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Removing real-life aversions from No Animals Were Harmed


* NoAnimalsWereHarmed: The wiener dog obviously was not, but the sheep and horse may have been.
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Trope has been split. Removing ZCE.


* NordicNoir: As a tale of a man whose relationship with a MysteriousWoman with a possible DarkAndTroubledPast turns him into an obsessive mess, you can call this a Bergman riff on FilmNoir concepts, and with the Fårö setting, it can be seen as an early predecessor of the genre.

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* NordicNoir: As a tale of a man whose relationship with a MysteriousWoman mysterious woman with a possible DarkAndTroubledPast turns him into an obsessive mess, you can call this a Bergman riff on FilmNoir concepts, and with the Fårö setting, it can be seen as an early predecessor of the genre.
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* AllJustaDream: Played with. [[spoiler: At one point, Anna recounts a dream she had. We then get to see that dream, which appears to begin with the final moments of Bergman's previous movie, Shame, indicating that the entirety of that movie was only a dream had by Anna.]] This being a Bergman movie, it's never made 100% clear.

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* AllJustaDream: AllJustADream: Played with. [[spoiler: At one point, Anna recounts a dream she had. We then get to see that dream, which appears to begin with the final moments of Bergman's previous movie, Shame, indicating that the entirety of that movie was only a dream had by Anna.]] This being a Bergman movie, it's never made 100% clear.
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An Axe To Grind is no longer a trope


* AnAxeToGrind: [[spoiler: Andreas nearly kills Anna with an axe. He does not however, putting it into the wall and merely beating her up.]]
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%%** Definitely for the killer of animals [[spoiler: who may also be Anna]].

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%%** ** Definitely for the killer of animals [[spoiler: who may also be Anna]].
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* FourthWallBreaking: Every twenty minutes or so, the film switches to a brief interview with one of the lead actors (in order, von Sydow, Ullmann, Andersson, Josephson), where they give their thoughts on the character they're playing. Josephson's interview is notable since it comes up long after Elis is PutOnABus. This was the first time Bergman tried something like that, and he never did it again.

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* FourthWallBreaking: Every twenty minutes or so, the film switches to a brief interview with one of the lead actors (in order, von Sydow, Ullmann, Andersson, Josephson), where they give their thoughts on the character they're playing. Josephson's interview is notable since it comes up long after Elis is PutOnABus. This was the first time Bergman tried something like that, and he never did it again. In his book ''Images'' he even singles it out as one of his big regrets as a director and says he wishes he'd excised them from the finished film.
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The main character is Andreas, a former geologist living in self-imposed exile on a small Swedish island. After she asks to use his phone, he meets the mysterious Anna, a fellow islander mourning the recent death of her husband and son in an automobile accident. The two embark on a tentative romance, although their respective mysterious pasts prove disastrous to the relationship. Andreas also occasionally interacts with his middle class neighbours, architect Elis and his wife Eva (with whom Andreas has a brief affair). Against the backdrop of the quartet's complicated love lives, someone-- or ''something''-- begins brutally killing livestock on the island, throwing the entire community into an air of suspicion and paranoia.

This film is the third in a row where Liv Ullmann and von Sydow play an onscreen couple after ''Film/HourOfTheWolf'' and ''Film/{{Skammen}}''. It is often incorrectly identified as Bergman's first color film, a title that actually belongs to ''All These Women'', made five years earlier.

to:

The main character is Andreas, a former geologist living in self-imposed exile on a small Swedish island. After she asks to use his phone, he meets the mysterious Anna, a fellow islander mourning the recent death of her husband and son in an automobile accident. The two embark on a tentative romance, although their respective mysterious pasts prove disastrous to the relationship. Andreas also occasionally interacts with his middle class neighbours, architect Elis and his wife Eva (with whom Andreas has a brief affair). Against the backdrop of the quartet's complicated love lives, someone-- or ''something''-- begins brutally killing livestock on the island, throwing the entire community into an air of suspicion and paranoia. \n\n In between it all, the film occasionally breaks the fourth wall for the actors to offer their own interpretations of what's happening in the movie and their character motivations. Again- it's Bergman.

This film is the third in a row where Liv Ullmann and von Sydow play an onscreen couple after ''Film/HourOfTheWolf'' and ''Film/{{Skammen}}''. It is often incorrectly identified as Bergman's first color film, a title that actually belongs to ''All These Women'', made five years earlier.
earlier. The fact that Bergman himself says he "doesn't count" ''All These Women'' only further muddies the waters.



* CallBack: [[spoiler: Anna's black and white dream sequence is either meant to invoke ''Film/{{Skammen}}'' or indicates that ''Skammen'' itself was entirely Anna's dream. ''Skammen'' ends with Liv Ullman's character on a boat filled with sleeping people adrift in the ocean.]]

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* CallBack: [[spoiler: Anna's black and white dream sequence is either meant to invoke ''Film/{{Skammen}}'' or indicates that ''Skammen'' itself was entirely Anna's dream. ''Skammen'' ends with Liv Ullman's character on a boat filled with sleeping people adrift in the ocean, while Anna's dream begins with her on a boat filled with sleeping people adrift in the ocean.]]
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* CallBack: [[spoiler: Anna's black and white dream sequence is either meant to invoke ''Film/{{Skammen}}'' or indicates that Skammen itself was entirely Anna's dream. Skammen ends with Liv Ullman's character on a boat filled with sleeping people adrift in the ocean; Anna's dream picks up with Anna (also played by Li

to:

* CallBack: [[spoiler: Anna's black and white dream sequence is either meant to invoke ''Film/{{Skammen}}'' or indicates that Skammen ''Skammen'' itself was entirely Anna's dream. Skammen ''Skammen'' ends with Liv Ullman's character on a boat filled with sleeping people adrift in the ocean; Anna's dream picks up with Anna (also played by Liocean.]]
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''En Passion'' (''The Passion of Anna'' in English) is a 1969 film directed by Creator/IngmarBergman, starring Creator/LivUllmann and Creator/MaxVonSydow in the lead roles and fellow Bergman regulars Creator/BibiAndersson and Creator/ErlandJosephson in supporting roles. It serves as a sort of pseudo-sequel to/spinoff from Bergman's previous film, ''Film/Skammen'', which may or may not have been the dream of the titular Anna.

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''En Passion'' (''The Passion of Anna'' in English) is a 1969 film directed by Creator/IngmarBergman, starring Creator/LivUllmann and Creator/MaxVonSydow in the lead roles and fellow Bergman regulars Creator/BibiAndersson and Creator/ErlandJosephson in supporting roles. It serves as a sort of pseudo-sequel to/spinoff from Bergman's previous film, ''Film/Skammen'', ''Film/{{Skammen}}'', which may or may not have been gets new context depending on how the dream of the titular Anna.
audience reads a key scene in this film. This being Bergman, there's a lot left to interpretation.

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''En Passion'' (''The Passion of Anna'' in English) is a 1969 film directed by Creator/IngmarBergman, starring Creator/LivUllmann and Creator/MaxVonSydow in the lead roles and fellow Bergman regulars Creator/BibiAndersson and Creator/ErlandJosephson in supporting roles.

The main character is Andreas, a former geologist who has to hide in the countryside. He meets Anna, with whom he later starts a romance, although it might be that Anna is a somewhat too damaged goods even for Andreas, who himself is quite a broken man. He also occasionally interacts with his middle class neighbours, architect Elis and his wife Eva (with whom Andreas has an affair that ultimately leads nowhere before he meets Anna).

to:

''En Passion'' (''The Passion of Anna'' in English) is a 1969 film directed by Creator/IngmarBergman, starring Creator/LivUllmann and Creator/MaxVonSydow in the lead roles and fellow Bergman regulars Creator/BibiAndersson and Creator/ErlandJosephson in supporting roles.

roles. It serves as a sort of pseudo-sequel to/spinoff from Bergman's previous film, ''Film/Skammen'', which may or may not have been the dream of the titular Anna.

The main character is Andreas, a former geologist who has living in self-imposed exile on a small Swedish island. After she asks to hide in the countryside. He use his phone, he meets the mysterious Anna, with whom he later starts a fellow islander mourning the recent death of her husband and son in an automobile accident. The two embark on a tentative romance, although it might be that Anna is a somewhat too damaged goods even for Andreas, who himself is quite a broken man. He their respective mysterious pasts prove disastrous to the relationship. Andreas also occasionally interacts with his middle class neighbours, architect Elis and his wife Eva (with whom Andreas has a brief affair). Against the backdrop of the quartet's complicated love lives, someone-- or ''something''-- begins brutally killing livestock on the island, throwing the entire community into an affair that ultimately leads nowhere before he meets Anna).
air of suspicion and paranoia.



* AllJustaDream: Played with. [[spoiler: At one point, Anna recounts a dream she had. We then get to see that dream, which appears to begin with the final moments of Bergman's previous movie, Shame, indicating that the entirety of that movie was only a dream had by Anna.]] This being a Bergman movie, it's never made 100% clear.



* CallBack: A character played by Liv Ullmann in Anna's B&W dream of Anna is most probably her character ''Film/{{Skammen}}''. At the beginning of her dream, she disembarks from the boat on which she remained in the ending scene of that film.

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* CallBack: A character played by Liv Ullmann in [[spoiler: Anna's B&W black and white dream of Anna sequence is most probably her either meant to invoke ''Film/{{Skammen}}'' or indicates that Skammen itself was entirely Anna's dream. Skammen ends with Liv Ullman's character ''Film/{{Skammen}}''. At the beginning of her dream, she disembarks from the on a boat on which she remained filled with sleeping people adrift in the ending scene of that film.ocean; Anna's dream picks up with Anna (also played by Li

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* GainaxEnding: [[spoiler: After a violent fight, Andreas goes to the scene of the latest animal murder, where Anna finds him and picks him up in her car. After it becomes apparent she may have intentionally caused the car crash that killed her husband and son, she tries to run off the road, but Andreas stops her. She then abandons him on the side of the road and the picture begins to distort as Andreas paces back and forth before collapsing; a voice informs the viewer, "''This time,'' his name was Andreas Winkleman" and the screen fades to white with a "The End" title card.]]



* OnlyInItForTheMoney: Elis recognizes that he only works as an architect because his earnings let him indulge in is unprofitable and expensive photography hobbies.

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* OnlyInItForTheMoney: Elis recognizes that he only works as an architect because his earnings let him indulge in is his unprofitable and expensive photography hobbies.
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** It is revealed in the second half of the film that Andreas served a term in prison.
** Anna's past may be even more dark and troubled than the first half of the film implies; [[spoiler:she may be the one who killed her previous husband and their son]].

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** It is revealed in the second half of the film that Andreas [[spoiler: served a term in prison.
prison after some minor legal trouble escalated into him assaulting a police officer. It foreshadows his later response to finding out Anna isn't who he thought she was.]]
** Anna's past may be even more dark and troubled than the first half of the film implies; [[spoiler:she may be the one who killed her previous husband and their son]].son, and may have something to do with the spate of animal deaths on the island]].



%%** Definitely for the killer of animals.

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%%** Definitely for the killer of animals.animals [[spoiler: who may also be Anna]].



* OnlyInItForTheMoney: Elis recognises that he only works as an architect because his earnings let him satisfy his various needs.

to:

* OnlyInItForTheMoney: Elis recognises recognizes that he only works as an architect because his earnings let him satisfy his various needs.indulge in is unprofitable and expensive photography hobbies.



* RiddleForTheAges: Who was actually killing animals in the country? The one who was accused by the public opinion turned out to be innocent.

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* RiddleForTheAges: Who was actually killing animals in the country? The one who was accused by the public opinion turned out to be innocent. [[spoiler: The film ties a few incidents loosely to Anna, although whether she's actually physically killing them or whether her moods somehow psychically result in their deaths is left even more ambiguous.]]
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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/en_passion_1969.jpeg]]


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Cuckold is now on Definition Only Pages; examples in bulleted lists aren't allowed. Examples that focus on the husband's feelings can go in Emasculated Cuckold


* {{Cuckold}}: Elis is aware of his wife's adultery with Andreas (Anna's husband) and tells her that he does not resent her infidelity. Most probably he retains the attitude when Eva cheats on him with the second Andreas. He even offers him a job.
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Cleanup.


* WouldHitAGirl: Andreas definitely would once Anna accuses him of every sin imaginable and repeatedly cries at him.
* YourCheatingHeart: Eva cheated on Elis with Anna's husband Andreas before the film begins, and then cheats on him with the second Andreas when Elis leaves on a business trip.

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* WouldHitAGirl: Andreas definitely would once Anna accuses him of every sin imaginable and repeatedly cries at him.
* YourCheatingHeart: Eva cheated on Elis with Anna's husband Andreas before the film begins, and then cheats on him with the second Andreas when Elis leaves on a business trip.
him.
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* TheEnd: The film ends with the title "Slut", which is Swedish for "end".

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* TheEnd: The film ends with the title "Slut", which is Swedish for "end"."end", though some Anglophone viewers [[CrossCulturalKerfluffle may find this ironically funny in relation to the story]].

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* FilmNoir: Doesn't really count as one, but as a tale of a man whose relationship with a MysteriousWoman with a possible DarkAndTroubledPast turns him into an obsessive mess, you can call this a Bergman riff on Noir concepts.


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* NordicNoir: As a tale of a man whose relationship with a MysteriousWoman with a possible DarkAndTroubledPast turns him into an obsessive mess, you can call this a Bergman riff on FilmNoir concepts, and with the Fårö setting, it can be seen as an early predecessor of the genre.

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The grammar on this page is a complete mess, as is the indentation, and several of these examples are zero-context.


''En Passion'' is a 1969 film by Creator/IngmarBergman. Its English title is ''The Passion of Anna''. Main roles are played by Creator/LivUllmann and Creator/MaxVonSydow. Supporting roles are played by the other Bergman regulars, Creator/BibiAndersson and Creator/ErlandJosephson.

The main character is Andreas, a former geologist who has to hide in the countryside. He meets Anna with whom he later starts a romance although it might be that Anna is a somewhat too damaged goods even for Andreas who himself is quite a broken man. He also occasionally meets his neighbours, Elis and Eva, a middle-class family of an architect and his wife. Once before his romance with Anna he has an affair with Eva which does not lead anywhere. The gist of the film is still the relation of Anna and Andreas with starts somewhat late into the film.

This film is the third in a row where Liv Ullmann and von Sydow make an onscreen couple after ''Film/HourOfTheWolf'' and ''Film/{{Skammen}}''. It is believed by many to be the first color film by Bergman which is not correct as in 1964 he shot a much lesser known film ''All These Women'' in color. (Also some people who are unaware of both of these films say that ''Film/CriesAndWhispers'' is Bergman's first color film).

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%%
%%
%% Administrivia/ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Do not uncomment them without expanding them to explain how these tropes apply. A character name with no further description is not context, and neither is "[X] is this" or "[X], big time".
%%
%%
''En Passion'' (''The Passion of Anna'' in English) is a 1969 film directed by Creator/IngmarBergman. Its English title is ''The Passion of Anna''. Main roles are played by Creator/IngmarBergman, starring Creator/LivUllmann and Creator/MaxVonSydow. Supporting Creator/MaxVonSydow in the lead roles are played by the other and fellow Bergman regulars, regulars Creator/BibiAndersson and Creator/ErlandJosephson.

Creator/ErlandJosephson in supporting roles.

The main character is Andreas, a former geologist who has to hide in the countryside. He meets Anna Anna, with whom he later starts a romance romance, although it might be that Anna is a somewhat too damaged goods even for Andreas Andreas, who himself is quite a broken man. He also occasionally meets interacts with his middle class neighbours, Elis and Eva, a middle-class family of an architect Elis and his wife. Once before his romance with Anna he wife Eva (with whom Andreas has an affair with Eva which does not lead anywhere. The gist of the film is still the relation of Anna and Andreas with starts somewhat late into the film.

that ultimately leads nowhere before he meets Anna).

This film is the third in a row where Liv Ullmann and von Sydow make play an onscreen couple after ''Film/HourOfTheWolf'' and ''Film/{{Skammen}}''. It is believed by many to be the first color film by Bergman which is not correct often incorrectly identified as in 1964 he shot a much lesser known film ''All These Women'' in color. (Also some people who are unaware of both of these films say that ''Film/CriesAndWhispers'' is Bergman's first color film).
film, a title that actually belongs to ''All These Women'', made five years earlier.



* BewareTheHonestOnes: The film.
* BitchInSheepsClothing: [[spoiler:Anna]]
* {{Bookworm}}: Played with for Andreas. He has two bookcases full of books, somewhat unusually for a small country house. However he is never seen with any of them. When Eva asks him whether he has read all the books in his library he only answers that not all of them.
* BrokenBird: Anna Fromm who recently lost her husband and child.[[spoiler: it is later implied that she might be the breaker rather than the broken one.]]
** Eva qualifies as well.

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* %%* BewareTheHonestOnes: The film.
* %%* BitchInSheepsClothing: [[spoiler:Anna]]
* {{Bookworm}}: Played with for Andreas. He has two bookcases full of books, somewhat unusually for a small country house. However he is never seen with any of them. When Eva asks him whether he has read all the books in his library he only answers that not all of them.
* BrokenBird: Anna Fromm who recently lost her husband and child.[[spoiler: it is later implied that she might be the breaker rather than the broken one.
[[spoiler:Anna.]]
** * {{Bookworm}}: Played with; Andreas has two bookcases full of books, somewhat unusually for a small country house. However, he is never seen with any of them. When Eva qualifies as well.asks him whether he has read all the books in his library, he only answers that he has not read all of them.
* BrokenBird:
** Anna Fromm, who recently lost her husband and child. [[spoiler:It is later implied that she might be the breaker rather than the broken one.]]



* CallBack: A character played by the same Liv Ullmann in the B&W dream of Anna is most probably her character from the similarly B&W Film/{{Skammen}}. In the beginning of her dream she goes off the boat onboard of which she remained in the ending scene of that film.
* CaptainObvious: Of very gloomy kind: Johan writes that when he was beaten up he could not resist his attackers because he was out of strength.
* CloudCuckooLander: Eva is very frequently the one.
* CollectorOfTheStrange: Elis collects the photos of humans sorted by theme. One of the segments of his collection is made by photos of the violent acts committed againts people.
* ColorMotif: Beware when in the film which is made in color but where the colors are very dull a bright red thing is shown.

to:

%%** Eva qualifies as well.
* CallBack: A character played by the same Liv Ullmann in the Anna's B&W dream of Anna is most probably her character from the similarly B&W Film/{{Skammen}}. In ''Film/{{Skammen}}''. At the beginning of her dream dream, she goes off disembarks from the boat onboard of on which she remained in the ending scene of that film.
* CaptainObvious: Of very gloomy kind: Johan writes that when he was beaten up up, he could not resist his attackers because he was out of strength.
* %%* CloudCuckooLander: Eva is very frequently the one.
* CollectorOfTheStrange: Elis collects the photos of humans sorted by theme. One of the segments of his theme, including a collection is made by of photos of the violent acts committed againts against people.
* ColorMotif: Beware when Most of the colours in the film which is made in color but where the colors are very dull and muted, but whenever a bright red thing is shown.object appears, misfortune soon follows.



* {{Cuckold}}: Elis who is aware of his wife's adultery with the first Andreas and tells that he does not resent her infidelity.
** Most probably he retains the attitude when Eva cheats on him with the second Andreas played by von Sydow. He even offers a job for the lover of his wife.
* TheCynic: Elis big time.
* DarkAndTroubledPast: For Andreas who as it becomes known in the second half of the film served a term in prison.
** Also for Anna for whom the past must be even darker and more troubled than we are told in the first half of the film.
* DeadpanSnarker: Elis which is lampshaded by Eva who says no-one pays any attention to his snarking except for herself.

to:

* {{Cuckold}}: Elis who is aware of his wife's adultery with the first Andreas (Anna's husband) and tells her that he does not resent her infidelity.
**
infidelity. Most probably he retains the attitude when Eva cheats on him with the second Andreas played by von Sydow. Andreas. He even offers him a job for the lover of his wife.
*
job.
%%*
TheCynic: Elis big time.
Elis.
* DarkAndTroubledPast: For Andreas who as it becomes known DarkAndTroubledPast:
** It is revealed
in the second half of the film that Andreas served a term in prison.
** Also for Anna for whom the Anna's past must may be even darker and more dark and troubled than we are told in the first half of the film.
film implies; [[spoiler:she may be the one who killed her previous husband and their son]].
* DeadpanSnarker: Eva tells Elis which is lampshaded by Eva who says that no-one besides her pays any much attention to his snarking except for herself.snarking.



* DownerEnding: [[spoiler: Anna proves to be very much not what she seems and she and Andreas separate after a very bad fight]]

to:

* DownerEnding: [[spoiler: Anna proves to be very much not what she seems seems, and she and Andreas separate after a very bad fight]]fight.]]



* DrivenToSuicide: [[spoiler: Johan when he is accused of killing the animals and tormented by the unknown assaulters.]]
* TheEnd: The film end with the title Slut which means exactly "end" in Swedish.
* {{Exposition}}: Several dialogues in the begining are this trope.
* FieryRedhead When Anna passionately claims that she puts the truth about everything and is very attached to this notion she is this.

to:

* DrivenToSuicide: [[spoiler: Johan Johan, when he is accused of killing the animals and tormented by the unknown assaulters.]]
* TheEnd: The film end ends with the title Slut "Slut", which means exactly "end" in Swedish.
*
is Swedish for "end".
%%*
{{Exposition}}: Several dialogues in the begining are this trope.
beginning.
* FieryRedhead When FieryRedhead: Anna passionately claims that she puts the truth about everything has red hair and is very attached especially passionate when claiming to this notion she is this.value honesty.



* FourPhilosophyEnsemble
** Cynic: Elis
** Optimist: Anna [[spoiler: of course this is later subverted aseverything about her but throughout the most of the film she is the optimist.]]
** Realist: Eva [[spoiler: When she stops being a CloudCuckooLander and sees things as they are.]]
** Apathetic: Andreas.
* FourTemperamentEnsemble:
** Choleric: Anna
** Melanchonic: Andreas
** Phlegmatic: Elis
** Sanguine: Eva
* FourthWallBreaking: Every twenty minutes or so, the film switches to a brief interview with one of the lead actors (The order is: von Sydow, Ullmann, Andersson, Josephson), where they give their thoughts on the character they're playing. Josephson's interview is notable since it comes up long after Elis was PutOnABus. This was the first time Bergman tried something like that, and he never did it again.
* HiddenDepths: For the titular Anna. [[spoiler:Who might have killed her previous husband and son though it is never confirmed.]]
* {{Hypocrite}}: Andreas calls Anna out on her hypocrisy.
* InnocentBlueEyes: Probably invoked for the truth-loving Anna but later decisively subverted.

to:

* %%* FourPhilosophyEnsemble
** %%** Cynic: Elis
**
Elis.
%%**
Optimist: Anna [[spoiler: of course [[spoiler:although this is later subverted aseverything subverted, as is everything about her her, but throughout the most of the film she is the optimist.]]
** %%** Realist: Eva [[spoiler: When [[spoiler:when she stops being a CloudCuckooLander and sees things as they are.]]
** %%** Apathetic: Andreas.
* %%* FourTemperamentEnsemble:
** %%** Choleric: Anna
**
Anna.
%%**
Melanchonic: Andreas
**
Andreas.
%%**
Phlegmatic: Elis
**
Elis.
%%**
Sanguine: Eva
Eva.
* FourthWallBreaking: Every twenty minutes or so, the film switches to a brief interview with one of the lead actors (The order is: (in order, von Sydow, Ullmann, Andersson, Josephson), where they give their thoughts on the character they're playing. Josephson's interview is notable since it comes up long after Elis was is PutOnABus. This was the first time Bergman tried something like that, and he never did it again.
* HiddenDepths: For the titular Anna. [[spoiler:Who Anna might have killed [[spoiler:killed her previous husband and son son, though it is never confirmed.]]
* %%* {{Hypocrite}}: Andreas calls Anna out on her hypocrisy.
* InnocentBlueEyes: Probably invoked for the truth-loving Anna Anna, but later decisively subverted.



* KarmaHoudini: Most probably for two vigilantes who tormented Johan [[spoiler:who was driven to suicide in the result]]. It is never indicated that Johan revealed their identity though he could do it.
** Definitely for the killer of animals.
** Arguably also [[spoiler: for Anna as it is hinted that she might have killed her husband and her son.]]
* KubrickStare: When Elis photographs Andreas he tells him to move down his head aiming for this effect.

to:

* KarmaHoudini: Most probably for KarmaHoudini:
** The
two vigilantes who tormented Johan Johan, [[spoiler:who was driven to suicide in the as a result]]. It is never indicated that Johan revealed their identity though he could do it.
** Anna, as it is hinted that [[spoiler:she might have killed her husband and her son]].
%%**
Definitely for the killer of animals.
** Arguably also [[spoiler: for Anna as it is hinted that she might have killed her husband and her son.]]
* KubrickStare: When Elis photographs Andreas Andreas, he tells him to move down his head head, aiming for this effect.



* NoAnimalsWereHarmed: The wiener dog obviously was not but what about sheep and a horse.

to:

* NoAnimalsWereHarmed: The wiener dog obviously was not not, but what about the sheep and a horse.horse may have been.



* OfficialCouple: Utterly oddly Eva, the former lover of Andreas, once says that Andreas and Anna are the couple and that she is not jealous before the relationship of Andreas and Anna is ever shown onscrean. Several scenes before Eva quits Andreas' house then all those scenes do not feature Anna and Andreas together and Anna does not appear in any of those at all. It is only after that mentioning of Eva that they are shown together as a couple.
* OneSteveLimit: Subverted as the deceased husband of Anna was called Andreas like the main character played by von Sydow. He never appears but the viewer is shown his photo. Elis lampshades this calling the deceased man "the namesake" for the character of von Sydow.
* OnlyInItForTheMoney: Elis recognises that he works because the earnings from his profession of architect let him satisfy his various needs.
* PetTheDog: First Andreas takes out of the noose the dog hanged on his plot and saves him.
** Later he is the only one to support Johan wrongly accused of killing the animals.

to:

* OfficialCouple: Utterly oddly Eva, the former lover of Andreas, once says that Andreas and Anna are the a couple and that she is not jealous before the their relationship of Andreas and Anna is ever shown onscrean. Several scenes before Eva quits Andreas' house then all those scenes do not feature Anna and Andreas together and Anna does not appear in any of those at all. It is only after Eva mentions it that mentioning of Eva that they Andreas and Anna are shown together as a couple.
* OneSteveLimit: Subverted as the deceased husband of Anna was called Andreas Andreas, like the main character played by von Sydow. He never appears appears, but the viewer is shown his photo. Elis lampshades this this, calling the deceased man "the namesake" for the character of von Sydow.
Andreas.
* OnlyInItForTheMoney: Elis recognises that he only works because the earnings from his profession of as an architect because his earnings let him satisfy his various needs.
* PetTheDog: First PetTheDog:
** When
Andreas takes out of the finds a dog in a noose on his plot, he removes the rope before the dog hanged on his plot and saves him.
chokes to death.
** Later he Andreas is the only one to support Johan when he is wrongly accused of killing the animals.



* RiddleForTheAges: Who was actually killing animals in the country since the one who was accused by the public opinion turned out to be innocent.
* TheScream: Andreas lets out the one when Eva leaves him after their brief romance.
* SelfDeprecation: For Eva when she goes away from Andreas after their brief romance. She says that she might be the dullest lover he ever had.
* SellOut: Elis who works as a highly-payed architect considers himself as such.
* {{Snuff}}: Elis has a huge collection of the photos of people classified so that every drawer contains pictures referring to a certain topic. One of his drawers contains the photos of violent acts on humans.
* SplashOfColor: In general the colours in this movie are very dull however several times a splash of red punctuates the key moments:
** First the blood of [[spoiler: the killed sheep]] is as bright as in a typical giallo.
** Later the bright red bricks are shown on the ground [[spoiler: immediately after that Andreas is told by the police that Johan has committed suicide.]]
** Finally Anna's kerchief is bright red in the decisive scene between her and Andreas. [[spoiler: She violently accuses him and he beats her up.]] The kerchief ends on the ground where the viewer previously saw [[spoiler:the killed sheep]] and bricks.
* TemporaryLoveInterest: Andreas for Eva as they have a very short fling once Elis leaves for a business trip.
* TimeSkip: The voiceover comments in the beginning of one scene than Anna and Andreas live several days together.
** Later the voiceover mentions that they already live several years together and rarely have conflicts.

to:

* RiddleForTheAges: Who was actually killing animals in the country since the country? The one who was accused by the public opinion turned out to be innocent.
* TheScream: Andreas lets out the one a wail of despair when Eva leaves him after their brief romance.
* SelfDeprecation: For When Eva when she goes away from leaves Andreas after their brief romance. She romance, she says that she might be the dullest lover he ever had.
* SellOut: Elis who thinks he has sold out, as he works as a highly-payed highly paid architect considers himself as such.
purely for the money.
* {{Snuff}}: Elis has a huge SnuffFilm: Elis' photo collection of the photos of people classified so that every includes a drawer contains pictures referring to a certain topic. One of his drawers contains the photos of violent acts on humans.
of violence committed against people.
* SplashOfColor: In general general, the colours in this movie are very dull however dull; however, several times a splash of red punctuates the key moments:
** First First, the blood of [[spoiler: the killed dead sheep]] is as bright as in a typical giallo.
** Later the Later, bright red bricks are shown on the ground [[spoiler: immediately after that before [[spoiler:the police tell Andreas is told by the police that Johan has committed suicide.]]
** Finally Anna's kerchief is bright red in the decisive scene between her and Andreas. [[spoiler: She violently accuses him and he beats her up.]] The kerchief ends on the ground where the viewer previously saw [[spoiler:the killed dead sheep]] and bricks.
* TemporaryLoveInterest: Andreas for and Eva as they have a very short fling once Elis leaves for a business trip.
* TimeSkip: The voiceover comments in the beginning of one scene than that Anna and Andreas live have lived together for several days together.
** Later
days. Later, the voiceover mentions that says they already live have lived together for several years together and rarely have conflicts.



* WimpFight: When the obviously much stronger Andreas attacks Anna he hits her very maladroitly so that she manages to put up quite a fight against him for some time, delivering several blows. It is implied that the male character is not much of a fighter. Of course in the end he still beats her up.

to:

* WimpFight: When the obviously much stronger Andreas attacks Anna Anna, he hits her very maladroitly so that she manages to put up quite a fight against him for some time, delivering several blows. It is implied that the male character he is not much of a fighter. Of course fighter, although in the end he still beats her up.



* YourCheatingHeart: Eva in the past cheated on Elis with Andreas, the former husband of Anna.
** Onscreen she cheats on Elis with the present Andreas played by von Sydown.

to:

* YourCheatingHeart: Eva in the past cheated on Elis with Andreas, the former Anna's husband of Anna.
** Onscreen she
Andreas before the film begins, and then cheats on Elis him with the present second Andreas played by von Sydown.when Elis leaves on a business trip.

Changed: 376

Removed: 300

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* FourthWallBreaking: The four starring actors are briefly interviewed on camera and tell what they think about their characters. Bergman formerly never experimented in this way nor would he do it again later.
** Four short interviews are spread throughout the 1 hour 40 minutes of the film. The order is: von Sydow, Ullmann, Andersson, Josephson. Interestingly the last actor playing Elis is expressing his ideas about his character late in the film when he has already been put on a bus for some screen time.

to:

* FourthWallBreaking: The four starring actors are briefly interviewed on camera and tell what they think about their characters. Bergman formerly never experimented in this way nor would he do it again later.
** Four short interviews are spread throughout the 1 hour 40
Every twenty minutes or so, the film switches to a brief interview with one of the film. The lead actors (The order is: von Sydow, Ullmann, Andersson, Josephson. Interestingly Josephson), where they give their thoughts on the last actor playing Elis is expressing his ideas about his character late in they're playing. Josephson's interview is notable since it comes up long after Elis was PutOnABus. This was the film when first time Bergman tried something like that, and he has already been put on a bus for some screen time.never did it again.
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Added DiffLines:

* FilmNoir: Doesn't really count as one, but as a tale of a man whose relationship with a MysteriousWoman with a possible DarkAndTroubledPast turns him into an obsessive mess, you can call this a Bergman riff on Noir concepts.
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En passion is a 1969 film by Creator/IngmarBergman. Its English title is The Passion of Anna. Main roles are played by Creator/LivUllmann and Creator/MaxVonSydow. Supporting roles are played by the other Bergman regulars, Creator/BibiAndersson and Creator/ErlandJosephson.

to:

En passion ''En Passion'' is a 1969 film by Creator/IngmarBergman. Its English title is The ''The Passion of Anna.Anna''. Main roles are played by Creator/LivUllmann and Creator/MaxVonSydow. Supporting roles are played by the other Bergman regulars, Creator/BibiAndersson and Creator/ErlandJosephson.

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