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A recording of a performance of it is available on DVD and Creator/{{Netflix}}.

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A recording of a performance of it is available on DVD and Creator/{{Netflix}}.Amazon.
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** While the Magic Mirror did appear in the Broadway show, he was cut out of the script for future productions. The scene has Gingy inform Farquaad about Fiona instead.

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** While the Magic Mirror did appear in the Broadway show, he was cut out of the script for future productions.the revised version. The scene has Gingy inform Farquaad about Fiona instead.



** The soundtrack and DVD are missing the song "Forever" because it replaced the original song "Donkey Pot Pie" between the original Broadway run and the U.S. tour. The song contains a lot of Dragon's motivations (she's annoyed that she's a glorified babysitter and no one will ever want to rescue ''her'') and the reason Donkey becomes attracted to her (in stating that Fiona's not his type, he declares he "likes a big, big girl").

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** The soundtrack and DVD are Broadway ProShot is missing the song "Forever" because it replaced the original song "Donkey Pot Pie" between the original Broadway run and the U.S. tour. The song contains a lot of Dragon's motivations (she's annoyed that she's a glorified babysitter and no one will ever want to rescue ''her'') and the reason Donkey becomes attracted to her (in stating that Fiona's not his type, he declares he "likes a big, big girl"). All though this song if featured on the Broadway cast recording.



* BigBeautifulWoman: A plot point with Dragon, oddly enough--in both versions of her song ("Donkey Pot Pie" and "Forever"), she laments that she's always overlooked in favor of the more traditionally beautiful Fiona. Donkey tries to charm her into letting him go by revealing that he actually ''likes'' big ladies, which prompts Dragon to believe he's flirting with her and fall in love with him. In some productions, the point is emphasized by having Dragon be represented by an attractive plus-sized actress as well as a puppet.

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* BigBeautifulWoman: A plot point with the Dragon, oddly enough--in both versions of her song ("Donkey Pot Pie" and "Forever"), she laments that she's always overlooked in favor of the more traditionally beautiful Fiona. Donkey tries to charm her into letting him go by revealing that he actually ''likes'' big ladies, which prompts Dragon to believe he's flirting with her and fall in love with him. In some productions, the point is emphasized by having Dragon be represented by an attractive plus-sized actress as well as a puppet.



** In every production following the Broadway version, Gingy is the one who informs Farquaad about Fiona, not the Magic Mirror.

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** In the revised version that is performed in every production following the Broadway version, Gingy is the one who informs Farquaad about Fiona, not the Magic Mirror.



* DemotedToExtra: Dragon's role in the musical had shifted quite a bit throughout the show's history. In the tryout version, her role was significantly [[AscendedExtra larger]] compared to the first film, due to her romance with Donkey being much more established and fleshed out. Once the show hit Broadway, however, the scenes that helped develop their relationship were cut, and Dragon's stage time was reduced to the "Donkey Pot Pie" number, the chase sequence, and the scene where she bursts into the chapel to eat Farquaad.[[note]]The Seattle tryout was able to give Dragon more stage time by personifying her through her actress, allowing the character to appear without the giant puppet head. This wasn't the case in the Broadway production.[[/note]] Afterwards, the character [[WhatHappenedToTheMouse disappears before the finale]]. The show's current script, however, gives her a much more sizable role (not to the extent of the Seattle tryout, but not nearly as small as the Broadway iteration's).

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* DemotedToExtra: Dragon's role in the musical had shifted quite a bit throughout the show's history. In the tryout version, her role was significantly [[AscendedExtra larger]] compared to the first film, due to her romance with Donkey being much more established and fleshed out. Once the show hit Broadway, however, the scenes that helped develop their relationship were cut, and Dragon's stage time was reduced to the "Donkey Pot Pie" number, the chase sequence, and the scene where she bursts into the chapel to eat incinerate Farquaad.[[note]]The Seattle tryout was able to give Dragon more stage time by personifying her through her actress, allowing the character to appear without the giant puppet head. This wasn't the case in the Broadway production.[[/note]] Afterwards, the character [[WhatHappenedToTheMouse disappears before the finale]]. The show's current script, however, gives her a much more sizable role (not to the extent of the Seattle tryout, but not nearly as small as the Broadway iteration's).



* GoMadFromTheIsolation: Fiona in the play is... [[SanitySlippage a little eccentric]] due to being alone in her tower for years.

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* GoMadFromTheIsolation: Fiona in the play musical is... [[SanitySlippage a little eccentric]] due to being alone in her tower for years.



* NeverTrustATrailer: [[https://youtu.be/UPSPj3kx3Cc The commercial]] for the Blu-Ray/DVD release adds a lot of canned audience reactions to the show clips. Perhaps the most jarring edit is the addition of laughter after Shrek’s line, “You were expecting Prince Charming?”, a moment that isn’t meant to be funny.

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* NeverTrustATrailer: [[https://youtu.be/UPSPj3kx3Cc [[https://youtube.com/UPSPj3kx3Cc The commercial]] for the Blu-Ray/DVD release adds a lot of canned audience reactions to the show clips. Perhaps the most jarring edit is the addition of laughter after Shrek’s line, “You were expecting Prince Charming?”, a moment that isn’t meant to be funny.



** At the end of the reprise for "What's Up, Duloc?", Lord Farquaad "levitates" to the top of his castle and imitates the iconic "Defying Gravity" riff from ''{{Theatre/Wicked}}''. He even sings "nothing will bring me down" while the people below him reach out as if to grab him, just like in Wicked.

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** At the end of the reprise for "What's Up, Duloc?", Lord Farquaad "levitates" to the top of his castle and imitates the iconic "Defying Gravity" riff from ''{{Theatre/Wicked}}''. He even sings "nothing will "And no-ones gonna bring me down" down!" while the people below rear lights even shine a bright green accompanying him reach out as if to grab him, just like in Wicked.nailing the final battle cry.



** In Seattle tryouts, "Story of My Life" was not included. Instead, there was a song which served as an extended ''Theatre/AChorusLine'' reference in which the fairy tale creatures "audition" before Farquaad, who is offstage beyond the fourth wall a la Zach in ''Chorus Line''. The Broadway version arguably kept this element in the choreography.

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** In Seattle tryouts, "Story of My Life" was not included. Instead, there was a song which served as an extended ''Theatre/AChorusLine'' reference in which the fairy tale creatures "audition" before Farquaad, who is offstage beyond the fourth wall a la Zach in ''Chorus ''A Chorus Line''. The Broadway version arguably kept this element in the choreography.
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** The 2023 UK tour completely removes Farquaad's short stature, and all the jokes with it. However, it still retains the subplot regarding [[spoiled:his father Grumpy]], which was written specifically to explain the character's height.

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** The 2023 UK tour completely removes Farquaad's short stature, and all the jokes with it. However, it still retains the subplot regarding [[spoiled:his [[spoiler:his father Grumpy]], which was written specifically to explain the character's height.

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* TheArtifact: Two instances in the filmed version of "Freak Flag".
** The line "But it's not a choice you make, it's just how you were hatched" is usually sung by Humpty Dumpty. However, the actress who normally plays Humpty plays a ''different'' character in this performance (Tweedledum), yet still sings the lyric as written, consequently losing the egg pun.
** "I smell like sauerkraut!" was originally a line written for the Gnome, but here, it's sung by (of all characters) the Mad Hatter, who replaces the Gnome.

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* TheArtifact: Two instances in TheArtifact:
** From
the filmed version of "Freak Flag".
** The
Broadway proshot: the line "But it's not a choice you make, it's just how you were hatched" is usually sung by Humpty Dumpty. However, the actress who normally plays Humpty plays a ''different'' character in this performance (Tweedledum), yet still sings the lyric as written, consequently losing the egg pun.
** "I smell like sauerkraut!" was originally a line written for the Gnome, but here, in the filmed version, it's sung by (of all characters) the Mad Hatter, who replaces the Gnome.Gnome.
** The 2023 UK tour completely removes Farquaad's short stature, and all the jokes with it. However, it still retains the subplot regarding [[spoiled:his father Grumpy]], which was written specifically to explain the character's height.
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''Shrek The Musical'' (music by Jeanine Tesori, book and lyrics by David Lindsay-Abaire) is an adaptation of the Creator/DreamWorksAnimation film ''WesternAnimation/Shrek1'' as a stage musical. It opened on Broadway in 2008 after a trial run in Seattle. Multiple touring productions followed, and it is now available for independent productions.

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''Shrek The Musical'' (music by Jeanine Tesori, book and lyrics by David Lindsay-Abaire) Creator/DavidLindsayAbaire) is an adaptation of the Creator/DreamWorksAnimation film ''WesternAnimation/Shrek1'' as a stage musical. It opened on Broadway in 2008 after a trial run in Seattle. Multiple touring productions followed, and it is now available for independent productions.
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* EvilStoleMyFaith: One of Shrek's lines in "I've Got You Beat" implies this about him. He describes narrowly escaping getting lynched by an angry mob, and wondering afterwards "whether ogres even go to heaven".
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* MythologyGag:
** Puss in Boots has a quick cameo in "Travel Song", and Donkey comments that he's never met a cat wearing boots before (a nod to their eventual friendship).
** The song "Make a Move" is clearly inspired by Music/OtisRedding's cover of "Try a Little Tenderness", which Donkey briefly sings in the movie.
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* NeverTrustATrailer: [[https://youtu.be/UPSPj3kx3Cc The commercial]] for the Blu-Ray/DVD release adds a lot of canned audience reactions to the show clips. Perhaps the most jarring edit is the addition of laughter after Shrek’s line, “You were expecting Prince Charming?”, a moment that isn’t meant to be funny.
Is there an issue? Send a MessageReason:
None


''Shrek The Musical'' (music by Jeanine Tesori, book and lyrics by David Lindsay-Abaire) is an adaptation of the Creator/DreamWorksAnimation film ''WesternAnimation/{{Shrek}}'' as a stage musical. It opened on Broadway in 2008 after a trial run in Seattle. Multiple touring productions followed, and it is now available for independent productions.

to:

''Shrek The Musical'' (music by Jeanine Tesori, book and lyrics by David Lindsay-Abaire) is an adaptation of the Creator/DreamWorksAnimation film ''WesternAnimation/{{Shrek}}'' ''WesternAnimation/Shrek1'' as a stage musical. It opened on Broadway in 2008 after a trial run in Seattle. Multiple touring productions followed, and it is now available for independent productions.
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** Gingy also, to a lesser extent. The character is still presumably male in the stage musical, but he's traditionally played by a female actor who carries him around like a puppet. The role definitely calls for a girl's voice to sing those notes.

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** Gingy also, to To a lesser extent. The extent, Gingy. While the character is still presumably still male like in the stage musical, but films, he's traditionally played by a female actor who carries him around like a puppet. The role definitely calls for a girl's voice to sing those notes.

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* WelcomingSong: "Welcome to Duloc/What's Up, Duloc?"

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* VoiceOfTheLegion: In the Broadway production, Dragon is voiced by an entire female ensemble, evoking this trope. They even vocalize in harmony to represent her roars. In subsequent productions, she is voiced by a soloist.
* WelcomingSong: "Welcome to Duloc/What's Up, Duloc?" Duloc?", the former song being ripped straight from the original film.



** "Freak Flag"

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** "Freak Flag"Flag", in which the Fairytale Creatures learn to embrace their fantastical eccentricities.

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* CanonForeigner: A handful of the fairytale creatures in the show never actually appeared in the films. These include [[Literature/AliceInWonderland the White Rabbit, the Mad Hatter, Tweedledee and Tweedledum (in some productions)]], Literature/TheUglyDuckling, [[Theatre/TheNutcracker the Sugar Plum Fairy]], the Gnome, and [[Literature/TheELvesAndTheCobbler the Shoemaker's Elf]].

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* CanonForeigner: CanonForeigner:
**
A handful of the fairytale creatures in the show never actually appeared in the films. These include [[Literature/AliceInWonderland the White Rabbit, the Mad Hatter, Tweedledee and Tweedledum (in some productions)]], Literature/TheUglyDuckling, [[Theatre/TheNutcracker the Sugar Plum Fairy]], the Gnome, and [[Literature/TheELvesAndTheCobbler [[Literature/TheElvesAndTheCobbler the Shoemaker's Elf]].Elf]].
** Dragon's captive knights (AKA her background singers) are original to the stage show.
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* SameCharacterButDifferent: The Fairy Godmother makes an appearance, but she is ''not'' the villainous one from ''WesternAnimation/Shrek2'', despite their visual similarities.

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* AdaptationalSpeciesChange: The little Duloc dolls who greet Shrek and Donkey were originally animatronics, blatantly parodying Disney's ''Ride/ItsASmallWorld''. The show portrays them as fully-sized humans ''dressed'' like dolls.

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* AdaptationalSpeciesChange: AdaptationalSpeciesChange:
** The movie's Lord Farquaad was simply a diminutive human; in the musical, he's [[spoiler:half-dwarf]].
**
The little Duloc dolls who greet Shrek and Donkey were originally animatronics, blatantly parodying Disney's ''Ride/ItsASmallWorld''. The show portrays them as fully-sized humans ''dressed'' like dolls.
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** When Pinocchio tells Peter Pan to grow up, the latter replies, [[Theater/PeterPan1954 "I won't grow up!"]]

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** When Pinocchio tells Peter Pan to grow up, the latter replies, [[Theater/PeterPan1954 [[Theatre/PeterPan1954 "I won't grow up!"]]

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* AdaptationalSpeciesChange: The little Duloc dolls who greet Shrek and Donkey were originally animatronics, blatantly parodying Disney's ''Ride/ItsASmallWorld''. The show portrays them as fully-sized humans ''dressed'' like dolls.



** Robin Hood and his Merry Men (which is ironic, since they're the only characters that actually have a musical number in the film).

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** Robin Hood and his Merry Men (which is ironic, since they're the only characters that they actually have had a musical number in the film).



* AgeLift: Literature/PeterPan was unquestionably a boy in the first ''Shrek'', but here, he's a 34-year-old {{Manchild}} "who needs to shave".



* CompositeCharacter:
** The AngryMob that Shrek scares away in the film is combined with Farquaad's knights in the show.
** In every production following the Broadway version, Gingy is the one who informs Farquaad about Fiona, not the Magic Mirror.



** During the show's tryout performances in Seattle, one of the fairy tale creatures, the Wicked Witch, mentions selling her rights to [[Creator/StephenSchwartz Stephen]] [[{{Theatre/Wicked}} Schwartz]].

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** During the show's tryout performances in Seattle, one of the fairy tale creatures, the Wicked Witch, mentions selling her rights memoirs to [[Creator/StephenSchwartz Stephen]] [[{{Theatre/Wicked}} Schwartz]].Schwartz]].
** When Pinocchio tells Peter Pan to grow up, the latter replies, [[Theater/PeterPan1954 "I won't grow up!"]]
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Removed the "here's my opinion on it" section of the opening


''Shrek The Musical'' (music by Jeanine Tesori, book and lyrics by David Lindsay-Abaire) is an adaptation of the film ''WesternAnimation/{{Shrek}}'' (Creator/DreamWorks, 2001) as a stage musical. It opened on Broadway in 2008 after a trial run in Seattle. Multiple touring productions followed, and it is now available for independent productions. Despite sounding like a stupid idea to most people who first hear of it, it's actually a strong, faithful adaptation that keeps most of the movie's dialogue and includes some genuinely great music.

to:

''Shrek The Musical'' (music by Jeanine Tesori, book and lyrics by David Lindsay-Abaire) is an adaptation of the Creator/DreamWorksAnimation film ''WesternAnimation/{{Shrek}}'' (Creator/DreamWorks, 2001) as a stage musical. It opened on Broadway in 2008 after a trial run in Seattle. Multiple touring productions followed, and it is now available for independent productions. Despite sounding like a stupid idea to most people who first hear of it, it's actually a strong, faithful adaptation that keeps most of the movie's dialogue and includes some genuinely great music.
productions.
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* ImNotDoingThatAgain: Shrek's initial reaction when Fiona tells him that there is no door, and they'll have to go down the same way he came up.
--> '''Shrek:''' What do you mean there's no door? How do we get down?\\
'''Fiona:''' Why, the same way you got up?\\
'''Shrek:''' The same way I--?! Oh come on! I just--!
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* CanonForeigner: A handful of the fairytale creatures in the show never actually appeared in the films. These include [[Literature/AliceInWonderland the White Rabbit, the Mad Hatter, Tweedledee and Tweedledum (in some productions)]], Literature/TheUglyDuckling, [[Theatre/TheNutcracker the Sugar Plum Fairy]], the Gnome, and [[Literature/TheELvesAndTheCobbler the Shoemaker's Elf]].

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* AdaptedOut: Robin Hood and his Merry Men (which is ironic, since they're the only characters that actually have a musical number in the film).

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* AdaptedOut: AdaptedOut:
**
Robin Hood and his Merry Men (which is ironic, since they're the only characters that actually have a musical number in the film).film).
** While the Magic Mirror did appear in the Broadway show, he was cut out of the script for future productions. The scene has Gingy inform Farquaad about Fiona instead.

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* CallForward:
** Puss in Boots makes a quick cameo during "Travel Song".

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* CallForward:
**
CallForward: Puss in Boots makes a quick cameo during "Travel Song".

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* TheArtifact: Two instances in the filmed version of "Freak Flag".
** The line "But it's not a choice you make, it's just how you were hatched" is usually sung by Humpty Dumpty. However, the actress who normally plays Humpty plays a ''different'' character in this performance (Tweedledum), yet still sings the lyric as written, consequently losing the egg pun.
** "I smell like sauerkraut!" was originally a line written for the Gnome, but here, it's sung by (of all characters) the Mad Hatter, who replaces the Gnome.



* ScreenToStageAdaptation: It's a musical adaptation of the first Shrek film (and the first one to be based on a [=DreamWorks=] animated feature).



* TheMusical: Shrek The Musical
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A recording of a performance of it is available on Creator/{{Netflix}}.

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A recording of a performance of it is available on DVD and Creator/{{Netflix}}.

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Removed: 19

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Donkey's not really a Beast Man as he appears to be a real donkey in context, just depicted as humanoid for the sake of acting, IIRC.


* BeastMan: Donkey.



* BoomerangBigot: [[spoiler:Lord Faarquard is half dwarf.]]

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* BoomerangBigot: [[spoiler:Lord Faarquard is half dwarf.dwarf, but commits genocide against fairytale creatures.]]

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* TakeThat:
-->'''Gingy:''' It's time we do what we should've done a long time ago.\\
'''Gnome:''' Stop mailing all those sweet but slightly threatening fanletters to WesternAnimation/{{The Little Mermaid|1989}}?



** "The Ballad of Farquaad" details his backstory and his [[UnreliableNarrator supposed]] FreudianExcuse.

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** "The Ballad of Farquaad" details his backstory and his [[UnreliableNarrator supposed]] [[spoiler:[[UnreliableNarrator supposed]]]] FreudianExcuse.
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** "Freak Flag" has a bit of a "gay pride" element to it (possibly trans too, depending on how you interpret the Big Bad Wolf's character), especially with Pinocchio's closing message of "I'm wood, I'm good, ''get used to it!''"

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** "Freak Flag" has a bit of a "gay pride" LGBT pride element to it (possibly trans too, depending on how you interpret the Big Bad Wolf's character), it, especially with Pinocchio's closing message of "I'm wood, I'm good, ''get used to it!''"



* FreudianExcuse: Lord Farquaad's backstory is delivered in "The Ballad of Farquaad" about [[MissingMom his mother]] that died when he was young and his [[ParentalNeglect distant father]] that [[ParentalAbandonment left him alone in the woods]] when he was younger. Subverted later when it turns out that his past [[UnreliableNarrator wasn't as hopeless as he made it out to be]].

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* FreudianExcuse: Lord Farquaad's backstory is delivered in "The Ballad of Farquaad" about [[MissingMom his mother]] that died when he was young and his [[ParentalNeglect distant father]] that [[ParentalAbandonment left him alone in the woods]] when he was younger. [[spoiler: Subverted later when it turns out that his past [[UnreliableNarrator wasn't as hopeless as he made it out to be]].]]



'''Grumpy:''' ''Abandoned'' you?! You were twenty-eight! ''[[BasementDweller And living in my basement!]]''

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'''Grumpy:''' [[spoiler:'''Grumpy:''' ''Abandoned'' you?! You were twenty-eight! ''[[BasementDweller And living in my basement!]]''basement!]]'']]


[[quoteright:257:https://static.tvtropes.org/pmwiki/pub/images/shrekcovernew_361.jpg]]

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[[quoteright:257:https://static.[[quoteright:254:https://static.tvtropes.org/pmwiki/pub/images/shrekcovernew_361.org/pmwiki/pub/images/shrek_the_musical_playbill.jpg]]
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* TallyMarksOnThePrisonWall: In the "I Think I Got You Beat" song, Fiona mentions having done this while being locked away in the tower.
-->'''Fiona''': ''On the walls the days were added / Luckily those walls were padded!''
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A recording of a performance of it is available on Creator/{{Netflix}}.
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* SparedByTheAdaptation: In the movie Mama Bear gets turned into a bear rug by Lord Farquaad but in the musical she a main character and survives till the end.

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