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* BetterExportForYou: The film has a high quality America Blu-ray set, released in 2023 to coincide with its {{remaster}}. In its home country of Hungary, it is only available on a lower quality DVD from 2013. There is also an official online release that is only made public on very rare occasions -- hence, most people know the movie via piracy.
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* BoxOfficeBomb: As it happened after the failures of ''Animation/SonOfTheWhiteHorse'', ''Animation/TimeMasters'' and especially ''Animation/FoamBath'', Creator/PannoniaFilmStudio had to strengthen its grip on their creative teams even further and force them to produce more profitable films.
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* BoxOfficeBomb: As it happened after the failures of ''Animation/SonOfTheWhiteHorse'', ''Animation/TimeMasters'' ''WesternAnimation/TimeMasters'' and especially ''Animation/FoamBath'', Creator/PannoniaFilmStudio had to strengthen its grip on their creative teams even further and force them to produce more profitable films.
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* ExecutiveMeddling: The director wanted to tell the story purely through visuals and music, but the higher-ups forced him to add a [[TheNarrator narration track]] over the whole thing. Despite the dramatic writing and the talents of Gyula Szabó, it was thought the narration took away from the film's impact and lacked the poetic merit of the source material.
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* ExecutiveMeddling: The director wanted to tell the story purely through visuals and music, but the higher-ups forced him to add a [[TheNarrator narration track]] over the whole thing. Despite the dramatic writing and the talents of Gyula Szabó, it was thought the narration took away from the film's impact and lacked the poetic merit of the source material.material.
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Not necessarily. Nothing is stated here how they valued art over profit
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* DoingItForTheArt: Why else choose such a tremendously labor-intensive animation style?
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* CreatorsOddball: By all accounts, director József Gémes was an unassuming studio worker, more interested in the technicalities of animation than its artistry. To tackle such a mighty artistic film project was either the next step of his career, or an over-ambitious outlier. Many consider this his magnum opus precisely because it's so unique, but since other productions he's worked on (''Animation/CatCity'', ''Animation/TheSeventhBrother'', ''WesternAnimation/ThePrincessAndTheGoblin'', ''WesternAnimation/HugoTheHippo'' and ''Animation/MezgaCsalad'' to name a few) are more famous and conventional, most don't even associate it with his name.
to:
* CreatorsOddball: By all accounts, director József Gémes was an unassuming studio worker, more interested in the technicalities of animation than its artistry. To tackle such a mighty artistic film project was either the next step of his career, or an over-ambitious outlier. Many consider this his magnum opus precisely because it's so unique, but since other productions he's worked on (''Animation/CatCity'', ''Animation/TheSeventhBrother'', ''WesternAnimation/ThePrincessAndTheGoblin'', ''WesternAnimation/HugoTheHippo'' ''Animation/HugoTheHippo'' and ''Animation/MezgaCsalad'' to name a few) are more famous and conventional, most don't even associate it with his name.
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None
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* CreatorsOddball: By all accounts, director József Gémes was an unassuming studio worker, more interested in the technicalities of animation than its artistry. To tackle such a mighty artistic film project was either the next step of his career, or an over-ambitious outlier. Many consider this his magnum opus precisely because it's so unique, but since other productions he's worked on (''Animation/CatCity'', ''Animation/TheSeventhBrother'', ''WesternAnimation/ThePrincessAndTheGoblin'', ''Animation/HugoTheHippo'' and ''Animation/MezgaCsalad'' to name a few) are more famous and conventional, most don't even associate it with his name.
to:
* CreatorsOddball: By all accounts, director József Gémes was an unassuming studio worker, more interested in the technicalities of animation than its artistry. To tackle such a mighty artistic film project was either the next step of his career, or an over-ambitious outlier. Many consider this his magnum opus precisely because it's so unique, but since other productions he's worked on (''Animation/CatCity'', ''Animation/TheSeventhBrother'', ''WesternAnimation/ThePrincessAndTheGoblin'', ''Animation/HugoTheHippo'' ''WesternAnimation/HugoTheHippo'' and ''Animation/MezgaCsalad'' to name a few) are more famous and conventional, most don't even associate it with his name.
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None
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* DevelopmentGag: "''Daliás idők''" was the WorkingTitle of the third ''Toldi'' book.
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* DevelopmentGag: "''Daliás idők''" was the WorkingTitle of the third ''Toldi'' book.''Literature/{{Toldi}}'' poem.
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* BoxOfficeBomb: As it happened after the failures of ''ANimation/SonOfTheWhiteHorse'', ''Animation/TimeMasters'' and especially ''Animation/FoamBath'', Creator/PannoniaFilmStudio had to strengthen its grip on their creative teams even further and force them to produce more profitable films.
to:
* BoxOfficeBomb: As it happened after the failures of ''ANimation/SonOfTheWhiteHorse'', ''Animation/SonOfTheWhiteHorse'', ''Animation/TimeMasters'' and especially ''Animation/FoamBath'', Creator/PannoniaFilmStudio had to strengthen its grip on their creative teams even further and force them to produce more profitable films.films.
* CreatorsOddball: By all accounts, director József Gémes was an unassuming studio worker, more interested in the technicalities of animation than its artistry. To tackle such a mighty artistic film project was either the next step of his career, or an over-ambitious outlier. Many consider this his magnum opus precisely because it's so unique, but since other productions he's worked on (''Animation/CatCity'', ''Animation/TheSeventhBrother'', ''WesternAnimation/ThePrincessAndTheGoblin'', ''Animation/HugoTheHippo'' and ''Animation/MezgaCsalad'' to name a few) are more famous and conventional, most don't even associate it with his name.
* CreatorsOddball: By all accounts, director József Gémes was an unassuming studio worker, more interested in the technicalities of animation than its artistry. To tackle such a mighty artistic film project was either the next step of his career, or an over-ambitious outlier. Many consider this his magnum opus precisely because it's so unique, but since other productions he's worked on (''Animation/CatCity'', ''Animation/TheSeventhBrother'', ''WesternAnimation/ThePrincessAndTheGoblin'', ''Animation/HugoTheHippo'' and ''Animation/MezgaCsalad'' to name a few) are more famous and conventional, most don't even associate it with his name.
Is there an issue? Send a MessageReason:
None
Added line(s) 2 (click to see context) :
* BoxOfficeBomb: As it happened after the failures of ''ANimation/SonOfTheWhiteHorse'', ''Animation/TimeMasters'' and especially ''Animation/FoamBath'', Creator/PannoniaFilmStudio had to strengthen its grip on their creative teams even further and force them to produce more profitable films.
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* DoingItForTheArt: Why else choose such a tremendously labor-intensive animation style?
to:
* DoingItForTheArt: Why else choose such a tremendously labor-intensive animation style?style?
* ExecutiveMeddling: The director wanted to tell the story purely through visuals and music, but the higher-ups forced him to add a [[TheNarrator narration track]] over the whole thing. Despite the dramatic writing and the talents of Gyula Szabó, it was thought the narration took away from the film's impact and lacked the poetic merit of the source material.
* ExecutiveMeddling: The director wanted to tell the story purely through visuals and music, but the higher-ups forced him to add a [[TheNarrator narration track]] over the whole thing. Despite the dramatic writing and the talents of Gyula Szabó, it was thought the narration took away from the film's impact and lacked the poetic merit of the source material.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* DevelopmentGag: "''Daliás idők''" was the WorkingTitle of the third ''Toldi'' book.
* DoingItForTheArt: Why else choose such a tremendously labor-intensive animation style?
* DoingItForTheArt: Why else choose such a tremendously labor-intensive animation style?