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"I'll give you a description. A forked tongue, little beady eyes, and he slithers on his belly. You'll find him easy. Just look under rocks."
Mrs. Kandell, Dragnet 1967, "Burglary: Mister"

The Smug Snake is a type of character (usually a villain) who tends to treat friends and enemies alike with equal disdain. They almost constantly speak in a sarcastic tone and punctuate most of their sentences with a smirk. While they aspire to be a formidable and awe-inspiring adversary, they often just become a Big Bad Wannabe, failing in the face of more cunning villains or becoming their servants, in which case they'll generally be The Starscream. Others that fall under this trope are simply in it to bug the good guys and take advantage of their moral insecurity.

A key character trait common to Smug Snakes is overconfidence. The Smug Snake is usually too arrogant to be rattled. Oftentimes, they will view themselves as a Magnificent Bastard. While they may believe that they have the situation under control (whether they do so through blackmail, manipulation, or simply being in a position of authority), there will usually be a hole in that plan that they failed to consider. Perhaps they underestimated their opponents' abilities and claimed themselves unbeatable, or maybe they made a really stupid mistake along the way. They may even taunt someone or something even when common sense dictates that doing so is a good way to get themselves killed. Once that realization hits, expect the Snake to lose their cool right before everything starts falling apart for them. They are not necessarily entirely incompetent, stupid, or ineffectual, however, and may succeed with at least part of their goals, but they are still lacking that charm and grace that the Magnificent Bastard possesses, and even the clever ones all too often ultimately are Too Clever by Half. Often a Know-Nothing Know-It-All too, to inspire added bile, though still enough to take the 'sympathetic' out of Ineffectual Sympathetic Villain (the best of them are Insufferable Geniuses heavy on the former and light on the latter to the point that they teeter on Insufferable Imbecile). If a Smug Snake considers themself a Magnificent Bastard, then they're a villainous Small Name, Big Ego. When things go badly, the Smug Snake may reveal themself to be a Dirty Coward and pathetically grovel when a former victim asks Who's Laughing Now? or beg the victim to save them in the event of outside danger. In fact, for all their self-proclaimed brilliance, this is a trope that's highly likely to overlap with Stupid Evil and end with the Smug Snake proving themselves Too Dumb to Live and even suffering a Karmic Death.

Mostly, a writer will purposely introduce a Smug Snake as a target for audience hate by making them Kick the Dog or bend the rules to get their way and come out smelling like a rose. Basically, this is a villain that's made to be hated and the audience will often enjoy hating. This, like all other tropes, can backfire if misused. If the writer still tries to foist the character as a Magnificent Bastard when their previous actions have proven otherwise, the audience will likely stop enjoying hating the character, and instead genuinely hate them as much as they would The Scrappy or the Creator's Pet. Evolving a Smug Snake into a true Magnificent Bastard could be doable, in theory, but shouldn't be attempted lightly, and has only been pulled off successfully in fiction a few times. Ever. Of course, the author might be deliberately doing this, playing a villain up as a Magnificent Bastard when it comes to getting the power they crave, but proving to be so inept at wielding that power once they finally have it that they ultimately are a Smug Snake instead. The line between those two Tropes is thinner than it looks, after all, and the further someone overestimates themself and underestimates the others, the closer they lean to Smug Snake territory, even if they are normally a Magnificent Bastard. So it is a state of mind directly proportional to the overconfidence of the character, and a character who has a good reason to have a high idea of themself will need to exaggerate their self-worth more to reach it than someone who hasn't.

The Smug Snake will rarely be a Draco in Leather Pants, because, as previously stated, they're often created intentionally to be loathed by the audience. (However, it is possible for this to happen, especially if the character is physically attractive — the Trope Namer himself is an example.)

If the Smug Snakes are literally snakes, then it also overlaps with Snakes Are Sinister.

If the Smug Snake is wealthy, you might be able to Hit Them in the Pocketbook.

Contrast Worthy Opponent, Evil Is Cool, and Magnificent Bastard, who inspire respect and/or admiration from their opponents/the audience, and Awesome Ego, whose brash cockiness is part of their charm (although any of these may be perceived as a Smug Snake by an audience via Alternative Character Interpretation or simply poor writing). Compare and contrast Smug Super, for when the person's arrogance and ego can actually be backed up with feats.

Sub-Trope of the Sin of Pride.

Sometimes Truth in Television, but let's leave it here, so No Real Life Examples, Please!

noreallife


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    Multiple Media 
  • MonsterVerse:
    • Kong: Skull Island: Packard becomes increasingly Ax-Crazy and is fully confident that he can take out Kong. Five seconds before having the chance to do so, Kong squashes him like a bug with no problem whatsoever.
    • Godzilla: King of the Monsters (2019): Alan Jonah is implied to be this in the film, and the novelization outright confirms it. Not only does Jonah decide to let King Ghidorah instigate an apocalypse which could wipe out all life on Earth as we know it (which in the film version could be construed as Jonah being willing to risk him and his men dying so that humanity will be no more); but in the novel, Jonah makes it clear that he's genuinely oblivious to just how much destruction Ghidorah will cause to the world and how much mortal peril it puts his own long-term survival in, when he insists he and his men will somehow weather out the whole apocalypse and "live like kings" in the aftermath.note  After Madison hears Jonah say this, she mentally compares him to "the miserable lice-eaten thugs in the Dark Ages who had started calling themselves 'kings'". Jonah also severely underestimates Madison in both versions of the story on account of her age, and him not placing her under further scrutiny despite her clear disgust for his actions enables Madison to steal the ORCA out from under Jonah and his goons' noses and escape with it.
    • Godzilla vs. Kong: Multiple within the Apex Cybernetics corporation.
      • Walter Simmons. Underneath his initial charming if proud exterior is an egotist who's brimming with hubris. As the film progresses, he treats Team Godzilla with faux-polite haughty disdain and is quick to get abrasively demanding with Ren when hearing something he doesn't want to. He sees himself as the next visionary architect of humanity's entry into a bold new era, but he's possibly the single most Too Dumb to Live major villain in the entire MonsterVerse with how he doesn't see anything wrong with using a known Omnicidal Maniac Titan's incomprehensibly Bizarre Alien Biology and still-telepathic remains as the direct nervous system of something he designed to be World's Strongest Man. He has an Oh, Crap! too right before meeting his Hoist by His Own Petard doom. In the novelization, he gets extra points for seemingly unknowingly having a Dragon with an Agenda. The fancy glass of alcohol that Simmons carries in several scenes accentuates his Smug Snaky-ness.
      • Simmons' Dragon Ren Serizawa is also confirmed to be one in the novelization. Besides sharing the above spoiler-y point with Simmons, he considers himself and Godzilla to be Cain and Abel, and he's wholly confident that he will succeed in killing Godzilla where rival Titans and the Oxygen Destroyer have failed, but Word of God on Godzilla vs. Kong and the novelization itself have suggested that Mechagodzilla would've lost in a fair fight against Godzilla. The novel also shows when Ren is in the Skull Room piloting Mechagodzilla that he outright believes his mind deserves to be in a Physical God body rather than his human body (though it's also hinted this might be More than Mind Control from the Ghidorah skull affecting him), but he's really no more nor less a Titan-ant than every other human around him and he's, again, ridiculously Too Dumb to Live.

    Theater 
  • The ancient Romans called this sort of character a "Ballio", after the villain of Plautus' Pseudolus. Ballio the pimp is a raging egomaniac who threatens his courtesans with demotion to low-class whores — and floggings — if they fail to obtain rich birthday presents for him from their lovers; and he takes a nasty delight in telling Calidorus that his [Calidorus'] beloved is about to be sold. Ultimately, when he's been tricked out of the deal, he resolves to hang himself.

 
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"I think he got my point."

Corcoran, upon being interrogated by Batman on where his partner, the Judge, is, he brings up how the Judge is handling the situation regarding the revolving doors of Gotham a lot better than he does. While Batman sneaks off in his usual way, Corcoran smugly views this as a victory.

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