YMMV / Diary of a Nudist

• Best Known for the Fanservice: Of course, because it's an early 1960s Faux Documentary nudist film. With the film lacking in a well-written plot, the film instead resorts to using more nude scenes of the model actresses and actors, though the women get more attention from the camera. There are also barely any plot devices to drag the film away from compiling compelling undressed actors in the nude camp itself... On the plus of this, despite all of the girls that are born with indescribably beauty and attributes who are 100 percent nude having their nudity being focused on and emphasized the most as opposed to the boys, the writer of the film (Doris Wishman) isn't a male writer, and is actually an elderly woman wanted to promote the serenity and appeal of the nudist lifestyle itself more than the occurrences in the background, unlike most other nudist fims. The girls of which are given more attention than the boys are always hidden by a very strategic Hand-or-Object Underwear, Modesty Towel, having their whole lower half out of the camera's shot, or simply turning around to create Male Gaze despite how much more of the film the Fanservice itself dominates due to censorship laws not allowing the lower half to be shown, but the upper half to be fine to show. This makes the fanservice better at times.
• Fetish Retardant: Most viewers are not a fan of the Hand-or-Object Underwear used on the actresses and would prefer their frontal bodies be entirely uncovered.
• Moe: The female nudists themselves are surprisingly adorable in how sensitive and yet shameless they act while naked around others. Their movements, reactions, and general elegance, as well as their extreme caution over being so revealing around others, plus the occasional moment where they accidentally risk losing their Hand-or-Object Underwear, make them seem much more endearing than if they were truly confident to be naked.
• Signature Scene: The montage of the female nudists leaving the cottage after getting naked.

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