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* SignatureScene: Juror #3's VillainousBreakdown at the end.
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*** Seeing the picture of Juror #3 and his son alone is heartrending. After he's spent the whole discussion in an unbreakably foul mood, we see the angriest man of them all years before. And he and his son look as happy as happy can be. The sheer contrast between him then and now is a truly shocking pitiful sight.
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** #3's rift with his son starting because he was ashamed of his son running away from a fight and vowed to "make a man out of him" has lost every ounce of sympathy it may ever have had. Some modern productions change this to his son joining a gang.
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** #3's rift with his son starting because he was ashamed of his son running away from a fight and vowed to "make a man out of him" has lost every ounce of sympathy it may ever have had. Some modern productions change this to his son joining a gang. Thankfully however the real drama is due to their later fight and not this first cause, keeping the character sympathetic.
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** Did Juror #7 actually believe in the verdicts that he gave? Did he truly think that the boy was guilty/innocent? This one can depend on the actor. Tony Danza in the 1997 TV movie comes across as sincere when he's pressed to state that he doesn't think he's guilty.
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** Did Juror #7 actually believe in the verdicts that he gave? Did he truly think that the boy was guilty/innocent? This one can depend on the actor. Tony Danza Creator/TonyDanza in [[Film/TwelveAngryMen1997 the 1997 TV movie movie]] comes across as sincere when he's pressed to state that he doesn't think he's guilty.
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* AwardSnub: The 1957 version, largely overshadowed by ''Film/TheBridgeOnTheRiverKwai'', failed to win anything at the Oscars. Additionally, none of the actors received nominations for their work. Though Creator/HenryFonda did end up winning a BAFTA for his performance, and both he and Lee J. Cobb earned Golden Globe nods.
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* AwardSnub: The 1957 version, largely overshadowed by ''Film/TheBridgeOnTheRiverKwai'', failed to win anything at the Oscars. Additionally, none of the actors received UsefulNotes/AcademyAward nominations for their work. Though Creator/HenryFonda did end up winning a BAFTA UsefulNotes/{{BAFTA}} for his performance, and both he and Lee J. Cobb earned Golden Globe UsefulNotes/GoldenGlobe nods.
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* RetroactiveRecognition: Juror #5 will be instantly familiar to anyone who's seen an episode of ''Series/QuincyME''. Jack Klugman even gets to do a Quincy-style deduction years before the series was conceived, by pointing out the inconsistent nature of the knife wound. ''Theatre/TheOddCouple'' also did a flashback episode to Oscar and Felix meeting on a jury where Felix was a RogueJuror in reference to this role.
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* RetroactiveRecognition: Juror #5 will be instantly familiar to anyone who's seen an episode of ''Series/QuincyME''. Jack Klugman even gets to do a Quincy-style deduction years before the series was conceived, by pointing out the inconsistent nature of the knife wound. ''Theatre/TheOddCouple'' ''Series/{{The Odd Couple|1970}}'' also did a flashback episode to Oscar and Felix meeting on a jury where Felix was a RogueJuror in reference to this role.
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** In the 1997 film, Juror #10 punctuates one of his tirades with a very strange sound — sort of a cross between a dog barking, and [[Film/ThePhantomMenace Boss Nass]] making his head-shaking noise. It's so forced and bizarre, that there's literally no telling whether it was intended as sarcastic mockery, an attempt at intimidation, or a genuine expression of rage on Juror #10's part. Between laughs, viewers are likely to be asking themselves, "What on God's green earth was ''that?''"
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* UnintentionalPeriodPiece: The film is from the era when a trip to the movies typically involved an A-picture and a B-picture, leading to the defendant's alibi being flimsy as he couldn't remember either movie he saw, followed by #4 easily remembering the A-picture he saw several days ago but not the B-picture.
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** At the time this was written in the '50s, women and non-whites were excluded from jury service in some parts of the country. These days, the script is often produced as ''12 Angry Jurors'' with a more diverse cast. #2 and #11 seem especially popular to cast with women, allowing for some levity as #7’s conversations with them can easily come off as pathetic flirting, plus adding a degree of sexism to #10’s condescension to them.
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** At the time this was written in the '50s, TheFifties, women and non-whites were excluded from jury service in some parts of the country. These days, the script is often produced as ''12 Angry Jurors'' with a more diverse cast. #2 and #11 seem especially popular to cast with women, allowing for some levity as #7’s conversations with them can easily come off as pathetic flirting, plus adding a degree of sexism to #10’s #10's condescension to them.
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** Physical abuse is treated more lightly in this movie than it would be today. While most of the jurors seem to disapprove that the boy's father beat him regularly, they don't seem too phased when Juror #3 defends it against "a kid like that".
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** Physical abuse is treated more lightly in this movie than it would be today. While most of the jurors seem to disapprove that the boy's father beat him regularly, they don't seem too phased fazed when Juror #3 defends it against "a kid like that".
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* ValuesResonance: The other jurors turning their backs on Juror #10's racist rant was ahead of its time. To explain, the only reason Juror #10 thought the defendant was guilty was ''only'' because of the latter's being a person of color. And when he tries to get the other jurors to agree, ''none'' of them do and he's shamed for his verbal tirade. This is something that was and still is relevant -- No one should be found guilty because of their ethnicity and the people who ''do'' think it's okay, should ''be'' condemned for their racism.
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* ValuesResonance: The other jurors turning their backs on Juror #10's racist rant was ahead of its time. To explain, the only ''only'' reason Juror #10 thought the defendant was guilty was ''only'' because of the latter's being a person of color. And when he tries to get the other jurors to agree, ''none'' of them do and he's shamed for his verbal tirade. This is something that was and still is relevant -- No one should be found guilty because of their ethnicity and the people who ''do'' think it's okay, should ''be'' ''should'' be condemned for their racism.
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** Small one that can easily be missed, but Juror #9 , after speaking about one of the witnesses(the Old Man)lying and fabricating evidence about seeing the boy leaving the crime scene and hearing the death threat to his father to get attention. Juror #10 asks him what he knows about it and Juror #9 lowers his head and shakes it sadly.
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** Small one that can easily be missed, but Juror #9 , after speaking about one of the witnesses(the witnesses (the Old Man)lying Man) lying and fabricating evidence about seeing the boy leaving the crime scene and hearing the death threat to his father to get attention. Juror #10 asks him what he knows about it and Juror #9 lowers his head and shakes it sadly.
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** Small one that can easily be missed, but Juror #9 , after speaking about one of the witnesses(the Old Man)lying and fabricating evidence about seeing the boy leaving the crime scene and hearing the death threat to his father to get attention. Juror #10 asks him what he knows about it and Juror #9 lowers his head and shakes it sadly.
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*** Some interpretations TakeAThirdOption and portray him as not necessarily setting out to change anyone's mind (at least initially) and more just being interested in making sure everyone fully understands the weight of their decision to vote guilty, and effectively only coming to truly believe in his own "not guilty" vote after starting to receive support from other jurors.
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* EnsembleDarkhorse: Juror #4 is somewhat surprisingly popular, mainly for being the only juror to remain entirely rational during the proceedings and freely and graciously admitting that there's reasonable doubt despite previously being one of the strongest voices for a guilty verdict. They also earn a lot of respect from viewers for being the one who tells [[{{Jerkass}} Juror #10]] to sit down and shut up after the latter's racist rant.
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** After Juror #10 gives his rant and the other jurors turn their backs to him, he sits away from the others in silence. Did he have a HeelRealization and realized that his behavior was out of line, or did he simply feel defeated and alienated.
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** After Juror #10 gives his rant and the other jurors turn their backs to him, he sits away from the others in silence. Did he have a HeelRealization and realized that his behavior was out of line, or did he simply feel defeated and alienated.alienated?
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* VindicatedByHistory: The critics in 1957 were [[CriticalDissonance rooting for]] Lumet's movie version, but the public wasn't interested and the movie failed at the box office. ''12 Angry Men'' has since earned a place in pop culture rivaled (aside from ''Film/ToKillAMockingbird'') by no other courtroom drama--plus the 88th spot on AFI's ''100 Years. . .100 Thrills'' list. No mean feat for a film that isn't an action-adventure film.[[note]]For perspective, below this movie, among others, were ''Film/TheAdventuresOfRobinHood'' at #100 ''{{Film/Speed}}'' at #99, and ''{{Film/Braveheart}}'' at #91[[/note]].
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* VindicatedByHistory: The critics in 1957 were [[CriticalDissonance rooting for]] Lumet's movie version, but the public wasn't interested and the movie failed at the box office. ''12 Angry Men'' has since earned a place in pop culture rivaled (aside from ''Film/ToKillAMockingbird'') by no other courtroom drama--plus the 88th spot on AFI's ''100 Years. . .100 Thrills'' list. No mean feat for a film that isn't an action-adventure film.[[note]]For perspective, below this movie, among others, were ''Film/TheAdventuresOfRobinHood'' at #100 #100, ''{{Film/Speed}}'' at #99, and ''{{Film/Braveheart}}'' at #91[[/note]].
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* HilariousInHindsight:
** When #3, talking about his son, tells how he told him [[WesternAnimation/{{Mulan}} "I'll make a man out of you."]]
** The fictional B-movie "The Amazing Mrs. Bambridge" that trips #4 up so badly now easily brings to mind ''Series/TheMarvelousMrsMaisel''.
** When #3, talking about his son, tells how he told him [[WesternAnimation/{{Mulan}} "I'll make a man out of you."]]
** The fictional B-movie "The Amazing Mrs. Bambridge" that trips #4 up so badly now easily brings to mind ''Series/TheMarvelousMrsMaisel''.
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Changed line(s) 28 (click to see context) from:
* ValuesResonance: The other jurors turning their backs on Juror #10's racist rant was ahead of its' time. To explain, the only reason Juror #10 thought the defendant was guilty was ''only'' because of the latter's being a person of color. And when he tries to get the other jurors to agree, ''none'' of them do and he's shamed for his verbal tirade. This is something that was and still is relevant -- No one should be found guilty because of their ethnicity and the people who ''do'' think it's okay, should ''be'' condemned for their racism.
to:
* ValuesResonance: The other jurors turning their backs on Juror #10's racist rant was ahead of its' its time. To explain, the only reason Juror #10 thought the defendant was guilty was ''only'' because of the latter's being a person of color. And when he tries to get the other jurors to agree, ''none'' of them do and he's shamed for his verbal tirade. This is something that was and still is relevant -- No one should be found guilty because of their ethnicity and the people who ''do'' think it's okay, should ''be'' condemned for their racism.
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** After Juror #10 gives his rant and the other jurors turn their backs to him, he sits away from the others in silence. Did he have a HeelRealization and realized that his behavior was out of line, or did he simply feel defeated and alienated.
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Changed line(s) 27 (click to see context) from:
* ValuesResonance: The other jurors turning their backs on Juror #10's racist rant was ahead of its' time. To explain, the only reason Juror #10 thought the defendant was guilty was ''only'' because of the latter's being a person of color. And when he tries to get the other jurors to agree, ''none'' of them do and he's shamed for his verbal tirade. This is something that was and still is relevant -- No one should be found guilty because of their ethnicity and the people who ''do'' think it's okay, should ''not'' condemned for their racism.
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* ValuesResonance: The other jurors turning their backs on Juror #10's racist rant was ahead of its' time. To explain, the only reason Juror #10 thought the defendant was guilty was ''only'' because of the latter's being a person of color. And when he tries to get the other jurors to agree, ''none'' of them do and he's shamed for his verbal tirade. This is something that was and still is relevant -- No one should be found guilty because of their ethnicity and the people who ''do'' think it's okay, should ''not'' ''be'' condemned for their racism.
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** Did Juror #7 actually believe in the verdicts that he gave? Did he truly think that the boy was guilty/innocent?
to:
** Did Juror #7 actually believe in the verdicts that he gave? Did he truly think that the boy was guilty/innocent?guilty/innocent? This one can depend on the actor. Tony Danza in the 1997 TV movie comes across as sincere when he's pressed to state that he doesn't think he's guilty.
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Changed line(s) 27 (click to see context) from:
* VindicatedByHistory: The critics in 1957 were [[CriticalDissonance rooting for]] Lumet's movie version, but the public wasn't interested and the movie failed at the box office. ''12 Angry Men'' has since earned a place in pop culture rivalled (aside from ''Film/ToKillAMockingbird'') by no other courtroom drama--plus the 88th spot on AFI's ''100 Years. . .100 Thrills'' list. No mean feat for a film that isn't an action-adventure film.[[note]]For perspective, below this movie, among others, were ''Film/TheAdventuresOfRobinHood'' at #100 ''{{Film/Speed}}'' at #99, and ''{{Film/Braveheart}}'' at #91[[/note]].
to:
* ValuesResonance: The other jurors turning their backs on Juror #10's racist rant was ahead of its' time. To explain, the only reason Juror #10 thought the defendant was guilty was ''only'' because of the latter's being a person of color. And when he tries to get the other jurors to agree, ''none'' of them do and he's shamed for his verbal tirade. This is something that was and still is relevant -- No one should be found guilty because of their ethnicity and the people who ''do'' think it's okay, should ''not'' condemned for their racism.
* VindicatedByHistory: The critics in 1957 were [[CriticalDissonance rooting for]] Lumet's movie version, but the public wasn't interested and the movie failed at the box office. ''12 Angry Men'' has since earned a place in pop culturerivalled rivaled (aside from ''Film/ToKillAMockingbird'') by no other courtroom drama--plus the 88th spot on AFI's ''100 Years. . .100 Thrills'' list. No mean feat for a film that isn't an action-adventure film.[[note]]For perspective, below this movie, among others, were ''Film/TheAdventuresOfRobinHood'' at #100 ''{{Film/Speed}}'' at #99, and ''{{Film/Braveheart}}'' at #91[[/note]].
* VindicatedByHistory: The critics in 1957 were [[CriticalDissonance rooting for]] Lumet's movie version, but the public wasn't interested and the movie failed at the box office. ''12 Angry Men'' has since earned a place in pop culture
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** When #3, talking about his son, tells how he told him [[Disney/{{Mulan}} "I'll make a man out of you."]]
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** When #3, talking about his son, tells how he told him [[Disney/{{Mulan}} [[WesternAnimation/{{Mulan}} "I'll make a man out of you."]]
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** You'll recognize Juror #2 by voice. John Fiedler is the original voice of [[Disney/TheManyAdventuresOfWinnieThePooh Piglet]].
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** You'll recognize Juror #2 by voice. John Fiedler is the original voice of [[Disney/TheManyAdventuresOfWinnieThePooh [[WesternAnimation/TheManyAdventuresOfWinnieThePooh Piglet]].
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** #3's rift with his son starting because he was ashamed of his son running away from a fight and vowed to "make a man out of him" has lost every ounce of sympathy it may ever have had. Some modern productions change this to his son joining a gang.
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* {{Applicability}}: The script deliberately avoids naming any specifics about the defendant, and thus the reason for #10's prejudice against him, allowing the audience to fill in whatever they want.
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* {{Narm}}: The stage adaptation greatly overhauls the second act, including some hugely inappropriate slapstick as they try to recreate the entire murder scene. #7's sports metaphors are also taken way over the top, like his immediately shouting to #8 "You're in left field!" after the initial vote.
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* HilariousInHindsight: When #3, talking about his son, tells how he told him [[Disney/{{Mulan}} "I'll make a man out of you."]]
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* HilariousInHindsight: HilariousInHindsight:
** When #3, talking about his son, tells how he told him [[Disney/{{Mulan}} "I'll make a man out of you."]]"]]
** The fictional B-movie "The Amazing Mrs. Bambridge" that trips #4 up so badly now easily brings to mind ''Series/TheMarvelousMrsMaisel''.
** When #3, talking about his son, tells how he told him [[Disney/{{Mulan}} "I'll make a man out of you.
** The fictional B-movie "The Amazing Mrs. Bambridge" that trips #4 up so badly now easily brings to mind ''Series/TheMarvelousMrsMaisel''.
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** At the time this was written in the '50s, women and non-whites were excluded from jury service in some parts of the country. These days, the script is often produced as ''12 Angry Jurors'' with a more diverse cast.
to:
** At the time this was written in the '50s, women and non-whites were excluded from jury service in some parts of the country. These days, the script is often produced as ''12 Angry Jurors'' with a more diverse cast. #2 and #11 seem especially popular to cast with women, allowing for some levity as #7’s conversations with them can easily come off as pathetic flirting, plus adding a degree of sexism to #10’s condescension to them.
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** Physical abuse is treated more lightly in this movie than it would be today. While most of the jurors seem to disapprove that the boy's father beat him regularly, they don't seem too fased when Juror #3 defends it against "a kid like that".
to:
** Physical abuse is treated more lightly in this movie than it would be today. While most of the jurors seem to disapprove that the boy's father beat him regularly, they don't seem too fased phased when Juror #3 defends it against "a kid like that".
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Belongs on the remake's YMMV page, not this one
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** In the 1997 version, Creator/EdwardJamesOlmos appears as Juror #11 and Creator/MaryMcDonnell appears as the judge, six years before starring in ''Series/BattlestarGalactica2003''.
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* TearJerker: When Juror #3 finally realizes what he's doing; he tears up the picture of him and his son and just breaks down crying. The DVD release of the film manages to make it even worse with the chapter titles. The title of the chapter containing Juror #3's VillainousBreakdown? "One Angry Man".
--> '''Juror #3:''' No...not guilty...''not guilty''...!
--> '''Juror #3:''' No...not guilty...''not guilty''...!
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* TearJerker: TearJerker:
** When Juror #3 finally realizes what he's doing; he tears up the picture of him and his son and just breaks down crying. The DVD release of the film manages to make it even worse with the chapter titles. The title of the chapter containing Juror #3's VillainousBreakdown? "One Angry Man".
--> ---> '''Juror #3:''' No...not guilty...''not guilty''...!
** When Juror #3 finally realizes what he's doing; he tears up the picture of him and his son and just breaks down crying. The DVD release of the film manages to make it even worse with the chapter titles. The title of the chapter containing Juror #3's VillainousBreakdown? "One Angry Man".
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Changed line(s) 10 (click to see context) from:
* AwardSnub: The 1957 version, largely overshadowed by ''Film/TheBridgeOnTheRiverKwai'', failed to win anything at the Oscars. Additionally, none of the actors received nominations for their work. Though Henry Fonda did end up winning a BAFTA for his performance, and both he and Lee J. Cobb earned Golden Globe nods.
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* AwardSnub: The 1957 version, largely overshadowed by ''Film/TheBridgeOnTheRiverKwai'', failed to win anything at the Oscars. Additionally, none of the actors received nominations for their work. Though Henry Fonda Creator/HenryFonda did end up winning a BAFTA for his performance, and both he and Lee J. Cobb earned Golden Globe nods.
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* VindicatedByHistory: The critics in 1957 were [[CriticalDissonance rooting for]] Lumet's movie version, but the public wasn't interested and the movie failed at the box office. ''12 Angry Men'' has since earned a place in pop culture rivalled (aside from ''Film/ToKillAMockingbird'') by no other courtroom drama--plus the 88th spot on AFI's ''100 Years. . .100 Thrills'' list. No mean feat for a film that isn't an action-adventure film.[[note]]For perspective, below this movie, among others, were ''Film/TheAdventuresOfRobinHood'' at #100 ''{{Film/Speed}}'' at #99, and ''{{Film/Braveheart}}'' at #91[[/note]]
to:
* VindicatedByHistory: The critics in 1957 were [[CriticalDissonance rooting for]] Lumet's movie version, but the public wasn't interested and the movie failed at the box office. ''12 Angry Men'' has since earned a place in pop culture rivalled (aside from ''Film/ToKillAMockingbird'') by no other courtroom drama--plus the 88th spot on AFI's ''100 Years. . .100 Thrills'' list. No mean feat for a film that isn't an action-adventure film.[[note]]For perspective, below this movie, among others, were ''Film/TheAdventuresOfRobinHood'' at #100 ''{{Film/Speed}}'' at #99, and ''{{Film/Braveheart}}'' at #91[[/note]]
#91[[/note]].
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Changed line(s) 20,21 (click to see context) from:
** At the time this was written in the '50s, women and nonwhites were excluded from jury service in some parts of the country. These days, the script is often produced as ''Twelve Angry Jurors'' with a more diverse cast.
** Physical abuse is treated more lightly in this movie than it would be today. While most of the jurors seem to disapprove that the boy's father beat him regularly, they don't seem too phased when Juror #3 defends it against "a kid like that".
** Physical abuse is treated more lightly in this movie than it would be today. While most of the jurors seem to disapprove that the boy's father beat him regularly, they don't seem too phased when Juror #3 defends it against "a kid like that".
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** At the time this was written in the '50s, women and nonwhites non-whites were excluded from jury service in some parts of the country. These days, the script is often produced as ''Twelve ''12 Angry Jurors'' with a more diverse cast.
** Physical abuse is treated more lightly in this movie than it would be today. While most of the jurors seem to disapprove that the boy's father beat him regularly, they don't seem toophased fased when Juror #3 defends it against "a kid like that".
** Physical abuse is treated more lightly in this movie than it would be today. While most of the jurors seem to disapprove that the boy's father beat him regularly, they don't seem too