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fixing format
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-->''Most high and happy princess,\\
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Baleful Polymorph was renamed per TRS
Deleted line(s) 26 (click to see context) :
* BalefulPolymorph: Dipsas' assistant Bagoa is turned into a tree for betraying the witch to Cynthia. She gets better.
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* ForcedTransformation: Dipsas' assistant Bagoa is turned into a tree for betraying the witch to Cynthia. She gets better.
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Up To Eleven is a defunct trope
Changed line(s) 25 (click to see context) from:
* AgeLift: In the classical myth, Endymion was a boy. Here he's a young man [[UpToEleven who ends up falling asleep for forty years]]. He's restored to his youth in the end.
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* AgeLift: In the classical myth, Endymion was a boy. Here he's a young man [[UpToEleven who ends up falling asleep for forty years]].years. He's restored to his youth in the end.
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Changed line(s) 26 (click to see context) from:
* BalefulPolymorph: Dipsas' assistant Bagoa is turned into a tree for betraying the witch to Cynthia.
to:
* BalefulPolymorph: Dipsas' assistant Bagoa is turned into a tree for betraying the witch to Cynthia. She gets better.
* MeaningfulName: All over the place:
** Eumenides is derived from "eumenes," Greek for "savior".
** "Tellus" of course is Latin for "Earth."
** "Tophas" is an alternative spelling of “tophus,” a kind of soft, porous, volcanic rock
** "Dipsas" is the name of a serpent whose bite causes unquenchable thirst.
** "Geron" is Greek for "old."
** "Floscula" is possibly derived from "floscule," the Latin for "little flower."
** "Scintilla" is Latin for "spark."
** Pythagoras appears as a scholar who Cynthia asks to examine Endymion.
** Eumenides is derived from "eumenes," Greek for "savior".
** "Tellus" of course is Latin for "Earth."
** "Tophas" is an alternative spelling of “tophus,” a kind of soft, porous, volcanic rock
** "Dipsas" is the name of a serpent whose bite causes unquenchable thirst.
** "Geron" is Greek for "old."
** "Floscula" is possibly derived from "floscule," the Latin for "little flower."
** "Scintilla" is Latin for "spark."
** Pythagoras appears as a scholar who Cynthia asks to examine Endymion.
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* MST3KMantra: The prologue defends the whimsical story to come by stating it is just a "tale of the Man in the Moon."
to:
* MST3KMantra: In-universe. The prologue defends the whimsical story to come by stating it is just a "tale of the Man in the Moon.""
* ThoseTwoGuys: Samias and Dares, Endymion and Eumenides' pages, who provide the comic underplot in their fun at Tophas' expense. Their would-be girlfriends Floscula and Scintilla also come to mind.
** Pythagoras and Gyptes also function as generally indistinguishable scholars summoned by Cynthia.
* TimeSkip: The play apparently has one, but treats it very weirdly. Endymion is said to have been asleep for forty years by the time he's woken up (possibly having taken twenty years for Eumenides to find the fountain, and another twenty to return to Cynthia's court), but nobody aside from him seems to age.
* ThoseTwoGuys: Samias and Dares, Endymion and Eumenides' pages, who provide the comic underplot in their fun at Tophas' expense. Their would-be girlfriends Floscula and Scintilla also come to mind.
** Pythagoras and Gyptes also function as generally indistinguishable scholars summoned by Cynthia.
* TimeSkip: The play apparently has one, but treats it very weirdly. Endymion is said to have been asleep for forty years by the time he's woken up (possibly having taken twenty years for Eumenides to find the fountain, and another twenty to return to Cynthia's court), but nobody aside from him seems to age.
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Changed line(s) 23 (click to see context) from:
* {{Allegory}}: Cynthia is without a doubt a stand-in for Queen Elizabeth I. Who everyone else is has been the subject of fierce debate for centuries. Endymion representing Robert Dudley, 1st Earl of Leicester and Tellus representing Mary, Queen of Scots is a popular theory that has survived for a long time, but is far from universally accepted. The reasoning being that Lyly's position at court was tenuous at best (since his employer was Edward de Here, 17th Earl of Oxford, who was often on thin ice), so to write about Elizabeth's personal life, even allegorically, was dangerous. Hence the flattery of Elizabeth as the moon goddess Cynthia is the only allegorical aspect to achieve consensus.
to:
* {{Allegory}}: Cynthia is without a doubt a stand-in for Queen Elizabeth I. Who everyone else is has been the subject of fierce debate for centuries. Endymion representing Robert Dudley, 1st Earl of Leicester and Tellus representing Mary, Queen of Scots is a popular theory that has survived for a long time, but is far from universally accepted. The reasoning being that Lyly's position at court was tenuous at best (since his employer was Edward de Here, Vere, 17th Earl of Oxford, who was often on thin ice), so to write about Elizabeth's personal life, even allegorically, was dangerous. Hence the flattery of Elizabeth as the moon goddess Cynthia is the only allegorical aspect to achieve consensus.
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None
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* {{Allegory}}: Cynthia is without a doubt a stand-in for Queen Elizabeth I. Who everyone else is has been the subject of fierce debate for centuries. Endymion representing Robert Dudley, 1st Earl of Leicester and Tellus representing Mary, Queen of Scots is a popular theory that has survived for a long time, but is far from universally accepted. The reasoning being that Lyly's position at court was tenuous at best (since his employer was Edward de Here, 17th Earl of Oxford, who was often on thin ice), so to write about Elizabeth's personal life, even allegorically, was dangerous. Hence the flattery of Elizabeth as the moon goddess Cynthia is the only allegorical aspect to achieve consensus.
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* CatFight: Flavilla and Scintilla, the girls who the pages hope to impress, get into one, to the amusement of the pages.
* CloudCuckooLander: Endymion comes across this way in his love for Cynthia from Eumenides' point of view, while Sir Tophas comes across this way to just about everyone.
* CloudCuckooLander: Endymion comes across this way in his love for Cynthia from Eumenides' point of view, while Sir Tophas comes across this way to just about everyone.
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* DreamSequence: We not only see Endymion's dreams while he's under the spell, he recounts them in detail at the end.
* TheFairFolk: Corsites is pinched black and blue by fairies when he tries to move Endymion. Shakespeare likely drew from these fairies when writing ''Theatre/AMidsummerNightsDream.''
* GildedCage: Tellus is imprisoned in a tower for crossing Cynthia, but her jailer Corsites is head over heels for her, so he gives her just about every liberty she can want, except to actually leave.
* TheFairFolk: Corsites is pinched black and blue by fairies when he tries to move Endymion. Shakespeare likely drew from these fairies when writing ''Theatre/AMidsummerNightsDream.''
* GildedCage: Tellus is imprisoned in a tower for crossing Cynthia, but her jailer Corsites is head over heels for her, so he gives her just about every liberty she can want, except to actually leave.
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* MST3KMantra: The prologue defends the whimsical story to come by stating it is just a "tale of the Man in the Moon."
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* WomanScorned: Tellus until the end.
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Changed line(s) 31 (click to see context) from:
* ManInTheMoon: The play draws on this imagery during the prologue.
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* ManInTheMoon: TheManInTheMoon: The play draws on this imagery during the prologue.
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Added DiffLines:
-->''Most high and happy princess,\\
we must tell you a tale of the Man in the Moon,\\
which if it seem ridiculous for the method,\\
or superfluous for the matter, or for the means incredible,\\
for three faults we can make but one excuse:\\
it is a tale of the Man in the Moon.''\\
\\
''It was forbidden in old time to dispute of chimaera,\\
because it was a fiction. We hope in our times\\
none will apply pastimes, because they are fancies;\\
for there liveth none under the sun\\
that knows what to make of the Man in the Moon.\\
We present neither comedy, nor tragedy,\\
nor story, nor anything, but ...\\
that whosoever heareth may say this:\\
'Why, here is a tale of the Man in the Moon'.''
'''''Endymion''''' is a play by novelist and dramatist John Lyly (1554-1606) that tells the story of a man who fell in love with the moon. Endymion serves the goddess Cynthia, the personification of the moon, and falls head over heels in love with her. His friend Eumenides thinks Endymion's gone off the deep end. But when Endymion's vengeful ex Tellus conspires to put Endymion into an enchanted sleep, Eumenides goes on a quest to save his friend.
There's also a subplot about a group of pages who make fun of the braggart knight Sir Tophas. In the end, all is well and Endymion is restored, given favor by Cynthia, but not her love.
!!Endymion provides examples of:
* AllLoveIsUnrequited: Averted. The play definitely starts this way, with Tellus' jealousy for Endymion driving the action, and Corsites in turn falling in love with her. Endymion may not end up with Cynthia, but everyone else gets paired off happily.
* AgeLift: In the classical myth, Endymion was a boy. Here he's a young man [[UpToEleven who ends up falling asleep for forty years]]. He's restored to his youth in the end.
* BalefulPolymorph: Dipsas' assistant Bagoa is turned into a tree for betraying the witch to Cynthia.
* BetaCouple: Eumenedies and Semele, Tellus and Corsites, Dipsas and Geron, and finally Sir Tophas and Bagoa, although Sir Tophas is ambivalent.
-->'''Tophas''': Turn her to a true love or false, so she be a wench I care not.
* BlasphemousBoast: Eumenides considers Endymion's profession of love to Cynthia to be this.
* BrosBeforeHoes: Eumenides finds a magic fountain that will give him the answer to any question asked of it when filled with the tears of a true lover. Eumenides contemplates asking it about his own love, Semele, and has a lengthy debate with himself over whether to do it, or to ask how to cure Endymion, which was his mission in the first place. Endymion wins out.
* DidNotGetTheGirl: As the moon goddess, it's impossible for Cynthia to reciprocate Endymion's feelings. However she bestows her favor upon him and allows him to continue loving her.
* ManInTheMoon: The play draws on this imagery during the prologue.
* ManipulativeBitch: Tellus charms Corsites into trying to move Endymion from his resting place, promising him her love if he does so, knowing full well he cannot hope to achieve this.
* MilesGloriosus: Sir Tophas might be a perfect example. He almost certainly influenced [[Theatre/LovesLaboursLost Don Armado]].
* WeddingsForEveryone: Cynthia neatly pairs off every major character except herself and Endymion.
----
-->''A man walking abroad, the wind and sun strove for\\
sovereignty: the one with his blast, the other with his\\
beams. The wind blew hard; the man wrapped his\\
garment about him harder. It blustered more strongly; he\\
then girt it fast to him. 'I cannot prevail', said the wind. The\\
sun, casting her crystal beams, began to warm the man; he\\
unloosed his gown. Yet it shined brighter; he then put it off.\\
'I yield', said the wind, 'for if thou continue shining, he will\\
also put off his coat'.\\
Dread sovereign, the malicious that seek to overthrow us\\
with threats do but stiffen our thoughts and make them\\
sturdier in storms. But if Your Highness vouchsafe with\\
your favorable beams to glance upon us, we shall not only\\
stoop, but with all humility lay both our hands and hearts\\
at Your Majesty's feet.''
we must tell you a tale of the Man in the Moon,\\
which if it seem ridiculous for the method,\\
or superfluous for the matter, or for the means incredible,\\
for three faults we can make but one excuse:\\
it is a tale of the Man in the Moon.''\\
\\
''It was forbidden in old time to dispute of chimaera,\\
because it was a fiction. We hope in our times\\
none will apply pastimes, because they are fancies;\\
for there liveth none under the sun\\
that knows what to make of the Man in the Moon.\\
We present neither comedy, nor tragedy,\\
nor story, nor anything, but ...\\
that whosoever heareth may say this:\\
'Why, here is a tale of the Man in the Moon'.''
'''''Endymion''''' is a play by novelist and dramatist John Lyly (1554-1606) that tells the story of a man who fell in love with the moon. Endymion serves the goddess Cynthia, the personification of the moon, and falls head over heels in love with her. His friend Eumenides thinks Endymion's gone off the deep end. But when Endymion's vengeful ex Tellus conspires to put Endymion into an enchanted sleep, Eumenides goes on a quest to save his friend.
There's also a subplot about a group of pages who make fun of the braggart knight Sir Tophas. In the end, all is well and Endymion is restored, given favor by Cynthia, but not her love.
!!Endymion provides examples of:
* AllLoveIsUnrequited: Averted. The play definitely starts this way, with Tellus' jealousy for Endymion driving the action, and Corsites in turn falling in love with her. Endymion may not end up with Cynthia, but everyone else gets paired off happily.
* AgeLift: In the classical myth, Endymion was a boy. Here he's a young man [[UpToEleven who ends up falling asleep for forty years]]. He's restored to his youth in the end.
* BalefulPolymorph: Dipsas' assistant Bagoa is turned into a tree for betraying the witch to Cynthia.
* BetaCouple: Eumenedies and Semele, Tellus and Corsites, Dipsas and Geron, and finally Sir Tophas and Bagoa, although Sir Tophas is ambivalent.
-->'''Tophas''': Turn her to a true love or false, so she be a wench I care not.
* BlasphemousBoast: Eumenides considers Endymion's profession of love to Cynthia to be this.
* BrosBeforeHoes: Eumenides finds a magic fountain that will give him the answer to any question asked of it when filled with the tears of a true lover. Eumenides contemplates asking it about his own love, Semele, and has a lengthy debate with himself over whether to do it, or to ask how to cure Endymion, which was his mission in the first place. Endymion wins out.
* DidNotGetTheGirl: As the moon goddess, it's impossible for Cynthia to reciprocate Endymion's feelings. However she bestows her favor upon him and allows him to continue loving her.
* ManInTheMoon: The play draws on this imagery during the prologue.
* ManipulativeBitch: Tellus charms Corsites into trying to move Endymion from his resting place, promising him her love if he does so, knowing full well he cannot hope to achieve this.
* MilesGloriosus: Sir Tophas might be a perfect example. He almost certainly influenced [[Theatre/LovesLaboursLost Don Armado]].
* WeddingsForEveryone: Cynthia neatly pairs off every major character except herself and Endymion.
----
-->''A man walking abroad, the wind and sun strove for\\
sovereignty: the one with his blast, the other with his\\
beams. The wind blew hard; the man wrapped his\\
garment about him harder. It blustered more strongly; he\\
then girt it fast to him. 'I cannot prevail', said the wind. The\\
sun, casting her crystal beams, began to warm the man; he\\
unloosed his gown. Yet it shined brighter; he then put it off.\\
'I yield', said the wind, 'for if thou continue shining, he will\\
also put off his coat'.\\
Dread sovereign, the malicious that seek to overthrow us\\
with threats do but stiffen our thoughts and make them\\
sturdier in storms. But if Your Highness vouchsafe with\\
your favorable beams to glance upon us, we shall not only\\
stoop, but with all humility lay both our hands and hearts\\
at Your Majesty's feet.''
