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** Tarkovsky hired a new cinematographer named Leonid Kalashnikov for the reshoot, and moved to a new shooting location after the original had been damaged by an earthquake. Unsatisfied with Kalashnikov's performance, Tarkovsky replaced him with yet another cinematographer, Alexander Knyazhinsky, and completely reshot the film for a ''third'' time. This version became the final product, which is reportedly bears little resemblance to what Tarkovsky shot with Rerberg.

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** Tarkovsky hired a new cinematographer named Leonid Kalashnikov for the reshoot, and moved to a new shooting location after the original had been damaged by an earthquake. Unsatisfied with Kalashnikov's performance, Tarkovsky replaced him with yet another cinematographer, Alexander Knyazhinsky, and completely reshot the film for a ''third'' time. This version became the final product, which is reportedly bears little resemblance to what Tarkovsky shot with Rerberg.
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* DoingItForTheArt: Some beautiful scenery shots were created by painting the real landscape in the desired color scheme. Yes, the film crewmembers actually were dyeing the grass and trees.
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** Creator/AndreiTarkovsky shot the film in Soviet-occupied Estonia with cinematographer Georgy Rerberg. Despite past collaborations, the pair's working relationship wasn't smooth. Tarkovsky continuously resisted Rerberg's pushes to rewrite the script. He also asked Rerberg to do a special effect that he had seen in an Creator/IngmarBergman film, going so far as to build a special studio for the task, only to erupt when Rerberg didn't nail the effect. Accounts vary as to whether Rerberg was fired, or just walked out of the production.

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** Creator/AndreiTarkovsky shot the film in Soviet-occupied Soviet Estonia with cinematographer Georgy Rerberg. Despite past collaborations, the pair's working relationship wasn't smooth. Tarkovsky continuously resisted Rerberg's pushes to rewrite the script. He also asked Rerberg to do a special effect that he had seen in an Creator/IngmarBergman film, going so far as to build a special studio for the task, only to erupt when Rerberg didn't nail the effect. Accounts vary as to whether Rerberg was fired, or just walked out of the production.
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* {{Defictionalization}}: The Chernobyl disaster and its subsequent "Exclusion Zone", which occurred 7 years after this film's release, have been seen by many as life imitating art. Those employed to monitor the zone often refer to themselves as "stalkers", as do the guides who help tourists trespass into the zone.
* DoingItForTheArt: Some beautiful scenery shots were created by painting the real landscape in the desired color scheme. Yes, the film crewmembers actually were dyeing the grass and trees.
* ProductionPosse: Creator/AnatolySolonitsyn, one of Tarkovsky's frequent collaborators, appeared as the writer.
* TroubledProduction: Working on the film wound up literally killing many of the people involved, including the director himself. How so?
** Creator/AndreiTarkovsky shot the film in Soviet-occupied Estonia with cinematographer Georgy Rerberg. Despite past collaborations, the pair's working relationship wasn't smooth. Tarkovsky continuously resisted Rerberg's pushes to rewrite the script. He also asked Rerberg to do a special effect that he had seen in an Creator/IngmarBergman film, going so far as to build a special studio for the task, only to erupt when Rerberg didn't nail the effect. Accounts vary as to whether Rerberg was fired, or just walked out of the production.
** Tarkovsky's wife Larisa [[WagTheDirector convinced him]] to cast her as the wife of the protagonist. However, she turned out to be so difficult on set that the crew derisively nicknamed her "[[ThePrimaDonna the empress]]." Rerberg eventually persuaded Tarkovsky to recast the role with Alisa Freindlich, which angered Larisa and caused her to hold a grudge against Rerberg.
** When the footage was sent back to Moscow for processing, the film laboratory -- unfamiliar with the experimental [[Creator/EastmanKodak Kodak 5427]] film stock that Tarkovsky had flown in from America -- botched the job, resulting in the footage having a darkened green tint. Tarkovsky managed to convince Mosfilm to let him completely reshoot the film from scratch, with the aim of releasing it in two parts.
** Tarkovsky hired a new cinematographer named Leonid Kalashnikov for the reshoot, and moved to a new shooting location after the original had been damaged by an earthquake. Unsatisfied with Kalashnikov's performance, Tarkovsky replaced him with yet another cinematographer, Alexander Knyazhinsky, and completely reshot the film for a ''third'' time. This version became the final product, which is reportedly bears little resemblance to what Tarkovsky shot with Rerberg.
** The new location, an abandoned hydroelectric power station, sat near a chemical factory; the "snow" in one scene is actually airborne pollutants from said factory, which caused female crew-members to break out in allergic rashes. The cast and crew were in close contact with (and in some cases were literally knee-deep in) a miasma of toxic chemicals, and many of them -- including Tarkovsky, Larisa, and actor Anatoly Solonitsyn -- later contracted fatal illnesses as a result.
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