Did we mention you're an Irish journalist with crippling paranoia?
Liam,
Sorry to be emailing you so late. I've just got a call from Detective Flynn about the disappearance case you've been covering. He's a friend, and wanted to tip me off that they think they know where the victims were taken, and they'll be moving in soon - within the next couple of days, even. There's a map attached to this message with directions, get there as soon as you can. I booked you a room across the street, just give the receptionist your name.
I'm sure I don't need to tell you to be careful, and try not to get in trouble with the garda, I don't feel like bailing you out again.
Good luck,
-Tara
This message is intended only for the named recipient(s). If you are not an intended recipient, please contact the sender or system administrator.
—Description text from the mod.
Harvest is a custom story modification and full conversion for Amnesia: The Dark Descent, the Survival Horror-slash-Adventure Game released in September 2010. It places the player in the shoes of Liam Connelly, a twentysomething reporter for the Irish Record. It is preceded by three prequels, collectively entitled Harvest: Prologue, which put the player in differing characters' shoes in each one-map mini-adventure. Harvest: Prologue, while a completely separate custom story and not a total conversion, is intended only to serve as a backstory for Harvest proper.
The story begins at the custom story selection screen, where the email quoted at the top of the page is visible. It is from Liam's boss, who has received a tip from a friend about a case that Liam has been covering for some time. She makes Liam a reservation at Foulksrath Castle and sends him to report on the police action as it unfolds. Arriving early, Liam decides to tour the castle, and is surprised to see that much of it is restricted from public eyes - a marked change from its days as the country's oldest hostel. He determines to stay in the castle after closing hours, documenting whatever he can find with his camera and notepad.
Provides Examples Of:
- Artistic License – Biology:
- Partially averted. The spiders made specifically for Harvest are as true-to-life as possible, with the notable distinction that they have no upper bounds on size or age, and so will continue to molt and grow larger indefinitely.
- Also played straight with the desiccated, who manage to shamble about just fine despite being "relieved" of most of their bodily fluids and tissues.
- Played straight again with the Big Bad's ability to communicate with Liam. This is explained by the Big Bad's Powers via Possession, which is in turn the result of Elizabeth's Demonic Possession.
- Beethoven Was an Alien Spy: Templeton
, an established naturalist in the nineteenth century, encounters and later becomes strongly influenced by the Big Bad. - Chekhov's Gun: Played mostly straight. If you find something that goes in your inventory, you'll be able to use it in some way. Whether you figure out what that way is remains up to you.
- Collapsing Lair: After the second phase of the Final Boss, the basement system collapses, crushing the Big Bad and exposing the player to fresh air for the first time after being trapped within the catacombs for the second half of the game.
- Continuity Nod: The notes found in the various prequels and chapters, referencing each other in most cases (while also giving you clues to help you move forward, and a healthy amount of Foreshadowing).
- Cower Power: Shared with Amnesia: The Dark Descent. Literally, the best way to survive a monster is to find a dark corner, curl up with your nose to the wall, and pray it leaves before it stumbles over you. Justified, as Daniel has no means by which to fight back against these monsters, they can generally outrun him when they break into a sprint, and closing doors will only slow them down at best.
- Evil Is Easy: To get the "bad ending", just stand there. The "good ending" requires you to have picked up an apparently Useless Useful Item, used it properly, and then kept it with you until the end.
- Fission Mailed:
- Shortly after Liam reaches his apparent "goal", which is the finale of the entire first chapter.
- Also present in the "bad ending" of Prologue, Part III which ends with you becoming trapped in a dungeon with an enraged enemy and no way to fight back.
- Game-Breaking Bug: The game flatout refuses to run on anything except very specific video cards. This is a carryover from Amnesia: The Dark Descent, and specifically the HPL2 engine, upon which Harvest is built.
- Note that Harvest now runs on any GeForce 6 or higher Nvidia card, or any Radeon x1300 or higher.
- Gaslighting: The Big Bad and his minions do this to you. It becomes a problem because your sanity (or lack of same) is also affecting where things appear to be, so you never really know what is the workings of your own mind and what has been genuinely moved.
- Gothic Horror: Dark, decaying, haunted castle? Check. No vampires in this one though... ...Unless you count Blood Lust.
- Have a Nice Death: When you die, the game will give you advice such as, "Tread carefully..." and, "Block the path. Run..."
- Hollywood Darkness: Completely shattered - if you try to peer into a dark room from a lit hallway, you will see nothing beyond the doorframe.
- Humanoid Abomination: If you happen to run into the visible monster (the desiccated) in a room, it looks something like this.
- Human Resources: Humans are semi-dissolved and drained of vital fluids to feed the inhabitants of the lower cellar.
- Immortality Immorality: The spiders. They are documented in Templeton's notes as having "no apparent upper bounds on size or age" and "could, theoretically, continue molting and growing larger indefinitely". Fortunately they, "as semi-sentient beings, have developed a sort of continual strife with one another ... keeping any one from excelling above the rest, like crabs in a bucket".
- Madness Mantra: Oddly enough, the Big Bad's "Down, always down" suggests that, while intelligent, it might not be entirely sane. That is, of course, assuming Liam himself is sane, which by this point in the story is highly in doubt.
- Musical Spoiler: Partially averted. Some of the enemies have theme music, while others do not. Theme music can also play when there are no monsters around. Generally speaking, temporary spawn monsters will be accompanied by music while permanent patrol monsters will not be. The exceptions to this rule are seen in Harvest: Prologue.
- Nightmare Face:
- The Facial Horror of the monsters is one major source of this. The other source is the paintings of Alexander when viewed Through the Eyes of Madness.
- Additionally, the Big Bad's face, such as it is, may be less than aesthetically pleasing.
-
No Budget: The developer created this mod on his own time, with no previous experience with the modeling programs used, and without pay. The mod continues to be updated and expanded, and will continue to be even after chapter two (the current ending) is complete. - Nothing Is Scarier: In spades. The monsters are scarce enough to keep them from being a source of frustration, but frequent enough to ramp up the horror. Add to that ambient sounds that, at times, sound like footsteps, music that sounds like the monsters' theme song, and the fact that most people won't notice important details, and you'll be cowering in a corner for fear of a monster you haven't even seen yet. The game doesn't even let you get a good look at the monsters, ever, because just looking at them drops your sanity meter, and eventually makes them notice you.
- Numbered Sequels: Harvest: Prologue, Part I through ...Part III. Also used in the version numbering of the game itself, with X.0.0 corresponding to X chapter's release, 0.X.0 corresponding to major patches for content or noticeable changes, and 0.0.X corresponding to bug fixes and other small adjustments.
- Primal Fear: Plays heavily on several of these. Fear of the dark is, as the title suggests, a frequent one, but that is also subserviant to a more general fear of the unknown. The game uses lots of little tricks to ensure this fear is invoked, such as Hell Is That Noise to suggest what might be near, and Teleporting Key Card Squad to ensure that monsters can be anywhere, and Nothing Is Scarier to keep players tense and on-edge. Even if one tries looking at the monsters (Body Horrors though they are) Daniel's vision will be blurred and distorted, ensuring that they retain an element of mystery and unknowability, in addition to their role as predators after a helpless prey.
- Sanity Meter: Your decaying sanity doesn't only diminish your sight. It also makes you gradually hear more and more deranged and ominous aural hallucinations...
and the quiet grinding noise of your own teeth... - Spooky Painting: Toyed with - as your Sanity Meter depletes, paintings become grotesque to look at.
- Stealth-Based Game : You don't even have a weapon to fight back.
- Strong as They Need to Be: Most of the terror of the game comes from the fact that you're playing as a regular human who lacks any skill or ability that would allow him to fight back against the creatures stalking him. Contrary to the original game, however, Liam is more acrobatic than Daniel, able to pull himself up to ledges just out of reach.
- Teleporting Keycard Squad: Played straight some of the time: Generally when there's a puzzle-relevant pickup in plain sight, you can bet that a monster is going to spawn two rooms back to terrorize you after you pick it up. Of course, knowing this makes it even more tense, because you'll be afraid to even find the pickups because you know it could cause a monster to spawn. Alternately, story events that change your path of progression (or simply eliminate options, preventing you from escaping back the way you came, for example) can be triggered instead of monsters. Of course, they're not mutually exclusive.
- Through the Eyes of Madness: Your surroundings change as your sanity gets lower. You later discover that the Big Bad and its charges have been Gaslighting you as well, leaving you to wonder what they changed and what was only changed in your mind.
