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Changed line(s) 11 (click to see context) from:
* [[https://78.media.tumblr.com/faaee7846be5a7fc68577d971ef16375/tumblr_migjcbQaDd1rqlmkso1_1280.jpg The look on M's face]] as Bond describes Scaramanga's escape by car-turned-airplane. ''That'' is the face of a man who has seen (and heard) everything.
to:
* Chasing Scarmanga, Bond races into a nearby rental car office and steals an AMC Hornet. It's only after he crashes it through the shop window that he realizes the other passenger is none other than Sheriff J.W. Pepper from ''Film/LiveAndLetDie''!
-->'''Pepper''': I know you!
-->''Bond''': Oh, no...
-->'''Pepper''': You're that [[DepartmentOfRedundancyDepartment English secret agent from England!]]
** Pepper's reactions through the chase are a sight to behold as he gets into it before realizing how crazy it is. [[https://78.media.tumblr.com/faaee7846be5a7fc68577d971ef16375/tumblr_migjcbQaDd1rqlmkso1_1280.jpg The look on M's face]] as Bond describes Scaramanga's escape by car-turned-airplane. ''That'' is the face of a man who has seen (and heard) everything.
-->'''Pepper''': I know you!
-->''Bond''': Oh, no...
-->'''Pepper''': You're that [[DepartmentOfRedundancyDepartment English secret agent from England!]]
** Pepper's reactions through the chase are a sight to behold as he gets into it before realizing how crazy it is. [[https://78.media.tumblr.com/faaee7846be5a7fc68577d971ef16375/tumblr_migjcbQaDd1rqlmkso1_1280.jpg The look on M's face]] as Bond describes Scaramanga's escape by car-turned-airplane. ''That'' is the face of a man who has seen (and heard) everything.
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** Years after completing the film, Creator/ChristopherLee visited Scaramanga's island, which is now a tourist attraction. He tried to keep a low profile, but was recognised by a tourist, who said to him, "Well I'm sure ''you'' feel at home here".
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Changed line(s) 39 (click to see context) from:
-->I had a rather large room with a ceiling fan - there was no air conditioning - and, down a step, was what they laughingly called a bathroom. The tiny room boasted a sink that was about six inches wide, a square with a hole in the centre, which was a toilet, above that was a shower and next to it was a bucket, which you filled with water to flush the toilet. I joked to Cubby that I could squat over the hole, clean my teeth, take a shower and shave all at the same time.///
to:
-->I had a rather large room with a ceiling fan - there was no air conditioning - and, down a step, was what they laughingly called a bathroom. The tiny room boasted a sink that was about six inches wide, a square with a hole in the centre, which was a toilet, above that was a shower and next to it was a bucket, which you filled with water to flush the toilet. I joked to Cubby that I could squat over the hole, clean my teeth, take a shower and shave all at the same time.///\\\
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Added line(s) 9 (click to see context) :
-->'''Saida''': I've lost my charm!
-->'''Bond''': Not from where I'm standing.
-->'''Bond''': Not from where I'm standing.
Changed line(s) 9 (click to see context) from:
* After Scaramanga makes his getaway in his flying car:
to:
* After Scaramanga makes his getaway in his flying car:[[https://78.media.tumblr.com/faaee7846be5a7fc68577d971ef16375/tumblr_migjcbQaDd1rqlmkso1_1280.jpg The look on M's face]] as Bond describes Scaramanga's escape by car-turned-airplane. ''That'' is the face of a man who has seen (and heard) everything.
Changed line(s) 12 (click to see context) from:
-->'''M:''' Oh, shut up, Q!
to:
-->'''M:''' Oh, Q, shut up, Q!up!
Changed line(s) 18 (click to see context) from:
* The hitman in the opening scene being horrified at having shot a dummy of Al Capone. "Wherever you are, don't hold it against me!"
to:
* The hitman in the opening scene being horrified at having shot a dummy of Al Capone.UsefulNotes/AlCapone. "Wherever you are, don't hold it against me!"
Changed line(s) 20 (click to see context) from:
* The compilation book The Incredible World of 007 gives a behind the scenes example as told by Maurice Binder, who designed the provocative title sequences for all the EON films up through ''Film/LicenceToKill''; they ran into a problem with one of the nude models, her pubic hair was sticking up when they needed it flat. After a few minutes of her trying and failing to get it right, the model gave Binder the brush and told him to fix the hair to how he needed it; as Binder recalls it, he was not about to pass up that opportunity. The whole thing was seen by Roger Moore and producer Harry Saltzman, causing Moore to turn to Saltzman and quip, "If you're the producer of this film, you're not getting the perks!"
to:
* The compilation book The ''The Incredible World of 007 007'' gives a behind the scenes example as told by Maurice Binder, who designed the provocative title sequences for all the EON films up through ''Film/LicenceToKill''; they ran into a problem with one of the nude models, her pubic hair was sticking up when they needed it flat. After a few minutes of her trying and failing to get it right, the model gave Binder the brush and told him to fix the hair to how he needed it; as Binder recalls it, he was not about to pass up that opportunity. The whole thing was seen by Roger Moore Creator/RogerMoore and producer Harry Saltzman, causing Moore to turn to Saltzman and quip, "If you're the producer of this film, you're not getting the perks!"
Deleted line(s) 24 (click to see context) :
* [[https://78.media.tumblr.com/faaee7846be5a7fc68577d971ef16375/tumblr_migjcbQaDd1rqlmkso1_1280.jpg The look on M's face]] as Bond describes Scaramanga's escape by car-turned-airplane. ''That'' is the face of a man who has seen (and heard) everything.
Changed line(s) 29,30 (click to see context) from:
!!The Novel
to:
-->A gun in a bag of peanuts, how original. What will they think of next?
* From Creator/RogerMoore's autobiography:
** Herve Villechaize tried to hit on Maud Adams in the least subtle way imaginable:]
-->'''Herve''': Tonight, Maud, I am going to come into your room, climb under your sheets and make wild passionate love to you.
-->'''Maud''': Yes. And if I find out you have, I'm going to be ''very'' angry.
** While filming a scene with Britt Ekland in Hong Kong, hundreds of onlookers came and started taking pictures. Britt said, "Oh, I do like being a film star". Moore laughed, then quipped, "They're here to see Maud and Herve, now behave yourself".
** "Just before leaving Hong Kong for a new location in Bangok, [[Creator/AlbertRBroccoli Cubby]] called me in the hotel, sounding very excited. He'd found a fantastic tailor who'd made him a number of suits in twenty-four hours for a very good price. He wore one of the suits to the airport and as he was walking up the steps of the plane, the trousers split in two. Needless to say, he ribbed mercilessly".
** On his hotel room in Pang Na, Phuket:
-->I had a rather large room with a ceiling fan - there was no air conditioning - and, down a step, was what they laughingly called a bathroom. The tiny room boasted a sink that was about six inches wide, a square with a hole in the centre, which was a toilet, above that was a shower and next to it was a bucket, which you filled with water to flush the toilet. I joked to Cubby that I could squat over the hole, clean my teeth, take a shower and shave all at the same time.///
"That's nothing", he said. "I can do all that and shove a broom up my ass to sweep the room clean, too".
** For the scene in Beirut, which was the final scene filmed, Moore wore a nice silk suit that he was looking forward to stealing at the end of shooting. He noticed Cubby at the top of a ladder...[[DoomedNewClothes and he promptly dropped a can of paste on it]].
** While filming a scene with Creator/ChristopherLee, Moore noticed a cave full of bats. Moore couldn't resist making an ActorAllusion - "[[Film/Dracula1958 Master, they are yours to command]]". [[ActuallyPrettyFunny Fortunately, Lee saw the funny side]].
!!The
----
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Changed line(s) 26,27 (click to see context) from:
-->'''Boy:''' ''smiling smugly'' "Twenty thousand baht!"
-->'''Bond:''' ''after he pushes the boy into the water without paying him'' "I'm afraid I'm going to have to owe you!"
-->'''Bond:''' ''after he pushes the boy into the water without paying him'' "I'm afraid I'm going to have to owe you!"
to:
-->'''Boy:''' ''smiling smugly'' ''(smiling smugly)'' "Twenty thousand baht!"
-->'''Bond:'''''after ''(after he pushes the boy into the water without paying him'' him)'' "I'm afraid I'm going to have to owe you!"
-->'''Bond:'''
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Changed line(s) 25 (click to see context) from:
to:
* While James is on a boat and on the run from a group of assassins, a young boy climbs aboard and tries to sell him a wooden elephant. Then his boat breaks down, and he offers the boy 20,000 baht if he could fix it...which he does by simply flipping a switch.
-->'''Boy:''' ''smiling smugly'' "Twenty thousand baht!"
-->'''Bond:''' ''after he pushes the boy into the water without paying him'' "I'm afraid I'm going to have to owe you!"
-->'''Boy:''' "Bloody tourist!"
-->'''Boy:''' ''smiling smugly'' "Twenty thousand baht!"
-->'''Bond:''' ''after he pushes the boy into the water without paying him'' "I'm afraid I'm going to have to owe you!"
-->'''Boy:''' "Bloody tourist!"
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Changed line(s) 23,24 (click to see context) from:
* Bond telling Andrea, "I didn't recognize you with clothes on."
to:
* Bond telling Andrea, Andrea "I didn't recognize you with clothes on."
* [[https://78.media.tumblr.com/faaee7846be5a7fc68577d971ef16375/tumblr_migjcbQaDd1rqlmkso1_1280.jpg The look on M's face]] as Bond describes Scaramanga's escape by car-turned-airplane. ''That'' is the face of a man who has seen (and heard) everything.
* [[https://78.media.tumblr.com/faaee7846be5a7fc68577d971ef16375/tumblr_migjcbQaDd1rqlmkso1_1280.jpg The look on M's face]] as Bond describes Scaramanga's escape by car-turned-airplane. ''That'' is the face of a man who has seen (and heard) everything.
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Changed line(s) 3 (click to see context) from:
* Bond asks who would pay a million dollars to have him killed. Quoth M: "Jealous husbands, outraged chefs, humiliated tailors. The list is endless!"
to:
* Bond asks who would pay a million dollars to have him killed. Quoth Quote M: "Jealous husbands, outraged chefs, humiliated tailors. The list is endless!"
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Changed line(s) 23 (click to see context) from:
to:
* Bond telling Andrea, "I didn't recognize you with clothes on."
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* Bond's final fight with Nick Nack, where he traps him inside a suitcase.
-->'''Nick Nack''': Let me out! You big bully!
-->'''Bond''': ''(flatly)'' '''Shut up'''.
-->'''Nick Nack''': Let me out! You big bully!
-->'''Bond''': ''(flatly)'' '''Shut up'''.
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Changed line(s) 19 (click to see context) from:
to:
* Bond is served a wine under the brand name Phuyuck.
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!!The Film
Changed line(s) 16 (click to see context) from:
* When Bond's gun falls into dark oblivion, Scaramanga's facial expression is priceless. He must be thinking something like: "What the F was that?? The guy's gonna kill himself before I find him!"
to:
* When Bond's gun falls into dark oblivion, Scaramanga's facial expression is priceless. He must be thinking something like: "What the F fuck was that?? The guy's gonna kill himself before ''before'' I find him!"him!"
!!The Novel
!!The Novel
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Changed line(s) 15 (click to see context) from:
* The compilation book The Incredible World of 007 gives a behind the scenes example as told by Maurice Binder, who designed the provocative title sequences for all the EON films up through ''Film/LicenceToKill''; they ran into a problem with one of the nude models, her pubic hair was sticking up when they needed it flat. After a few minutes of her trying and failing to get it right, the model gave Binder the brush and told him to fix the hair to how he needed it; as Binder recalls it, he was not about to pass up that opportunity. The whole thing was seen by Roger Moore and producer Harry Saltzman, causing Moore to turn to Saltzman and quip, "If you're the producer of this film, you're not getting the perks!"
to:
* The compilation book The Incredible World of 007 gives a behind the scenes example as told by Maurice Binder, who designed the provocative title sequences for all the EON films up through ''Film/LicenceToKill''; they ran into a problem with one of the nude models, her pubic hair was sticking up when they needed it flat. After a few minutes of her trying and failing to get it right, the model gave Binder the brush and told him to fix the hair to how he needed it; as Binder recalls it, he was not about to pass up that opportunity. The whole thing was seen by Roger Moore and producer Harry Saltzman, causing Moore to turn to Saltzman and quip, "If you're the producer of this film, you're not getting the perks!"perks!"
*When Bond's gun falls into dark oblivion, Scaramanga's facial expression is priceless. He must be thinking something like: "What the F was that?? The guy's gonna kill himself before I find him!"
*When Bond's gun falls into dark oblivion, Scaramanga's facial expression is priceless. He must be thinking something like: "What the F was that?? The guy's gonna kill himself before I find him!"
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Changed line(s) 15 (click to see context) from:
* The compilation book The Incredible World of 007 gives a behind the scenes example as told by Maurice Binder, who designed the provocative title sequences for all the EON films up through Licence To Kill; they ran into a problem with one of the nude models, her pubic hair was sticking up when they needed it flat. After a few minutes of her trying and failing to get it right, the model gave Binder the brush and told him to fix the hair to how he needed it; as Binder recalls it, he was not about to pass up that opportunity. The whole thing was seen by Roger Moore and producer Harry Saltzman, causing Moore to turn to Saltzman and quip, "If you're the producer of this film, you're not getting the perks!"
to:
* The compilation book The Incredible World of 007 gives a behind the scenes example as told by Maurice Binder, who designed the provocative title sequences for all the EON films up through Licence To Kill; ''Film/LicenceToKill''; they ran into a problem with one of the nude models, her pubic hair was sticking up when they needed it flat. After a few minutes of her trying and failing to get it right, the model gave Binder the brush and told him to fix the hair to how he needed it; as Binder recalls it, he was not about to pass up that opportunity. The whole thing was seen by Roger Moore and producer Harry Saltzman, causing Moore to turn to Saltzman and quip, "If you're the producer of this film, you're not getting the perks!"
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Changed line(s) 6 (click to see context) from:
** And this is after her [[SuspectIsHatless even more non-specific]] and useless TallDarkAndHandsome description, to which Bond retorts that makes a pretty good description of his aunt. Even more meta-hilariously, Bond's mention of a living aunt is the closest *thing* this movie ever gets to the literary canon, because he actually does have one (mentioned in his obituary, *Film/YouOnlyLiveTwice*.)
to:
** And this is after her [[SuspectIsHatless even more non-specific]] and useless TallDarkAndHandsome description, to which Bond retorts that makes a pretty good description of his aunt. Even more meta-hilariously, Bond's mention of a living aunt is the closest *thing* this movie ever gets to the literary canon, because he actually does have one (mentioned in his obituary, *Film/YouOnlyLiveTwice*.''Film/YouOnlyLiveTwice''.)
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Changed line(s) 6 (click to see context) from:
** And this is after her [[SuspectIsHatless even more non-specific]] and useless TallDarkAndHandsome description, to which Bond retorts that makes a pretty good description of his aunt.
to:
** And this is after her [[SuspectIsHatless even more non-specific]] and useless TallDarkAndHandsome description, to which Bond retorts that makes a pretty good description of his aunt. Even more meta-hilariously, Bond's mention of a living aunt is the closest *thing* this movie ever gets to the literary canon, because he actually does have one (mentioned in his obituary, *Film/YouOnlyLiveTwice*.)
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Changed line(s) 14 (click to see context) from:
* [[TheCavalry Lt. Hip and his nieces]] show up JustInTime to save Bond from Hi Fat's minions. Then they accidentally drive off without him!
to:
* [[TheCavalry Lt. Hip and his nieces]] show up JustInTime to save Bond from Hi Fat's minions. Then they accidentally drive off without him!him!
* The compilation book The Incredible World of 007 gives a behind the scenes example as told by Maurice Binder, who designed the provocative title sequences for all the EON films up through Licence To Kill; they ran into a problem with one of the nude models, her pubic hair was sticking up when they needed it flat. After a few minutes of her trying and failing to get it right, the model gave Binder the brush and told him to fix the hair to how he needed it; as Binder recalls it, he was not about to pass up that opportunity. The whole thing was seen by Roger Moore and producer Harry Saltzman, causing Moore to turn to Saltzman and quip, "If you're the producer of this film, you're not getting the perks!"
* The compilation book The Incredible World of 007 gives a behind the scenes example as told by Maurice Binder, who designed the provocative title sequences for all the EON films up through Licence To Kill; they ran into a problem with one of the nude models, her pubic hair was sticking up when they needed it flat. After a few minutes of her trying and failing to get it right, the model gave Binder the brush and told him to fix the hair to how he needed it; as Binder recalls it, he was not about to pass up that opportunity. The whole thing was seen by Roger Moore and producer Harry Saltzman, causing Moore to turn to Saltzman and quip, "If you're the producer of this film, you're not getting the perks!"
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Changed line(s) 13 (click to see context) from:
* The hitman in the opening scene being horrified at having shot a dummy of Al Capone. "Wherever you are, don't hold it against me!"
to:
* The hitman in the opening scene being horrified at having shot a dummy of Al Capone. "Wherever you are, don't hold it against me!"me!"
* [[TheCavalry Lt. Hip and his nieces]] show up JustInTime to save Bond from Hi Fat's minions. Then they accidentally drive off without him!
* [[TheCavalry Lt. Hip and his nieces]] show up JustInTime to save Bond from Hi Fat's minions. Then they accidentally drive off without him!
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Changed line(s) 12 (click to see context) from:
* The end scene, where M is asking for Goodnight. What is Bond's response? "Good night, sir." It feels like a pun that should've come earlier, but held back until the last possible moment.
to:
* The end scene, where M is asking for Goodnight. What is Bond's response? "Good night, sir." It feels like a pun that should've come earlier, but held back until the last possible moment.moment.
* The hitman in the opening scene being horrified at having shot a dummy of Al Capone. "Wherever you are, don't hold it against me!"
* The hitman in the opening scene being horrified at having shot a dummy of Al Capone. "Wherever you are, don't hold it against me!"
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Changed line(s) 11 (click to see context) from:
* Nick Nack giving a "So long, sucker!" look to Bond during the car chase scene. Made funnier with the look of amused contentment on Scaramanga's face.
to:
* Nick Nack giving a "So long, sucker!" look to Bond during the car chase scene. Made funnier with the look of amused contentment on Scaramanga's face.face.
* The end scene, where M is asking for Goodnight. What is Bond's response? "Good night, sir." It feels like a pun that should've come earlier, but held back until the last possible moment.
* The end scene, where M is asking for Goodnight. What is Bond's response? "Good night, sir." It feels like a pun that should've come earlier, but held back until the last possible moment.
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Added DiffLines:
** And this is after her [[SuspectIsHatless even more non-specific]] and useless TallDarkAndHandsome description, to which Bond retorts that makes a pretty good description of his aunt.
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Changed line(s) 10 (click to see context) from:
* Nick Nack giving a "So long, sucker!" look to Bond during the car chase scene to be amusing. Made funnier with the look of amused contentment on Scaramanga's face.
to:
* Nick Nack giving a "So long, sucker!" look to Bond during the car chase scene to be amusing.scene. Made funnier with the look of amused contentment on Scaramanga's face.
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Changed line(s) 10 (click to see context) from:
* A minor one, but I always found Nick Nack giving a "So long, sucker!" look to Bond during the car chase scene to be amusing. Made funnier with the look of amused contentment on Scaramanga's face.
to:
* A minor one, but I always found Nick Nack giving a "So long, sucker!" look to Bond during the car chase scene to be amusing. Made funnier with the look of amused contentment on Scaramanga's face.
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Changed line(s) 10 (click to see context) from:
* A minor one, but I always found Nick Nack giving a "So long sucker!" look to Bond during the car chase scene to be amusing. Made funnier with the look of amused contentment on Scaramanga's face.
to:
* A minor one, but I always found Nick Nack giving a "So long long, sucker!" look to Bond during the car chase scene to be amusing. Made funnier with the look of amused contentment on Scaramanga's face.
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Changed line(s) 9 (click to see context) from:
-->'''M:''' Oh, shut up, Q!
to:
-->'''M:''' Oh, shut up, Q!Q!
* A minor one, but I always found Nick Nack giving a "So long sucker!" look to Bond during the car chase scene to be amusing. Made funnier with the look of amused contentment on Scaramanga's face.
* A minor one, but I always found Nick Nack giving a "So long sucker!" look to Bond during the car chase scene to be amusing. Made funnier with the look of amused contentment on Scaramanga's face.
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Changed line(s) 5 (click to see context) from:
--> '''Bond''': Fascinating anatomical tidbit. But probably the most useless piece of information I've ever heard. Unless, of course, the Bottoms Up is a strip club.....and Scaramanga is performing.
to:
--> '''Bond''': Fascinating anatomical tidbit. But probably the most useless piece of information I've ever heard. Unless, of course, the Bottoms Up is a strip club.....and Scaramanga is performing.performing.
* After Scaramanga makes his getaway in his flying car:
-->'''M:''' So if I understand it, Scaramanga got away - in a car that sprouted wings!
-->'''Q:''' Oh, that's perfectly feasible, sir. In fact, we're working on one now.
-->'''M:''' Oh, shut up, Q!
* After Scaramanga makes his getaway in his flying car:
-->'''M:''' So if I understand it, Scaramanga got away - in a car that sprouted wings!
-->'''Q:''' Oh, that's perfectly feasible, sir. In fact, we're working on one now.
-->'''M:''' Oh, shut up, Q!
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Changed line(s) 5 (click to see context) from:
--> ''Bond'': Fascinating anatomical tidbit. But probably the most useless piece of information I've ever heard. Unless, of course, the Bottoms Up is a strip club.....and Scaramanga is performing.
to:
--> ''Bond'': '''Bond''': Fascinating anatomical tidbit. But probably the most useless piece of information I've ever heard. Unless, of course, the Bottoms Up is a strip club.....and Scaramanga is performing.
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Changed line(s) 3 (click to see context) from:
* Bond accidentally swallowing a spent Scaramanga bullet he was retrieving during a fight and requesting that a taxi take him to "the nearest pharmacy" afterward.
to:
* Bond accidentally swallowing a spent Scaramanga bullet he was retrieving during a fight and requesting that a taxi take him to "the nearest pharmacy" afterward.afterward.
* Andrea trying to explain what Scaramanga looks like so Bond can find him at Bottoms Up, and after struggling to come up with a distinctive feature she mentions his third nipple.
--> ''Bond'': Fascinating anatomical tidbit. But probably the most useless piece of information I've ever heard. Unless, of course, the Bottoms Up is a strip club.....and Scaramanga is performing.
* Andrea trying to explain what Scaramanga looks like so Bond can find him at Bottoms Up, and after struggling to come up with a distinctive feature she mentions his third nipple.
--> ''Bond'': Fascinating anatomical tidbit. But probably the most useless piece of information I've ever heard. Unless, of course, the Bottoms Up is a strip club.....and Scaramanga is performing.
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Changed line(s) 2 (click to see context) from:
* Bond asking Miss Goodnight, who's in a bikini, "Don't you think you're a little overdressed?"
to:
* Bond asking Miss Goodnight, who's in a bikini, "Don't you think you're a little overdressed?"overdressed?"
* Bond accidentally swallowing a spent Scaramanga bullet he was retrieving during a fight and requesting that a taxi take him to "the nearest pharmacy" afterward.
* Bond accidentally swallowing a spent Scaramanga bullet he was retrieving during a fight and requesting that a taxi take him to "the nearest pharmacy" afterward.
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Changed line(s) 1 (click to see context) from:
* Bond asks who would pay a million dollars to have him killed. Quoth M: "Jealous husbands, outraged chefs, humiliated tailors. The list is endless!"
to:
* Bond asks who would pay a million dollars to have him killed. Quoth M: "Jealous husbands, outraged chefs, humiliated tailors. The list is endless!"endless!"
* Bond asking Miss Goodnight, who's in a bikini, "Don't you think you're a little overdressed?"
* Bond asking Miss Goodnight, who's in a bikini, "Don't you think you're a little overdressed?"
