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  • Audience-Alienating Era: The sheer amount of Broken Base and revile that this run gets pretty cements it as this.
  • Broken Base: Possibly greater than AHM.
    • There's the Movie-inspired Artwork which people think is good because of the detail, or just creepy and bad.
    • The first arc, too predictable and cliche, or a big risk with Ironhide's death and awesome appearance of Menasor.
    • The International Incident Arc: Some fans praise the non-movie art work, some find the story lacking, others find the implications uncomfortable.
    • The Revenge of The Decepticons Arc. Some fans see it as the point where the series Grew the Beard, Milne's movie artwork was better received, it saw the return of the main Decepticon forces as well as Megatron taking a level in badass and the storyline made for a better paced gripping race. It's detractors feel that Megatron's return to form abuses The Worf Effect and the ways he keep winning (including defeating Optimus and then surrendering) turned him into a borderline Villain Sue, despite their return, the other Decepticons are barely players, finally Megatron now feels that Humanity is his true Worthy Opponent and goes out of his way to involve them.
    • Chaos: Is the artwork breathtakingly beautiful, or really hard to make out.
    • The humans as transformer killing antagonists. Some think it's a great spin, to make the Human's competent, others think it distracts from the Transformers themselves. This isn't helped by Spike and several others extreme unlikability.
  • Crazy Is Cool:
    • Orion Pax in issue 23 of the Ongoing.
    • Rodimus in issue 13. He singlehandedly infiltrates/partially destroys a Decepticon base and defeats several Decepticons, including Starscream, just by acting like a psychotic badass. Only a crazy awesome person can beat a bad guy by SHOOTING THE MATRIX.
  • Creator's Pet: This run was the start of Bumblebee completely swallowing the plot in IDW's Transformers continuity. For one thing he takes over leadership of the Autobots in the first arc and gets praise from a bunch of Autobots despite being an abysmal leader. Even worse is that this was actually enforced by Hasbro; Mike Costa wanted to kill Bumblebee off in the first issue but the execs refused and made him give Bee a spotlight.
  • Critical Backlash: The fans who hate this run on the series are so vocal about it, that some fans who go into it expecting a disaster, walk away seeing it as a decent, if flawed, comic.
  • Ensemble Dark Horse: Even those who disliked Costa's run seemed to like the Character Development he gave Thundercracker, continuing what Shane McCarthy started in The Transformers: All Hail Megatron and actually utilizing Thundercracker's bio for the first time in forever.
    • Additionally, many are fond of Bob the Insecticon, Sunstreaker's spiky yet strangely adorable pet and helper-dog and Garnak, the lovable oaf alien who joins up with the Autobots during the "Space Opera" arc and becomes The Lancer to Rodimus.
    • While the first arc wasn't very well received, the fans really enjoyed Menasor's appearance with him flying out of his franchise-wide Badass Decay by single-handedly taking on all of the Autobots at once, including Ultra Magnus.
  • Foe Yay Shipping: Between Megatron and Optimus, especially during Prelude to Chaos. In spades. The two talk about previous battles like old friends, Optimus is desperate to convince Megatron to change and their first conversation even ends with them chuckling about past encounters. Megatron even thanks Prime for saving his life the first time he met him, an encounter that he'd previously pretended not to even remember. Heck Rodimus actually lampshades it, commenting that their conversation was getting awfully cozy for a pair of arch-enemies.
  • Harsher in Hindsight:
    • Anything involving the Unnamed Senator during "Chaos Theory", once you remember that it's revealed in MTMTE that it's Shockwave before he was mutilated and reprogrammed into a monster.
    • Megatron and Optimus's conversation in that same story, which later turns out to have had a much greater effect on Megatron than it did on Optimus, making him have a My God, What Have I Done? moment, during The Transformers: More than Meets the Eye.
  • Fridge Logic: It's a massive plot point early on that the Autobots simply have no means to get off planet, neither energy nor transport-wise... but if that's the case, just how did all those Autobots we never saw on Earth in previous series get there?
  • Like You Would Really Do It: Ironhide gets killed people even counted the days to when he'd come back, and no one was that surprised when a Miniseries was made about him coming back to life.
  • Moral Event Horizon: Spike crosses it when he murders the defenseless, surrendering Scrapper.
  • Mis-blamed: As much as Costa is reviled for making Bumblebee suffer of Designated Hero syndrome, among other problems, his original intention was to have him killed, but was vetoed by Hasbro.
  • The Scrappy: Spike Witwicky. Good God, could Costa have made a more repulsive character if he tried?! Not only is he a slap in the face to the original Spike Witwicky, not only is he a tremendous asshat to the Autobots (and everyone else), but he crosses the Moral Event Horizon by killing one of the Constructicons, and is actually Evil All Along. Regardless, he's a villain the fans don't Love to Hate; they just hate this smug bastard.
  • Signature Scene:
    • Megatron's cruel speech in "Chaos Theory, Part 1" has gone on to be one of the most iconic Optimus-Megatron moments in the franchise, and had lingering consequences for the remainder of the IDW continuity.
    • Optimus’ dramatic speech in front of the Senate in “Chaos Theory, Part 2”, chiefly his three questions culminating in “how can we get rid of you” has similarly become regarded as one of the best Optimus moments of the franchise.
  • Slow-Paced Beginning: The first story arc has a lot of pacing issues, Padding, and is over-all not very interesting for the most part. But once you get past that the pacing gets much better and the quality of the storylines jump drastically once you reach the "Revenge Of The Decepticons" story arc.
  • Strawman Has a Point: Jazz killing John Powell. The other Autobots act like he crossed the line but as Jazz rightfully points out, he only did it because Powell was a psycho who was about to murder a group of wounded Autobots in cold blood. Both here and later in Robots In Disguise it's shown that while Jazz does came to regret it, he doesn't exactly feel remorse over killing a guy who was trying to murder his friends.
  • Too Bleak, Stopped Caring: Part of the series' Broken Base likely stems from how hard it is to root for any of the factions involved.
    • The Autobots are an unwanted, uninvited occupying force that are also fractious and unable to effectively deal with conspiracies that happen right under their noses. Those of them that are sympathetic are kept from being able to do anything until it's too late.
    • Skywatch is made up of trigger-happy, loose-cannons who work to conceal their activities from the world at large. Earth's Children is composed of irresponsible, violent, ungrateful radicals who target all Transformers indiscriminately.
    • The Decepticons are marauding sociopaths railing against a social system that no longer exists and enemies that are not actively attacking them.
  • Wangst: Many consider Optimus surrendering himself to Skywatch after Ironhide's death in the first arc to be this. While it's understandable that he would be deeply upset (Ironhide is his best friend after all), abandoning the Autobots when they need him most and giving himself up to a force that wants his race dead over the death of a single soldier is just overreacting. Bizarrely it also crosses over with Angst? What Angst?; after that first arc Optimus never brings up Ironhide until his return and doesn't seem to mind that he's working with the organization that murdered him. He's more angry about Spike killing Scrapper, a confirmed war criminal and murderer, than he is about Ironhide.

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