the copy.

to:

In the aftermath of the shooting, Zapruder came into contact with Secret Service agent Forrest Sorrels. After Sorrels promised Zapruder that the film would only be used for an official investigation, the two men searched for a facility to develop the film. They went to the studios of Dallas television station WFAA. The station's staff tried to develop the film, but they didn't have the proper equipment. While he waited, the station had Zapruder go to the newsroom [[https://www.youtube.com/watch?v=JLqOGEBcjnI where he was interviewed live on-air]]. A local industrial film company eventually developed the negative and made three additional copies on the night of November 22nd. Sorrels sent two of the copies off to Washington, and Zapruder kept the negative, which left one additional copy that became the subject of a furious bidding war over the next few hours, with Creator/{{CBS}} and ''LIFE Magazine'' as the main parties. Dan Rather, then the CBS Dallas bureau chief, was in the middle of all this, and an oft-repeated story claims that he was half-seriously told to go to Zapruder's house, punch him out, and steal the film (Rather has since denied this). Eventually ''LIFE'' paid Zapruder $150,000 (over a million dollars in today's money) for the copy.
copy. However, Frame 313, which depicts the moment Kennedy is killed, is not present in this version. This was due to Zapruder having a dream where, while in Times Square in New York City, he saw a video booth with the sign reading, "See the President’s Head Explode!"
Is there an issue? Send a MessageReason:
None


[[Caption-width-right:350:A tale of pink hats and PinkMist.]]

to:

[[Caption-width-right:350:A [[caption-width-right:350:A tale of pink hats and PinkMist.]]
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to:

[[Caption-width-right:350:A tale of pink hats and PinkMist.]]
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The most famous and most important home movie ever made.

to:

The One of the most famous and most important home movie movies ever made.
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In 1963 Abraham Zapruder was a 58-year-old [[UsefulNotes/DFWMetroplex Dallas]] resident who owned a downtown clothing business. Upon hearing that the motorcade of President UsefulNotes/JohnFKennedy and his First Lady [[UsefulNotes/JacquelineKennedy Jackie Kennedy]] was going to pass close by his place of work, Zapruder took his 8-mm Bell & Howell Zoomatic home movie camera and went to Dealey Plaza to film the motorcade. Zapruder stood atop a concrete column on the north side of Elm Street, with his receptionist Marilyn Sitzman standing behind him to steady him. He took 26.6 seconds of footage over 486 frames. The film opens with a brief shot of police motorcycles, after which Zapruder stopped filming, realizing that the presidential car hadn't yet arrived. The footage then picks up with the presidential car after it turned on to Elm Street, then shows the reactions of Kennedy and Governor John Connally after the car passes from behind a freeway sign, then shows in graphic detail -- at Frame 313 -- the head shot that killed Kennedy as the car passed directly in front of Zapruder. Zapruder kept filming until the car went under the triple overpass to his right.

to:

In 1963 Abraham Zapruder was a 58-year-old [[UsefulNotes/DFWMetroplex Dallas]] resident who owned a downtown clothing business. Upon hearing that the motorcade of President UsefulNotes/JohnFKennedy and his First Lady [[UsefulNotes/JacquelineKennedy Jackie Kennedy]] was going to pass close by his place of work, Zapruder took his 8-mm Bell & Howell Zoomatic home movie camera and went to Dealey Plaza to film the motorcade. Zapruder stood atop a concrete column on the north side of Elm Street, with his receptionist Marilyn Sitzman standing behind him to steady him. He took 26.6 seconds of footage over 486 frames. The film opens with a brief shot of police motorcycles, after which Zapruder stopped filming, realizing that the presidential car hadn't yet arrived. The footage then picks up with the presidential car after it turned on to Elm Street, then shows the reactions of Kennedy and Governor John Connally after the car passes from behind a freeway sign, then shows in graphic detail -- at Frame 313 -- the head shot that killed Kennedy as the car passed directly in front of Zapruder. Zapruder kept filming until the car went under the triple overpass to his right.
Is there an issue? Send a MessageReason:
None


In 1963 Abraham Zapruder was a 58-year-old [[UsefulNotes/DFWMetroplex Dallas]] resident who owned a downtown clothing business. Upon hearing that President UsefulNotes/JohnFKennedy's motorcade was going to pass close by his place of work, Zapruder took his 8-mm Bell & Howell Zoomatic home movie camera and went to Dealey Plaza to film the motorcade. Zapruder stood atop a concrete column on the north side of Elm Street, with his receptionist Marilyn Sitzman standing behind him to steady him. He took 26.6 seconds of footage over 486 frames. The film opens with a brief shot of police motorcycles, after which Zapruder stopped filming, realizing that the presidential car hadn't yet arrived. The footage then picks up with the presidential car after it turned on to Elm Street, then shows the reactions of Kennedy and Governor John Connally after the car passes from behind a freeway sign, then shows in graphic detail -- at Frame 313 -- the head shot that killed Kennedy as the car passed directly in front of Zapruder. Zapruder kept filming until the car went under the triple overpass to his right.

to:

In 1963 Abraham Zapruder was a 58-year-old [[UsefulNotes/DFWMetroplex Dallas]] resident who owned a downtown clothing business. Upon hearing that the motorcade of President UsefulNotes/JohnFKennedy's motorcade UsefulNotes/JohnFKennedy and his First Lady [[UsefulNotes/JacquelineKennedy Jackie Kennedy]] was going to pass close by his place of work, Zapruder took his 8-mm Bell & Howell Zoomatic home movie camera and went to Dealey Plaza to film the motorcade. Zapruder stood atop a concrete column on the north side of Elm Street, with his receptionist Marilyn Sitzman standing behind him to steady him. He took 26.6 seconds of footage over 486 frames. The film opens with a brief shot of police motorcycles, after which Zapruder stopped filming, realizing that the presidential car hadn't yet arrived. The footage then picks up with the presidential car after it turned on to Elm Street, then shows the reactions of Kennedy and Governor John Connally after the car passes from behind a freeway sign, then shows in graphic detail -- at Frame 313 -- the head shot that killed Kennedy as the car passed directly in front of Zapruder. Zapruder kept filming until the car went under the triple overpass to his right.



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In the aftermath of the shooting, Zapruder came into contact with Secret Service agent Forrest Sorrels. After Sorrels promised Zapruder that the film would only be used for an official investigation, the two men searched for a facility to develop the film. They went to the studios of Dallas television station WFAA. As it turned out, WFAA didn't have the proper equipment to develop the film, but while he waited, the station had Zapruder go to the newsroom [[https://www.youtube.com/watch?v=JLqOGEBcjnI where he was interviewed live on-air]]. A local industrial film company eventually developed the negative and made three additional copies on the night of November 22nd. Sorrels sent two of the copies off to Washington, and Zapruder kept the negative, which left one additional copy that became the subject of a furious bidding war over the next few hours, with Creator/{{CBS}} and ''LIFE Magazine'' as the main parties. Dan Rather, then the CBS Dallas bureau chief, was in the middle of all this, and an oft-repeated story claims that he was half-seriously told to go to Zapruder's house, punch him out, and steal the film (Rather has since denied this). Eventually ''LIFE'' paid Zapruder $150,000 (over a million dollars in today's money) for the copy.

to:

In the aftermath of the shooting, Zapruder came into contact with Secret Service agent Forrest Sorrels. After Sorrels promised Zapruder that the film would only be used for an official investigation, the two men searched for a facility to develop the film. They went to the studios of Dallas television station WFAA. As it turned out, WFAA The station's staff tried to develop the film, but they didn't have the proper equipment to develop the film, but while equipment. While he waited, the station had Zapruder go to the newsroom [[https://www.youtube.com/watch?v=JLqOGEBcjnI where he was interviewed live on-air]]. A local industrial film company eventually developed the negative and made three additional copies on the night of November 22nd. Sorrels sent two of the copies off to Washington, and Zapruder kept the negative, which left one additional copy that became the subject of a furious bidding war over the next few hours, with Creator/{{CBS}} and ''LIFE Magazine'' as the main parties. Dan Rather, then the CBS Dallas bureau chief, was in the middle of all this, and an oft-repeated story claims that he was half-seriously told to go to Zapruder's house, punch him out, and steal the film (Rather has since denied this). Eventually ''LIFE'' paid Zapruder $150,000 (over a million dollars in today's money) for the copy.
Is there an issue? Send a MessageReason:
None


Home movies taken by observers Marie Muchmore, Orville Nix, and Charles Bronson (not [[Creator/CharlesBronson the actor]]) depict the fatal headshot, but none with as much clarity or nearly as close as the Zapruder film. The Zapruder Film was inducted in the UsefulNotes/NationalFilmRegistry with the class of 1994, and has since entered the PublicDomain.

to:

Home movies taken by observers Marie Muchmore, Orville Nix, and Charles Bronson (not [[Creator/CharlesBronson the actor]]) depict the fatal headshot, but none with as much clarity or nearly as close as the Zapruder film.film (Zapruder was standing around 25 yards away from the limo). The Zapruder Film was inducted in the UsefulNotes/NationalFilmRegistry with the class of 1994, and has since entered the PublicDomain.

Added: 832

Changed: 1682

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Still frames from the film were published in the next week's ''LIFE Magazine'', and drawings based on the film were included in the 1967 book ''Six Seconds in Dallas'', but the film was not shown for the American public until it was aired on Creator/{{ABC}} in 1975. It is now widely available on the Internet in various formats--digitally cleaned up versions, versions centering on the occupants of the car in close-up, and frame-by-frame presentations (see [[http://www.assassinationresearch.com/zfilm/ here]]). Abraham Zapruder died in 1970. After years of litigation the Zapruder family sold the original film to the U.S. government in 1999 for $16 million. Both the film and Zapruder's camera are the property of the National Archives. The Zapruder family donated the copyright of the film to the Sixth Floor Museum in 1999.

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Still In the aftermath of the shooting, Zapruder came into contact with Secret Service agent Forrest Sorrels. After Sorrels promised Zapruder that the film would only be used for an official investigation, the two men searched for a facility to develop the film. They went to the studios of Dallas television station WFAA. As it turned out, WFAA didn't have the proper equipment to develop the film, but while he waited, the station had Zapruder go to the newsroom [[https://www.youtube.com/watch?v=JLqOGEBcjnI where he was interviewed live on-air]]. A local industrial film company eventually developed the negative and made three additional copies on the night of November 22nd. Sorrels sent two of the copies off to Washington, and Zapruder kept the negative, which left one additional copy that became the subject of a furious bidding war over the next few hours, with Creator/{{CBS}} and ''LIFE Magazine'' as the main parties. Dan Rather, then the CBS Dallas bureau chief, was in the middle of all this, and an oft-repeated story claims that he was half-seriously told to go to Zapruder's house, punch him out, and steal the film (Rather has since denied this). Eventually ''LIFE'' paid Zapruder $150,000 (over a million dollars in today's money) for the copy.

''LIFE'' published some still
frames from the film were published in a week after the next week's ''LIFE Magazine'', assassination, and drawings based on the film were included in the 1967 book ''Six Seconds in Dallas'', but the film was not shown for the American public until it was aired on Creator/{{ABC}} in 1975. It is now widely available on the Internet in various formats--digitally cleaned up versions, versions centering on the occupants of the car in close-up, and frame-by-frame presentations (see [[http://www.assassinationresearch.com/zfilm/ here]]). Abraham Zapruder died in 1970. After years of litigation the Zapruder family sold the original film to the U.S. government in 1999 for $16 million. Both the film and Zapruder's camera are the property of the National Archives. The Zapruder family donated the copyright of the film to the Sixth Floor Museum in 1999.
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In 1963 Abraham Zapruder was a 58-year-old [[UsefulNotes/DFWMetroplex Dallas]] resident who owned a downtown clothing business. Upon hearing that President UsefulNotes/JohnFKennedy's motorcade was going to pass close by his place of work, Zapruder took his 8-mm Bell & Howell Zoomatic home movie camera and went to Dealey Plaza to film the motorcade. Zapruder stood atop a concrete column on the north side of Elm Street, with his receptionist Marilyn Sitzman standing behind him to steady him. He took 26.6 seconds of footage over 486 frames. The film opens with a brief shot of police motorcycles, after which Zapruder stopped filming, realizing that the presidential car hadn't yet arrived. The footage then picks up with the presidential car after it turned on to Elm Street, then shows the reactions of Kennedy and Governor John Connally after the car passes from behind a freeway sign, then shows in graphic detail the head shot that killed Kennedy as the car passed directly in front of Zapruder. Zapruder kept filming until the car went under the triple overpass to his right.

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In 1963 Abraham Zapruder was a 58-year-old [[UsefulNotes/DFWMetroplex Dallas]] resident who owned a downtown clothing business. Upon hearing that President UsefulNotes/JohnFKennedy's motorcade was going to pass close by his place of work, Zapruder took his 8-mm Bell & Howell Zoomatic home movie camera and went to Dealey Plaza to film the motorcade. Zapruder stood atop a concrete column on the north side of Elm Street, with his receptionist Marilyn Sitzman standing behind him to steady him. He took 26.6 seconds of footage over 486 frames. The film opens with a brief shot of police motorcycles, after which Zapruder stopped filming, realizing that the presidential car hadn't yet arrived. The footage then picks up with the presidential car after it turned on to Elm Street, then shows the reactions of Kennedy and Governor John Connally after the car passes from behind a freeway sign, then shows in graphic detail -- at Frame 313 -- the head shot that killed Kennedy as the car passed directly in front of Zapruder. Zapruder kept filming until the car went under the triple overpass to his right.
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Home movies taken by observers Marie Muchmore, Orville Nix, and Charles Bronson (not [[Creator/CharlesBronson the actor]]) depict the fatal headshot, but none with as much clarity or nearly as close as the Zapruder film. The Zapruder film was inducted in the UsefulNotes/NationalFilmRegistry with the class of 1994.

to:

Home movies taken by observers Marie Muchmore, Orville Nix, and Charles Bronson (not [[Creator/CharlesBronson the actor]]) depict the fatal headshot, but none with as much clarity or nearly as close as the Zapruder film. The Zapruder film Film was inducted in the UsefulNotes/NationalFilmRegistry with the class of 1994.
1994, and has since entered the PublicDomain.
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Home movies taken by observers Marie Muchmore, Orville Nix, and Charles Bronson depict the fatal headshot, but none with as much clarity or nearly as close as the Zapruder film. The Zapruder film was inducted in the UsefulNotes/NationalFilmRegistry with the class of 1994.

to:

Home movies taken by observers Marie Muchmore, Orville Nix, and Charles Bronson (not [[Creator/CharlesBronson the actor]]) depict the fatal headshot, but none with as much clarity or nearly as close as the Zapruder film. The Zapruder film was inducted in the UsefulNotes/NationalFilmRegistry with the class of 1994.
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Per TRS

Added DiffLines:

[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/d39e5c8e8e24b82251b12baf1e7978c3.jpg]]

The most famous and most important home movie ever made.

In 1963 Abraham Zapruder was a 58-year-old [[UsefulNotes/DFWMetroplex Dallas]] resident who owned a downtown clothing business. Upon hearing that President UsefulNotes/JohnFKennedy's motorcade was going to pass close by his place of work, Zapruder took his 8-mm Bell & Howell Zoomatic home movie camera and went to Dealey Plaza to film the motorcade. Zapruder stood atop a concrete column on the north side of Elm Street, with his receptionist Marilyn Sitzman standing behind him to steady him. He took 26.6 seconds of footage over 486 frames. The film opens with a brief shot of police motorcycles, after which Zapruder stopped filming, realizing that the presidential car hadn't yet arrived. The footage then picks up with the presidential car after it turned on to Elm Street, then shows the reactions of Kennedy and Governor John Connally after the car passes from behind a freeway sign, then shows in graphic detail the head shot that killed Kennedy as the car passed directly in front of Zapruder. Zapruder kept filming until the car went under the triple overpass to his right.

Still frames from the film were published in the next week's ''LIFE Magazine'', and drawings based on the film were included in the 1967 book ''Six Seconds in Dallas'', but the film was not shown for the American public until it was aired on Creator/{{ABC}} in 1975. It is now widely available on the Internet in various formats--digitally cleaned up versions, versions centering on the occupants of the car in close-up, and frame-by-frame presentations (see [[http://www.assassinationresearch.com/zfilm/ here]]). Abraham Zapruder died in 1970. After years of litigation the Zapruder family sold the original film to the U.S. government in 1999 for $16 million. Both the film and Zapruder's camera are the property of the National Archives. The Zapruder family donated the copyright of the film to the Sixth Floor Museum in 1999.

Home movies taken by observers Marie Muchmore, Orville Nix, and Charles Bronson depict the fatal headshot, but none with as much clarity or nearly as close as the Zapruder film. The Zapruder film was inducted in the UsefulNotes/NationalFilmRegistry with the class of 1994.

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