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* FakeBoobs: According to Bette Davis in a 1987 interview with Creator/BarbaraWalters, Joan Crawford wore a pair during the beach scene:
-->'''Davis:''' [Crawford] had three sets of falsies. And, as you know, when any of us is lying flat down, these ''[indicates her breasts]'' do not stand up straight like this. They kind of go to the side, usually. ... I mean, even [[Music/DollyParton Dolly Parton's]] probably do, too. ''[laughs]'' I was supposed to run and fall on her. I was almost knocked out, I have to admit. Because she insisted on that. ... She was used to appearing as a beautiful person. It was hard for her to change. ... As a matter of fact, she said, "You've taken everything else away from me. I will not give up these."

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* FakeBoobs: According to Bette Davis in a 1987 interview with Creator/BarbaraWalters, Joan Crawford wore a pair during the beach scene:
-->'''Davis:''' [Crawford] had three sets of falsies. And, as you know, when any of us is lying flat down, these ''[indicates
scene, and refused to give them up because she did not want to be seen on film having her breasts]'' do not stand up straight like this. They kind of go natural breasts fall off to the side, usually. ... I mean, even [[Music/DollyParton Dolly Parton's]] probably do, too. ''[laughs]'' I side as they would while she was supposed lying down. Having had to compromise much of her glamour for the sake of the role of Blanche, the fake breasts, Davis said, were the one thing Crawford refused to budge on, and they nearly knocked Davis unconscious when she had to run and fall on her. I was almost knocked out, I have to admit. Because she insisted on that. ... She was used to appearing as a beautiful person. It was hard for her to change. ... As a matter of fact, she said, "You've taken everything else away from me. I will not give up these." Crawford.
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-->'''Davis:''' [Crawford] had three sets of falsies. And, as you know, when any of us is lying flat down, these ''[indicates her breasts]'' do not stand up straight like this. They kind of go to the side, usually. ... I mean, even [[Music/DollyParton Dolly Parton's]] probably do, too. ''[laughs]'' I was supposed to run and fall on her. I was almost knocked out, I have to admit. Because she insisted on that. ... She was used to appearing as a beautiful person. It was hard for her to change. It was hard for her to take her nail polish off. ... As a matter of fact, she said, "You've taken everything else away from me. I will not give up these."

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-->'''Davis:''' [Crawford] had three sets of falsies. And, as you know, when any of us is lying flat down, these ''[indicates her breasts]'' do not stand up straight like this. They kind of go to the side, usually. ... I mean, even [[Music/DollyParton Dolly Parton's]] probably do, too. ''[laughs]'' I was supposed to run and fall on her. I was almost knocked out, I have to admit. Because she insisted on that. ... She was used to appearing as a beautiful person. It was hard for her to change. It was hard for her to take her nail polish off. ... As a matter of fact, she said, "You've taken everything else away from me. I will not give up these."
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* FakeBoobs: According to Bette Davis in a 1987 interview with Creator/BarbaraWalters, Joan Crawford wore a pair during the beach scene:
-->'''Davis:''' [Crawford] had three sets of falsies. And, as you know, when any of us is lying flat down, these ''[indicates her breasts]'' do not stand up straight like this. They kind of go to the side, usually. ... I mean, even [[Music/DollyParton Dolly Parton's]] probably do, too. ''[laughs]'' I was supposed to run and fall on her. I was almost knocked out, I have to admit. Because she insisted on that. ... She was used to appearing as a beautiful person. It was hard for her to change. It was hard for her to take her nail polish off. ... As a matter of fact, she said, "You've taken everything else away from me. I will not give up these."
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I looked it up in the transcript (http://www.script-o-rama.com/movie_scripts/w/what-ever-happened-to-baby-jane-script.html) and France is not mentioned


* FormerChildStar: Jane, who had a vaudeville act back in 1917 but couldn't make it as an actress in Hollywood. In the present, she's a bitter mentally disturbed alcoholic who still dresses like a little girl and is unable to accept that nobody even remembers "Baby Jane" anymore. (It's mentioned that she is still wildly popular and beloved in France and could have a successful adult career if she would go there, but she wants to renew what she once had in the U.S. This may be a ShoutOut to Creator/JerryLewis.)

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* FormerChildStar: Jane, who had a vaudeville act back in 1917 but couldn't make it as an actress in Hollywood. In the present, she's a bitter mentally disturbed alcoholic who still dresses like a little girl and is unable to accept that nobody even remembers "Baby Jane" anymore. (It's mentioned that she is still wildly popular and beloved in France and could have a successful adult career if she would go there, but she wants to renew what she once had in the U.S. This may be a ShoutOut to Creator/JerryLewis.)
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* FormerChildStar: Jane, who had a vaudeville act back in 1917 but couldn't make it as an actress in Hollywood. In the present, she's a bitter mentally disturbed alcoholic who still dresses like a little girl and is unable to accept that nobody even remembers "Baby Jane" anymore.

to:

* FormerChildStar: Jane, who had a vaudeville act back in 1917 but couldn't make it as an actress in Hollywood. In the present, she's a bitter mentally disturbed alcoholic who still dresses like a little girl and is unable to accept that nobody even remembers "Baby Jane" anymore. (It's mentioned that she is still wildly popular and beloved in France and could have a successful adult career if she would go there, but she wants to renew what she once had in the U.S. This may be a ShoutOut to Creator/JerryLewis.)
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* FormerChildStar: Jane, who had a vaudeville act back in 1917 but couldn't make it as an actress in Hollywood.

to:

* FormerChildStar: Jane, who had a vaudeville act back in 1917 but couldn't make it as an actress in Hollywood. In the present, she's a bitter mentally disturbed alcoholic who still dresses like a little girl and is unable to accept that nobody even remembers "Baby Jane" anymore.
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A classic 1962 thriller film directed by Creator/RobertAldrich, starring Creator/BetteDavis and Creator/JoanCrawford.

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A classic 1962 thriller PsychologicalThriller film directed by Creator/RobertAldrich, starring Creator/BetteDavis and Creator/JoanCrawford.
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[[quoteright:310:https://static.tvtropes.org/pmwiki/pub/images/crawforddavisbabyjane.jpg]]
[[caption-width-right:310:"Butcha ''are'', Blanche! Ya ''are'' in that chair!"]]

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[[quoteright:310:https://static.[[quoteright:305:https://static.tvtropes.org/pmwiki/pub/images/crawforddavisbabyjane.jpg]]
[[caption-width-right:310:"Butcha [[caption-width-right:305:"Butcha ''are'', Blanche! Ya ''are'' in that chair!"]]



A classic 1962 thriller directed by Creator/RobertAldrich, starring Creator/BetteDavis and Creator/JoanCrawford.

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A classic 1962 thriller film directed by Creator/RobertAldrich, starring Creator/BetteDavis and Creator/JoanCrawford.
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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/crawforddavisbabyjane.jpg]]
[[caption-width-right:300:"Butcha ''are'', Blanche! Ya ''are'' in that chair!"]]

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[[quoteright:300:https://static.[[quoteright:310:https://static.tvtropes.org/pmwiki/pub/images/crawforddavisbabyjane.jpg]]
[[caption-width-right:300:"Butcha [[caption-width-right:310:"Butcha ''are'', Blanche! Ya ''are'' in that chair!"]]



A classic 1962 thriller directed by Creator/RobertAldrich, starring Creator/BetteDavis and Creator/JoanCrawford. It was adapted from the 1960 novel of the same name by Henry Farrell.

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A classic 1962 thriller directed by Creator/RobertAldrich, starring Creator/BetteDavis and Creator/JoanCrawford. It was adapted from the 1960 novel of the same name by Henry Farrell.\n



* TheFilmOfTheBook

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* TheFilmOfTheBookTheFilmOfTheBook: Adapted from the 1960 novel of the same name by Henry Farrell.
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* BlackAndWhiteMorality: Subverted; the film is set up so you go in believing Jane is the "evil sister" and Blanche is the "good sister". In reality, as is revealed over the film, it's actually a case of BlackAndGrayMorality: [[spoiler: Blanche tried to murder her sister back when they were movie stars, but missed and crippled herself. This ultimately leads to Jane going insane, partly due to guilt, and eventually she turns murderous as a result of her damaged mind]].

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* BlackAndWhiteMorality: Subverted; the film is set up so you go in believing Jane is the "evil sister" and Blanche is the "good sister". In reality, as is revealed over the film, it's actually a case of BlackAndGrayMorality: [[spoiler: Blanche tried to murder her sister back when they were movie stars, but missed and crippled herself. This ultimately leads to Jane going insane, partly due to guilt, and eventually she turns murderous as a result of her damaged mind]].mind.]]



* TheEndingChangesEverything: Lets just say there's a very good reason the film's poster warns you to watch the film from the beginning and not give away the climax, because it almost ''completely'' changes how you'll see the film afterward.

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* TheEndingChangesEverything: Lets Let's just say there's a very good reason the film's poster warns you to watch the film from the beginning and not give away the climax, because it almost ''completely'' changes how you'll see the film afterward.
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* EsotericHappyEnding: [[spoiler:Jane no longer believes she's evil, as become as bright and happy as a child, but may be taken away to a mental institution, and there's no indication whether Blanche is alive or dead at the end. Regardless, the Jane now knows the truth and is fine with it.]]
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* EsotericHappyEnding: [[spoiler:Jane no longer believes she's evil, as become as bright and happy as a child, but may be taken away to a mental institution, and there's no indication whether Blanche is alive or dead at the end. Regardless, the Jane now knows the truth and is fine with it.]]
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--> '''Jane Hudson:''' [[spoiler: [[CouldHaveAvoidedThisPlot You mean all this time, we could have been ''friends''?]] ]]

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--> '''Jane Hudson:''' [[spoiler: [[CouldHaveAvoidedThisPlot You mean all this time, we could have been ''friends''?]] been]] ''friends''? ]]
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--> '''Jane Hudson:''' [[spoiler: [[CouldHaveAvoidedThisPlot ''You mean all this time, we could have been friends?'']] ]]

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--> '''Jane Hudson:''' [[spoiler: [[CouldHaveAvoidedThisPlot ''You You mean all this time, we could have been friends?'']] ''friends''?]] ]]
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--> '''Jane Hudson:''' [[spoiler: [[CouldHaveAvoidedThisPlot ''"You mean all this time, we could have been friends?"'']] ]]

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--> '''Jane Hudson:''' [[spoiler: [[CouldHaveAvoidedThisPlot ''"You ''You mean all this time, we could have been friends?"'']] friends?'']] ]]
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--> '''Jane Hudson:''' [[spoiler:''"[[CouldHaveAvoidedThisPlot You mean all this time, we could have been friends?"'']] ]]

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--> '''Jane Hudson:''' [[spoiler:''"[[CouldHaveAvoidedThisPlot You [[spoiler: [[CouldHaveAvoidedThisPlot ''"You mean all this time, we could have been friends?"'']] ]]
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----

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--------
--> '''Jane Hudson:''' [[spoiler:''"[[CouldHaveAvoidedThisPlot You mean all this time, we could have been friends?"'']] ]]
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* BeautyEqualsGoodness: Jane has aged horribly and is the antagonist, whereas Blanche has aged gracefully. [[spoiler: Subverted with the reveal that Blanche tried to kill Jane and let her believe that she was the attacker all these years]]. [[note]]This is mostly due to the different approach of the two leading actresses: Bette Davis had great fun looking terrible, and even designed her own makeup, while Joan Crawford wanted to look as good as possible, and prevented all attempts to turn her ugly.[[/note]]

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* BeautyEqualsGoodness: Jane has aged horribly and is the antagonist, whereas Blanche has aged gracefully. [[spoiler: Subverted with the reveal that Blanche tried to kill Jane and let her believe that she was the attacker all these years]]. [[note]]This is mostly due to the different approach of the two leading actresses: Bette Davis had great fun looking terrible, and even designed devised her own makeup, while Joan Crawford wanted to look as good as possible, and prevented all any attempts to turn her ugly.[[/note]]
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* AdaptedOut: The book states that the two girls went to live with their aunt after their parents died of influenza, and that was how Blanche got into films. The movie just cuts from 1917 to 1937 when Blanche is already a film star, with no mention of an aunt.

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* AdaptedOut: The book states that the two girls went to live with their aunt after their parents died of influenza, and that was how Blanche got into films. The movie just cuts from 1917 to 1937 1935 when Blanche is already a film star, with no mention of an aunt.



* BeautyEqualsGoodness: Jane has aged horribly and is the antagonist, whereas Blanche has aged gracefully. [[spoiler: Subverted with the reveal that Blanche tried to kill Jane and let her believe that she was the attacker all these years]].

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* BeautyEqualsGoodness: Jane has aged horribly and is the antagonist, whereas Blanche has aged gracefully. [[spoiler: Subverted with the reveal that Blanche tried to kill Jane and let her believe that she was the attacker all these years]]. [[note]]This is mostly due to the different approach of the two leading actresses: Bette Davis had great fun looking terrible, and even designed her own makeup, while Joan Crawford wanted to look as good as possible, and prevented all attempts to turn her ugly.[[/note]]
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* TooDumbToLive: [[spoiler:Elvira, despite knowing for a fact that Blanche is mentally unstable, leaves a hammer within her reach and turns her back on her. She doesn't make it more than a few steps into Blanche's room before she's killed.]]

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* TooDumbToLive: [[spoiler:Elvira, despite knowing for a fact that Blanche Jane is mentally unstable, leaves a hammer within her reach and turns her back on her. She doesn't make it more than a few steps into Blanche's room before she's killed.]]
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* TooDumbToLive: [[spoiler:Elvira, despite knowing for a fact that Blanche is mentally unstable, leaves a hammer within her reach and turns her back on her. She doesn't make it more than a few steps into Blanche's room before she's killed.]]

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* GrandmaWhatMassiveHotnessYouHave: The events of the film and book put Blanche in her late 50s or early 60s, but it's said that she's managed to age gracefully and hold onto her good looks. This is in stark contrast to Jane, who has become a mess.
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* ColdHam: In stark contrast to [[{{Series/Batman}} some of his other roles]], Victor Buono plays almost all of his scenes as Edwin with quiet, immeasurable loathing for the people around him. It's not until he gets drunk and loosens up that he becomes a true LargeHam.

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* ColdHam: In stark contrast to [[{{Series/Batman}} [[Series/Batman1966 some of his other roles]], Victor Buono plays almost all of his scenes as Edwin with quiet, immeasurable loathing for the people around him. It's not until he gets drunk and loosens up that he becomes a true LargeHam.
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* DeadAnimalWarning: Jane begins denying Blanche food, until she serves Blanche's dead pet parakeet—and, at a later meal, a dead rat—to her on a dinner platter
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* VillainProtagonist: The story is focused on the unrepentantly horrible Jane.

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* VillainProtagonist: The story is focused on the unrepentantly horrible Jane. [[spoiler: And the psychologically abusive Blanche.]]
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* YoungerThanTheyLook: Jane looks like someone who's in her 80s or 90s despite being in her 50s.

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* IWasQuiteALooker: Jane was an angelic little girl and a reasonably attractive young woman but has now grown old and is a complete mess. Averted with Blanche who has aged well enough.

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* IntimateHairBrushing: In the remake, there's a PetTheDog moment between the sisters is when Blanche gets Jane to wash her hair and comb it. Unfortunately, Jane then starts [[TraumaticHaircut cutting it]].
* IWasQuiteALooker: Jane was an angelic little girl and a reasonably attractive young woman but has now grown old and is a complete mess. Averted with In contrast, Blanche who has aged well enough.



* NosyNeighbor: Mrs. Bates is a mild example.

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%% * NosyNeighbor: Mrs. Bates is a mild example.
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* ReclusiveArtist: [[invoked]] Blanche disappeared from the public eye after her accident, and she's currently experiencing a revival in popularity, with her films getting featured on TV, with her appeal based in-part on curiosity about what happened to her.

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%%* {{Camp}}: The film is known for having a fair amount of this, which helps account for its CultClassic status.

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%%* * {{Camp}}: The film is known On the surface it's a basic PsychologicalThriller, but with two grand old Hollywood divas engaged in HamToHamCombat, plus some of the wackier elements of the story (like [[spoiler:Jane serving Blanche a rat for having a fair amount of this, which helps account for its CultClassic status.dinner]]), it quickly gained an over-the-top reputation that's made it an enduring CultClassic.


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* MayDecemberRomance: 50-something Jane and 20-something Edwin seem to be making tentative moves toward one, but it's more out of convenience and desperation than anything else.


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* VillainProtagonist: The story is focused on the unrepentantly horrible Jane.
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* {{Gaslighting}}: Jane's whole purpose in life seems to be torturing Blanche by making her feel defenseless and isolated. It gets so bad that Blanche won't even eat the dinners Jane fixes for her, assuming that she's serving her something disgusting. But [[spoiler:the twist reveals it was actually the other way around: Blanche spent decades allowing Jane to falsely believe she'd caused Blanche's accident, turning Jane into an utter psychological mess]].

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