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This was the last film Lang made before leaving Germany. UsefulNotes/AdolfHitler was rising to power during the film's production and would become Chancellor of Germany just two months before its scheduled release date. According to film scholar Siegfried Kracauer, Lang envisioned the film as an allegory for the threat that he posed. Accordingly, Minister of Propaganda Joseph Goebbels promptly banned it, claiming that it would encourage people to violently revolt against the government -- though [[{{Hypocrite}} he reportedly kept and screened a private copy for himself]]. It's generally assumed (thanks to [[UnreliableNarrator Lang's own testimony]]) that the rest of the Nazis recognized its nature as a TakeThat, though this isn't certain. After all, the Nazis had [[MisaimedFandom praised]] ''M'' as an alleged "pro-death penalty" film.
to:
This was the last film Lang made before leaving Germany. UsefulNotes/AdolfHitler was rising to power during the film's production and would become Chancellor of Germany just two months before its scheduled release date. According to film scholar Siegfried Kracauer, Lang envisioned the film as an allegory for the threat that he posed. Accordingly, Minister of Propaganda Joseph Goebbels UsefulNotes/JosephGoebbels promptly banned it, claiming that it would encourage people to violently revolt against the government -- though [[{{Hypocrite}} he reportedly kept and screened a private copy for himself]]. It's generally assumed (thanks to [[UnreliableNarrator Lang's own testimony]]) that the rest of the Nazis recognized its nature as a TakeThat, though this isn't certain. After all, the Nazis had [[MisaimedFandom praised]] ''M'' as an alleged "pro-death penalty" film.
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Changed line(s) 7,8 (click to see context) from:
This was the last film Lang made before leaving Germany. UsefulNotes/AdolfHitler rising to power during the film's production, and would become Chancellor of Germany just two months before its release. According to film scholar Siegfried Kracauer, Lang envisioned the film as an allegory for the threat that he posed. Accordingly, Minister of Propaganda Joseph Goebbels promptly banned it, claiming that it would encourage people to violently revolt against the government -- though [[{{Hypocrite}} he reportedly kept and screened a private copy for himself]]. It's generally assumed (thanks to [[UnreliableNarrator Lang's own testimony]]) that the rest of the Nazis recognized its nature as a TakeThat, though this isn't certain. After all, the Nazis had [[MisaimedFandom praised]] ''M'' as an alleged "pro-death penalty" film.
to:
This was the last film Lang made before leaving Germany. UsefulNotes/AdolfHitler was rising to power during the film's production, production and would become Chancellor of Germany just two months before its release.scheduled release date. According to film scholar Siegfried Kracauer, Lang envisioned the film as an allegory for the threat that he posed. Accordingly, Minister of Propaganda Joseph Goebbels promptly banned it, claiming that it would encourage people to violently revolt against the government -- though [[{{Hypocrite}} he reportedly kept and screened a private copy for himself]]. It's generally assumed (thanks to [[UnreliableNarrator Lang's own testimony]]) that the rest of the Nazis recognized its nature as a TakeThat, though this isn't certain. After all, the Nazis had [[MisaimedFandom praised]] ''M'' as an alleged "pro-death penalty" film.
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This was the last film Lang made before leaving Germany. The UsefulNotes/{{Nazi|Germany}}s, who had come to power just two months before the film was scheduled for release in Germany, promptly banned it. It's generally assumed (thanks to [[UnreliableNarrator Lang's own testimony]]) that the Nazis considered it a TakeThat, though this isn't certain. After all, the Nazis had [[MisaimedFandom praised ''M'' as an alleged "pro-death penalty" film]]. Joseph Goebbels, Hitler's Propaganda Minister, publicly objected to ''Testament'' as "a practical guide for criminals" rather than ideology - though [[{{Hypocrite}} he reportedly kept and screened a private copy for himself]].
Regardless, Lang, whose mother was a practicing Roman Catholic but Jewish by birth, left Germany soon after and made his way to Hollywood. Lang's wife Thea von Harbou, who had been his screenwriter and creative partner for almost all of Lang's career, joined the Nazi Party, divorced Lang, stayed behind in Germany, and worked in the Nazi movie industry until the end of the war. A quarter-century after he left, Lang came back to Germany and made another sequel, ''[[Film/Die1000AugenDesDrMabuse The 1000 Eyes of Dr. Mabuse]]''. The movie was [[TheRemake remade]] in 1962, the remake being retitled ''The Terror of Dr. Mabuse'' in English.
Regardless, Lang, whose mother was a practicing Roman Catholic but Jewish by birth, left Germany soon after and made his way to Hollywood. Lang's wife Thea von Harbou, who had been his screenwriter and creative partner for almost all of Lang's career, joined the Nazi Party, divorced Lang, stayed behind in Germany, and worked in the Nazi movie industry until the end of the war. A quarter-century after he left, Lang came back to Germany and made another sequel, ''[[Film/Die1000AugenDesDrMabuse The 1000 Eyes of Dr. Mabuse]]''. The movie was [[TheRemake remade]] in 1962, the remake being retitled ''The Terror of Dr. Mabuse'' in English.
to:
This was the last film Lang made before leaving Germany. The UsefulNotes/{{Nazi|Germany}}s, who had come UsefulNotes/AdolfHitler rising to power during the film's production, and would become Chancellor of Germany just two months before its release. According to film scholar Siegfried Kracauer, Lang envisioned the film was scheduled as an allegory for release in Germany, the threat that he posed. Accordingly, Minister of Propaganda Joseph Goebbels promptly banned it. it, claiming that it would encourage people to violently revolt against the government -- though [[{{Hypocrite}} he reportedly kept and screened a private copy for himself]]. It's generally assumed (thanks to [[UnreliableNarrator Lang's own testimony]]) that the rest of the Nazis considered it recognized its nature as a TakeThat, though this isn't certain. After all, the Nazis had [[MisaimedFandom praised praised]] ''M'' as an alleged "pro-death penalty" film]]. Joseph Goebbels, Hitler's Propaganda Minister, publicly objected to ''Testament'' as "a practical guide for criminals" rather than ideology - though [[{{Hypocrite}} he reportedly kept and screened a private copy for himself]].
film.
Regardless, Lang, whose mother was a practicing Roman Catholic but Jewish by birth, left Germany soon after and made his way to Hollywood. In the 1940s, Lang claimed that the final straw was a meeting with Goebbels where the latter complemented ''Film/{{Metropolis}}'' and asked him to make Nazi propaganda pieces. Lang's wife Thea von Harbou, who had been his screenwriter and creative partner for almost all of Lang's career, joined the Nazi Party, divorced Lang, stayed behind in Germany, and worked in the Nazi movie industry until the end of the war. A quarter-century after he left, Lang came back to Germany and made another sequel, ''[[Film/Die1000AugenDesDrMabuse The 1000 Eyes of Dr. Mabuse]]''. The movie was [[TheRemake remade]] in 1962, the remake being retitled ''The Terror of Dr. Mabuse'' in English.
Regardless, Lang, whose mother was a practicing Roman Catholic but Jewish by birth, left Germany soon after and made his way to Hollywood. In the 1940s, Lang claimed that the final straw was a meeting with Goebbels where the latter complemented ''Film/{{Metropolis}}'' and asked him to make Nazi propaganda pieces. Lang's wife Thea von Harbou, who had been his screenwriter and creative partner for almost all of Lang's career, joined the Nazi Party, divorced Lang, stayed behind in Germany, and worked in the Nazi movie industry until the end of the war. A quarter-century after he left, Lang came back to Germany and made another sequel, ''[[Film/Die1000AugenDesDrMabuse The 1000 Eyes of Dr. Mabuse]]''. The movie was [[TheRemake remade]] in 1962, the remake being retitled ''The Terror of Dr. Mabuse'' in English.
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Nice Hat is no longer a trope
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* NiceHat: Many characters wear bowlers, and one of the mooks even sports a top hat.
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* ThoseTwoBadGuys: Hardy and Bredow are an early example, although they aren't as chatty as later examples would become.
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* {{Flashback}}: When Kent invites Lilli out for coffee and tells her it's a special day for him, we flash back to six months earlier, when the then-unemployed Kent was making daily visits to the job centre at which Lilli worked as a secretary, and, seeing his desperation after three futile months looking for work, she loaned him 20 Marks to sustain him until he could get stable employment.
* {{Foreshadowing}}: It's easy to miss (without playing the relevant scenes back to back), but the first two times Baum locks himself in his office after telling his assistant that he is not to be intruded on for any reason, his assistant tries to open his door, only to hear Baum saying "Ich möchte jetzt nicht gestört werden" ("I do not wish to be disturbed right now")... with ''completely identical'' inflections both times. This foreshadows the eventual discovery that the voice is only a recording.
* {{Foreshadowing}}: It's easy to miss (without playing the relevant scenes back to back), but the first two times Baum locks himself in his office after telling his assistant that he is not to be intruded on for any reason, his assistant tries to open his door, only to hear Baum saying "Ich möchte jetzt nicht gestört werden" ("I do not wish to be disturbed right now")... with ''completely identical'' inflections both times. This foreshadows the eventual discovery that the voice is only a recording.
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** Mabuse's manifesto, in which he calls for [[ANaziByAnyOtherName the destruction of all that mankind has created and the re-building of an empire of crime on the ruins,]] was intended to parallel UsefulNotes/AdolfHitler's calls to tear down society and re-build it as an empire that would last a thousand years.[[note]]When he was summoned by Minister for Propaganda Joseph Goebbels after the film was completed, he expected to be told that the speeches would have to be cut (instead, Goebbels tried to recruit him as national filmmaker, prompting Lang to flee Germany later that year).[[/note]]
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** Mabuse's manifesto, in which he calls for [[ANaziByAnyOtherName the destruction of all that mankind has created and the re-building of an empire of crime on the ruins,]] was intended to parallel UsefulNotes/AdolfHitler's calls to tear down society and re-build it as an empire that would last a thousand years.[[note]]When [[note]]Lang said in multiple interviews that when he was summoned by Minister for Propaganda Joseph Goebbels after the film was completed, he expected to be told that the speeches would have to be cut (instead, Goebbels tried to recruit him as national filmmaker, prompting Lang to flee Germany later that year).[[/note]]
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Fixing indentation and fleshing out and/or adding examples.
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* CanonWelding: This film pits Dr. Mabuse against Kommissar Lohmann from ''{{Film/M}}''.
** This is alluded to when the archivist goes to recover the files and drops the title of the first film, "Dr. Mabuse, the Gambler" while holding a fat document that was apparently the script of the earlier film.
** This is alluded to when the archivist goes to recover the files and drops the title of the first film, "Dr. Mabuse, the Gambler" while holding a fat document that was apparently the script of the earlier film.
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* CacophonyCoverUp: When Hardy and Bredow are tailing Dr. Kramm with orders to assassinate him, they join several other cars pulled up at a crosswalk, waiting for the light to change. As a seemingly neverending crowd of pedestrians crosses in front of them, Bredow begins [[BigHonkingTrafficJam honking his horn,]] and soon the other drivers, Kramm included, join in, so that when Hardy shoots Kramm, the gunshot is drowned out by the sound of impatient drivers.
* CanonWelding: This film pits Dr. Mabuse against Kommissar Lohmann from''{{Film/M}}''.
**''{{Film/M}}''. This is alluded to when the archivist goes to recover the files and drops the title of the first film, "Dr. Mabuse, the Gambler" while holding a fat document that was apparently the script of the earlier film.
* CanonWelding: This film pits Dr. Mabuse against Kommissar Lohmann from
**
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%%* CigarChomper: Lohmann
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* DeadHandShot: Of a {{Mook}} after he shoots himself rather than be taken alive.
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* DeadHandShot: Of When Lohmann and the police persuade the {{Mook}}s of Division 2-B to give themselves up, we hear a {{Mook}} after he shoots himself rather than be taken alive.shot, then cut to inside the apartment to see Hardy's hand fall to the floor, the gun slipping out of his now lifeless fingers.
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* DoesThisRemindYouOfAnything: A few things.
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* DoesThisRemindYouOfAnything: A few things.DoesThisRemindYouOfAnything:
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%%* DrivenToMadness: Hofmeister. Also Baum.
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* DrivenToMadness:
** Hofmeister is about to tell Lohmann the name of the leader of the counterfeiting ring he has stumbled on when the lights go out and we hear the sounds of a scuffle. When the dust settles, Hofmeister is mindlessly singing a folk tune, which he lapses into whenever he thinks he is being watched - and when he isn't being watched, he holds an imaginary phone receiver to his ear and screams for Lohmann to pick up.
** In the film's final scene, Baum, now so deluded that he thinks he ''is'' Mabuse (and [[GrandTheftMe for all intents and purposes, he may be]]), visits Hofmeister in his cell, triggering the latter into violently attacking him. When Lohmann, Kent, and the asylum orderlies show up, Hofmeister has finally come to his senses, but now it is Baum who is mechanically tearing up the pages of Dr. Mabuse's manifesto with a ThousandYardStare.
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* DrowningPit: Kent risks deliberately turning the room he and Lilli are imprisoned in into this, in the hope that the water will absorb the force of the explosion.
* DunkingTheBomb: Mabuse, in a shining example of BondVillainStupidity, locks the good guy and his girlfriend in a room with a bomb set to go off in three hours. The good guy opens up the pipes and deliberately floods the room in an effort to muffle the explosion. They almost drown, but in the end it works.
%%* EvenEvilHasStandards: Kent.
%%* ExpositionVictim: Dr. Kramm.
* DunkingTheBomb: Mabuse, in a shining example of BondVillainStupidity, locks the good guy and his girlfriend in a room with a bomb set to go off in three hours. The good guy opens up the pipes and deliberately floods the room in an effort to muffle the explosion. They almost drown, but in the end it works.
%%* EvenEvilHasStandards: Kent.
%%* ExpositionVictim: Dr. Kramm.
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* DrowningPit: Kent risks deliberately turning the room he and Lilli are imprisoned in into this, in the hope that the water will absorb the force of the explosion. Luckily for them, it does, and the water drains through the hole made by the explosion.
* DunkingTheBomb: Mabuse, in a shining example of BondVillainStupidity, locksthe good guy Kent and his girlfriend Lilli in a room with a bomb set to go off in three hours. The good guy Kent opens up the pipes and deliberately floods the room in an effort to muffle the explosion. They almost drown, but in the end it works.
%%* * EvenEvilHasStandards: Kent.
%%*Kent may willingly participate in Mabuse's counterfeiting organisation (as he tells Lilli, there's not much else an engineer with a criminal record can do to earn a living in Weimar Germany), but he draws the line at murder. A combination of being told he has no choice about killing on Mabuse's behalf and discovering that his love for Lilli is requited after all prompt him to leave the organisation (but not without a fight).
* ExpositionVictim: Dr.Kramm.Kramm notices that Mabuse's manifesto includes detailed plans for a jewel robbery identical to one that is reported in that day's newspaper. He shows Professor Baum the similarities between the two and says he needs to tell the police. Unfortunately for Kramm, Baum is behind the robbery and arranges to have him shot in his car.
* DunkingTheBomb: Mabuse, in a shining example of BondVillainStupidity, locks
%%*
* ExpositionVictim: Dr.
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* GrandTheftMe: One possible interpretation of the film is that Mabuse succeeds in doing this on Baum with his psychic powers.
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* GrandTheftMe: One possible interpretation of the film is that Mabuse succeeds in doing this on Baum with his psychic powers. Notice that Baum stiffens when he tries to take Mabuse's pulse in the same way the victims of Mabuse's hypnosis stiffen in ''Film/DrMabuseTheGambler''.
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* HisNameIs: Hofmeister is attacked just as he's about to tell Lohmann who the bad guy is. Unusually, instead of being killed, he's driven mad.
** As it turns out, Hofmeister managed to scratch the name into a window pane with his diamond ring, but it takes halfway through the movie for the police to decipher it.
** As it turns out, Hofmeister managed to scratch the name into a window pane with his diamond ring, but it takes halfway through the movie for the police to decipher it.
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* HisNameIs: Hofmeister is attacked just as he's about to tell Lohmann who the bad guy is. Unusually, instead of being killed, he's driven mad.
**mad. As it turns out, Hofmeister managed to scratch the name into a window pane with his diamond ring, but it takes halfway through the movie for the police to decipher it.
**
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%%* LoveRedeems: Kent.
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* MinorCrimeRevealsMajorPlot: Four of Mabuse's minions get killed or arrested because one of them stupidly gave his moll a stolen piece of jewelry to wear in public.
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* MinorCrimeRevealsMajorPlot: Four of Mabuse's minions - Hardy, Bredow, Karetzki, and Griforiew - get killed or arrested because one of them Griforiew stupidly gave his moll a stolen piece of jewelry to wear in public.
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* PosthumousCharacter: Mabuse, for the second half of the film.
* PsychoPsychologist: Mabuse's past as a psychanalyst is referred to, and his psychiatrist Baum initially starts committing crimes in admiration for him and finally becomes deludedly convinced that he '''is''' Mabuse.
* PsychoPsychologist: Mabuse's past as a psychanalyst is referred to, and his psychiatrist Baum initially starts committing crimes in admiration for him and finally becomes deludedly convinced that he '''is''' Mabuse.
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* PosthumousCharacter: Mabuse, for Mabuse dies halfway through the film, but his shadow looms large over the second half of as he seems to continue pulling the film.
strings of his criminal organisation from beyond the grave.
* PsychoPsychologist: Mabuse's past as apsychanalyst psychoanalyst is referred to, and his psychiatrist Baum initially starts committing crimes in admiration for him and finally becomes deludedly convinced that he '''is''' Mabuse.
* PsychoPsychologist: Mabuse's past as a
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Not a trope.
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* DarkAndTroubledPast: Early in the film, Kent mentions having murdered two people, which motivates his extreme aversion to killing. He later confesses to Lilli that the two people were his girlfriend and the man he thought was his best friend, heavily implying that he killed them in a crime of passion after discovering them [[YourCheatingHeart in flagrante delicto]].
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* DarkAndTroubledPast: Early in the film, Kent mentions having murdered two people, which motivates his extreme aversion to killing. He later confesses to Lilli that the two people were his girlfriend and the man he thought was his best friend, heavily implying that he killed them in a crime of passion after discovering them [[YourCheatingHeart in ''in flagrante delicto]].delicto''.
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* ArcWords: "The Empire of Crime! The Empire of Crime!"
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* BedlamHouse: Unexpectedly averted. The place isn't exactly cosy, but even though the head psychiatrist is batshit crazy, the patients don't seem to be ill-treated and most of the staff seem decent.
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* BedlamHouse: Unexpectedly averted. The place isn't exactly cosy, cozy, but even though the head psychiatrist is batshit crazy, the patients don't seem to be ill-treated and most of the staff seem decent.
* DarkAndTroubledPast: Early in the film, Kent mentions having murdered two people, which motivates his extreme aversion to killing. He later confesses to Lilli that the two people were his girlfriend and the man he thought was his best friend, heavily implying that he killed them in a crime of passion after discovering them [[YourCheatingHeart in flagrante delicto]].
* JerkWithAHeartOfGold: Despite his initial disgust of the disgraced Hofmeister, Lohmann is horrified to learn of Hofmeister's being DrivenToMadness and swears to get his hands on the people responsible. Lohmann also apparently treated Kent kindly while arresting him, despite his usual irascibility.
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* ANaziByAnyOtherName: Ladies and gentlemen, the UrExample.
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* ANaziByAnyOtherName: Ladies and gentlemen, the UrExample. Lang recasts Dr. Mabuse as an evil visionary writing an insane manifesto inside his cell, promoting an "Empire of Crime" dedicated to sowing chaos and destruction. Unsurprisingly, Joseph Goebbels saw Mabuse as a Hitler analogue and promptly banned the film.
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* ObfuscatingInsanity: While Baum notes that Mabuse's condition has markedly improved, he still insists that Mabuse is insane, an assertion that is challenged by Dr. Kramm, who suggests that Mabuse is faking it. It's left ambiguous whether Kramm was right.
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* VillainousBreakdown: Baum is essentially having one throughout the film.
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* VillainousBreakdown: Baum is essentially having one throughout the film.film, culminating in him trying to kill Hofmeister while proclaiming himself to be Mabuse. He's finally seen sitting in Mabuse's cell, staring vacantly and ripping up Mabuse's notes.
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Changed line(s) 23 (click to see context) from:
** Later in the movie the cops are discussng a criminal and looking at his picture--cut to the criminal wearing the same clothes and in the same position.
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** Later in the movie the cops are discussng discussing a criminal and looking at his picture--cut picture -- cut to the criminal wearing the same clothes and in the same position.
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* TheChessmaster: Mabuse
* CigarChomper: Lohmann
* CigarChomper: Lohmann
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* DiabolicalMastermind: Guess who?
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* DrivenToMadness: Hofmeister. Also Baum.
* DrivenToSuicide: A number are reported to have happened off-screen.
* DrivenToSuicide: A number are reported to have happened off-screen.
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* DrivenToSuicide: A number are reported to have happened
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* EvenEvilHasStandards: Kent.
* ExpositionVictim: Dr. Kramm.
* FatAndSkinny: Hardy and Bredow.
* ExpositionVictim: Dr. Kramm.
* FatAndSkinny: Hardy and Bredow.
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* LegacyCharacter: Baum-Mabuse.
* LoveRedeems: Kent.
* LoveRedeems: Kent.
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* MinorCrimeRevealsMajorPlot: Four of Mabuse's minions get killed or arrested because one of them stupidly gave his moll a stolen piece of jewellery to wear in public.
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* MinorCrimeRevealsMajorPlot: Four of Mabuse's minions get killed or arrested because one of them stupidly gave his moll a stolen piece of jewellery jewelry to wear in public.
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* PunchClockVillain: Kent, even before he realises how deranged Mabuse's plans are. He starts the film genuinely trying to go straight and find honest work, and only very reluctantly joins the Mabuse gang to make ends meet as nobody wants to hire an ex-con, especially at the height of the recession.
to:
* PunchClockVillain: Kent, even before he realises realizes how deranged Mabuse's plans are. He starts the film genuinely trying to go straight and find honest work, and only very reluctantly joins the Mabuse gang to make ends meet as nobody wants to hire an ex-con, especially at the height of the recession.
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* ShoutOut: Arthur Miller in his autobiography, stated that he got the name for Willy Loman in ''Theatre/DeathOfASalesman'' from this film, specificially for a scene where one of the characters calls the detective "Lohmann" several times on the phone.
* SympatheticInspectorAntagonist: Komissar Lohmann.
* SympatheticInspectorAntagonist: Komissar Lohmann.
to:
* ShoutOut: Arthur Miller in his autobiography, stated that he got the name for Willy Loman in ''Theatre/DeathOfASalesman'' from this film, specificially specifically for a scene where one of the characters calls the detective "Lohmann" several times on the phone.
* %%* SympatheticInspectorAntagonist: Komissar Lohmann.Lohmann.
* TerroristsWithoutACause: One of Mabuse's underlings talks to another about the apparent purposelessness of their criminal activities -- for example, they flood the streets with drugs but are ordered to give them away rather than turn a profit. It turns out that Mabuse's true goal is not profit, but rather to plunge the world into chaos and crime.
* TerroristsWithoutACause: One of Mabuse's underlings talks to another about the apparent purposelessness of their criminal activities -- for example, they flood the streets with drugs but are ordered to give them away rather than turn a profit. It turns out that Mabuse's true goal is not profit, but rather to plunge the world into chaos and crime.
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* ThoseTwoGuys: Mabuse's Organisation dramaturgically breaks down into pairs - Kent and the Lithographer, Karetzky and jewelry expert Griforiew are the prime examples, but there is also the nameless blackmailer and his partner - where one is beginning to feel uneasy about the methods used in or the apparent purposelessness of Mabuses wave of crime, while the other warns him not to incur Mabuse's wrath.
* ToCreateAPlaygroundForEvil: Mabuse's motivation in this film is reduced to simply turning the world into a lawless hellscape.
* ToCreateAPlaygroundForEvil: Mabuse's motivation in this film is reduced to simply turning the world into a lawless hellscape.
to:
* ThoseTwoGuys: Mabuse's Organisation organization dramaturgically breaks down into pairs - -- Kent and the Lithographer, Karetzky and jewelry expert Griforiew are the prime examples, but there is also the nameless blackmailer and his partner - -- where one is beginning to feel uneasy about the methods used in or the apparent purposelessness of Mabuses Mabuse's wave of crime, while the other warns him not to incur Mabuse's wrath.
* ThouShallNotKill: Although part of a criminal organization, Kent draws the line at murder, saying that he's already killed two people and doesn't want to repeat the experience.
* ToCreateAPlaygroundForEvil: Mabuse's motivation in this film is reduced to simply turning the world into a lawlesshellscape."Empire of Crime".
* ThouShallNotKill: Although part of a criminal organization, Kent draws the line at murder, saying that he's already killed two people and doesn't want to repeat the experience.
* ToCreateAPlaygroundForEvil: Mabuse's motivation in this film is reduced to simply turning the world into a lawless
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* VillainProtagonist
to:
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This was the last film Lang made before leaving Germany. ThoseWackyNazis, who had come to power just two months before the film was scheduled for release in Germany, promptly banned it. It's generally assumed (thanks to [[UnreliableNarrator Lang's own testimony]]) that the Nazis considered it a TakeThat, though this isn't certain. After all, the Nazis had [[MisaimedFandom praised ''M'' as an alleged "pro-death penalty" film]]. Joseph Goebbels, Hitler's Propaganda Minister, publicly objected to ''Testament'' as "a practical guide for criminals" rather than ideology - though [[{{Hypocrite}} he reportedly kept and screened a private copy for himself]].
to:
This was the last film Lang made before leaving Germany. ThoseWackyNazis, The UsefulNotes/{{Nazi|Germany}}s, who had come to power just two months before the film was scheduled for release in Germany, promptly banned it. It's generally assumed (thanks to [[UnreliableNarrator Lang's own testimony]]) that the Nazis considered it a TakeThat, though this isn't certain. After all, the Nazis had [[MisaimedFandom praised ''M'' as an alleged "pro-death penalty" film]]. Joseph Goebbels, Hitler's Propaganda Minister, publicly objected to ''Testament'' as "a practical guide for criminals" rather than ideology - though [[{{Hypocrite}} he reportedly kept and screened a private copy for himself]].
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useful notes are not tropes
Deleted line(s) 27 (click to see context) :
* UsefulNotes/{{Berlin}}: The film clearly is set there -- the spectacular robbery of a jeweller's shop on Unter den Linden is mentioned -- but the EiffelTowerEffect is averted as the outdoor scenes all were filmed in nondescript neighborhoods. One does get an inkling that Berlin University had one of the world's leading medical faculties at the time when the camera pans across a mixed row of Professor Baum's students before coming to rest on a man who is either Chinese or Japanese.
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* FountainOfExpies:
** Creator/ChristopherNolan has said that this film partially inspired his characterization of The Joker in ''Film/TheDarkKnight''. Mabuse's speeches about sowing chaos certainly could come from The Joker's mouth, and vice versa.
** Mabuse-Baum's Organisation with its grandiose schemes of a reign of crime and terror over entire countries, which involves targeting the monetary and banking system and involves weapons of mass destruction (poison gas) is also a worthy uncle to outfits like [[Franchise/JamesBond S.P.E.C.T.R.E.]] and so on.
** Creator/ChristopherNolan has said that this film partially inspired his characterization of The Joker in ''Film/TheDarkKnight''. Mabuse's speeches about sowing chaos certainly could come from The Joker's mouth, and vice versa.
** Mabuse-Baum's Organisation with its grandiose schemes of a reign of crime and terror over entire countries, which involves targeting the monetary and banking system and involves weapons of mass destruction (poison gas) is also a worthy uncle to outfits like [[Franchise/JamesBond S.P.E.C.T.R.E.]] and so on.
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* FountainOfExpies:
** Creator/ChristopherNolan has said that this film partially inspired his characterization of The Joker in ''Film/TheDarkKnight''. Mabuse's speeches about sowing chaos certainly could come from The Joker's mouth, and vice versa.
** Mabuse-Baum's Organisation with its grandiose schemes of a reign of crime and terror over entire countries, which involves targeting the monetary and banking system and involves weapons of mass destruction (poison gas) is also a worthy uncle to outfits like [[Franchise/JamesBond S.P.E.C.T.R.E.]] and so on.
** Creator/ChristopherNolan has said that this film partially inspired his characterization of The Joker in ''Film/TheDarkKnight''. Mabuse's speeches about sowing chaos certainly could come from The Joker's mouth, and vice versa.
** Mabuse-Baum's Organisation with its grandiose schemes of a reign of crime and terror over entire countries, which involves targeting the monetary and banking system and involves weapons of mass destruction (poison gas) is also a worthy uncle to outfits like [[Franchise/JamesBond S.P.E.C.T.R.E.]] and so on.
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* SpiritualSuccessor: Creator/ChristopherNolan has said that this film partially inspired his characterization of The Joker in ''Film/TheDarkKnight''. Mabuse's speeches about sowing chaos certainly could come from The Joker's mouth, and vice versa.
** Mabuse-Baum's Organisation with its grandiose schemes of a reign of crime and terror over entire countries, which involves targeting the monetary and banking system and involves weapons of mass destruction (poison gas) is also a worthy uncle to outfits like [[Franchise/JamesBond S.P.E.C.T.R.E.]] and so on.
** Mabuse-Baum's Organisation with its grandiose schemes of a reign of crime and terror over entire countries, which involves targeting the monetary and banking system and involves weapons of mass destruction (poison gas) is also a worthy uncle to outfits like [[Franchise/JamesBond S.P.E.C.T.R.E.]] and so on.
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* BedlamHouse: Unexpectedly averted. The place isn't exactly cosy, but even though the head psychiatrist is batshit crazy, the patients don't seem to be being ill-treated and most of the staff seem decent.
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* BedlamHouse: Unexpectedly averted. The place isn't exactly cosy, but even though the head psychiatrist is batshit crazy, the patients don't seem to be being ill-treated and most of the staff seem decent.
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* PunchClockVillain: Kent, even before he realises how deranged Mabuse's plans are. He starts the film genuinely trying to go straight and find honest work, and only very reluctantly joins the Mabuse gang to make ends meet as nobody wants to hire an ex-con, especially at the height of the recession.
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* ToCreateAPlaygroundForEvil: Mabuse's motivation in this film is reduced to simply turning the world into a lawless hellscape.
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Can't be a reference, the Tintin story was serialized over 10 years later after the release of the movie, if anything, it's the other way around.
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** The spectacular robbery of a jewelry store on Unter den Linden makes use of [[Recap/TintinTheSevenCrystalBalls glass balls filled with a sleep-inducing gas]].
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''The Last Will of Dr. Mabuse'' (German: ''Das Testament des Doktor Mabuse'') is a 1933 German noir film directed by Creator/FritzLang. A decade after the success of ''Film/DrMabuseTheGambler'', Lang decided to revisit the character in the sound era, with a plot appropriately based on the eeriness of recorded sound.
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''The Last Will Testament of Dr. Mabuse'' (German: ''Das Testament des Doktor Mabuse'') is a 1933 German noir film directed by Creator/FritzLang. A decade after the success of ''Film/DrMabuseTheGambler'', Lang decided to revisit the character in the sound era, with a plot appropriately based on the eeriness of recorded sound.
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migrating content from Das Testament Des Doktor Mabuse
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''The Last Will of Dr. Mabuse'' (German: ''Das Testament des Doktor Mabuse'') is a 1933 German noir film directed by Creator/FritzLang. A decade after the success of ''Film/DrMabuseTheGambler'', Lang decided to revisit the character in the sound era, with a plot appropriately based on the eeriness of recorded sound.
In the film, it is ten years or so since the criminal empire of DiabolicalMastermind Dr. Mabuse was crushed by the authorities, and the evil doctor, driven insane by his fall, confined to a mental hospital. Suddenly, the catatonic Mabuse has reawakened and begun to obsessively scribble notes on hypothetical crimes. Which would only be of academic interest, if it weren't for the new criminal gang that seems to be putting those plans into practice. Opposing them are Police Inspector Lohmann (Otto Wernicke), who'd appeared in Lang's previous film, ''Film/{{M}}'', and Kent (Gustav Diessl), a down-on-his-luck criminal who joins the gang but [[EvenEvilHasStandards soon grows disgusted with their extreme measures]].
This was the last film Lang made before leaving Germany. ThoseWackyNazis, who had come to power just two months before the film was scheduled for release in Germany, promptly banned it. It's generally assumed (thanks to [[UnreliableNarrator Lang's own testimony]]) that the Nazis considered it a TakeThat, though this isn't certain. After all, the Nazis had [[MisaimedFandom praised ''M'' as an alleged "pro-death penalty" film]]. Joseph Goebbels, Hitler's Propaganda Minister, publicly objected to ''Testament'' as "a practical guide for criminals" rather than ideology - though [[{{Hypocrite}} he reportedly kept and screened a private copy for himself]].
Regardless, Lang, whose mother was a practicing Roman Catholic but Jewish by birth, left Germany soon after and made his way to Hollywood. Lang's wife Thea von Harbou, who had been his screenwriter and creative partner for almost all of Lang's career, joined the Nazi Party, divorced Lang, stayed behind in Germany, and worked in the Nazi movie industry until the end of the war. A quarter-century after he left, Lang came back to Germany and made another sequel, ''[[Film/Die1000AugenDesDrMabuse The 1000 Eyes of Dr. Mabuse]]''. The movie was [[TheRemake remade]] in 1962, the remake being retitled ''The Terror of Dr. Mabuse'' in English.
''Testament'' had a complicated release history. Lang's original German cut saw limited release in Austria and Hungary in 1933. A French-language version, shot simultaneously by Lang with French-speaking actors, became the basis for most international prints. While the Nazis initially banned ''Testament'', they released a heavily-edited version in the late '30s. The biggest change was added narration by Inspector Lohmann stressing the [[UsefulNotes/WeimarGermany Weimar]] setting and claiming Mabuse was Jewish.
''Testament'' didn't reach America until 1943, in the midst of UsefulNotes/WorldWarII, when it was again reedited, this time to [[ANaziByAnyOtherName emphasize the Nazi parallels]]. Indeed, some versions added dialogue comparing Mabuse to Adolf Hitler. In 1952, a heavily cut (from 124 to 82 minutes), English-dubbed version entitled ''The Crimes of Dr. Mabuse'' appeared, which remained the standard version for several decades. Lang's original German cut didn't resurface until 1973, when it was re-released to general acclaim.
(It should be noted that this film has a major case of ItWasHisSled. To avoid the trope examples below being a block of spoiler code, the famous twist in question has not been whited out. If you really want to see the film unspoiled, don't read any further.)
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!!This film provides examples of the following tropes:
* ActionPrologue: A classic Bond opening. The film gets off to a flying start, interjecting a narrative that appears to be in full swing as a man tries to escape from a building, narrowly missing being killed.
* AnswerCut: Several times.
** Lohmann says Hofmeister "must have gone out of his mind with terror", and there is a quick cut to a psychiatrist at a lecture describing exactly that condition.
** Later in the movie the cops are discussng a criminal and looking at his picture--cut to the criminal wearing the same clothes and in the same position.
* AsYouKnow: When Kommissar Lohmann's assistant tells him that someone named Hofmeister has called, Lohmann makes sure to say "Our former colleague who got into trouble with foreign currency?".
* TheAtoner: In the first act, Hofmeister wants to redeem himself before his former mentor Lohmann by investigating a money-forging operation on his own.
* BedlamHouse: Unexpectedly averted. The place isn't exactly cosy, but even though the head psychiatrist is batshit crazy, the patients don't seem to be being ill-treated and most of the staff seem decent.
* UsefulNotes/{{Berlin}}: The film clearly is set there -- the spectacular robbery of a jeweller's shop on Unter den Linden is mentioned -- but the EiffelTowerEffect is averted as the outdoor scenes all were filmed in nondescript neighborhoods. One does get an inkling that Berlin University had one of the world's leading medical faculties at the time when the camera pans across a mixed row of Professor Baum's students before coming to rest on a man who is either Chinese or Japanese.
* BondJamesBond: "Gestatten Sie, dass ich mich vorstelle: Ich heiße Mabuse, [[HerrDoktor Doktor Mabuse]]." ("Allow me to introduce myself: My name is Mabuse, Doctor Mabuse.")
* BondVillainStupidity: Kent and Lilli locked in a room, being given three hours to anticipate their deaths.
* CanonWelding: This film pits Dr. Mabuse against Kommissar Lohmann from ''{{Film/M}}''.
** This is alluded to when the archivist goes to recover the files and drops the title of the first film, "Dr. Mabuse, the Gambler" while holding a fat document that was apparently the script of the earlier film.
* TheChessmaster: Mabuse
* CigarChomper: Lohmann
* DeadHandShot: Of a {{Mook}} after he shoots himself rather than be taken alive.
* DevilInPlainSight: Baum is publicly vocal about his admiration for Mabuse even before he starts going seriously round the bend.
* DiabolicalMastermind: Guess who?
* DoesThisRemindYouOfAnything: A few things.
** The scene where Hofmeister looks at Lohmann and the police doctor standing in the door of his cell briefly shows a distorted, expressionist decor very reminiscent of ''Film/TheCabinetOfDrCaligari''.
** The spectacular robbery of a jewelry store on Unter den Linden makes use of [[Recap/TintinTheSevenCrystalBalls glass balls filled with a sleep-inducing gas]].
* DrivenToMadness: Hofmeister. Also Baum.
* DrivenToSuicide: A number are reported to have happened off-screen.
* DrowningPit: Kent risks deliberately turning the room he and Lilli are imprisoned in into this, in the hope that the water will absorb the force of the explosion.
* DunkingTheBomb: Mabuse, in a shining example of BondVillainStupidity, locks the good guy and his girlfriend in a room with a bomb set to go off in three hours. The good guy opens up the pipes and deliberately floods the room in an effort to muffle the explosion. They almost drown, but in the end it works.
* EvenEvilHasStandards: Kent.
* ExpositionVictim: Dr. Kramm.
* FatAndSkinny: Hardy and Bredow.
* TheFilmOfTheBook: Subverted. The screenplay is based on the novel ''Dr. Mabuses letztes Spiel'' ("Dr. Mabuse's last game") by Norbert Jacques, which at the time was still unpublished and would only come out in print in 1950.
* ForTheEvulz: Mabuse's motivations in this film are purely to create chaos and a Hobbesian-nightmare "Empire of Crime". Lampshaded in scenes where some of his minions discuss their bemusement at why they're being paid to commit crimes that don't actually seem to make any money.
* GrandTheftMe: One possible interpretation of the film is that Mabuse succeeds in doing this on Baum with his psychic powers.
* HeelFaceTurn: Kent's barely a villain to begin with, but he rapidly turns against Mabuse once he realizes how insane his scheme is.
* HerrDoktor: Apart from Dr. Mabuse and Professor Baum there's Dr. Hauser, who works as one of Mabuse's blackmailers.
* HighClassGlass: Among Professor Baum's students is a woman wearing a monocle.
* HisNameIs: Hofmeister is attacked just as he's about to tell Lohmann who the bad guy is. Unusually, instead of being killed, he's driven mad.
** As it turns out, Hofmeister managed to scratch the name into a window pane with his diamond ring, but it takes halfway through the movie for the police to decipher it.
* HypnoticEyes: Mabuse still has them.
* LectureAsExposition: Baum's lecture on Mabuse, which gives a condensed run-down of the plot of the first film, and sets up his undue admiration of his patient.
* LegacyCharacter: Baum-Mabuse.
* LoveRedeems: Kent.
* TheManBehindTheCurtain: Dr. Mabuse. On the surface he turns out to be a cut-out silhouette and a loudspeaker when Kent tries to shoot him, but his real identity becomes revealed eventually. Foreshadowed in Professor Baum's lecture when he describes Mabuse's role in the first movie as that of the man behind the curtain.
* ManipulativeBastard: Mabuse, again.
* MaybeMagicMaybeMundane: Whether Baum was simply mad, or whether Mabuse actually did manage to do a GrandTheftMe on him by some mystical means.
* MightAsWellNotBeInPrisonAtAll: The central mystery is how Mabuse is achieving this.
* MinorCrimeRevealsMajorPlot: Four of Mabuse's minions get killed or arrested because one of them stupidly gave his moll a stolen piece of jewellery to wear in public.
* MorallyAmbiguousDoctorate: Mabuse and Baum. Also Dr. Hauser, one of Mabuse's mooks, and Dr. Kramm, who wants to report the similarities between Mabuse's notes and the off-screen jewelry heist to the police and is murdered.
* MyBrainIsBig: Baum's visions of the dead Mabuse show him like this with a huge exposed brain. (According to WordOfGod, this was intended to be Baum seeing Mabuse as he last saw him, while Mabuse was being dissected on the autopsy table.)
* MyDeathIsJustTheBeginning: Dr. Mabuse may be dead but his writings still exist, waiting to be unleashed on the world. In the finale, Baum, in his madness comes to find the doctor possessing him entirely.
* NapoleonDelusion: Baum fully believes by the end that he '''is''' Dr. Mabuse.
* ANaziByAnyOtherName: Ladies and gentlemen, the UrExample.
* NiceHat: Many characters wear bowlers, and one of the mooks even sports a top hat.
* NoCelebritiesWereHarmed: As in ''{{Film/M}}'', Lohmann is modeled on Ernst Gennat (1880-1939), the head of Berlin's ''Mordinspektion M1'', known to Berliners by affectionate nicknames like "the Buddha of the Alex" (i. e. the police headquarters on Alexanderplatz).
* NoOneSeesTheBoss: The gang's "boss" is seen only as a silhouette behind a curtain, which turns out to be a cardboard cut out with a microphone and loudspeaker.
* NothingIsScarier: We never find out exactly what Hardy and Bredow did to Hofmeister to drive him mad.
* PoliceProcedural: Well, it's not just a sequel to the first Mabuse film, but also to ''M''...
* PosthumousCharacter: Mabuse, for the second half of the film.
* PsychoPsychologist: Mabuse's past as a psychanalyst is referred to, and his psychiatrist Baum initially starts committing crimes in admiration for him and finally becomes deludedly convinced that he '''is''' Mabuse.
* APupilOfMineUntilHeTurnedToEvil: In the first act Lohmann still feels a deep sense of personal betrayal by Hofmeister's past involvement [[NoodleIncident in a foreign-currency racket]].
* RealTime: Not within the film, but dialogue establishes that both this and the first film are set at the time of their release, with a ten-year-ish gap in between in canon.
* SealedRoomInTheMiddleOfNowhere: For Kent and Lilli, with a time-bomb included.
* ShoutOut: Arthur Miller in his autobiography, stated that he got the name for Willy Loman in ''Theatre/DeathOfASalesman'' from this film, specificially for a scene where one of the characters calls the detective "Lohmann" several times on the phone.
* SpiritualSuccessor: Creator/ChristopherNolan has said that this film partially inspired his characterization of The Joker in ''Film/TheDarkKnight''. Mabuse's speeches about sowing chaos certainly could come from The Joker's mouth, and vice versa.
** Mabuse-Baum's Organisation with its grandiose schemes of a reign of crime and terror over entire countries, which involves targeting the monetary and banking system and involves weapons of mass destruction (poison gas) is also a worthy uncle to outfits like [[Franchise/JamesBond S.P.E.C.T.R.E.]] and so on.
* SympatheticInspectorAntagonist: Komissar Lohmann.
* ThoseTwoBadGuys: Hardy and Bredow are an early example, although they aren't as chatty as later examples would become.
* ThoseTwoGuys: Mabuse's Organisation dramaturgically breaks down into pairs - Kent and the Lithographer, Karetzky and jewelry expert Griforiew are the prime examples, but there is also the nameless blackmailer and his partner - where one is beginning to feel uneasy about the methods used in or the apparent purposelessness of Mabuses wave of crime, while the other warns him not to incur Mabuse's wrath.
* VillainBasedFranchise: The first of the sequels in what would become an irregular but long-running example.
* VillainousBreakdown: Baum is essentially having one throughout the film.
* VillainProtagonist
* TheVoice: The "chief". Almost a pre-internet example of VoiceWithAnInternetConnection.
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