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Trivia / The Mummy (2017)

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  • Casting Gag: In the Japanese dub, it's not the first time we hear Toshiyuki Morikawa voicing a guy named Nick. And it's not the first time he had to deal with the undead either or mummies once again.
  • Creator Backlash:
  • Creator Killer: Alex Kurtzman hasn't directed a film since this one and instead refocused on television with Star Trek: Discovery.
  • Dawson Casting: Russell Crowe calls Tom Cruise, who is two years older than him, a young man. This was notably called out in the Variety expose article as an example of Cruise's vanity. Cruise turned 54 years old during the filming.
  • Fake Brit: Dr. Jekyll is being played by Australian Russell Crowe.
  • Fake Nationality:
    • Like The Mummy (1999), the actor playing the title villain is African, but not Egyptian, as Sofia Boutella hails from Algeria.
    • Chasty Ballesteros is playing an American-Chinese woman, but is actually a Canadian of Filipino descent.
  • Follow the Leader: The movie's ambitions of establishing a Shared Universe franchise is admittedly inspired by the success of the Marvel Cinematic Universe. Though it's worth noting that the classic Universal Horror movies became the first "cinematic universe" franchise, so this is fully intended to be a new spin on that.
  • Older Than They Look: Thanks in large part to advances in digital de-aging technology, Tom Cruise in his mid-fifties pulls off Nick Morton, who seems to be in his mid-to-late thirties, based on his rank and the age of his love interest. Looks like someone's taken a page out of Ahmanet's book.
  • Playing Against Type: Sofia Boutella as the Mummy herself, Princess Ahmanet, who's the exact opposite of Jaylah, and a definite promotion from Gazelle.
  • Remake Cameo: A very bizarre one happens in the Japanese dub of the film: the main hero Nick Morton is voiced by Toshiyuki Morikawa, who also dubbed Rick O'Connell, the main protagonist of the 1999 film and sequels. This is because Morikawa is the regular dub voice of both Tom Cruise (Nick) and Brendan Fraser (Rick) in Japan in their respective films, so it was pure coincidence.
  • Stillborn Franchise: At first, it looked like this movie wouldn't end the Dark Universe before it began, thanks to its impressive box office haul in foreign markets, but its disappointing critical and domestic box office performance certainly forced Universal to rethink their strategy. Later reports claimed that after both Alex Kurtzman and Chris Morgan departed from the franchise due to this film's failure, the Dark Universe is in peril of being shelved permanently as it remains "rudderless" (with empty offices). And then a death blow ensued once would-be follow-up The Invisible Man was reworked into a low-budget thriller with no franchise connection, that ended up being much more successful than this film.
  • Wag the Director: Variety's expose revealed that Tom Cruise had a lot of control over the film and these include:
    • Early drafts of the script gave about 50/50 screentime to Nick Morton and Ahmanet. But Cruise brought in writers he was more familiar with (David Koepp, Christopher McQuarrie, and Dylan Kussman) to make changes to the script, including (but not limited to) increasing Nick's screentime at the expense of Ahmanet's screentime and development. Given that this was one of the most heavily-criticised aspects of the film (see They Wasted a Perfectly Good Plot on the YMMV page) this could qualify as one of the most-destructive examples of this trope in recent history.
    • Alex Kurtzman was director in-name only, as it was essentially Cruise who was the actual director of the movie. In all fairness to Cruise, Kurtzman's inexperience in directing big-budgeted action blockbusters was showing through, giving even more incentive for Cruise, who's worked on these type of films for a good portion of his career and knows the ins and outs of them, to take the reins.
    • The whole production team basically falling in line with whatever Cruise said, going as far as overseeing the editing of the movie with his preferred editor, Andrew Mondshein.
  • What Could Have Been:

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