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* The medieval Indian work ''Twenty-Five Tales of Vetala/Betal'' has as a framing device Indian King Vikram talking to a vetala, a monstrous being of Hindu religion, and listening to its tales. The work was later translated into Tibetan and Mongolic languages, migrating to and spreading in Central Asia as ''The Bewitched Corpse'', ''The Enchanted Corpse'' or the like. However, the Tibetan and Mongolic compilations do not match the contents of the Indian ''Vetala'', although they keep the framing device of a character interacting with a demon/corpse and listening to its tales.

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* The medieval Indian work ''Twenty-Five ''[[https://www.gutenberg.org/files/2400/2400-h/2400-h.htm Twenty-Five Tales of Vetala/Betal'' Vetala/Betal]]'' has as a framing device Indian King Vikram talking to a vetala, a monstrous being of Hindu religion, and listening to its tales. The work was later translated into Tibetan and Mongolic languages, migrating to and spreading in Central Asia as ''The Bewitched Corpse'', ''The Enchanted Corpse'' or the like. However, the Tibetan and Mongolic compilations do not match the contents of the Indian ''Vetala'', although they keep the framing device of a character interacting with a demon/corpse and listening to its tales.
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* The medieval Indian work ''Twenty-Five Tales of Vetala/Betal'' has as a framing device Indian King Vikram talking to a vetala, a monstrous being of Hindu religion, and listening to its tales. The work was later translated into Tibetan and Mongolic languages, migrating to and spreading in Central Asia as ''The Bewitched Corpse'', ''The Enchanted Corpse'' or the like. However, the Tibetan and Mongolic compilations do not match the contents of the Indian ''Vetala'', although they keep the framing device of a character interacting with a demon/corpse and listening to its tales.
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SuperTrope of RecapByAudit (the aftermath of an event reveals or sums up what happened), StorybookOpening, and MythPrologue.

See WholeEpisodeFlashback, HowWeGotHere, InterrogationFlashback, and NostalgicNarrator for more specific examples. When framing devices are stacked on top of each other, they create a NestedStory. If a framing device is set up and is later forgotten by the end of the story, it becomes a ForgottenFramingDevice. If the existence of a framing device is used as a PlotTwist, we're dealing with a NestedStoryReveal. If a story alternates between a character's past and present but doesn't use a framing device, it's FlashbackBPlot. If the framing story is "I came across this story and decided to publish it", the author is invoking DirectLineToTheAuthor. If done badly, you might find ExpoSpeak.

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SuperTrope of RecapByAudit (the aftermath of an event reveals or sums up what happened), StorybookOpening, StorybookOpening (story opens with a storybook being opened, and MythPrologue.

See WholeEpisodeFlashback, HowWeGotHere, InterrogationFlashback,
the focus going into that book), MythPrologue (a work starts by telling a myth that the plot is based around), WholeEpisodeFlashback (an episode consisting almost entirely of flashbacks), HowWeGotHere (the story stops and retells the events prior leading up to that point), InterrogationFlashback (the story is told via someone being pumped for information), and NostalgicNarrator for more specific examples. (the narrator looks back at their earlier life often).

When framing devices are stacked on top of each other, they create a NestedStory. If a framing device is set up and is later forgotten by the end of the story, it becomes a ForgottenFramingDevice. If the existence of a framing device is used as a PlotTwist, we're dealing with a NestedStoryReveal. If a story alternates between a character's past and present but doesn't use a framing device, it's FlashbackBPlot. If the framing story is "I came across this story and decided to publish it", the author is invoking DirectLineToTheAuthor. If done badly, you might find ExpoSpeak.

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See WholeEpisodeFlashback, StorybookOpening, MythPrologue, HowWeGotHere, InterrogationFlashback, RecapByAudit, and NostalgicNarrator for more specific examples. When framing devices are stacked on top of each other, they create a NestedStory. If a framing device is set up and is later forgotten by the end of the story, it becomes a ForgottenFramingDevice. If the existence of a framing device is used as a PlotTwist, we're dealing with a NestedStoryReveal. If a story alternates between a character's past and present but doesn't use a framing device, it's FlashbackBPlot. If the framing story is "I came across this story and decided to publish it", the author is invoking DirectLineToTheAuthor. If done badly, you might find ExpoSpeak.

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SuperTrope of RecapByAudit (the aftermath of an event reveals or sums up what happened), StorybookOpening, and MythPrologue.

See WholeEpisodeFlashback, StorybookOpening, MythPrologue, HowWeGotHere, InterrogationFlashback, RecapByAudit, and NostalgicNarrator for more specific examples. When framing devices are stacked on top of each other, they create a NestedStory. If a framing device is set up and is later forgotten by the end of the story, it becomes a ForgottenFramingDevice. If the existence of a framing device is used as a PlotTwist, we're dealing with a NestedStoryReveal. If a story alternates between a character's past and present but doesn't use a framing device, it's FlashbackBPlot. If the framing story is "I came across this story and decided to publish it", the author is invoking DirectLineToTheAuthor. If done badly, you might find ExpoSpeak.
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Occasionally, an entire series can use a persistent Framing Device, such as ''WesternAnimation/{{Cro}}'', which was framed by a recently thawed mammoth, who was telling the stories which composed the bulk of each episode. A noteworthy example from the days of radio is ''Radio/YoursTrulyJohnnyDollar'', whose stories were told in the form of explanations to a private detective's expense account. This method was also used to get foreign children's shows that were [[QuarterHourShort Quarter Hour Shorts]] on the air in the United States back in the 90's, [[ImportationExpansion usually by creating an entirely new show to serve as the framing device]]. To a lesser extent, devices such as the CaptainsLog can be viewed as a Framing Device, especially when (as in many ''Series/StarTrekTheOriginalSeries'' episodes) they appear to have been written after the fact.

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Occasionally, an entire series can use a persistent Framing Device, such as ''WesternAnimation/{{Cro}}'', which was framed by a recently thawed mammoth, who was telling the stories which composed the bulk of each episode. A noteworthy example from the days of radio is ''Radio/YoursTrulyJohnnyDollar'', whose stories were told in the form of explanations to a private detective's [[RecapByAudit expense account.account]]. This method was also used to get foreign children's shows that were [[QuarterHourShort Quarter Hour Shorts]] on the air in the United States back in the 90's, [[ImportationExpansion usually by creating an entirely new show to serve as the framing device]]. To a lesser extent, devices such as the CaptainsLog can be viewed as a Framing Device, especially when (as in many ''Series/StarTrekTheOriginalSeries'' episodes) they appear to have been written after the fact.
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Occasionally, an entire series can use a persistent Framing Device, such as ''WesternAnimation/{{Cro}}'', which was framed by a recently thawed mammoth, who was telling the stories which composed the bulk of each episode. A noteworthy example from the days of radio is ''Yours Truly, Johnny Dollar'', whose stories were told in the form of explanations to a private detective's expense account. This method was also used to get foreign children's shows that were [[QuarterHourShort Quarter Hour Shorts]] on the air in the United States back in the 90's, [[ImportationExpansion usually by creating an entirely new show to serve as the framing device]]. To a lesser extent, devices such as the CaptainsLog can be viewed as a Framing Device, especially when (as in many ''Series/StarTrekTheOriginalSeries'' episodes) they appear to have been written after the fact.

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Occasionally, an entire series can use a persistent Framing Device, such as ''WesternAnimation/{{Cro}}'', which was framed by a recently thawed mammoth, who was telling the stories which composed the bulk of each episode. A noteworthy example from the days of radio is ''Yours Truly, Johnny Dollar'', ''Radio/YoursTrulyJohnnyDollar'', whose stories were told in the form of explanations to a private detective's expense account. This method was also used to get foreign children's shows that were [[QuarterHourShort Quarter Hour Shorts]] on the air in the United States back in the 90's, [[ImportationExpansion usually by creating an entirely new show to serve as the framing device]]. To a lesser extent, devices such as the CaptainsLog can be viewed as a Framing Device, especially when (as in many ''Series/StarTrekTheOriginalSeries'' episodes) they appear to have been written after the fact.
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* ''VideoGame/MidnightFightExpress'': The story is set up as Babyface being interrogated by police and recounting the night's events leading up to his arrest. [[spoiler: He breaks out when it's revealed they're all in on the Boss' plan and attempt to execute him for his insurrection]].
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* ''Fanfic/VowOfNudity'': Fiora's [[ADayInTheLimelight standalone story]] is framed as a dream which Haara (the series protagonist) experiences thanks to lingering aftereffects from the [[FightingDownMemoryLane amnesid]] the pair fought together.
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[[folder:Eastern European Animation]]
* ''Animation/TheLittleMermaid1968'': The story is told to a bunch of tourists who visit Copenhagen, in Creator/HansChristianAndersen's native UsefulNotes/{{Denmark}}. They stop by the famous statue of the Little Mermaid in the city's port and the guide starts the tale, and the films ends at that same place.
[[/folder]]

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* The anime for ''Literature/AscendanceOfABookworm'' is set with the high priest of the local temple looking through the main character's memories with magic to see how she got here. It's not really necessary, but gives a hint to viewers about where the season will end and also gets to show off a popular supporting character ahead of schedule.

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* ''Literature/AscendanceOfABookworm'': The anime for ''Literature/AscendanceOfABookworm'' is set with the high priest of the local temple looking through the main character's memories with magic to see how she got here. It's not really necessary, but gives a hint to viewers about where the season will end and also gets to show off a popular supporting character ahead of schedule.



!!!'''In General:'''
* Many older horror comics have framing devices in which the comic has a "host" who welcomes the reader into their domain, and starts to tell this month's story. Creator/ECComics was best known for this, with their most famous being the Cryptkeeper. Creator/DCComics used the device a lot, with most of their hosts going on to become supporting characters in ''ComicBook/TheSandman1989''.
!!!'''Specific Examples:'''



* ''Fanfic/TheGoldenBoysLastTemptation'' is framed as ComicBook/{{Supergirl}} telling a secret story, which can only be told once every ten years, to a little kid.



-->'''Servo:''' Man, Borgnine’s grandkid must be getting really bored by now.
-->'''Mike:''' (as Borgnine): And then he went into the kitchen and poured himself a cool drink.

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-->'''Servo:''' Man, Borgnine’s grandkid must be getting really bored by now.
-->'''Mike:'''
now.\\
'''Mike:'''
(as Borgnine): And then he went into the kitchen and poured himself a cool drink.



* In the novel version of ''Literature/ThePrincessBride'', the actual author explains that he's condensing the original book, by "S. Morgenstern". He also goes on and on about things that [[FictionalAutobiography supposedly happened to him throughout a long period of his life]] in the process that led to his "editing" the book.

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* In the novel version of ''Literature/ThePrincessBride'', the actual author explains that he's condensing the original book, by "S. Morgenstern". He also goes on and on about things that [[FictionalAutobiography supposedly happened to him throughout a long period of his life]] life in the process that led to his "editing" the book.
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* ''Franchise/AssassinsCreed'' novel ''The Secret Crusade'', charting the life of Altaïr, adapting both [[VideoGame/AssassinsCreedI the first game]] and his sections of [[VideoGame/AssassinsCreedRevelations]], uses the framing device of Niccolò Polo recounting the life of the master assassin. Taken further with the final chapter, which reframes this recounting as a journal Niccolò had written, which was being read by Ezio Auditore, on his way to Constantinople.

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* The ''Pinball/CreatureFromTheBlackLagoon'' pinball takes place in a DriveInTheater where the titular movie is playing. The bulk of the game has the player waiting for the film to start and trying steal a kiss from his girlfriend. The action switches to the film itself during multiball, where the goal is to rescue Kay from the Creature.

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* The ''Pinball/CreatureFromTheBlackLagoon'' pinball takes place in a DriveInTheater where the titular movie is playing. The bulk of the game has the player waiting for the film to start and trying steal a kiss from his girlfriend. The action switches to the film itself during multiball, where the goal is to rescue Kay from the Creature.Creature.
* ''Pinball/FooFighters2023'': The premise, which involves the Foo Fighters traveling the country to fight an AlienInvasion, is presented as a fictional SaturdayMorningCartoon (aptly titled ''Foo Fighters Saturday Morning Action Time!'').
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* ''Film/MiracleAtStAnna'' begins in the 1980s, where the protagonist, a post office clerk near retirement, suddenly shoots a customer in public and allows himself to be arrested for the subsequent murder. En route to court-martial, the protagonist remembers his past in the 1940s, where he turns out to be a member of the 92nd Infantry Division in Italy during the second World War - his victim is a member of the LesCollaborateurs who arranged for the Sant'Anna di Stazzema massacre after being bribed by the Germans before escaping to the US.
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* Three of M.P. Shiel's novels present themselves as being related by a {{seer|s}} who can look into the future and read as yet unwritten texts: ''Literature/ThePurpleCloud'', ''Literature/TheLastMiracle'', and ''Literature/TheLordOfTheSea''.
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* In Creator/MikhailAkhmanov's ''Call of the Abyss'', people with psychic potential receive strange visions when located in a specific spot above Mars. It turns out that the visions are being sent from an AlternateUniverse and appear to show events in the life of people in the past. The stories diverge from historical accounts after the Renaissance, suggesting that this is where this world's history split off from ours. However, the main story experienced by the characters is actually from way back in Ancient Egypt, the [[https://en.wikipedia.org/wiki/Story_of_Wenamun story of a priest named Un-Amun]][[note]]It is now believed by historians that the story does not, in fact, portray RealLife events but is an early example of historical fiction[[/note]]. The sequel, ''First after God'', continues with the exploration of the signal, aided by the discovery of a psychic alien race, whose representative helps decipher the messages. The vision in this case is that of Captain Peter Shelton, a brave 17th century English sailor seeking to find the lost Incan treasure.

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* In Creator/MikhailAkhmanov's ''Call of the ''Literature/CallOfThe Abyss'', people with psychic potential receive strange visions when located in a specific spot above Mars. It turns out that the visions are being sent from an AlternateUniverse and appear to show events in the life of people in the past. The stories diverge from historical accounts after the Renaissance, suggesting that this is where this world's history split off from ours. However, the main story experienced by the characters is actually from way back in Ancient Egypt, the [[https://en.wikipedia.org/wiki/Story_of_Wenamun story of a priest named Un-Amun]][[note]]It is now believed by historians that the story does not, in fact, portray RealLife events but is an early example of historical fiction[[/note]]. The sequel, ''First after God'', continues with the exploration of the signal, aided by the discovery of a psychic alien race, whose representative helps decipher the messages. The vision in this case is that of Captain Peter Shelton, a brave 17th century English sailor seeking to find the lost Incan treasure.



* Mil Millington's ''A Certain Chemistry'' is framed by God telling us how all our emotions, actions and thoughts are governed by our bodies' chemistries, using the main character's story (in which a writer cheats on his girlfriend with a soap star) to illustrate his points.

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* Mil Millington's ''A Certain Chemistry'' ''Literature/ACertainChemistry'' is framed by God telling us how all our emotions, actions and thoughts are governed by our bodies' chemistries, using the main character's story (in which a writer cheats on his girlfriend with a soap star) to illustrate his points.



* ''Oldest Living Confederate Widow Tells All'' is framed as the 99-year-old narrator, Lucy, telling stories of her life (and the lives of many people she's known) to a journalist interviewing her. The stories get more personal, revealing, and risky as the book progresses, until TheReveal in the penultimate chapter.

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* ''Oldest Living Confederate Widow Tells All'' ''Literature/OldestLivingConfederateWidowTellsAll'' is framed as the 99-year-old narrator, Lucy, telling stories of her life (and the lives of many people she's known) to a journalist interviewing her. The stories get more personal, revealing, and risky as the book progresses, until TheReveal in the penultimate chapter.



* ''A Tale Lost For the World'' by Osip Senkovskiy provides a subversion by being an ''annoyingly'' intricate framing device for a story, that, [[ExactlyWhatItSaysOnTheTin well,]] is not actually included.

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* ''A Tale Lost For the World'' ''Literature/ATaleLostForTheWorld'' by Osip Senkovskiy provides a subversion by being an ''annoyingly'' intricate framing device for a story, that, [[ExactlyWhatItSaysOnTheTin well,]] is not actually included.



* ''The Wonderful Story of Henry Sugar'' by Creator/RoaldDahl has two layers of framing.

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* ''The Wonderful Story of Henry Sugar'' ''Literature/TheWonderfulStoryOfHenrySugar'' by Creator/RoaldDahl has two layers of framing.
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* ''WesternAnimation/TheWarToEndAllWarsTheMovie'': In the opening scene, set during the Battle of the Yser, King Albert of Belgium is drafting a letter that blows loose from his writing desk and is carried by various means to each segment of the film, zigzagging its way across Europe for the four years of UsefulNotes/WorldWarI until it arrives at a museum warehouse where it is lost for a hundred years.
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* ''WebVideo/UnwantedHouseguest'': The premise of "TRUE Scary Stories" is the Houseguest reading his audience (usually framed as a visiting friend) stories from his books.

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Alphabetizing.


* A particularly ingenious version of this is used in ''Anime/MartianSuccessorNadesico,'' in an inversion of its ShowWithinAShow relationship with ''Anime/Gekiganger3'' -- it airs as an episode of ''Gekiganger'' in which its characters are watching ''Nadesico.'' It manages to [[LampshadeHanging lampshade]] the RecapEpisode when one of the ''Gekiganger'' characters complains that nothing new happens in them, and it's an excuse for the production company to take a break. The ''Gekiganger'' OVA meanwhile, has a framing device of the ''Nadesico'' cast, after the end of the series, watching the ''Gekiganger'' movie in a theater.
* ''Anime/TenchiMuyo Extra Chapter: Galaxy Police Mihoshi's Space Adventure'' (a.k.a. ''Mihoshi Special'') is framed by Mihoshi telling the story to the other characters from the original {{OAV}} series. Most of the characters in the "inner" story are AlternateContinuity versions of them.

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* A particularly ingenious version of this The anime for ''Literature/AscendanceOfABookworm'' is used in ''Anime/MartianSuccessorNadesico,'' in an inversion of its ShowWithinAShow relationship set with ''Anime/Gekiganger3'' -- it airs as an episode of ''Gekiganger'' in which its characters are watching ''Nadesico.'' It manages to [[LampshadeHanging lampshade]] the RecapEpisode when one high priest of the ''Gekiganger'' characters complains that nothing new happens in them, local temple looking through the main character's memories with magic to see how she got here. It's not really necessary, but gives a hint to viewers about where the season will end and it's an excuse also gets to show off a popular supporting character ahead of schedule.
* The last compilation movie
for the production company to take a break. The ''Gekiganger'' OVA meanwhile, has a framing device of ''Manga/AssassinationClassroom'' anime was framed as [[spoiler:Karma and Nagisa]], just the ''Nadesico'' cast, day before [[spoiler:the Class 3-E reunion seven years after the end of the series, watching the ''Gekiganger'' movie in a theater.
* ''Anime/TenchiMuyo Extra Chapter: Galaxy Police Mihoshi's Space Adventure'' (a.k.a. ''Mihoshi Special'') is framed by Mihoshi telling the story
main story]], meeting up and talking to the other characters from the original {{OAV}} series. Most of the characters in the "inner" story are AlternateContinuity versions of them.each other.



* ''Anime/{{Monster}}'' opens with a passage from Revelations which puts the actions of the series it parallels in a very different context.
* The story of the manga ''Manga/NotSimple'' is told as a reporter named Jim writes a book (also titled Not Simple) detailing the many trials of the protr's life.
* ''Manga/KingOfBanditJing: Seventh Heaven'' is a 3-episode {{OVA}} series in which the first and third episodes act as a frame for the second one.
* The first half of Episode 14 of ''Anime/NeonGenesisEvangelion'' is a ClipShow with SEELE discussing the events that played out up to that point framing the segment.
* Similarly, ''Anime/SamuraiChamploo'' has a recap episode framed via Mugen (surreptitiously) reading Fuu's diary entries.



* ''Manga/KingOfBanditJing: Seventh Heaven'' is a 3-episode OriginalVideoAnimation series in which the first and third episodes act as a frame for the second one.



* The last compilation movie for the ''Manga/AssassinationClassroom'' anime was framed as [[spoiler:Karma and Nagisa]], just the day before [[spoiler:the Class 3-E reunion seven years after the main story]], meeting up and talking to each other.
* The anime for ''Literature/AscendanceOfABookworm'' is set with the high priest of the local temple looking through the main character's memories with magic to see how she got here. It's not really necessary, but gives a hint to viewers about where the season will end and also gets to show off a popular supporting character ahead of schedule.
* ''Literature/MonsterGirlDoctor Zero'' is a prequel novel that opens with Lime the SlimeGirl visiting the Litbeit Clinic only for her and Sapphee to have a series of conversations about their time in medical school.

to:

* The last compilation movie A particularly ingenious version of this is used in ''Anime/MartianSuccessorNadesico'', in an inversion of its ShowWithinAShow relationship with ''Anime/Gekiganger3'' -- it airs as an episode of ''Gekiganger'' in which its characters are watching ''Nadesico.'' It manages to [[LampshadeHanging lampshade]] the RecapEpisode when one of the ''Gekiganger'' characters complains that nothing new happens in them, and it's an excuse for the ''Manga/AssassinationClassroom'' anime was framed as [[spoiler:Karma and Nagisa]], just production company to take a break. The ''Gekiganger'' OVA meanwhile, has a framing device of the day before [[spoiler:the Class 3-E reunion seven years ''Nadesico'' cast, after the main story]], meeting up and talking to each other.
* The anime for ''Literature/AscendanceOfABookworm'' is set with the high priest
end of the local temple looking through series, watching the main character's memories with magic to see how she got here. It's not really necessary, but gives ''Gekiganger'' movie in a hint to viewers about where the season will end and also gets to show off a popular supporting character ahead of schedule.
theater.
* ''Literature/MonsterGirlDoctor Zero'' is a prequel novel that ''Manga/{{Monster}}'' opens with Lime a passage from Revelations which puts the SlimeGirl visiting actions of the Litbeit Clinic only for her and Sapphee to have a series of conversations about their time it parallels in medical school.a very different context.



* FramingDevice:



* The first half of Episode 14 of ''Anime/NeonGenesisEvangelion'' is a ClipShow with SEELE discussing the events that played out up to that point framing the segment.
* The story of ''Manga/NotSimple'' is told as a reporter named Jim writes a book (also titled Not Simple) detailing the many trials of the protr's life.



* ''Anime/SamuraiChamploo'' has a recap episode framed via Mugen (surreptitiously) reading Fuu's diary entries.
* ''Anime/TenchiMuyo Extra Chapter: Galaxy Police Mihoshi's Space Adventure'' (a.k.a. ''Mihoshi Special'') is framed by Mihoshi telling the story to the other characters from the original OriginalVideoAnimation series. Most of the characters in the "inner" story are AlternateContinuity versions of them.



* ''Literature/MonsterGirlDoctor Zero'' is a prequel novel that opens with Lime the SlimeGirl visiting the Litbeit Clinic only for her and Sapphee to have a series of conversations about their time in medical school.



* The Literature/PinkCarnation books, featuring the successor to Literature/TheScarletPimpernel, has a framing device in which a modern-day grad student in England is researching the Carnation's exploits, with the help of another spy's descendant.

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* The Literature/PinkCarnation ''Literature/PinkCarnation'' books, featuring the successor to Literature/TheScarletPimpernel, has a framing device in which a modern-day grad student in England is researching the Carnation's exploits, with the help of another spy's descendant.
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* ''Series/TheFallOfTheHouseOfUsher2023'': The story is being told by Roderick Usher to Auguste Dupin in the former's decaying childhood house. This is occasionally lampshaded, such as when Dupin asks how Roderick could narrate things he wasn't present for.
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** In ''Fanfic/TheLegendOfTotalDramaIsland'', Brett learns that he will be a contestant on the the newly revived ''Total Drama Island: The Next Generation'' and learns that his mother was a contestant on the first season of the original ''WesternAnimation/TotalDrama Island'', so he asks her to tell him all about her experience. Her tales comprise the inner story, with the [[GreekChorus byplay between Brett and his mother]] comprising the frame story.

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** In ''Fanfic/TheLegendOfTotalDramaIsland'', Brett learns that he will be a contestant on the the newly revived ''Total Drama Island: The Next Generation'' and learns that his mother was a contestant on the first season of the original ''WesternAnimation/TotalDrama Island'', so he asks her to tell him all about her experience. Her tales comprise the inner story, with the [[GreekChorus byplay between Brett and his mother]] comprising the frame story.
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* ''Series/{{Acapulco}}'': The bulk of the story is in flashbacks told by the present-day Maximo to his nephew.

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Ishtar spelled backwards is Rathsi; this is an example of an anagram.


* ''{{VideoGame/Catherine}}'' has the whole game be an episode of the show The Golden Playhouse, with your hostess, Trisha: The Midnight Venus. It plays out as if it's a TV series that shows late night movies, complete with opening and closing narration by Trisha. There's even a watermark in the corner of some cutscenes.
** The game is an unusual example in that it is a framing device ''within'' a framing device. [[spoiler:The Golden Playhouse segment of the game which is styled after a late night TV show, is actually a means devised by Trisha (who is actually Ishtar: The Goddess of Love spelled backwards) of finding a person worthy enough to challenge Babel and become her new love partner, due to Dumuzid cheating on her.]]

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* ''{{VideoGame/Catherine}}'' has the ''{{VideoGame/Catherine}}'':
** The
whole game be is presented as an episode of the show The Golden Playhouse, with your hostess, Trisha: The Midnight Venus. It plays out as if it's a TV series that shows late night movies, complete with opening and closing narration by Trisha. There's even a watermark in the corner of some cutscenes.
** The game is an unusual example in that it is a framing device ''within'' a framing device. [[spoiler:The Golden Playhouse segment of the game which is styled after a late night TV show, is actually a means devised by Trisha (who is actually Ishtar: The Goddess of Love spelled backwards) Love, using an anagram of her true name) of finding a person worthy enough to challenge Babel and become her new love partner, due to Dumuzid cheating on her.]]
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* ''Film/TheThirdSaturdayInOctoberPartV'' is a 2022 film presented as the fifth installment of a cheap series of ''Film/{{Halloween}}'' rip-offs that was released in 1994. An OpeningScroll explains this. The first original film, ''Film/TheThirdSaturdayInOctoberPartI'', was defictionalized as a sequel, released in 2023 but purported to be originally released in 1979.

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* ''Film/TheThirdSaturdayInOctoberPartV'' is a 2022 film presented as the fifth installment of a cheap series of ''Film/{{Halloween}}'' ''Franchise/{{Halloween}}'' rip-offs that was released in 1994. An OpeningScroll explains this. The first original film, ''Film/TheThirdSaturdayInOctoberPartI'', was defictionalized as a sequel, released in 2023 but purported to be originally released in 1979.
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* ''Film/TheThirdSaturdayInOctoberPartV'' is a 2022 film presented as the fifth installment of a cheap series of ''Film/{{Halloween}}'' rip-offs that was released in 1994. An OpeningScroll explains this. The first original film, ''Film/TheThirdSaturdayInOctoberPartI'', was defictionalized as a sequel, released in 2023 but purported to be originally released in 1979.

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sorting


* ''Literature/EatersOfTheDead'' is framed as an analysis of an ancient manuscript written by an Arab traveling to Scandinavia.


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* ''Literature/EatersOfTheDead'' is framed as an analysis of an ancient manuscript written by an Arab traveling to Scandinavia.
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The original and more common title of the novel (page has been swapped with its redirect).


* ''Literature/TheThirteenthWarrior'' is framed as an analysis of an ancient manuscript written by an Arab traveling to Scandinavia.

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* ''Literature/TheThirteenthWarrior'' ''Literature/EatersOfTheDead'' is framed as an analysis of an ancient manuscript written by an Arab traveling to Scandinavia.
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** The novels ''Literature/AStudyInScarlet'' and ''The Valley of Fear'' use the stories of Holmes solving a mystery as frames for the perpetrators telling their stories of why they done it.

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** The novels ''Literature/AStudyInScarlet'' and ''The Valley of Fear'' ''Literature/TheValleyOfFear'' use the stories of Holmes solving a mystery as frames for the perpetrators telling their stories of why they done it.



* The ''VideoGame/{{Starcraft}}'' novel ''Liberty's Crusade'' is a {{novelization}} of the Terran campaign, framed as an anti-Terran Dominion documentary by reporter Michael Liberty.

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* The ''VideoGame/{{Starcraft}}'' ''Franchise/StarCraft'' novel ''Liberty's Crusade'' is a {{novelization}} of the Terran campaign, framed as an anti-Terran Dominion documentary by reporter Michael Liberty.

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* ''Literature/TheThirteenthWarrior'' is framed as an analysis of an ancient manuscript written by an Arab traveling to Scandinavia.



* The ''Literature/BekaCooper'' trilogy is framed as a young George Cooper reading a cop ancestor's journal at his mother's insistence, to try and dissuade him from being a thief.



* ''[[Literature/VorkosiganSaga Borders of Infinity]]'', by Creator/LoisMcMasterBujold, opens with the protagonist lying in a hospital bed recovering from surgery, with nothing to do except answer his superior officer's questions about his recent missions.



* Creator/MichaelCrichton's ''Literature/EatersOfTheDead'' is framed as an analysis of an ancient manuscript written by an Arab traveling to Scandinavia.



* ''Literature/MirrorProject'' presents itself as code comments hidden inside the titular app, a perfectly secure anonymous browser that's also sentient.



* In Creator/MichaelEnde's ''Literature/TheNeverendingStory'', Bastian's story is initially used as a frame for Atreyu's, as Bastian reads a stolen storybook. When Bastian finds that the book he is reading contains descriptions of his own life and actions, the line between framing and framed story becomes blurry.

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* In Creator/MichaelEnde's ''Literature/TheNeverendingStory'', Bastian's story is initially used as a frame for Atreyu's, as Bastian reads a stolen storybook. When Bastian finds that the book he is reading contains descriptions of his own life and actions, the line between framing and framed story becomes blurry.



* The ''Literature/{{Pendragon}}'' series by Creator/DJMacHale. This is how most of the books in the 10-book series are told. The protagonist Bobby Pendragon writes down his thoughts in a sort of diary as a way of organizing his thoughts and keeping himself sane and sends them to his 2 friends back on present-day Earth who read it along with the audience. Though some of the 5th book and all of the 10th are in his first-person point of view.

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* The ''Literature/{{Pendragon}}'' series by Creator/DJMacHale. ''Literature/ThePendragonAdventure'': This is how most of the books in the 10-book series are told. The protagonist Bobby Pendragon writes down his thoughts in a sort of diary as a way of organizing his thoughts and keeping himself sane and sends them to his 2 friends back on present-day Earth who read it along with the audience. Though some of the 5th book and all of the 10th are in his first-person point of view.



* Pierre Boulle’s original ''Literature/PlanetOfTheApes'' is framed with two astronauts finding a strange manuscript floating in space that turns out to be Ulysse’s story. They’re revealed to be chimpanzees in the end of the book.

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* Pierre Boulle’s original ''Literature/PlanetOfTheApes'' is framed with two astronauts finding a strange manuscript floating in space that turns out to be Ulysse’s Ulysse's story. They’re They're revealed to be chimpanzees in the end of the book.



* The Literature/SherlockHolmes novels ''A Study in Scarlet'' and ''The Valley of Fear'' use the stories of Holmes solving a mystery as frames for the perpetrators telling their stories of why they done it.
** Similarly, Holmes's investigation in the short story ''The Crooked Man'' is a Framing Device for a story about a soldier in India, and his involvement in ''The Adventure of the Gloria Scott'' is entirely incidental.

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* ''Literature/SherlockHolmes'':
**
The Literature/SherlockHolmes novels ''A Study in Scarlet'' ''Literature/AStudyInScarlet'' and ''The Valley of Fear'' use the stories of Holmes solving a mystery as frames for the perpetrators telling their stories of why they done it.
** Similarly, Holmes's investigation in the short story ''The "The Crooked Man'' Man" is a Framing Device for a story about a soldier in India, and his involvement in ''The "The Adventure of the Gloria Scott'' Scott" is entirely incidental.



* ''Literature/TheTimeMachine'' by Creator/HGWells is told through a guest at the Time Traveller's party, who for all but the first two chapters and the final chapter is taking dictation from the Time Traveller.
* ''Literature/TortallUniverse'': The ''Literature/BekaCooper'' trilogy is framed as a young George Cooper reading a cop ancestor's journal at his mother's insistence, to try and dissuade him from being a thief.

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* ''Literature/TheTimeMachine'' by Creator/HGWells is told through a guest at the Time Traveller's party, who for all but the first two chapters and the final chapter is taking dictation from the Time Traveller.
* ''Literature/TortallUniverse'': The ''Literature/BekaCooper'' trilogy is framed as ''Literature/VorkosiganSaga'' book ''Borders of Infinity'' opens with the protagonist lying in a young George Cooper reading a cop ancestor's journal at his mother's insistence, to try and dissuade him hospital bed recovering from being a thief.surgery, with nothing to do except answer his superior officer's questions about his recent missions.



* ''Literature/MirrorProject'' presents itself as code comments hidden inside the titular app, a perfectly secure anonymous browser that's also sentient.
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* ''WesternAnimation/TheWackyAdventuresOfRonaldMcdonald'' was a series of animated videos, each one having wraparound segments of a live-action Ronald [=McDonald=], who interacts with an animatronic suit of his dog Sundae as well as CGI animations of Grimace, Hamburglar and Birdie before undergoing a ToonTransformation to transition to the animated portion for the first three videos, while the later three instead had Ronald already having experienced the video's adventure before starting a projector to play the animated portion and eschewed the interactions with other characters aside from Sundae's voice being heard from off-screen in "Visitors from Outer Space" and "The Monster O'[=McDonaldland=] Loch".

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* ''WesternAnimation/TheWackyAdventuresOfRonaldMcdonald'' was a series of animated videos, each one having wraparound segments of a live-action Ronald [=McDonald=], who interacts with an animatronic suit of his dog Sundae as well as monitors displaying CGI animations of Tika, Grimace, Hamburglar and Birdie before undergoing a ToonTransformation to transition to the animated portion for the first three videos, while the later three instead had Ronald already having experienced the video's adventure before starting a projector to play the animated portion and eschewed the interactions with other characters aside from Sundae's voice being heard from off-screen in "Visitors from Outer Space" and "The Monster O'[=McDonaldland=] Loch".
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* ''WesternAnimation/TheWackyAdventuresOfRonaldMcdonald'' was a series of animated videos, each one having wraparound segments of a live-action Ronald [=McDonald=], who interacts with an animatronic suit of his dog Sundae as well as CGI animations of Grimace, Hamburglar and Birdie before undergoing a ToonTransformation to transition to the animated portion for the first three videos, while the later three instead had Ronald already having experienced the video's adventure before starting a projector to play the animated portion and eschewed the interactions with other characters aside from Sundae's voice being heard from off-screen in "Visitors from Outer Space" and "The Monster O'[=McDonaldland=] Loch".

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