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* A Clonan is a clone of Conan,often created to cash in a craze.

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* A Clonan is a clone of Conan,often Conan, often created to cash in a craze.
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* The ''Literature/KingdomsDisdain''Series by Paul! Lang.

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* The ''Literature/KingdomsDisdain''Series ''Literature/KingdomsDisdain'' Series by Paul! Lang.
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->''Circles and rings, dragons and kings\\
Weaving a charm and a spell\\
Blessed by the night, holy and bright\\
Called by the toll of the bell!''\\
-->-- '''Music/BlackSabbath''', ''Neon Knights''

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* ''VideoGame/LuciferRing'' have the player assuming a warrior in a Medieval-fantasy world fighting various forces of chaos, including dragons and demons, to prevent an EvilWizard from awakening a powerful demon.

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* ''VideoGame/LuciferRing'' have the player assuming a warrior in a Medieval-fantasy world fighting various forces of chaos, including dragons and demons, to prevent an EvilWizard EvilSorceror from awakening a powerful demon.
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* ''VideoGame/LuciferRing'' have the player assuming a warrior in a Medieval-fantasy world fighting various forces of chaos, including dragons and demons, to prevent an EvilWizard from awakening a powerful demon.

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Heroic Fantasy sits somewhere in between. It tends to be distinguishable from HighFantasy by its scale--the problems are generally those of the heroes, not the world. Kingdoms and societies are portrayed mainly to the extent the heroes have an impact on them. On the other hand, it's distinct from LowFantasy as well in that the heroes are actually ''heroic'' and their goals are morally sound or, at the very least, not overtly objectionable. An AntiHero in this setting is more likely to be a LovableRogue than a WellIntentionedExtremist.

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Heroic Fantasy sits somewhere in between. It tends to be distinguishable from HighFantasy by its scale--the problems are generally those of the heroes, not the world. Kingdoms and societies are portrayed mainly to the extent the heroes have an impact on them. On the other hand, it's distinct from LowFantasy Low Fantasy as well in that the heroes are actually ''heroic'' and their goals are morally sound or, at the very least, not overtly objectionable. An AntiHero in this setting is more likely to be a LovableRogue than a WellIntentionedExtremist.



Not to be confused with LowFantasy, which is simply {{Fantasy}} in a down-to-earth setting.



[[folder:Film]]

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[[folder:Film]][[folder:Film - Animation]]
* As a lot of film critics have noted, ''WesternAnimation/{{Shrek}}'' and its original sequel might have been written as self-conscious [[AffectionateParody affectionate parodies]] of "fairy tale movies" but both movies use and celebrate heroic fantasy tropes so whole-heartedly that they both feel more like straight "fairy tale movies"/ heroic fantasy with lots of humour and character development. While the protagonists are fundamentally good people with a clear moral high ground over the villains, the plots tend to focus on smaller, more personal conflicts.
** The first movie revolves around Shrek trying to rescue a princess purely to get the fairy tale refugees off his land, only to fall in love with said princess and have to overcome his insecurities before she marries the evil Lord Farquaad.
** ''WesternAnimation/Shrek2'' revolves around Shrek struggling to impress his in-laws and save his marriage while the evil Fairy Godmother tries to force Princess Fiona into being with Prince Charming; although things would probably be bad for Far Far Away if the Fairy Godmother took complete control of the kingdom, the film emphasizes the threat to Shrek and Fiona's relationship.
[[/folder]]

[[folder:Film - Live Action]]



* As a lot of film critics have noted, ''WesternAnimation/{{Shrek}}'' and its original sequel might have been written as self-conscious [[AffectionateParody affectionate parodies]] of "fairy tale movies" but both movies use and celebrate heroic fantasy tropes so whole-heartedly that they both feel more like straight "fairy tale movies"/ heroic fantasy with lots of humour and character development.
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* ''Anime/DoraemonNobitasThreeVisionarySwordsmen'' sees Nobita and friends being reborn as their AlternateSelf in a medieval kingdom, Yumemiru, and fighting hordes and hordes of chaotic monsters reminiscent of the works of J.R.R> Tolkien and Robert E. Howard.
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* In ye olde ''VideoGame/{{dnd}}'' game, you play a warrior, wizard, or priest charged with rescuing a precious orb from the clutches of an evil dragon who is defended by a horde of demons, ghosts, and other vile monsters.
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Heavily influenced by TheHerosJourney, the [[Myth/KingArthur Arthurian]] cycle, the Franchise/ConanTheBarbarian stories and movies, the game ''TabletopGame/DungeonsAndDragons'', and classical myth.

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Heavily influenced by TheHerosJourney, the [[Myth/KingArthur Arthurian]] cycle, the Franchise/ConanTheBarbarian stories and movies, the game ''TabletopGame/DungeonsAndDragons'', and classical myth.
Myth/{{Classical Myth|ology}}.
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For heroic and epic fantasy applied to ''non-''MedievalEuropeanFantasy settings, see {{Wuxia}} (fantasy of Chinese cultural origin) and {{Dungeonpunk}} (which is which is what happens when you take the general attitude of heroic fantasy and remove the MedievalStasis in favor of {{Magitek}})

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For heroic and epic fantasy applied to ''non-''MedievalEuropeanFantasy settings, see {{Wuxia}} (fantasy of Chinese cultural origin) and origin), as well as {{Dungeonpunk}} (which is which is what happens when you take the general attitude of heroic fantasy and remove the MedievalStasis in favor of {{Magitek}})
{{Magitek}}).

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See also TwoFistedTales, PulpMagazine.

Heroic and epic Fantasy of Chinese cultural origin is known as {{Wuxia}}.

Contrast SwordAndSandal. See also MedievalEuropeanFantasy.

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See also TwoFistedTales, PulpMagazine.

Heroic
PulpMagazine. Contrast SwordAndSandal.

For heroic
and epic Fantasy fantasy applied to ''non-''MedievalEuropeanFantasy settings, see {{Wuxia}} (fantasy of Chinese cultural origin origin) and {{Dungeonpunk}} (which is known as {{Wuxia}}.

Contrast SwordAndSandal. See also MedievalEuropeanFantasy.
which is what happens when you take the general attitude of heroic fantasy and remove the MedievalStasis in favor of {{Magitek}})
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* ''TabletopGame/TheChroniclesOfAeres'' deliberately aims to invoke this feeling, admittedly with some of the "Good versus Evil" elements of HighFantasy. Aeres is a world of [[BeastMan Wilderkind]], {{Draconic Humanoid}}s and StandardFantasyRaces who stand united after the recent collapse of three terrible foes -- the [[AntiMagicalFaction magic-hating pro-human Imperium]], the orc & goblin hordes of Olohgim the Witch Lord, and the draconvir armies of the Vulgraks who served the Dragon of Darkness -- and must now try to piece civilization back together from the ruins.
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* Mercedes Lackey's ''Literature/HeraldsOfValdemar'' series has quite a few stories in this tone. The most notable is the ''Vows and Honor'' series, about a swordswoman/sorceress mercenary pair who travel the world looking for work and battling evil. In her ''Oathblood'' introduction, Lackey specifically noted that she made them to play with the tropes of heroic fantasy: they're both women, one of them is celibate, and SurprisinglyRealisticOutcome occurs more often than not on their adventures.

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* Mercedes Lackey's ''Literature/HeraldsOfValdemar'' series has quite a few stories in this tone. The most notable is the ''Vows and Honor'' series, about a swordswoman/sorceress mercenary pair who travel the world looking for work and battling evil. evil, almost always because it pays or because a magic sword is compelling them to rescue women. In her ''Oathblood'' introduction, Lackey specifically noted that she made them the Vows and Honor stories to play with the tropes of heroic fantasy: they're the leads are both women, one of them is celibate, and SurprisinglyRealisticOutcome occurs more often than not on their adventures.adventures. ''Oathbreakers'' winds up with more HighFantasy leanings than the rest of the trilogy, as it's more explicitly supernatural, good and evil are more clearly delineated, Kethry gets a major power upgrade, and they bring down an evil king so they can set up a better one.

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Big long lists


* ''Film/TheBarbarians''

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* ''Film/TheBarbarians''%%* ''Film/TheBarbarians''%%



* ''Film/BloodOfBeasts''.
* ''Film/{{Clash of the Titans|1981}}''.
* ''Film/ConanTheBarbarian1982'' and ''Film/ConanTheDestroyer''
* ''Film/{{Conquest}}'' mix this with DarkFantasy and {{Horror}}.
* ''Film/HanselAndGretelWitchHunters''
* ''Film/{{Highlander}}''.
* ''Film/KullTheConqueror''.
* ''Film/PrinceOfPersiaTheSandsOfTime''.

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* ''Film/BloodOfBeasts''.
*
%%* ''Film/BloodOfBeasts''.%%
%%*
''Film/{{Clash of the Titans|1981}}''.
*
Titans|1981}}''.%%
%%*
''Film/ConanTheBarbarian1982'' and ''Film/ConanTheDestroyer''
*
''Film/ConanTheDestroyer''%%
%%*
''Film/{{Conquest}}'' mix this with DarkFantasy and {{Horror}}.
* ''Film/HanselAndGretelWitchHunters''
* ''Film/{{Highlander}}''.
* ''Film/KullTheConqueror''.
*
{{Horror}}.%%
%%* ''Film/HanselAndGretelWitchHunters''%%
%%* ''Film/{{Highlander}}''.%%
%%* ''Film/KullTheConqueror''.%%
%%*
''Film/PrinceOfPersiaTheSandsOfTime''.%%



* ''Film/RedSonja''.
* ''Film/TheSwordAndTheSorcerer''.
* ''Film/TheThrillingSword'' - from Taiwan.
* ''Film/WizardsOfTheDemonSword''.

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* ''Film/RedSonja''.
* ''Film/TheSwordAndTheSorcerer''.
*
%%* ''Film/RedSonja''.%%
%%* ''Film/TheSwordAndTheSorcerer''.%%
%%*
''Film/TheThrillingSword'' - from Taiwan.
*
Taiwan.%%
%%*
''Film/WizardsOfTheDemonSword''.%%



* ''LightNovel/{{Slayers}}''

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* ''LightNovel/{{Slayers}}''%%* ''LightNovel/{{Slayers}}''%%



* The ''[[Literature/TheWarGods Bahzell]]'' series by Creator/DavidWeber.
* ''Literature/TheBlackCompany''
* Alison Croggon's ''Literature/BooksOfPellinor''.
* ''Literature/CodexAlera'' (quasi-AncientRome + ElementalPowers).

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* %%* The ''[[Literature/TheWarGods Bahzell]]'' series by Creator/DavidWeber.
* ''Literature/TheBlackCompany''
*
Creator/DavidWeber.%%
%%* ''Literature/TheBlackCompany''%%
%%*
Alison Croggon's ''Literature/BooksOfPellinor''.
*
''Literature/BooksOfPellinor''.%%
%%*
''Literature/CodexAlera'' (quasi-AncientRome + ElementalPowers).%%



* Creator/{{David Gemmell}}'s books are a prime example.
** * ''Literature/TheTroySaga'' by Creator/DavidGemmell being one that overlaps with HistoricalFantasy
* Michael Moorcock's ''Literature/TheElricSaga'' (another {{Deconstruction}}).
* D. E. Wyatt's ''[[Literature/ElsabethSoesten No Good Deed...]]'' has many elements of this.

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* %%* Creator/{{David Gemmell}}'s books are a prime example.
** *
example.%%
%%*
''Literature/TheTroySaga'' by Creator/DavidGemmell being one that overlaps with HistoricalFantasy
*
HistoricalFantasy%%
%%*
Michael Moorcock's ''Literature/TheElricSaga'' (another {{Deconstruction}}).
*
{{Deconstruction}}).%%
%%*
D. E. Wyatt's ''[[Literature/ElsabethSoesten No Good Deed...]]'' has many elements of this.%%



* C.L. Moore's ''Literature/JirelOfJoiry'', the first major female character in Heroic Fantasy.
** Her husband Creator/HenryKuttner was no slouch in the genre, with works like ''Elak of Atlantis'', ''Valley of Flame'' and ''The Dark World.''.

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* C.L. Moore's ''Literature/JirelOfJoiry'', the first major female character in Heroic Fantasy. \n** Her husband Creator/HenryKuttner was no slouch in the genre, with works like ''Elak of Atlantis'', ''Valley of Flame'' and ''The Dark World.''.



* Everything by Creator/RASalvatore.
* Lynn Abbey's ''Rifkin'' series.
* The ''Literature/{{Shadowleague}}'' trilogy.
* The ''Literature/SnowWalker'' trilogy by Catherine Fisher.

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* %%* Everything by Creator/RASalvatore.
*
Creator/RASalvatore.%%
%%*
Lynn Abbey's ''Rifkin'' series.
*
series. %%
%%*
The ''Literature/{{Shadowleague}}'' trilogy.
*
trilogy.%%
%%*
The ''Literature/SnowWalker'' trilogy by Catherine Fisher.%%



* ''Series/{{Garo}}'', though it is debatable, as it has various ''DarkFantasy'' elements.
* ''Series/HerculesTheLegendaryJourneys''.
** ''Series/XenaWarriorPrincess''.
* ''Series/KrodMandoonAndTheFlamingSwordOfFire'' is a parody of the genre.

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* ''Series/{{Garo}}'', though it is debatable, as it has various ''DarkFantasy'' elements.
* ''Series/HerculesTheLegendaryJourneys''.
** ''Series/XenaWarriorPrincess''.
*
%%* ''Series/{{Garo}}''%%
%%* ''Series/HerculesTheLegendaryJourneys''.%%
%%* ''Series/XenaWarriorPrincess''.%%
%%*
''Series/KrodMandoonAndTheFlamingSwordOfFire'' is a parody of the genre.%%



* ''Series/{{Merlin|2008}}''.

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* %%* ''Series/{{Merlin|2008}}''.%%



* Arguably ''Series/RobinOfSherwood'' what with its use of archetypes and mysticism.
* ''Series/TheAdventuresOfSinbad''
* ''Series/TheOutpost''

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* Arguably ''Series/RobinOfSherwood'' what with its use of archetypes and mysticism.
* ''Series/TheAdventuresOfSinbad''
* ''Series/TheOutpost''
mysticism.
%%* ''Series/TheAdventuresOfSinbad''%%
%%* ''Series/TheOutpost''%%



* HeavyMithril is either this or HighFantasy in rock form.

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* %%* HeavyMithril is either this or HighFantasy in rock form. form.%%



* ''Pinball/{{Gorgar}}''.
* ''Pinball/{{Hercules}},'' not surprisingly, is all about this.
* ''Pinball/{{Paragon}}''.

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* ''Pinball/{{Gorgar}}''.
*
%%* ''Pinball/{{Gorgar}}''.%%
%%*
''Pinball/{{Hercules}},'' not surprisingly, is all about this.
*
this.%%
%%*
''Pinball/{{Paragon}}''.%%



* ''VideoGame/BarbarianTheUltimateWarrior''.

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* %%* ''VideoGame/BarbarianTheUltimateWarrior''.%%



* ''VideoGame/FantasyQuest''.

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* %%* ''VideoGame/FantasyQuest''.%%



* ''Franchise/PrinceOfPersia''.
* ''VideoGame/TheReconstruction'' ({{Deconstruction}}, ironically).

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* ''Franchise/PrinceOfPersia''.
*
%%* ''Franchise/PrinceOfPersia''.%%
%%*
''VideoGame/TheReconstruction'' ({{Deconstruction}}, ironically).%%



* ''VideoGame/SuperbrothersSwordAndSworceryEP''.

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* %%* ''VideoGame/SuperbrothersSwordAndSworceryEP''.%%



* ''WebAnimation/TalesOfAlethrion'' is set in a magical and weird world where people travel and discover for the sake of it, where strange monsters are fought by heroes for glory and where high-tech cities coincide with tribal hovels. Though later shorts expanded on the setting, it can't be said to have been made more solid for it - if anything, it's just been expanded with more characters and more places for them to travel to.

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* ''WebAnimation/TalesOfAlethrion'' ''WebAnimation/TalesOfAlethrion''
** The series
is set in a magical and weird world where people travel and discover for the sake of it, where strange monsters are fought by heroes for glory and where high-tech cities coincide with tribal hovels. Though later shorts expanded on the setting, it can't be said to have been made more solid for it - if anything, it's just been expanded with more characters and more places for them to travel to.



* ''Webcomic/{{Evon}}''.
* ''Webcomic/MeatShield''.
* ''Webcomic/OurLittleAdventure'', if you only factor in Julie and her gang's adventures.
* ''Webcomic/ChampionsOfFaraus''.

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* ''Webcomic/{{Evon}}''.
* ''Webcomic/MeatShield''.
*
%%* ''Webcomic/{{Evon}}''.%%
%%* ''Webcomic/MeatShield''.%%
%%*
''Webcomic/OurLittleAdventure'', if you only factor in Julie and her gang's adventures.
*
adventures.%%
%%*
''Webcomic/ChampionsOfFaraus''.%%



* ''WesternAnimation/AdventureTime''.
* ''WesternAnimation/FireAndIce''.
* ''WebAnimation/MightyMagiswords''.

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* ''WesternAnimation/AdventureTime''.
* ''WesternAnimation/FireAndIce''.
*
%%* ''WesternAnimation/AdventureTime''.%%
%%* ''WesternAnimation/FireAndIce''.%%
%%*
''WebAnimation/MightyMagiswords''.%%



* ''WesternAnimation/ThundarrTheBarbarian''.

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* %%* ''WesternAnimation/ThundarrTheBarbarian''.%%

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[[folder:Light Novel]]
* ''LightNovel/GoblinSlayer'' slowly becomes this trope: despite its RRatedOpening, the titular character refuses to "play by the rules" and slowly becomes a more typical fantasy hero (even when that's not what he's pursuing), thanks to the aid of TrueCompanions who are slowly helping him regain his humanity. While the setting does establish adventuring as a {{Grimdark}}, dirty affair - a medieval fantasy world that has its share of horrors - there also exists friendship, honor, hope and love; all the more reason that these ideals are certainly worth fighting for.
* ''LightNovel/{{Slayers}}''
* ''LightNovel/SwordArtOnline'' Though the narrative is driven by technology and is set in NextSundayAD, at its heart ''Sword Art Online'' is ''still'' fundamentally a fantasy of heroic warriors (and later, wizards) crusading across mythical lands, fighting for justice, honor and making the world a better place with swords and spells in their hands, courage and love in their hearts.
[[/folder]]



* ''LightNovel/GoblinSlayer'' slowly becomes this trope: despite its RRatedOpening, the titular character refuses to "play by the rules" and slowly becomes a more typical fantasy hero (even when that's not what he's pursuing), thanks to the aid of TrueCompanions who are slowly helping him regain his humanity. While the setting does establish adventuring as a {{Grimdark}}, dirty affair - a medieval fantasy world that has its share of horrors - there also exists friendship, honor, hope and love; all the more reason that these ideals are certainly worth fighting for.
* ''LightNovel/{{Slayers}}''
* ''LightNovel/SwordArtOnline'' Though the narrative is driven by technology and is set in NextSundayAD, at its heart ''Sword Art Online'' is ''still'' fundamentally a fantasy of heroic warriors (and later, wizards) crusading across mythical lands, fighting for justice, honor and making the world a better place with swords and spells in their hands, courage and love in their hearts.
* ''Literature/DeeperUpTheTower'': Ultimately, a subversion of heroic fantasy

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* ''LightNovel/GoblinSlayer'' slowly becomes this trope: despite its RRatedOpening, the titular character refuses to "play by the rules" and slowly becomes a more typical fantasy hero (even when that's not what he's pursuing), thanks to the aid of TrueCompanions who are slowly helping him regain his humanity. While the setting does establish adventuring as a {{Grimdark}}, dirty affair - a medieval fantasy world that has its share of horrors - there also exists friendship, honor, hope and love; all the more reason that these ideals are certainly worth fighting for.
* ''LightNovel/{{Slayers}}''
* ''LightNovel/SwordArtOnline'' Though the narrative is driven by technology and is set in NextSundayAD, at its heart ''Sword Art Online'' is ''still'' fundamentally a fantasy of heroic warriors (and later, wizards) crusading across mythical lands, fighting for justice, honor and making the world a better place with swords and spells in their hands, courage and love in their hearts.
* ''Literature/DeeperUpTheTower'': Ultimately, a subversion of heroic fantasy fantasy.
* ''Literature/ACourtOfThornsAndRoses'': The first book mostly falls into this category, although for the remainder of the series it shifts into High Fantasy. Feyre is a PragmaticHero whose main goal is initially to protect her family and survive, including trying to find a way out of a magically-binding contract with a faerie lord [[spoiler:who tricked her in the hopes she could break a curse that has befallen his court]]. After she falls in love with him she goes to save him from an evil faerie queen, whom she learns is a threat to the whole world. Feyre is also a BadassNormal who mostly relies on her wits and hunting skills to overcome obstacles; in the second book she gains powers.
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* ''Series/TheWitcher2019'': At least in the first season. It has an epic fantasy setting but the plotlines are more self-contained with smaller-scale conflicts. Geralt travels around slaying monsters (supernatural or human); he gets paid for it (and has nothing much else to do) but he's a good person who often gets personally invested. Yennefer is a rogue sorceress whose main loyalty is to herself, although she has bouts of heroism and eventually comes around to helping the other mages fight an evil empire. Ciri is the one whose story most fits the High Fantasy mould: a princess with rare magic powers on the run from the evil empire that has taken over her country, seeking the person who can protect and train her; that said, for the most part she's just trying to survive and doesn't meet up with Geralt until the final minutes of Season 1.
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The exploits of mighty-thewed, sword-wielding heroes and their thiefly, wizardly and/or priestly companions, as they [[InHarmsWay spend their days]] smiting evil, fighting monsters, recovering treasures and quaffing ale.

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The exploits of mighty-thewed, [[HeroesPreferSwords sword-wielding heroes heroes]] and their [[FighterMageThief thiefly, wizardly wizardly]] and/or priestly [[WhiteMage priestly]] companions, as they [[InHarmsWay spend their days]] smiting evil, fighting monsters, recovering treasures and quaffing ale.
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[[quoteright:350:[[Pinball/DungeonsAndDragons https://static.tvtropes.org/pmwiki/pub/images/dungeons-and-dragons-pinball-detail_5848.jpg]] ]]

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[[quoteright:350:[[Pinball/DungeonsAndDragons [[quoteright:350:[[Pinball/DungeonsAndDragons1987 https://static.tvtropes.org/pmwiki/pub/images/dungeons-and-dragons-pinball-detail_5848.jpg]] ]]



* True to its license, ''Pinball/DungeonsAndDragons'' plays this absolutely straight.

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* True to its license, ''Pinball/DungeonsAndDragons'' ''Pinball/DungeonsAndDragons1987'' plays this absolutely straight.
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* Mercedes Lackey's ''Literature/HeraldsOfValdemar'' series has quite a few stories in this tone. The most notable is the ''Vows and Honor'' series, about a swordswoman/sorceress mercenary pair who travel the world looking for work and battling evil. In her ''Oathblood'' introduction, Lackey specifically noted that she made them to play with the tropes of heroic fantasy: they're both women, one of them is celibate, and RealityEnsues more often than not on their adventures.

to:

* Mercedes Lackey's ''Literature/HeraldsOfValdemar'' series has quite a few stories in this tone. The most notable is the ''Vows and Honor'' series, about a swordswoman/sorceress mercenary pair who travel the world looking for work and battling evil. In her ''Oathblood'' introduction, Lackey specifically noted that she made them to play with the tropes of heroic fantasy: they're both women, one of them is celibate, and RealityEnsues SurprisinglyRealisticOutcome occurs more often than not on their adventures.
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* ''Film/ANewHope'' is essentially this, only set in a Science Fiction setting, rather than Fantasy. There's an evil empire led by a SorcerousOverlord clad in all black, a young farmboy who studies the ways of magic/the Force under a wise old master from a now extinct order of wizards, and there's even an emphasis on swordfighting.

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Deeper up the Tower is indexed as a web serial novel, so I moved it to the Literature/ namespace and categorized it accordingly on this page






[[folder:FanWorks]]

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[[folder:FanWorks]][[folder:Fan Works]]



* ''Literature/DeeperUpTheTower'': Ultimately, a subversion of heroic fantasy



* ''Series/KyoryuSentaiZyuranger'' with dinosaurs and a ''{{Franchise/Super Sentai}}'' twist.
* ''{{Series/Merlin|2008}}''.

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* ''Series/KyoryuSentaiZyuranger'' with dinosaurs and a ''{{Franchise/Super Sentai}}'' ''Franchise/SuperSentai'' twist.
* ''{{Series/Merlin|2008}}''.''Series/{{Merlin|2008}}''.



* ''TabletopGame/{{HeroQuest}}'' is MB Games adaptation of TabletopGame/{{Warhammer}} in the style of oldschool DungeonCrawler.

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* ''TabletopGame/{{HeroQuest}}'' ''TabletopGame/HeroQuest'' is MB Games Games' adaptation of TabletopGame/{{Warhammer}} ''TabletopGame/{{Warhammer}}'' in the style of an oldschool DungeonCrawler.



[[folder:Web Comics]]

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[[folder:Web Comics]][[folder:Webcomics]]



[[folder:Web Originals]]
* ''Weboriginal/DeeperUpTheTower'',Ultimately, a subversion of heroic fantasy
[[/folder]]
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* The ''Literature/KingdomsDisdain''Series by Paul! Lang.
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* ''Manga/FrierenBeyondJourneysEnd'' plays in a time after the heroes defeated the Demon King. The world is largely at peace and the protagonist's journey is a journey to learn more about herself and rectify past regrets and mistakes.
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* ''Anime/FairyTail'' focuses on the eponymous guild of wizard adventurers and the various quests they undertake for fun and profit.

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* ''Anime/FairyTail'' focuses on the eponymous guild of wizard adventurers and the various quests they undertake for fun and profit. As the stakes get higher, however, it graduates into HighFantasy around the point [[spoiler:the long-thought-dead Black Wizard Zeref and the Black Dragon of the Apocalypse Acnologia start entering the plot]].

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* ''LightNovel/GoblinSlayer'' slowly becomes this trope: despite its RRatedOpening, the titular character refuses to "play by the rules" and slowly becomes a more typical fantasy hero (even when that's not what he's pursuing), thanks to the aid of TrueCompanions who are slowly helping him regain his humanity. While the setting does establish adventuring as a {{Grimdark}}, dirty affair - a medieval fantasy world that has its share of horrors - there also exists friendship, honor, hope and love; all the more reason that these ideals are certainly worth fighting for.



* ''LightNovel/{{Slayers}}''
* ''LightNovel/SwordArtOnline'' Though the narrative is driven by technology and is set in NextSundayAD, at its heart ''Sword Art Online'' is ''still'' fundamentally a fantasy of heroic warriors (and later, wizards) crusading across mythical lands, fighting for justice, honor and making the world a better place with swords and spells in their hands, courage and love in their hearts.


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* ''LightNovel/GoblinSlayer'' slowly becomes this trope: despite its RRatedOpening, the titular character refuses to "play by the rules" and slowly becomes a more typical fantasy hero (even when that's not what he's pursuing), thanks to the aid of TrueCompanions who are slowly helping him regain his humanity. While the setting does establish adventuring as a {{Grimdark}}, dirty affair - a medieval fantasy world that has its share of horrors - there also exists friendship, honor, hope and love; all the more reason that these ideals are certainly worth fighting for.
* ''LightNovel/{{Slayers}}''
* ''LightNovel/SwordArtOnline'' Though the narrative is driven by technology and is set in NextSundayAD, at its heart ''Sword Art Online'' is ''still'' fundamentally a fantasy of heroic warriors (and later, wizards) crusading across mythical lands, fighting for justice, honor and making the world a better place with swords and spells in their hands, courage and love in their hearts.
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** * ''Literature/TheTroySaga'' by Creator/DavidGemmell being one that overlaps with HistoricalFantasy

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* ''Comicbook/{{Aquaman}}: Sword of Atlantis'' was an attempt to make the titular character's comic this genre.

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* ''Comicbook/{{Aquaman}}: ''ComicBook/{{Aquaman}}: Sword of Atlantis'' was an attempt to make the titular character's comic this genre.



* The ''Franchise/DragonQuest'' series, taking inspiration from earlier CRPG titles like ''VideoGame/{{Wizardry}}'' and developed a distinctive Western Fantasy-inspired world through the lens of famed Japanese media creators.

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* The ''Franchise/DragonQuest'' ''VideoGame/DragonQuest'' series, taking inspiration from earlier CRPG titles like ''VideoGame/{{Wizardry}}'' and developed a distinctive Western Fantasy-inspired world through the lens of famed Japanese media creators.


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* ''VideoGame/OctopathTraveler'' initially seems a Low Fantasy tale, since while magic and monsters both exist in the game's world, they have little bearing on the story. Moreover, each character's specific quest tends to be very personal (e.g., revenge or solving the mystery behind a missing object) rather than epic in scale. At the end of the game, though, it takes a sharp turn towards Heroic Fantasy upon revealing that much of the game's events were masterminded in part by an evil cultist attempting to bring about the resurrection of the Dark God Galdera, and the final battle of the game takes place in a portal to the netherworld while the party do battle with the Dark God himself.
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* Interestingly, ''Literature/TheHobbit'' is generally closer to heroic fantasy than the high fantasy associated with Tolkien. While the party's journey to reclaim Erebor had significance to the Dwarves as a people, and their mission to get rid of Smaug is significant to Dale as a town, the basic focus is on the Dwarves and Bilbo and their fun adventure. Nothing that happens seems to be of world-historical importance except, at most, as a squabble over some treasure. (''Literature/TheLordOfTheRings'' shows in retrospect that the journey was more important than it seemed, but [[RetCon even Tolkien didn't know that when he wrote it]]).
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The setting differs as well: it is neither fragile and [[SavingTheWorld in need of saving]], nor a CrapsackWorld with wickedness InherentInTheSystem--rather, it's an ambiguous place, characterized more than anything by being an AdventureFriendlyWorld, with much [[TheHerosJourney untamed wilderness to travel through]], [[FetchQuest quests to undertake]] and [[DungeonCrawling dungeons to delve]]. Therefore, the heroes are very likely to encounter magic and fantastic elements, assuming they aren't prevalent in the setting to begin with.

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The setting differs as well: it is neither fragile and [[SavingTheWorld in need of saving]], nor a CrapsackWorld with wickedness InherentInTheSystem--rather, InherentInTheSystem -- rather, it's an ambiguous place, characterized more than anything by being an AdventureFriendlyWorld, with much [[TheHerosJourney [[PointsOfLightSetting untamed wilderness to travel through]], [[FetchQuest quests to undertake]] and [[DungeonCrawling dungeons to delve]]. Therefore, the heroes are very likely to encounter magic and fantastic elements, assuming they aren't prevalent in the setting to begin with.

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