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  • Alternate Aesop Interpretation: In the Scooter Computer and Mr. Chips segment, "Hardware", when Mr. Chips is telling Scooter about how he's just a computer, the intended Aesop is that computers are not like humans. But the very passive-aggressive way Mr. Chips describes it comes off more as a Deconstruction of the Robot Buddy, and no matter how advanced the A.I., is they're still just machines following their programming.
  • Aluminum Christmas Trees: The oddly-specific proposed law that Bill in "I'm Just a Bill" is attempting to have ratified (buses having to stop at railroad crossings) is indeed an actual law that was passed into effect in all 50 U.S. states, although it happens to be an older concept than presented in the show, as it was ratified in response to a bus crash in Sandy, Utah in 1938.
  • Audience-Alienating Era: The amount of people who even remember the short-lived Computer Rock series (4 episodes between 1982 and 1984, one of which is not even available to watch on home video or streaming outside of an unofficial upload by one of the singers himself) featuring Scooter Computer and Mr. Chips is miniscule compared to the rest of the series. The amount of people who enjoy these songs even less so, since they can come off as a poorly-concieved and even more poorly-aged attempt to stay relevant as personal computers started becoming more common.
  • Crosses the Line Twice:
    • In "Fireworks", a member of Congress is seen chasing after a terrified woman whenever the words "the pursuit of happiness" are spoken.
    • The premise of "Three-Ring Government" is incredibly ballsy, comparing the branches of the U.S. government to one, big circus act. It especially gets hilarious when Congress is compared to a troupe of clowns.
  • Ensemble Dark Horse:
    • Zero is beloved for just how endearingly dorky he is, as well as having very unconventional powers.
    • Verb is a very beloved character for both his awesome design and just how clumsily human he is in spite of being a superhero.
    • "Sufferin' Till Suffrage" is one of the more obscure songs, but the singer is a very popular character for her Ms. Fanservice design, spunky attitude, and Instant Costume Change ability.
    • Despite being very late additions to Schoolhouse Rock!, Mr. Morton and Pearl are both adored by the fandom, Mr. Morton for his Shrinking Violet nature and poetic prowess, and Pearl for being a pleasant Girl Next Door and allowing for Mr. Morton to earn his happy ending.
    • Becky Sue from "Dollars and Sense" being an airheaded, yet aspiring country artist managed to win her over with the fandom, who found her a charming character from the Audience-Alienating Era.
  • Evil Is Cool: The Pool Cat from "Naughty Number Nine" may be a complete and utter jerkass who gets no comeuppance for tormenting an innocent mouse, but it's hard to deny how awesome he is with his snazzy, Minnesota Fats-inspired design and being able to circumvent television mandates regarding smoking.
  • Genius Bonus:
    • In "Unpack Your Adjectives", the bulky guy proves he's the brainy one by rattling off a definite integral, a type of formula you don't even see until after several weeks of calculus. It's completely accurate, and even gets simplified. Doubles as a Freeze-Frame Bonus and an aversion of E = MC Hammer. Even better in that it's an advanced math concept in a Grammar Rock song.
    • Although the 13 colonies are added in random order in "The Preamble", the following states are added in the right order. (Except for West Virginia, which is never part of Virginia in the map, probably because Virginia would look weird if its shape changed)
    • The July 3rd premiere of "Fireworks". The Second Continental Congress approved the Lee Resolution on July 2, 1776, officially declaring independence while the formal document was approved on July 4, 1776. July 3rd split the difference between the 200th anniversary of the "true" Independence Day and "official" Independence Day.
  • Harsher in Hindsight:
    • "Tyrannosaurus Debt", which gets harder and harder to listen to as the national debt rises year after year.
    • "Three-Ring Government" becomes this when you realize the main character's dream is to one day own a circus. Today, big names like Ringling Bros. and Barnum & Bailey have gone out of business and the industry itself has come under intensified criticism for its longtime treatment of animals, all pointing towards a rather uncertain future for circuses as a whole.
    • "Rufus Xavier Sarsaparilla" is meant to be a grammar lesson... and one that's sorely needed in a "war on pronouns" where even seasoned lawmakers tend to forget the use-case ambiguity context of some pronouns.
  • Hilarious in Hindsight:
    • One of the characters in "Walking on Wall Street", the kid selling newspapers, with his orange hoodie, round face, and wild red hair looks like a younger version of Wreck-It Ralph.
    • There is also the image of the kid in "Verb: That's What's Happening" going to see an African American-led Super Hero movie with a big crowd. This short was made in 1974, years before Superman: The Movie starring Christopher Reeve became a breakthrough smash hit and decades before the superhero genre — including the uber-popular Black Panther (2018) — became a dominant one for theatrical films.
    • From "Interjections": "Darn! You just lost the game!"
    • In "Interplanet Janet", it's stated that "Uranus is built on a funny tilt, and Neptune is its twin". This was many years before the Voyager II space probe visited both planets and seemingly showed that they weren't as similar as once thought, apparently making the song outdated. However, a 2024 analysis revealed that Neptune is actually a similar color to Uranus after all.
  • Memetic Mutation:
    • "DARN! You just lost the game!"
    • Some of the songs, such as "I'm Just a Bill" and "Conjuction Junction", have been popular sources for parody.
  • Periphery Demographic: While the show is primarily intended for elementary school students, some of the things taught in the show are also things you’d find in middle and high school settings, such as Three Ring Government, talking about the three branches of the government. The catchy songs, in the same vein as Animaniacs, have also been memorized by many students of all ages across the US.
  • Popular with Furries: Lucky Seven Sampson has a rather strong following amongst the furry community, who often draw him as less clothed or more buff than he is in canon.
  • Questionable Casting: "Where The Money Goes" and "The Tale of Mr. Morton" have white Jack Sheldon voice African-American fathers, though the latter at least only gives him two lines. It feels especially jarring compared to "I Got Six" and "Verb: That's What's Happening", which authentically cast Grady Tate and Zachary Sanders as African-American characters.
  • Retroactive Recognition: Lynn Ahrens wrote and sang some songs for this show decades before becoming the lyricist of Ragtime, Once on This Island, Seussical, and Anastasia.
  • Seasonal Rot: Any Schoolhouse Rock songs made in 1993 or later are considered far less memorable and well-crafted as the ones from the original run. However, there's a fairly strong contingent of fans who still enjoy the Money Rock songs "Dollars and Sense" or "Tyrannosaurus Debt", and "A Tiny Urban Zoo" for Schoolhouse Rock! Earth.
  • Signature Song:
    • By each season...
      • Multiplication Rock: "Three is a Magic Number", "My Hero, Zero", "Lucky Seven Sampson", or "Figure Eight"
      • Grammar Rock: "Verb: That's What's Happening", "Conjunction Junction", "Interjections!", or "Lolly, Lolly, Lolly, Get Your Adverbs Here"
      • America Rock: "The Preamble", "I'm Just a Bill", or "The Great American Melting Pot"
      • Science Rock: "A Victim of Gravity", "Interplanet Janet", or "Electricity, Electricity"
      • Computer Rock: "Software", "Number Cruncher"
      • Money Rock: "Dollars and Sense" or "Tyrannosaurus Debt"
      • Earth Rock: "A Tiny Urban Zoo"
    • Overall: "Conjunction Junction" and "I'm Just a Bill" take the top spot, with honorable mentions being "Three is a Magic Number", "Lolly, Lolly, Lolly, Get Your Adverbs Here", "The Preamble", "Interplanet Janet", and "Electricity, Electricity".
  • Spiritual Successor: Kermit and Fozzie's guest appearance singing "Unpack Your Adjectives" during the 50th Anniversary Singalong is the closest thing to Kermit returning to his Sesame Street roots.
  • Suspiciously Similar Song: "Interplanet Janet" seems almost identical in composition to Queen's "Don't Stop Me Now". What makes this all the more bizarre is, for one, the fact that both songs use the analogy of intergalactic rocket travel, and two, while "Interplanet Janet" was released on October 7th, 1978, "Don't Stop Me Now", and by extension the rest of Jazz, was released a month later on November 10th, 1978. It's also rather unlikely that either song was directly inspired by the other, as "Don't Stop Me Now" was only released as a single a year after Jazz.
  • Tear Jerker: "Little Twelvetoes" has a certain wistful and melancholic quality to it.
  • They Wasted a Perfectly Good Plot: While many are content with the 50th Anniversary Singalong ending with "Three is a Magic Number", some fans feel that "Interjections!" would have been a more fitting, solely because it would have ended the special on the line "Darn! That's the end".
  • Unfortunate Character Design: The mailman in "Check's in the Mail". His nose casts a very dark shadow on his face, which apart from being highly unnecessary also makes him look like Hitler.
  • Unintentional Period Piece:
    • "Money Rock" has a few:
      • "Dollars and Sense", a song partially about loans and interest, might confuse viewers in the present day at how small the interest rates on Becky Sue's loan is; the song says "For every dollar you borrow you gotta pay the bank a dollar and a dime", suggesting an interest rate of 10%. Banks may actually charge higher interest rates than that today — especially if it's a student loan.
      • "$7.50 Once a Week" due to inflation — one amusing bit to a modern viewer would probably be how the narrator talks about spending a lot of money ($2.00) on Chicken Enchilada — only to find that he could have saved $1.50 if he went across the street. In the present day, $2.00 for a restaurant meal is almost unheard of (unless it's a cheap, fast-food place, but even then, it will cost you a lot more than just $2.00).
    • "The Check's in the Mail" has a lot of people using pay phones.
      • The concept of the song itself is becoming dated. Most people prefer to give checks directly these days rather than deposit in the mail. And checking in general is being handled more and more by debit cards, with younger people rarely even using checks at all.
    • "Walkin' on Wall Street", which is about investing and the stock market, features a pigeon named Lester checking newspapers to see stock prices and calling up his broker to buy stocks for him. With popularization of the Internet, Lester would've likely google the prices and bought the stocks himself using an online brokerage account or an investing app.
    • "I Got Six" also has an inflation example; the menu for the downtown restaurant has no item more than $9.00. You would not find an item on that menu for less than that amount today.
    • And of course there's "Interplanet Janet", where Pluto is still referred to as a planet. Fast forward to 2006, and it was subsequently reclassified as a dwarf planet; not that everybody has acknowledged this controversial decision, though. Some productions of Schoolhouse Rock Live!, which include the song, even take note of this when the lyric is sung, with the characters asking the audience for their opinion on the situation.
    • "The Great American Melting Pot" covered the migration into America that took place between the mid-19th and the early 20th centuries with a heavy emphasis on European immigrants. The stanza with "Go on and ask your grandma" applied to many second or third generation Americans whose ancestors emigrated during that period.
  • Values Dissonance:
    • The second verse of "Interjections!", in which Geraldine's vigorous objections to Geraldo's repeated passes are dismissed as "playing hard to get", offsets the song's good lesson about grammar with a bad one about Stalker with a Crush behavior getting the girl.
    • Some ideas about American history and culture that were popular around the Bicentennial have since fallen out of favor. In particular:
      • "Elbow Room" is likely to leave a bad taste in peoples' mouths these days as the song is about the Manifest Destiny. It's incredibly oversimplified in that fails to mention any of the... let's just say questionable aspects of that time period.
        elizestr: Genocide never sounded so catchy.
      • "The Great American Melting Pot": The recipe book lists various individual countries (and at least one US commonwealth), but only lists "Africans" for Africa. It also features a stereotypical depiction of an Indian boy in a turban on a bed of nails.
      • In "Mother Necessity", the first invention shown is Eli Whitney's cotton gin. It depicted white workers working it, although in reality black slaves mostly worked the machines.
  • Values Resonance:
    • The pleas for conserving natural resources in "The Energy Blues" are as relevant now in the 21st century as they were in the 1970s (possibly because the need to do so hasn't faded from the public consciousness).
      • The rhetoric is somewhat dated, though, as the short was made during an energy crisis, whereas today's problem may not be solved so easily.
    • The "Tyrannosaurus Debt" song isn't that dated, considering concern about the economy and the U.S. owing money to other nations (with China being the biggest). Although the debt being listed in the song as "only" $5 trillion can make people wish it was that low now.
    • Pearl being the one to propose to Mr. Morton in "The Tale of Mr. Morton", while being a heartwarming moment in its own right, serves as a timeless testament to how women's rights have evolved, and even subtly, at that, compared to the likes of "Sufferin' Till Suffrage".
    • While "The Great American Melting Pot" doesn't age completely well, the sentiment toward the end of it being great to be "American — and something else as well!" captures a spirit of tribute to multiple cultural identities that continues to be relevant and sweet to this day. The line, "It doesn't matter what your skin, it doesn't matter where you're from, or your religion," was downright radical at the time, the Civil Rights Movement having been less than a decade before.
  • The Woobie:
    • The mouse from "Naughty Number Nine" is constantly at the mercy of the Pool Cat, forced to be the cue ball and never having a chance to breathe before he's repeatedly pummeled by the other billiard balls. He does eventually come out okay, but he's a paranoid mess in the meanwhile.
    • That sad, little scrap of paper, Bill from "I'm Just a Bill", who has almost no self-confidence in his chances of becoming a law and fears over dying in Committee, in spite of how much patience and courage he has. One has to suspect that Congress passed him and the President signed him just to Throw the Dog a Bone.
    • The Greaser from "A Victim of Gravity" constantly tries to impress his girlfriend, Mary Jean, but gravity repeatedly screws him over, with him enduring a long Trauma Conga Line of shattering his cups, being flipped off his motorcycle, falling down a manhole, tripping over a football, and somehow falling out of the sky. All of this ends up culminating in Mary Jean leaving him, making his suffering All for Nothing.

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