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* ''Literature/TheFinalGirlSupportGroup'': Published in 2021, set in 2010.
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Wick cleaning, formatting
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In political terms, the decade began between 2008 and 2012, with the collapse of Lehman Brothers in September 2008 and UsefulNotes/BarackObama's election as the first African American President of the United States in November. This was quickly followed by the swine influenza pandemic (2009); the first UK coalition government since UsefulNotes/WorldWarII, the rise of [=WikiLeaks=], the American Tea Party, the British UKIP, the Spaniard "Indignados" and the BP oil spill (2010); "Occupy Wall Street", the Arab Spring, the death of UsefulNotes/OsamaBinLaden, Anonymous, the first American government shutdown since TheNineties, the Tucson and Oslo massacres (2011); UsefulNotes/VladimirPutin becoming President of Russia--for the second time, the Aurora and Sandy Hook massacres, and Barack Obama's reelection (2012). In popular culture terms, the decade began in 2010-12 with the rise of Hipster culture, which coincided with rock being replaced by electronic and urban music as the driving force of pop music. Smartphones and tablets quickly became commonplace, and Creator/{{Netflix}} and Spotify surged as major players, kickstarting the streaming business.
to:
In political terms, the decade began between 2008 and 2012, with the collapse of Lehman Brothers in September 2008 and UsefulNotes/BarackObama's election as the first African American President of the United States in November. This was quickly followed by the swine influenza pandemic (2009); the first UK coalition government since UsefulNotes/WorldWarII, the rise of [=WikiLeaks=], the American Tea Party, the British UKIP, the Spaniard "Indignados" and the BP oil spill (2010); "Occupy Wall Street", the Arab Spring, the death of UsefulNotes/OsamaBinLaden, Anonymous, the first American government shutdown since TheNineties, The90s, the Tucson and Oslo massacres (2011); UsefulNotes/VladimirPutin becoming President of Russia--for the second time, the Aurora and Sandy Hook massacres, and Barack Obama's reelection (2012). In popular culture terms, the decade began in 2010-12 with the rise of Hipster culture, which coincided with rock being replaced by electronic and urban music as the driving force of pop music. Smartphones and tablets quickly became commonplace, and Creator/{{Netflix}} and Spotify surged as major players, kickstarting the streaming business.
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On the one hand, the early years of the decade were marked by escapist fare, such as ''Series/{{Glee}}'', the Franchise/MarvelCinematicUniverse films, young adult-geared romantic dramas and "[[LighterAndSofter shiny reboots]]". However, [[DarkerAndEdgier sordid settings and cynical attitudes]] thrived in media, reflecting the turbulent sign of the times. {{Dystopia}}n fiction (''Literature/TheHungerGames'', ''VideoGame/TheLastOfUs'', ''Literature/{{Divergent}}'') and horror films (''Film/{{The Purge|Universe}}'') served as allegories for the growing social and economic divisions in American society. Dark cable dramas (''Series/GameOfThrones'', ''Series/TheWalkingDead'', ''Series/BreakingBad'') took away the spotlight from broadcast network shows, and several franchises got acclaimed grim-and-gritty interpretations in the vein of ''Film/TheDarkKnightTrilogy''. Even nostalgia got [[NostalgiaAintLikeItUsedToBe an ironic twist]] thanks to the {{Hipster}} subculture, ironically popularizing the past like never before, most markedly indicated by a noticeable burst in newfound enthusiasm for analog audiovisual media such as vinyl records, film stock, and CRT televisions. As the social climate became even more tense by the second half of the decade, escapism not only became [[SillyRabbitIdealismIsForKids totally unfashionable]] outside of kid-geared works, but also triggered a raging debate about works becoming [[WhatDoYouMeanItsNotPolitical either too politicized or not political enough]].
to:
On the one hand, the early years of the decade were marked by escapist fare, such as ''Series/{{Glee}}'', the Franchise/MarvelCinematicUniverse films, young adult-geared romantic dramas and "[[LighterAndSofter shiny reboots]]". However, [[DarkerAndEdgier sordid settings and cynical attitudes]] thrived in media, reflecting the turbulent sign of the times. {{Dystopia}}n fiction (''Literature/TheHungerGames'', ''VideoGame/TheLastOfUs'', ''Literature/{{Divergent}}'') and horror films (''Film/{{The Purge|Universe}}'') served as allegories for the growing social and economic divisions in American society. Dark cable dramas (''Series/GameOfThrones'', ''Series/TheWalkingDead'', ''Series/{{The Walking Dead|2010}}'', ''Series/BreakingBad'') took away the spotlight from broadcast network shows, and several franchises got acclaimed grim-and-gritty interpretations in the vein of ''Film/TheDarkKnightTrilogy''. Even nostalgia got [[NostalgiaAintLikeItUsedToBe an ironic twist]] thanks to the {{Hipster}} subculture, ironically popularizing the past like never before, most markedly indicated by a noticeable burst in newfound enthusiasm for analog audiovisual media such as vinyl records, film stock, and CRT televisions. As the social climate became even more tense by the second half of the decade, escapism not only became [[SillyRabbitIdealismIsForKids totally unfashionable]] outside of kid-geared works, but also triggered a raging debate about works becoming [[WhatDoYouMeanItsNotPolitical either too politicized or not political enough]].
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While globalization became increasingly unpopular in politics, entertainment in general became more international (a notorious example being the influence of the Chinese market over Hollywood and sports), something attributable to the rise of mobile technology, which allowed anyone to keep "in touch" anywhere, absorbing social lives to a degree unimaginable ten years earlier. This also allowed "selfies" and [[MemeticMutation "memes"]] to spread worldwide instantly. From a commercial point of view, online advertising encouraged [[DoingItForTheArt some authors to prioritize the work over the earnings]], and develop closer relationships with their fanbases. Content-wise, this also led to [[ProtectionFromEditors a substantial increase in creative freedom]] compared to the increased scrutiny in the mainstream, a development made visible by the explosion of streaming services, with series such as ''[[Series/HouseOfCardsUS House of Cards]]'', ''Series/OrangeIsTheNewBlack'', ''Series/StrangerThings'' and ''Series/TheHandmaidsTale'' becoming huge hits. Meanwhile, Hollywood became dominated by superheroes, animated movies, continuations/reboots of popular franchises and action vehicles, with Creator/{{Disney}} gaining an unprecedented domination of the movie industry: out of the 10 highest grossing films of the decade, only ''Harry Potter and the Deathly Hallows Part 2'' and ''Transformers: Age of Extinction'' were not made by the company.
The gaming space saw an immense amount of growth this decade compared to prior ones; the first half of the decade saw the MobilePhoneGame genre absolutely explode into popularity, with ''VideoGame/AngryBirds'' , ''VideoGame/CandyCrushSaga'', and ''VideoGame/PuzzleAndDragons'' not only bursting into the mainstream, but also introducing the {{Freemium}} business model into gaming, leading to the rise of {{Microtransactions}} that would controversially make its way into PC and console gaming, namely with ''VideoGame/StarWarsBattlefrontII'' and ''VideoGame/MiddleEarthShadowOfWar''. On the flip side, narrative-driven games became an even bigger commodity than they were in previous decade, namely with ''VideoGame/TheLastOfUs'' and ''VideoGame/TheWitcher3WildHunt'', being standout examples of narrative-driven games receiving mainstream attention throughout the decade. The SoulslikeRPG genre also boomed in popularity thanks to the monumental release of ''VideoGame/DarkSoulsI'', as did the WideOpenSandbox genre thanks to ''VideoGame/TheElderScrollsVSkyrim'' and ''VideoGame/BatmanArkhamCity''. ''VideoGame/{{Minecraft}}'' and ''VideoGame/{{Fortnite}}'' both became ''bona fide'' cultural phenomenons in the first and second halves of the decade respectively, leading to the boom of the SurvivalSandbox and BattleRoyaleGame genres. In the console space, Sony managed to retake the lead from Microsoft with the Platform/PlayStation4 as a result of Microsoft fumbling the Platform/XboxOne and Sony's own growing lineup of first-party exclusives such as ''VideoGame/{{Bloodborne}}'', ''VideoGame/Uncharted4AThiefsEnd'', and ''[[VideoGame/GodOfWarPS4 God of War]]'', which has extended well beyond into TheNewTwenties. Meanwhile, Creator/{{Nintendo}} saw sales of the Platform/{{Wii}} plateau ''hard'' at the beginning of the decade, leading to the rushed launches of the Platform/Nintendo3DS and Platform/WiiU. While the 3DS ended up gaining a large amount of momentum overall, the Wii U never did and so Nintendo were saddled with their biggest commercial failure until they discontinued it in 2017...upon which they released the Platform/NintendoSwitch and did a complete 180º, with the Switch quickly becoming their biggest console since the Platform/NintendoDS, and quickly amassing a library of desirable exclusives like ''VideoGame/TheLegendOfZeldaBreathOfTheWild'', ''VideoGame/SuperMarioOdyssey'', and ''VideoGame/SuperSmashBrosUltimate'', as well as being the first Nintendo console in a while to receive actual third-party support, with popular titles like ''[[VideoGame/Doom2016 Doom]]'' and ''VideoGame/DragonBallFighterZ'' making their way into the console early on. The Nintendo Switch's release and games also coincided with a general comeback of Japanese-developed games in the industry as a whole, with titles like ''VideoGame/Persona5'', ''VideoGame/MonsterHunterWorld'', and ''[[VideoGame/ResidentEvil2Remake Resident Evil 2]]'' all being critical and commercial hits and marking a general re-acceptance of Japanese-developed games. And last but certainly not least, the IndieGame market grew exponentially during this decade, which titles such as (but not limited to) ''VideoGame/ShovelKnight'', ''VideoGame/FiveNightsAtFreddys1'', ''VideoGame/{{Undertale}}'', and ''VideoGame/StardewValley'' all making independent game development a much more viable market than it was before.
The gaming space saw an immense amount of growth this decade compared to prior ones; the first half of the decade saw the MobilePhoneGame genre absolutely explode into popularity, with ''VideoGame/AngryBirds'' , ''VideoGame/CandyCrushSaga'', and ''VideoGame/PuzzleAndDragons'' not only bursting into the mainstream, but also introducing the {{Freemium}} business model into gaming, leading to the rise of {{Microtransactions}} that would controversially make its way into PC and console gaming, namely with ''VideoGame/StarWarsBattlefrontII'' and ''VideoGame/MiddleEarthShadowOfWar''. On the flip side, narrative-driven games became an even bigger commodity than they were in previous decade, namely with ''VideoGame/TheLastOfUs'' and ''VideoGame/TheWitcher3WildHunt'', being standout examples of narrative-driven games receiving mainstream attention throughout the decade. The SoulslikeRPG genre also boomed in popularity thanks to the monumental release of ''VideoGame/DarkSoulsI'', as did the WideOpenSandbox genre thanks to ''VideoGame/TheElderScrollsVSkyrim'' and ''VideoGame/BatmanArkhamCity''. ''VideoGame/{{Minecraft}}'' and ''VideoGame/{{Fortnite}}'' both became ''bona fide'' cultural phenomenons in the first and second halves of the decade respectively, leading to the boom of the SurvivalSandbox and BattleRoyaleGame genres. In the console space, Sony managed to retake the lead from Microsoft with the Platform/PlayStation4 as a result of Microsoft fumbling the Platform/XboxOne and Sony's own growing lineup of first-party exclusives such as ''VideoGame/{{Bloodborne}}'', ''VideoGame/Uncharted4AThiefsEnd'', and ''[[VideoGame/GodOfWarPS4 God of War]]'', which has extended well beyond into TheNewTwenties. Meanwhile, Creator/{{Nintendo}} saw sales of the Platform/{{Wii}} plateau ''hard'' at the beginning of the decade, leading to the rushed launches of the Platform/Nintendo3DS and Platform/WiiU. While the 3DS ended up gaining a large amount of momentum overall, the Wii U never did and so Nintendo were saddled with their biggest commercial failure until they discontinued it in 2017...upon which they released the Platform/NintendoSwitch and did a complete 180º, with the Switch quickly becoming their biggest console since the Platform/NintendoDS, and quickly amassing a library of desirable exclusives like ''VideoGame/TheLegendOfZeldaBreathOfTheWild'', ''VideoGame/SuperMarioOdyssey'', and ''VideoGame/SuperSmashBrosUltimate'', as well as being the first Nintendo console in a while to receive actual third-party support, with popular titles like ''[[VideoGame/Doom2016 Doom]]'' and ''VideoGame/DragonBallFighterZ'' making their way into the console early on. The Nintendo Switch's release and games also coincided with a general comeback of Japanese-developed games in the industry as a whole, with titles like ''VideoGame/Persona5'', ''VideoGame/MonsterHunterWorld'', and ''[[VideoGame/ResidentEvil2Remake Resident Evil 2]]'' all being critical and commercial hits and marking a general re-acceptance of Japanese-developed games. And last but certainly not least, the IndieGame market grew exponentially during this decade, which titles such as (but not limited to) ''VideoGame/ShovelKnight'', ''VideoGame/FiveNightsAtFreddys1'', ''VideoGame/{{Undertale}}'', and ''VideoGame/StardewValley'' all making independent game development a much more viable market than it was before.
to:
While globalization became increasingly unpopular in politics, entertainment in general became more international (a notorious example being the influence of the Chinese market over Hollywood and sports), something attributable to the rise of mobile technology, which allowed anyone to keep "in touch" anywhere, absorbing social lives to a degree unimaginable ten years earlier. This also allowed "selfies" and [[MemeticMutation "memes"]] to spread worldwide instantly. From a commercial point of view, online advertising encouraged [[DoingItForTheArt some authors to prioritize the work over the earnings]], and develop closer relationships with their fanbases. Content-wise, this also led to [[ProtectionFromEditors a substantial increase in creative freedom]] compared to the increased scrutiny in the mainstream, a development made visible by the explosion of streaming services, with series such as ''[[Series/HouseOfCardsUS House ''Series/{{House of Cards]]'', Cards|US}}'', ''Series/OrangeIsTheNewBlack'', ''Series/StrangerThings'' and ''Series/TheHandmaidsTale'' becoming huge hits. Meanwhile, Hollywood became dominated by superheroes, animated movies, continuations/reboots of popular franchises and action vehicles, with Creator/{{Disney}} gaining an unprecedented domination of the movie industry: out of the 10 highest grossing films of the decade, only ''Harry Potter and the Deathly Hallows Part 2'' and ''Transformers: Age of Extinction'' were not made by the company.
The gaming space saw an immense amount of growth this decade compared to prior ones; the first half of the decade saw the MobilePhoneGame genre absolutely explode into popularity, with''VideoGame/AngryBirds'' , ''VideoGame/AngryBirds'', ''VideoGame/CandyCrushSaga'', and ''VideoGame/PuzzleAndDragons'' not only bursting into the mainstream, but also introducing the {{Freemium}} business model into gaming, leading to the rise of {{Microtransactions}} that would controversially make its way into PC and console gaming, namely with ''VideoGame/StarWarsBattlefrontII'' and ''VideoGame/MiddleEarthShadowOfWar''. On the flip side, narrative-driven games became an even bigger commodity than they were in previous decade, namely with ''VideoGame/TheLastOfUs'' and ''VideoGame/TheWitcher3WildHunt'', being standout examples of narrative-driven games receiving mainstream attention throughout the decade. The SoulslikeRPG genre also boomed in popularity thanks to the monumental release of ''VideoGame/DarkSoulsI'', as did the WideOpenSandbox genre thanks to ''VideoGame/TheElderScrollsVSkyrim'' and ''VideoGame/BatmanArkhamCity''. ''VideoGame/{{Minecraft}}'' and ''VideoGame/{{Fortnite}}'' both became ''bona fide'' cultural phenomenons in the first and second halves of the decade respectively, leading to the boom of the SurvivalSandbox and BattleRoyaleGame genres. In the console space, Sony managed to retake the lead from Microsoft with the Platform/PlayStation4 as a result of Microsoft fumbling the Platform/XboxOne and Sony's own growing lineup of first-party exclusives such as ''VideoGame/{{Bloodborne}}'', ''VideoGame/Uncharted4AThiefsEnd'', and ''[[VideoGame/GodOfWarPS4 God ''VideoGame/{{God of War]]'', War|PS4}}'', which has extended well beyond into TheNewTwenties. Meanwhile, Creator/{{Nintendo}} saw sales of the Platform/{{Wii}} plateau ''hard'' at the beginning of the decade, leading to the rushed launches of the Platform/Nintendo3DS and Platform/WiiU. While the 3DS ended up gaining a large amount of momentum overall, the Wii U never did and so Nintendo were saddled with their biggest commercial failure until they discontinued it in 2017...upon which they released the Platform/NintendoSwitch and did a complete 180º, with the Switch quickly becoming their biggest console since the Platform/NintendoDS, and quickly amassing a library of desirable exclusives like ''VideoGame/TheLegendOfZeldaBreathOfTheWild'', ''VideoGame/SuperMarioOdyssey'', and ''VideoGame/SuperSmashBrosUltimate'', as well as being the first Nintendo console in a while to receive actual third-party support, with popular titles like ''[[VideoGame/Doom2016 Doom]]'' ''VideoGame/{{Doom|2016}}'' and ''VideoGame/DragonBallFighterZ'' making their way into the console early on. The Nintendo Switch's release and games also coincided with a general comeback of Japanese-developed games in the industry as a whole, with titles like ''VideoGame/Persona5'', ''VideoGame/MonsterHunterWorld'', and ''[[VideoGame/ResidentEvil2Remake Resident ''VideoGame/{{Resident Evil 2]]'' 2|Remake}}'' all being critical and commercial hits and marking a general re-acceptance of Japanese-developed games. And last but certainly not least, the IndieGame market grew exponentially during this decade, which titles such as (but not limited to) ''VideoGame/ShovelKnight'', ''VideoGame/FiveNightsAtFreddys1'', ''VideoGame/{{Undertale}}'', and ''VideoGame/StardewValley'' all making independent game development a much more viable market than it was before.
The gaming space saw an immense amount of growth this decade compared to prior ones; the first half of the decade saw the MobilePhoneGame genre absolutely explode into popularity, with
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For the first time since TheSixties and [[TheSeventies '70s]], the political and economic climate that began to take shape in 2014–2015 came to impact the socio-cultural lens in an inescapable fashion, especially compared to the "alternative" trends of the late 90s, 2000s and early 2010s (2010–2013), with an important focus on feminism and minorities. This caused a tremendous culture shock that extended even from early [[TheNewTwenties 2020s]], and there is a good chance that, as in the 60s, this trend will extend beyond the decade. While chronologically the 2010s ended on December 31, 2019, a number of events from 2014–2019 marked a turning point that changed the political landscape into a vastly different one compared to 2010–2013, beginning with: Putin's Russia arising as an "anti-centrist" force in 2013-14 with the Syrian and Ukrainian crises, the global rise of populism, ISIS terrorizing Europe in 2015 and the Islamic migrant crisis, all of which triggered the populist wave that elected Donald Trump and decided Brexit in 2015–16. Meanwhile, there was also the Hollywood #[=MeToo=] scandals, questioning of gender conventions, the dominance of sci-fi/superhero, musical, and animated films over the box-office with more serious productions turned to streaming, the rise of [[TrapMusic trap]] and non-English pop music along with the quick decline of EDM and electropop divas, the various internet controversies and their lasting impact on media discourse (and arguably online discourse in general), and the general politicization of media. It's no wonder why many people believe that early 2010s felt like a very different decade than anything to come.
to:
For the first time since TheSixties The60s and [[TheSeventies [[The70s '70s]], the political and economic climate that began to take shape in 2014–2015 came to impact the socio-cultural lens in an inescapable fashion, especially compared to the "alternative" trends of the late 90s, 2000s and early 2010s (2010–2013), with an important focus on feminism and minorities. This caused a tremendous culture shock that extended even from early [[TheNewTwenties 2020s]], and there is a good chance that, as in the 60s, this trend will extend beyond the decade. While chronologically the 2010s ended on December 31, 2019, a number of events from 2014–2019 marked a turning point that changed the political landscape into a vastly different one compared to 2010–2013, beginning with: Putin's Russia arising as an "anti-centrist" force in 2013-14 with the Syrian and Ukrainian crises, the global rise of populism, ISIS terrorizing Europe in 2015 and the Islamic migrant crisis, all of which triggered the populist wave that elected Donald Trump and decided Brexit in 2015–16. Meanwhile, there was also the Hollywood #[=MeToo=] scandals, questioning of gender conventions, the dominance of sci-fi/superhero, musical, and animated films over the box-office with more serious productions turned to streaming, the rise of [[TrapMusic trap]] {{trap|Music}} and non-English pop music along with the quick decline of EDM and electropop divas, the various internet controversies and their lasting impact on media discourse (and arguably online discourse in general), and the general politicization of media. It's no wonder why many people believe that early 2010s felt like a very different decade than anything to come.
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* The ''Franchise/TouhouProject'' series from ''Ten Desires'' to ''Wily Beast and Weakest Creature'' takes place in the 2010s.
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* The ''Franchise/TouhouProject'' series from ''Ten Desires'' ''VideoGame/TouhouShinreibyouTenDesires'' to ''Wily Beast and Weakest Creature'' ''VideoGame/TouhouKikeijuuWilyBeastAndWeakestCreature'' takes place in the 2010s.
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* ''Videogame/{{Uplink}}'' starts in this year.
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* ''Videogame/{{Uplink}}'' ''VideoGame/{{Uplink}}'' starts in this year.
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* ''FanFic/OneYear'' starts where ''VideoGame/Persona4'' left off, on March 21, 2012.
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* ''FanFic/OneYear'' ''Fanfic/OneYear'' starts where ''VideoGame/Persona4'' left off, on March 21, 2012.
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* ''FanFic/InTheEyeOfTheBeholder'' begins on August 22, 2015.
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* ''FanFic/InTheEyeOfTheBeholder'' ''Fanfic/InTheEyeOfTheBeholder'' begins on August 22, 2015.
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* ''Film/{{Zola}}'' is set at the time in 2015 when the events chronicled in the Twitter post that inspired the movie occurred. Furthermore, the use of Backpage (which was shut down in 2018) is part of a major plot point, while Derrek is seen regularly viewing [[Platform/{{Vine}} Vines]], the group vibes and lipsyncs to [[Music/{{Migos}} "Hannah Montana"]] in the car, and Stefani emphasizes Facebook and Tumblr as part of her social media presence rather than Snapchat and [=TikTok=] (not to mention not mentioning an [=OnlyFans=] at all, as it was not launched until 2016), all of which are clear signifiers of the mid-2010s.
to:
* ''Film/{{Zola}}'' is set at the time in 2015 when the events chronicled in the Twitter post that inspired the movie occurred. Furthermore, the use of Backpage (which was shut down in 2018) is part of a major plot point, while Derrek is seen regularly viewing [[Platform/{{Vine}} Vines]], Platform/{{Vine}}s, the group vibes and lipsyncs to [[Music/{{Migos}} "Hannah Montana"]] in the car, and Stefani emphasizes Facebook and Tumblr as part of her social media presence rather than Snapchat and [=TikTok=] (not to mention not mentioning an [=OnlyFans=] at all, as it was not launched until 2016), all of which are clear signifiers of the mid-2010s.
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See Also: The TurnOfTheMillennium, TheNewTwenties, and UsefulNotes/TheMillenniumAgeOfAnimation.
to:
See Also: The TurnOfTheMillennium, TheNewTwenties, and UsefulNotes/TheMillenniumAgeOfAnimation.MediaNotes/TheMillenniumAgeOfAnimation.
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Fixing formatting, Removing works that were created in the years, not set there.
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[[AC:Anime and Manga]]
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[[AC:Anime and Manga]]
& Manga]]
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[[AC:FanWorks]]
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[[AC:Film]]
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[[AC:Live-Action Television]]
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[[AC:Live-Action Television]]TV]]
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* Act 6 of ''Webcomic/{{Homestuck}}'' takes place on 11/11/2011.
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* ''Webcomic/{{Homestuck}}'': Act 6 of ''Webcomic/{{Homestuck}}'' takes place on 11/11/2011.
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[[AC:Comic Books]]
* ''ComicBook/DeathOfTheFamily''
* ''ComicBook/FanboysVsZombies''
* ''ComicBook/{{Rotworld}}''
* ''ComicBook/DeathOfTheFamily''
* ''ComicBook/FanboysVsZombies''
* ''ComicBook/{{Rotworld}}''
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[[AC:Anime and Manga]]
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* The ''ComicBook/DaysOfFuturePast'' storyline in ''ComicBook/XMen''.
* ''ComicBook/TrinityWar''
* ''ComicBook/ForeverEvil2013''
* ''ComicBook/TrinityWar''
* ''ComicBook/ForeverEvil2013''
to:
* ''ComicBook/XMen'': The BadFuture is set in this time in the ''ComicBook/DaysOfFuturePast'' storyline in ''ComicBook/XMen''.
* ''ComicBook/TrinityWar''
* ''ComicBook/ForeverEvil2013''
storyline.
* ''ComicBook/TrinityWar''
* ''ComicBook/ForeverEvil2013''
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[[AC:Comic Books]]
* ''ComicBook/BatmanEternal''
* ''ComicBook/BatmanGothtopia''
* ''ComicBook/BatmanEternal''
* ''ComicBook/BatmanGothtopia''
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[[AC:Anime and Manga]]
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[[AC: Literature]]
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[[AC:Live-Action TV]]
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[[AC:ComicBooks]]
* ''ComicBook/BatmanWhiteKnight''
* ''ComicBook/TheButton''
* ''ComicBook/DarkNightsMetal''
* ''ComicBook/DoomsdayClock''
* ''ComicBook/JusticeLeagueOfAmericaRebirth''
* ''ComicBook/TheLazarusContract''
* ''ComicBook/MisterMiracle2017''
* ''ComicBook/TheTerminusAgenda''
* ''ComicBook/TheSurrogates''.
* ''ComicBook/BatmanWhiteKnight''
* ''ComicBook/TheButton''
* ''ComicBook/DarkNightsMetal''
* ''ComicBook/DoomsdayClock''
* ''ComicBook/JusticeLeagueOfAmericaRebirth''
* ''ComicBook/TheLazarusContract''
* ''ComicBook/MisterMiracle2017''
* ''ComicBook/TheTerminusAgenda''
* ''ComicBook/TheSurrogates''.
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[[AC:Live-Action Series]]
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[[AC:Live-Action Series]]TV]]
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[[AC:{{Film}}]]
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[[AC:{{Anime}} and {{Manga}}]]
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* The sixth and final issue of ''ComicBook/SpiderManLifeStory'' is set in 2019.
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* ''ComicBook/SpiderManLifeStory'': The sixth and final issue of ''ComicBook/SpiderManLifeStory'' is set in 2019.
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[[AC:Web Comics]]
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* ''Film/{{Zola}}'' is set at the time in 2015 when the events chronicled in the Twitter post that inspired the movie occurred. Furthermore, the use of Backpage (which was shut down in 2018) is part of a major plot point, while Derrek is seen regularly viewing [[Website/{{Vine}} Vines]], the group vibes and lipsyncs to [[Music/{{Migos}} "Hannah Montana"]] in the car, and Stefani emphasizes Facebook and Tumblr as part of her social media presence rather than Snapchat and [=TikTok=] (not to mention not mentioning an [=OnlyFans=] at all, as it was not launched until 2016), all of which are clear signifiers of the mid-2010s.
to:
* ''Film/{{Zola}}'' is set at the time in 2015 when the events chronicled in the Twitter post that inspired the movie occurred. Furthermore, the use of Backpage (which was shut down in 2018) is part of a major plot point, while Derrek is seen regularly viewing [[Website/{{Vine}} [[Platform/{{Vine}} Vines]], the group vibes and lipsyncs to [[Music/{{Migos}} "Hannah Montana"]] in the car, and Stefani emphasizes Facebook and Tumblr as part of her social media presence rather than Snapchat and [=TikTok=] (not to mention not mentioning an [=OnlyFans=] at all, as it was not launched until 2016), all of which are clear signifiers of the mid-2010s.
Is there an issue? Send a MessageReason:
None
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* ''Series/MyName'': Made and set in 2021. The prologue largely takes place in 2016, but a TimeSkip montage showing the subsequent years up to ThePresentDay is feautured.
to:
* ''Series/HowIMetYourMother'': Flashforwards to the birth of Ted's eldest child Penny set in 2015. The flashforward to Barney Stinson and Robin Scherbatsky's divorce, as well as the selling of the apartment which served as the setting of the show for much of the series' run, happened in 2016.
* ''Series/MyName'': Made and set in 2021. The prologue largely takes place in 2016, but a TimeSkip montage showing the subsequent years up to ThePresentDay isfeautured.featured.
* ''Series/MyName'': Made and set in 2021. The prologue largely takes place in 2016, but a TimeSkip montage showing the subsequent years up to ThePresentDay is
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* The prologue of ''Series/Stargirl2020'' takes place in Christmas Eve 2010.
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* The prologue ActionPrologue of ''Series/Stargirl2020'' takes place in Christmas Eve 2010.
* ''Series/MarryMyHusband'': The plot of the series is the protagonist {{mental time travel}}ling to her 2013 body after her AccidentalMurder at the hands of her cheating [[FalseFriend best friend]] and husband in 2023.
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* The first two seasons of ''Series/Titans2018'' season frequently flashes back to this year as this was the year the original team was formed.
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* The first two seasons of ''Series/Titans2018'' season frequently flashes back to this year as this was the year the original team was formed.
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* ''Series/HowIMetYourMother'' has flashforwards to the birth of Ted's eldest child set in this year.
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* ''Series/HowIMetYourMother'': The flashforward to Barney Stinson and Robin Scherbatsky's divorce, as well as the selling of the apartment which served as the setting of the show for much of the series's run, happened in this year.
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* ''WebVideo/StuartHardy''. He originally joined in 2011 on Website/YouTube, though didn't start video reviews until 2012.
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* ''WebVideo/StuartHardy''. He originally joined in 2011 on Website/YouTube, Platform/YouTube, though didn't start video reviews until 2012.
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* ''Advertising/TheScarecrow''
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* ''Advertising/TheScarecrow''''Advertising/{{The Scarecrow|2013}}''
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Toonami isn't really a show, more of a block. Russian cartoons go in Eastern European animation.
[[folder:African Animation]]
* ''Animation/TingaTingaTales''
[[/folder]]
* ''Animation/TingaTingaTales''
[[/folder]]
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[[folder:Animated Shows]]
* ''Animation/MashaAndTheBear'' (from Russia, continued since 2009)
* ''Animation/TingaTingaTales''. (from Kenya)
* ''Creator/{{Toonami}}'' (Revived in 2012)
[[/folder]]
* ''Animation/MashaAndTheBear'' (from Russia, continued since 2009)
* ''Animation/TingaTingaTales''. (from Kenya)
* ''Creator/{{Toonami}}'' (Revived in 2012)
[[/folder]]
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* ''Animation/MashaAndTheBear'' (premiered in 2009 but kept going into the 2010's)
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Don't know if it was specifically 2011.
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* ''Animation/NoonboryAndTheSuper7'' (Its second season premiered in 2011.)
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* ''Animation/NoonboryAndTheSuper7'' (Its second season premiered in 2011.the early 2010's.)
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* ''Animation/ShiningStar''
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* ''Animation/TayoTheLittleBus''
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* ''Animation/{{Tobot}}''
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* ''Animation/NoonboryAndTheSuper7'' (Its second season premiered in 2011.)
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* ''Animation/ShiningStar''
* ''Animation/TayoTheLittleBus''
* ''Animation/TayoTheLittleBus''
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* ''Animation/{{Tobot}}''
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* ''Animation/FruityRobo'' (premiered in 2009, continued into the 2010's)
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* ''{{Animation/Ibi}}
to:
* ''{{Animation/Ibi}}''{{Animation/Ibi}}''
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Indexing; fixing indentation.
* ''Animation/HeroesOfEnvell''
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* ''[=KikoRiki=]. New Adventures''
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This seems... weird to put on the New Tens index since it literally has the year "1978" on its page name.
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* ''Animation/Panic1978''
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Updating links
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* The ''[[ComicBook/DaysOfFuturePast1981 Days of Future Past]]'' storyline in ''Comicbook/XMen''.
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* The ''[[ComicBook/DaysOfFuturePast1981 Days of Future Past]]'' ''ComicBook/DaysOfFuturePast'' storyline in ''Comicbook/XMen''.''ComicBook/XMen''.
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* ''Comicbook/DoomsdayClock''
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* ''Comicbook/DoomsdayClock''''ComicBook/DoomsdayClock''
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Social reforms (primarily regarding same-sex marriage) met with little approval and fierce criticism both from conservatives who did not ask for them as well from progressives who felt short-changed. The loss of economic certainty following the 2008-09 financial crisis led to calls for wider welfare provisions as well as the return of high-paying manufacturing jobs as the rise of the tech industry generated a long period of economic growth offset by little improvement at best for those not in said sector. A number of controversies regarding digital piracy and net neutrality generated more suspicion over the relationship between political and corporate interests, and the uncovering of the National Security Agency led to concerns about surveillance. Cases of [[PoliceBrutality police brutality]] against black people, anti-immigration policies, and hate crimes against minorities reduced faith on law and order among these groups. Feminism returned to prominence as the "gender gap" became a major source of concern. Towards the end of the decade, the exposure of prolific film producer [[Creator/TheWeinsteinCompany Harvey Weinstein]] as a serial sexual abuser and anger over U.S. President UsefulNotes/DonaldTrump’s alleged treatment of women kick-started the #[=MeToo=] movement,[[note]]The term was coined by black civil rights activist Tarana Burke in 2006 but was popularized by actress Creator/AlyssaMilano shortly after the Weinstein revelations went public[[/note]] in which women (and some men) in Hollywood and beyond opened up about their experiences of sexual abuse, leading to the resignations and ostracism of many powerful men and the demand for greater sexual equality.
to:
Social reforms (primarily regarding same-sex marriage) met with little approval and fierce criticism both from conservatives who did not ask for them as well from progressives who felt short-changed. The loss of economic certainty following the 2008-09 financial crisis led to calls for wider welfare provisions as well as the return of high-paying manufacturing jobs as the rise of the tech industry generated a long period of economic growth offset by little improvement at best for those not in said sector. A number of controversies regarding digital piracy and net neutrality generated more suspicion over the relationship between political and corporate interests, and the uncovering of the National Security Agency led to concerns about surveillance. Cases of [[PoliceBrutality police brutality]] against black people, anti-immigration policies, and hate crimes against minorities reduced faith on in law and order among these groups. Feminism returned to prominence as the "gender gap" became a major source of concern. Towards the end of the decade, the exposure of prolific film producer [[Creator/TheWeinsteinCompany Harvey Weinstein]] as a serial sexual abuser and anger over U.S. President UsefulNotes/DonaldTrump’s alleged treatment of women kick-started the #[=MeToo=] movement,[[note]]The term was coined by black civil rights activist Tarana Burke in 2006 but was popularized by actress Creator/AlyssaMilano shortly after the Weinstein revelations went public[[/note]] in which women (and some men) in Hollywood and beyond opened up about their experiences of sexual abuse, leading to the resignations and ostracism of many powerful men and the demand for greater sexual equality.
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* ''VideoGame/TraumaCenter'' takes place in 2018.
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* ''VideoGame/TraumaCenter'' ''VideoGame/{{Trauma Center|Atlus}}'' takes place in 2018.
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Moving to new name.
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* ''Animation/FlowerFairy''
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* ''Animation/FlowerFairy''''Animation/FlowerAngel''
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On the one hand, the early years of the decade were marked by escapist fare, such as ''Series/{{Glee}}'', the Franchise/MarvelCinematicUniverse films, young adult-geared romantic dramas and "[[LighterAndSofter shiny reboots]]". However, [[DarkerAndEdgier sordid settings and cynical attitudes]] thrived in media, reflecting the turbulent sign of the times. {{Dystopia}}n fiction (''Literature/TheHungerGames'', ''VideoGame/TheLastOfUs'', ''Literature/{{Divergent}}'') and horror films (''Film/ThePurge'') served as allegories for the growing social and economic divisions in American society. Dark cable dramas (''Series/GameOfThrones'', ''Series/TheWalkingDead'', ''Series/BreakingBad'') took away the spotlight from broadcast network shows, and several franchises got acclaimed grim-and-gritty interpretations in the vein of ''Film/TheDarkKnightTrilogy''. Even nostalgia got [[NostalgiaAintLikeItUsedToBe an ironic twist]] thanks to the {{Hipster}} subculture, ironically popularizing the past like never before, most markedly indicated by a noticeable burst in newfound enthusiasm for analog audiovisual media such as vinyl records, film stock, and CRT televisions. As the social climate became even more tense by the second half of the decade, escapism not only became [[SillyRabbitIdealismIsForKids totally unfashionable]] outside of kid-geared works, but also triggered a raging debate about works becoming [[WhatDoYouMeanItsNotPolitical either too politicized or not political enough]].
to:
On the one hand, the early years of the decade were marked by escapist fare, such as ''Series/{{Glee}}'', the Franchise/MarvelCinematicUniverse films, young adult-geared romantic dramas and "[[LighterAndSofter shiny reboots]]". However, [[DarkerAndEdgier sordid settings and cynical attitudes]] thrived in media, reflecting the turbulent sign of the times. {{Dystopia}}n fiction (''Literature/TheHungerGames'', ''VideoGame/TheLastOfUs'', ''Literature/{{Divergent}}'') and horror films (''Film/ThePurge'') (''Film/{{The Purge|Universe}}'') served as allegories for the growing social and economic divisions in American society. Dark cable dramas (''Series/GameOfThrones'', ''Series/TheWalkingDead'', ''Series/BreakingBad'') took away the spotlight from broadcast network shows, and several franchises got acclaimed grim-and-gritty interpretations in the vein of ''Film/TheDarkKnightTrilogy''. Even nostalgia got [[NostalgiaAintLikeItUsedToBe an ironic twist]] thanks to the {{Hipster}} subculture, ironically popularizing the past like never before, most markedly indicated by a noticeable burst in newfound enthusiasm for analog audiovisual media such as vinyl records, film stock, and CRT televisions. As the social climate became even more tense by the second half of the decade, escapism not only became [[SillyRabbitIdealismIsForKids totally unfashionable]] outside of kid-geared works, but also triggered a raging debate about works becoming [[WhatDoYouMeanItsNotPolitical either too politicized or not political enough]].
