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* BoxOfficeBomb: Official reports say it had a budget of $10 million, the director has said it was actually $6.5 million. Either way, the film did very poorly and grossed only $1.3 million.

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* BoxOfficeBomb: Official Though official reports say it stated the film had a budget of $10 million, the director has said it was actually $6.5 million. Either way, the film it did very poorly and grossed only $1.3 million.



* TheShelfOfMovieLanguishment: Wasn't released until 1990 thanks to financial issues at Empire International, which wound up being bought out by Epic Productions and released under their name.
* StarDerailingRole: This killed Creator/GaryGraham's career outside ''Series/AlienNation''. Paul Koslo's career never picked up from this flop either before his retirement in 2004 and his death in 2019. Anne-Marie Johnson's career also died before it could start with this film, leading her to stick towards TV with ''Series/InTheHeatOfTheNight'' and ''Series/InLivingColor''

to:

* TheShelfOfMovieLanguishment: Wasn't It wasn't released until 1990 thanks to financial issues at Empire International, which wound up being bought out by Epic Productions and released under their name.
* StarDerailingRole: This killed Creator/GaryGraham's Gary Graham's career outside ''Series/AlienNation''. Paul Koslo's career never picked up from this flop either before his retirement in 2004 and his death in 2019. Anne-Marie Johnson's career also died before it could start with this film, leading her to stick towards TV with ''Series/InTheHeatOfTheNight'' and ''Series/InLivingColor''
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* StarDerailingRole: This killed Gary Graham's career outside ''Series/AlienNation''. Paul Koslo's career never picked up from this flop either before his retirement in 2004 and his death in 2019. Anne-Marie Johnson's career also died before it could start with this film, leading her to stick towards TV with ''Series/InTheHeatOfTheNight'' and ''Series/InLivingColor''

to:

* StarDerailingRole: This killed Gary Graham's Creator/GaryGraham's career outside ''Series/AlienNation''. Paul Koslo's career never picked up from this flop either before his retirement in 2004 and his death in 2019. Anne-Marie Johnson's career also died before it could start with this film, leading her to stick towards TV with ''Series/InTheHeatOfTheNight'' and ''Series/InLivingColor''
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* TroubledProduction: In addition to the ExecutiveMeddling and WriterRevolt. Gordon said, "Everything that could have gone wrong went wrong. There were sandstorms, flooding, and sets getting destroyed by winds. He wanted to shoot it outside. Normally, you shoot miniature work in a very controlled environment, but Dave had this idea that he wanted to shoot it against real skies, and real mountains, and really give this thing a sense of reality. Because of the sunlight, the depth of field was such that you could fool the eye."

to:

* TroubledProduction: In addition to the ExecutiveMeddling and WriterRevolt. Gordon said, "Everything that could have gone wrong went wrong. There were sandstorms, flooding, and sets getting destroyed by winds. He wanted to shoot it outside. Normally, you shoot miniature work in a very controlled environment, but Dave had this idea that he wanted to shoot it against real skies, and real mountains, and really give this thing a sense of reality. Because of the sunlight, the depth of field DepthOfField was such that you could fool the eye."

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* DoingItForTheArt: Director Creator/StuartGordon wanted to make the film because while there was plenty of animated fare to be held featuring giant robots, no one had tried to do it in live-action, and with the advances being made in special effects for cinema he wanted to be the one to make it happen.


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* InspirationForTheWork: Director Creator/StuartGordon wanted to make the film because while there was plenty of animated fare to be held featuring giant robots, no one had tried to do it in live-action, and with the advances being made in special effects for cinema he wanted to be the one to make it happen.

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-->'''Gordon''': While there have been animated cartoons based on these giant robots, no one has ever attempted a live-action feature about them. It struck me that it was a natural fantasy for the big screen–and a terrific opportunity to take advantage of the special effects that are available today.

to:

-->'''Gordon''': --->'''Gordon''': While there have been animated cartoons based on these giant robots, no one has ever attempted a live-action feature about them. It struck me that it was a natural fantasy for the big screen–and a terrific opportunity to take advantage of the special effects that are available today.



-->'''Haldeman''': I would try to change the science into something reasonable; Stuart would change it back to Saturday morning cartoon stuff. I tried to make believable, reasonable characters, and Stuart would insist on throwing in clichés and caricatures. It was especially annoying because it was a story about soldiers, and I was the only person around who'd ever been one.

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-->'''Haldeman''': --->'''Haldeman''': I would try to change the science into something reasonable; Stuart would change it back to Saturday morning cartoon stuff. I tried to make believable, reasonable characters, and Stuart would insist on throwing in clichés and caricatures. It was especially annoying because it was a story about soldiers, and I was the only person around who'd ever been one.one.
* ReferencedBy: The crowd screaming in the aftermath of the battle between Achilles and Alexander is sampled in Music/NineInchNails' song "The Becoming" from their album ''Music/TheDownwardSpiral''.

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* StarDerailingRole: This killed Gary Graham's career outside ''Series/AlienNation''. Paul Koslo's career never picked up from this flop either before his retirement in 2004 and his death in 2019. Anne-Marie Johnson's career also died before it could start with this film, leading her to stick towards TV with ''Series/InTheHeatOfTheNight'' and ''Series/InLivingColor''



* StarDerailingRole: This pretty much ruined Gary Graham's career for a long time outside ''Series/AlienNation'' TV movies.
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Added DiffLines:

* TheShelfOfMovieLanguishment: Wasn't released until 1990 thanks to financial issues at Empire International, which wound up being bought out by Epic Productions and released under their name.
Is there an issue? Send a MessageReason:
None


* DoingItForTheArt: Director Stuart Gordon wanted to make the film because while there was plenty of animated fare to be held featuring giant robots, no one had tried to do it in live-action, and with the advances being made in special effects for cinema he wanted to be the one to make it happen.

to:

* DoingItForTheArt: Director Stuart Gordon Creator/StuartGordon wanted to make the film because while there was plenty of animated fare to be held featuring giant robots, no one had tried to do it in live-action, and with the advances being made in special effects for cinema he wanted to be the one to make it happen.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* BoxOfficeBomb: Official reports say it had a budget of $10 million, the director has said it was actually $6.5 million. Either way, the film did very poorly and grossed only $1.3 million.
Is there an issue? Send a MessageReason:
None


* DoingItForTheArt: Director Stuart Gordon wanted to make the film because while there was plenty of animated fare to be held featuring giant robots, no one had tried to do it in live-action, and with the advances being made in special effects for cinema.

to:

* DoingItForTheArt: Director Stuart Gordon wanted to make the film because while there was plenty of animated fare to be held featuring giant robots, no one had tried to do it in live-action, and with the advances being made in special effects for cinema.cinema he wanted to be the one to make it happen.

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Removed: 455

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* DoingItForTheArt: The reason director Stuart Gordon wanted to make the film? While there was plenty of animated fare to be held featuring giant robots, no one had tried to do it in live-action, and with the advances being made in special effects for cinema, he wanted to give it a shot.
* ExecutiveMeddling[=/=]WriterRevolt: ZigZagged. Creator/JoeHaldeman and [[Film/ReAnimator Stuart Gordon]] had entirely different plots in mind while working on the movie. Gordon wanted to make a campy flick about giant robots pounding the bolts out of each other.[[https://en.wikipedia.org/wiki/Robot_Jox#Production]]

to:

* DoingItForTheArt: The reason director Director Stuart Gordon wanted to make the film? While film because while there was plenty of animated fare to be held featuring giant robots, no one had tried to do it in live-action, and with the advances being made in special effects for cinema, he wanted to give it a shot.
cinema.
* ExecutiveMeddling[=/=]WriterRevolt: ZigZagged. Creator/JoeHaldeman and [[Film/ReAnimator Stuart Gordon]] Gordon (''Film/ReAnimator'') had entirely different plots in mind while working on the movie. movie.
**
Gordon wanted to make a campy flick about giant robots pounding the bolts out of each other.[[https://en.wikipedia.org/wiki/Robot_Jox#Production]]



** The film became a CultClassic because they met somewhat amicably somewhere in the middle, and it might have turned out okay anyway if not for the TroubledProduction.
-->'''Gordon''': Everything that could have gone wrong went wrong. There were sandstorms, flooding, and sets getting destroyed by winds. He wanted to shoot it outside. Normally, you shoot miniature work in a very controlled environment, but Dave had this idea that he wanted to shoot it against real skies, and real mountains, and really give this thing a sense of reality. Because of the sunlight, the depth of field was such that you could fool the eye.

to:

** The film became a CultClassic because they met somewhat amicably somewhere in * TroubledProduction: In addition to the middle, ExecutiveMeddling and it might have turned out okay anyway if not for the TroubledProduction.
-->'''Gordon''': Everything
WriterRevolt. Gordon said, "Everything that could have gone wrong went wrong. There were sandstorms, flooding, and sets getting destroyed by winds. He wanted to shoot it outside. Normally, you shoot miniature work in a very controlled environment, but Dave had this idea that he wanted to shoot it against real skies, and real mountains, and really give this thing a sense of reality. Because of the sunlight, the depth of field was such that you could fool the eye."



* WhatCouldHaveBeen: A spinoff called ''Battle Jox'' was in the planning stages years later, but never saw development.

to:

* WhatCouldHaveBeen: WhatCouldHaveBeen:
**
A spinoff called ''Battle Jox'' was in the planning stages years later, but never saw development.
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Added DiffLines:

* DoingItForTheArt: The reason director Stuart Gordon wanted to make the film? While there was plenty of animated fare to be held featuring giant robots, no one had tried to do it in live-action, and with the advances being made in special effects for cinema, he wanted to give it a shot.
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** Originally, the plot was supposed to be an adaptation of ''Literature/TheIliad'', [[RecyledInSpace with humongous robots]], hence the protagonist's NomDeGuerre of Achilles. For the most part, the main remnant of the original premise is Achilles's robot [[MythologyGag getting a]] [[StealthPun foot]] [[AchillesHeel shot off.]]

to:

** Originally, the plot was supposed to be an adaptation of ''Literature/TheIliad'', [[RecyledInSpace [[InSpace with humongous robots]], hence the protagonist's NomDeGuerre of Achilles. For the most part, the main remnant of the original premise is Achilles's robot [[MythologyGag getting a]] [[StealthPun foot]] [[AchillesHeel shot off.]]
Is there an issue? Send a MessageReason:
None

Added DiffLines:

** Originally, the plot was supposed to be an adaptation of ''Literature/TheIliad'', [[RecyledInSpace with humongous robots]], hence the protagonist's NomDeGuerre of Achilles. For the most part, the main remnant of the original premise is Achilles's robot [[MythologyGag getting a]] [[StealthPun foot]] [[AchillesHeel shot off.]]

Added: 500

Changed: 198

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* ExecutiveMeddling[=/=]WriterRevolt: ZigZagged. Creator/JoeHaldeman and [[Film/ReAnimator Stuart Gordon]] had entirely different plots in mind while working on the movie. Haldeman wanted to make Literature/TheForeverWar with HumongousMecha, focusing on the psychological stress of the jox being personally responsible for countless lives and in Achilles' case, deaths. Gordon wanted to make a campy flick about giant robots pounding the bolts out of each other.[[https://en.wikipedia.org/wiki/Robot_Jox#Production]]

to:

* ExecutiveMeddling[=/=]WriterRevolt: ZigZagged. Creator/JoeHaldeman and [[Film/ReAnimator Stuart Gordon]] had entirely different plots in mind while working on the movie. Haldeman wanted to make Literature/TheForeverWar with HumongousMecha, focusing on the psychological stress of the jox being personally responsible for countless lives and in Achilles' case, deaths. Gordon wanted to make a campy flick about giant robots pounding the bolts out of each other.[[https://en.wikipedia.org/wiki/Robot_Jox#Production]] org/wiki/Robot_Jox#Production]]
-->'''Gordon''': While there have been animated cartoons based on these giant robots, no one has ever attempted a live-action feature about them. It struck me that it was a natural fantasy for the big screen–and a terrific opportunity to take advantage of the special effects that are available today.
**Haldeman wanted to make Literature/TheForeverWar with HumongousMecha, focusing on the psychological stress of the jox being personally responsible for countless lives and in Achilles' case, deaths.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ExecutiveMeddling[=/=]WriterRevolt: ZigZagged. Creator/JoeHaldeman and [[Film/ReAnimator Stuart Gordon]] had entirely different plots in mind while working on the movie. Haldeman wanted to make Literature/TheForeverWar with HumongousMecha, focusing on the psychological stress of the jox being personally responsible for countless lives and in Achilles' case, deaths. Gordon wanted to make a campy flick about giant robots pounding the bolts out of each other.[[https://en.wikipedia.org/wiki/Robot_Jox#Production]]
-->'''Haldeman''': I would try to change the science into something reasonable; Stuart would change it back to Saturday morning cartoon stuff. I tried to make believable, reasonable characters, and Stuart would insist on throwing in clichés and caricatures. It was especially annoying because it was a story about soldiers, and I was the only person around who'd ever been one.
** The film became a CultClassic because they met somewhat amicably somewhere in the middle, and it might have turned out okay anyway if not for the TroubledProduction.
-->'''Gordon''': Everything that could have gone wrong went wrong. There were sandstorms, flooding, and sets getting destroyed by winds. He wanted to shoot it outside. Normally, you shoot miniature work in a very controlled environment, but Dave had this idea that he wanted to shoot it against real skies, and real mountains, and really give this thing a sense of reality. Because of the sunlight, the depth of field was such that you could fool the eye.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* StarDerailingRole: This pretty much ruined Gary Graham's career for a long time outside ''Series/AlienNation'' TV movies.
* WhatCouldHaveBeen: A spinoff called ''Battle Jox'' was in the planning stages years later, but never saw development.
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