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Changed line(s) 33,34 (click to see context) from:
%% * CrowdSong: "Dance of the Robe", "The Gods Love Nubia"
%% * DarkReprise: "My Strongest Suit", "How I Know You" and "Elaborate Lives".
%% * DarkReprise: "My Strongest Suit", "How I Know You" and "Elaborate Lives".
to:
Changed line(s) 45 (click to see context) from:
* FinalLoveDuet: "Written in the Stars" for Radames and Aida. Or, probably actually "Enchantment Passing Through (Reprise)" sung as the two lovers are [[spoiler: dying from deprivation of light and air whilst being buried alive for treason]].
to:
* FinalLoveDuet: "Written in the Stars" "Elaborate Lives (Reprise)" for Radames and Aida. Or, probably actually "Enchantment Passing Through (Reprise)" sung as the two lovers are [[spoiler: dying [[spoiler:dying from deprivation of light and air whilst being buried alive for treason]].
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Changed line(s) 62,64 (click to see context) from:
* [[spoiler: ReincarnationRomance: At the end, Radames and Aida are reunited in the modern-day museum, having been reincarnated.]]
%% * RoyalBlood: Aida
%% * ScrewThisImOuttaHere: The whole premise of the reprise of "How I Know You".
%% * RoyalBlood: Aida
%% * ScrewThisImOuttaHere: The whole premise of the reprise of "How I Know You".
to:
* [[spoiler: ReincarnationRomance: [[spoiler: At the end, Radames and Aida are reunited in the modern-day museum, having been reincarnated.]]
%% * RoyalBlood: Aida
%%Aida, who is the princess of Nubia.
* ScrewThisImOuttaHere: The whole premise of the reprise of "How I KnowYou".You", Mereb is disgusted that Aida is still in love with the man who will soon be King of the Nation that has destroyed their homeland.
%%
* ScrewThisImOuttaHere: The whole premise of the reprise of "How I Know
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* SpoiledSweet: Amneris, kind but enjoys the many material possessions she is presented, though after learning the innocent blood that was shed to provide it for her, she grows out of it.
--> '''Amneris''': ''(while discussing with Zoser Egypts military plans)'' So our Egyptian Armies just burst in and seize power!?!\\
'''Zoser''': Well, yes. But you're highness these wars have provided that beautiful necklace you are wearing.\\
'''Amneris''': ''(taking off said necklace and leaving it on the table)'' Suddenly, I don't find it that beautiful anymore.
--> '''Amneris''': ''(while discussing with Zoser Egypts military plans)'' So our Egyptian Armies just burst in and seize power!?!\\
'''Zoser''': Well, yes. But you're highness these wars have provided that beautiful necklace you are wearing.\\
'''Amneris''': ''(taking off said necklace and leaving it on the table)'' Suddenly, I don't find it that beautiful anymore.
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* AdaptationExpansion: The storyline here begins with Aida's capture and enslavement, then shows her gradually falling in love with Radames and vice-versa. Verdi's opera begins with her already Amneris's slave and with her and Radames already secretly in love. Essentially, the plot of the opera is the musical's second act, while the first act is backstory for it.
* AdaptationalJerkass: Radames is introduced less sympathetically than his operatic counterpart, treating the newly-enslaved Aida in a less than kind way (see DoesThisRemindYouOfAnything, below), though he soon goes through positive CharacterDevelopment as he falls in love with her.
Changed line(s) 22 (click to see context) from:
%% * ArrangedMarriage: Amneris and Radames.
to:
Changed line(s) 26 (click to see context) from:
%% * BuriedAlive: Radames and Aida's fate.
to:
Changed line(s) 29 (click to see context) from:
%% * ConceptAlbum: With contributions from Tina Turner, Lulu and Sting, amongst others.
to:
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Changed line(s) 64 (click to see context) from:
* SingleTargetSexuality: Before he meets Aida, Radames doesn't seem attracted to anyone, and Amneris is ''really'' frustrated about it.
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* SingleTargetSexuality: Before he meets Aida, Radames doesn't seem attracted to anyone, anyone before getting to know Aida, and Amneris is ''really'' frustrated about it.
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* SingleTargetSexuality: Before he meets Aida, Radames doesn't seem attracted to anyone, and Amneris is ''really'' frustrated about it.
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* FramingDevice: It begins and ends in a modern day museum, with the reincarnated Radames and Aida being drawn to each other.
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* LighterAndSofter: Than the opera it's based on.
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Changed line(s) 7,8 (click to see context) from:
''Aida'' is a [[TheMusical musical]] based on Verdi's opera of the same name, with music by Music/EltonJohn and lyrics by Creator/TimRice. It premiered on Broadway in 2000, garnering five Tony Award nominations, of which it won all but one, including Best Original Score and Best Actress in a Musical (Heather Headley as Aida).
to:
''Aida'' is a [[TheMusical musical]] based on Verdi's [[Theatre/AidaVerdi opera of the same name, name]], with music by Music/EltonJohn and lyrics by Creator/TimRice. It premiered on Broadway in 2000, garnering five Tony Award nominations, of which it won all but one, including Best Original Score and Best Actress in a Musical (Heather Headley as Aida).
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Cleanup
Changed line(s) 22 (click to see context) from:
* ArrangedMarriage: Amneris and Radames.
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%% * ArrangedMarriage: Amneris and Radames.
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* {{Bookends}}: "Every Story Is a Love Story", the people in the modern day museum.
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%% * {{Bookends}}: "Every Story Is a Love Story", the people in the modern day museum.
Changed line(s) 26 (click to see context) from:
* BuriedAlive: Radames and Aida's fate.
to:
%% * BuriedAlive: Radames and Aida's fate.
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* ConceptAlbum: With contributions from Tina Turner, Lulu and Sting, amongst others.
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%% * ConceptAlbum: With contributions from Tina Turner, Lulu and Sting, amongst others.
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* CrowdSong: "Dance of the Robe", "The Gods Love Nubia"
* DarkReprise: "My Strongest Suit", "How I Know You" and "Elaborate Lives".
* DarkReprise: "My Strongest Suit", "How I Know You" and "Elaborate Lives".
to:
%% * CrowdSong: "Dance of the Robe", "The Gods Love Nubia"
%% * DarkReprise: "My Strongest Suit", "How I Know You" and "Elaborate Lives".
%% * DarkReprise: "My Strongest Suit", "How I Know You" and "Elaborate Lives".
Deleted line(s) 34 (click to see context) :
** Yet still LighterAndSofter than the opera it's based on.
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* TheFashionista: Amneris, who even has a super fun IAmSong about it.
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%% * TheFashionista: Amneris, who even has a super fun IAmSong about it.
Changed line(s) 45,49 (click to see context) from:
* TheDitz: Amneris. She gets better.
* ErmineCapeEffect[=/=]PimpedOutDress: Amneris is a walking fashion show, {{Lampshade|Hanging}}d through Aida's contrasting rags
* TheHighQueen: Amneris becomes this at the end.
* IAmNotMyFather: Radames' lines in "Like Father Like Son" are all about this.
* IAmSong: "My Strongest Suit"
* ErmineCapeEffect[=/=]PimpedOutDress: Amneris is a walking fashion show, {{Lampshade|Hanging}}d through Aida's contrasting rags
* TheHighQueen: Amneris becomes this at the end.
* IAmNotMyFather: Radames' lines in "Like Father Like Son" are all about this.
* IAmSong: "My Strongest Suit"
to:
%% * TheDitz: Amneris. She gets better.
%% *ErmineCapeEffect[=/=]PimpedOutDress: ErmineCapeEffect: Amneris is a walking fashion show, {{Lampshade|Hanging}}d through Aida's contrasting rags
%% * TheHighQueen: Amneris becomes this at the end.
%% * IAmNotMyFather: Radames' lines in "Like Father Like Son" are all about this.
%% * IAmSong: "My Strongest Suit"
%% *
%% * TheHighQueen: Amneris becomes this at the end.
%% * IAmNotMyFather: Radames' lines in "Like Father Like Son" are all about this.
%% * IAmSong: "My Strongest Suit"
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* IWantSong: "Fortune Favors the Brave"
to:
%% * IWantSong: "Fortune Favors the Brave"
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* LoveAcrossBattlelines: Radames and Aida, obviously.
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%% * LoveAcrossBattlelines: Radames and Aida, obviously.
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* RoyalBlood: Aida
* ScrewThisImOuttaHere: The whole premise of the reprise of "How I Know You".
* ScrewThisImOuttaHere: The whole premise of the reprise of "How I Know You".
to:
%% * RoyalBlood: Aida
%% * ScrewThisImOuttaHere: The whole premise of the reprise of "How I Know You".
%% * ScrewThisImOuttaHere: The whole premise of the reprise of "How I Know You".
Deleted line(s) 66 (click to see context) :
** Complete with CorruptChurch, as most of Zoser's cronies are in on his regicide plot.
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* TenorBoy: Mereb.
** Radames has shades of this as well. They both have pop tenor voices and fit different sides of the Tenor Boy character type. Mereb is by no means innocent and is completely fed up with everyone and everything around him after so many years as a slave, but he is painfully idealistic and naive when it comes to his mental image of his princess and their escape from Egypt. Radames is world-wise and older than Mereb, but he's the one who is hopelessly gaga over the lead female character.
** Radames has shades of this as well. They both have pop tenor voices and fit different sides of the Tenor Boy character type. Mereb is by no means innocent and is completely fed up with everyone and everything around him after so many years as a slave, but he is painfully idealistic and naive when it comes to his mental image of his princess and their escape from Egypt. Radames is world-wise and older than Mereb, but he's the one who is hopelessly gaga over the lead female character.
to:
* TenorBoy: Mereb.
**Radames has shades of this as well.and Mereb. They both have pop tenor voices and fit different sides of the Tenor Boy character type. Mereb is by no means innocent and is completely fed up with everyone and everything around him after so many years as a slave, but he is painfully idealistic and naive when it comes to his mental image of his princess and their escape from Egypt. Radames is world-wise and older than Mereb, but he's the one who is hopelessly gaga over the lead female character.
**
Changed line(s) 84,85 (click to see context) from:
* VillainSong: "Another Pyramid"; though Zoser isn't the BigBad, he's clearly evil.
* VoiceoverLetter: Appropriately enough, "Radames' Letter."
* VoiceoverLetter: Appropriately enough, "Radames' Letter."
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%% * VillainSong: "Another Pyramid"; though Zoser isn't the BigBad, he's clearly evil.
%% * VoiceoverLetter: Appropriately enough, "Radames' Letter."
%% * VoiceoverLetter: Appropriately enough, "Radames' Letter."
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Changed line(s) 9,10 (click to see context) from:
The title character, Aida, is the {{Princess}} of Nubia. Her country has been invaded by the neighboring Egyptians, and their captain, Radames, captures her with a groups of women, and not recognizing her, brings them back to Egypt. Aida becomes a slave to Egyptian {{Princess}} Amneris, who is [[ArrangedMarriage betrothed]] to Radames. Another slave in the palace, Mereb, recognizes Aida and reveals her to the other captives, who beg her to lead them to freedom. Aida tries to deal with her feelings for Radames when she hears her father has been captured.
to:
The title character, Aida, is the {{Princess}} of Nubia. Her country has been invaded by the neighboring Egyptians, and their captain, Radames, captures her with a groups group of women, and not recognizing her, brings them back to Egypt. Aida becomes a slave to Egyptian {{Princess}} Amneris, who is [[ArrangedMarriage betrothed]] to Radames. Another slave in the palace, Mereb, recognizes Aida and reveals her to the other captives, who beg her to lead them to freedom. Aida tries to deal with her feelings for Radames when she hears her father has been captured.
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* AdaptationalHeroism: Amneris is more sympathetic and less of a {{Clingy Jealous Girl}} than in the original opera.
to:
* AdaptationalHeroism: Amneris is more sympathetic and less of a {{Clingy Jealous Girl}} ClingyJealousGirl than in the original opera.
Changed line(s) 33 (click to see context) from:
* DarkerAndEdgier: than most Disney musicals. HotterAndSexier too--the sight of a clearly post-coital Aida and Radames can be quite shocking.
to:
* DarkerAndEdgier: than Than most Disney musicals. HotterAndSexier too--the sight of a clearly post-coital Aida and Radames can be quite shocking.
Changed line(s) 35,36 (click to see context) from:
* {{Disneyfication}} - The one who suffers most from this is Amneris. In the opera, she's a ClingyJealousGirl who is rather ruthless to her rival in love, and they were only engaged initially because Radames had no other choice.
* DoesThisRemindYouOfAnything: The imprisoned and chained Aida is alone in a room with her captor. He says "You know what happens next" as he takes off his shirt... he then orders her to wash his back.
* DoesThisRemindYouOfAnything: The imprisoned and chained Aida is alone in a room with her captor. He says "You know what happens next" as he takes off his shirt... he then orders her to wash his back.
to:
* {{Disneyfication}} - {{Disneyfication}}: The one who suffers most from this is Amneris. In the opera, she's a ClingyJealousGirl who is rather ruthless to her rival in love, and they were only engaged initially because Radames had no other choice.
*DoesThisRemindYouOfAnything: DoesThisRemindYouOfAnything:
** The imprisoned and chained Aida is alone in a room with her captor. He says "You know what happens next" as he takes off his shirt... he then orders her to wash his back.
*
** The imprisoned and chained Aida is alone in a room with her captor. He says "You know what happens next" as he takes off his shirt... he then orders her to wash his back.
Changed line(s) 45 (click to see context) from:
* {{Ermine Cape Effect}}/{{Pimped Out Dress}}: Amneris is a walking fashion show, {{Lampshaded}} through Aida's contrasting rags
to:
* {{Ermine Cape Effect}}/{{Pimped Out Dress}}: ErmineCapeEffect[=/=]PimpedOutDress: Amneris is a walking fashion show, {{Lampshaded}} {{Lampshade|Hanging}}d through Aida's contrasting rags
Changed line(s) 55,56 (click to see context) from:
-->'''Aida''': ''(about speaking to Radames on Amneris behalf)'' Princess... ''Please'' don't make me.
-->'''Amneris''': ''(tenderly)'' I would never make you, I am asking you, as my friend.
-->'''Amneris''': ''(tenderly)'' I would never make you, I am asking you, as my friend.
to:
-->'''Aida''': ''(about (''about speaking to Radames on Amneris behalf)'' behalf'') Princess... ''Please'' don't make me.
-->'''Amneris''': ''(tenderly)''me.\\
'''Amneris''': (''tenderly'') I would never make you, I am asking you, as my friend.
-->'''Amneris''': ''(tenderly)''
'''Amneris''': (''tenderly'') I would never make you, I am asking you, as my friend.
Changed line(s) 67,69 (click to see context) from:
* StepfordSmiler: Aida as of "Dance Of The Robe".
** ''I know expectations are wild\\
And almost beyond my fulfilment\\
** ''I know expectations are wild\\
And almost beyond my fulfilment\\
to:
* StepfordSmiler: StepfordSmiler:
** Aida as of "Dance Of TheRobe".
** ''IRobe". She does, however, state later on in "Easy As Life" that her duty will not let "a coward run".
--->''I know expectations are wild\\
And almost beyond myfulfilment\\fulfillment\\
** Aida as of "Dance Of The
** ''I
--->''I know expectations are wild\\
And almost beyond my
Changed line(s) 72,76 (click to see context) from:
*** She does, however, state later on in "Easy As Life" that her duty will not let "a coward run".
** Also, Amneris
*** ''I feel better when beguiling/find that fashion keeps me smiling/but in my heart i know it's sad.../So I'll flutter to deceive/no, you must believe, that one day you'll find a different/a stronger suit.''
*** It kicks into high gear during "I Know The Truth", where she sings about her realization that her upcoming marriage is a sham--as she's dressing for her wedding.
* TenorBoy: Mereb
** Also, Amneris
*** ''I feel better when beguiling/find that fashion keeps me smiling/but in my heart i know it's sad.../So I'll flutter to deceive/no, you must believe, that one day you'll find a different/a stronger suit.''
*** It kicks into high gear during "I Know The Truth", where she sings about her realization that her upcoming marriage is a sham--as she's dressing for her wedding.
* TenorBoy: Mereb
to:
** Also, Amneris
*** ''I
--->''I feel better when
Find that fashion keeps me
But in my heart i know it's sad...
So I'll flutter to
No, you must believe, that one day you'll find a
A stronger suit.''
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Added DiffLines:
** Radames has shades of this as well. They both have pop tenor voices and fit different sides of the Tenor Boy character type. Mereb is by no means innocent and is completely fed up with everyone and everything around him after so many years as a slave, but he is painfully idealistic and naive when it comes to his mental image of his princess and their escape from Egypt. Radames is world-wise and older than Mereb, but he's the one who is hopelessly gaga over the lead female character.
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* BuriedAlive: Radames and Aida's fate.
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Changed line(s) 22,23 (click to see context) from:
* ArrangedMarriage: Amneris and Radames
* ArtisticLicenseGeography: Nubia is not a separate Kingdom/country from Egypt. [[https://en.wikipedia.org/wiki/Nubia It's actually a region in North Africa]] which ''includes'' Egypt (at least Southern Egypt). In the opera, Aida was a Princess from Ethiopia, and it's uncertain why this change was made.
* ArtisticLicenseGeography: Nubia is not a separate Kingdom/country from Egypt. [[https://en.wikipedia.org/wiki/Nubia It's actually a region in North Africa]] which ''includes'' Egypt (at least Southern Egypt). In the opera, Aida was a Princess from Ethiopia, and it's uncertain why this change was made.
to:
* ArrangedMarriage: Amneris and Radames
* ArtisticLicenseGeography: Nubia is not a separate Kingdom/country from Egypt. [[https://en.wikipedia.org/wiki/Nubia It's actually a region in North Africa]] which ''includes'' Egypt (at least Southern Egypt). In the opera, Aida was a Princess from Ethiopia, and it's uncertain why this change was made.Radames.
* ArtisticLicenseGeography: Nubia is not a separate Kingdom/country from Egypt. [[https://en.wikipedia.org/wiki/Nubia It's actually a region in North Africa]] which ''includes'' Egypt (at least Southern Egypt). In the opera, Aida was a Princess from Ethiopia, and it's uncertain why this change was made.
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* EvilSoundsDeep: {{Downplayed|Trope}} -- Zoser's voice is most definitely not "deep," but he's still the lowest voiced of the male cast (being a bari-tenor as opposed to Radames' and Mereb's firm TenorBoy-ness).
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Changed line(s) 23 (click to see context) from:
* ArtisticLicenseGeography: Nubia is not a separate Kingdom/country from Egypt. [[https://en.wikipedia.org/wiki/Nubia It's actually a region in North Africa]] which ''includes'' Egypt. In the opera, Aida was a Princess from Ethiopia, and it's uncertain why this change was made.
to:
* ArtisticLicenseGeography: Nubia is not a separate Kingdom/country from Egypt. [[https://en.wikipedia.org/wiki/Nubia It's actually a region in North Africa]] which ''includes'' Egypt.Egypt (at least Southern Egypt). In the opera, Aida was a Princess from Ethiopia, and it's uncertain why this change was made.
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Changed line(s) 23 (click to see context) from:
* ArtisticLicenseGeography: Nubia is not a separate Kingdom/country from Egypt. It's actually a region in North Africa which ''includes'' Egypt. In the opera, Aida was a Princess from Ethiopia, and it's uncertain why this change was made.
to:
* ArtisticLicenseGeography: Nubia is not a separate Kingdom/country from Egypt. [[https://en.wikipedia.org/wiki/Nubia It's actually a region in North Africa Africa]] which ''includes'' Egypt. In the opera, Aida was a Princess from Ethiopia, and it's uncertain why this change was made.
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Added DiffLines:
* ArtisticLicenseGeography: Nubia is not a separate Kingdom/country from Egypt. It's actually a region in North Africa which ''includes'' Egypt. In the opera, Aida was a Princess from Ethiopia, and it's uncertain why this change was made.
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Added DiffLines:
* PopStarComposer: Music/EltonJohn wrote the songs for the show.
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Added DiffLines:
* BlackGalOnWhiteGuyDrama: While the racial difference isn't mentioned often, it's brought up enough for the audience to know that this is the major reason why Aida and Radames relationship is forbidden.
Added DiffLines:
** Plus, Aida' s slave status (and the way it happened, with her and her companions being abducted) and their racial difference seems eerily--and perhaps deliberately--reminiscent of slave days in the US.
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Added DiffLines:
* AdaptationalHeroism: Amneris is more sympathetic and less of a {{Clingy Jealous Girl}} than in the original opera.
Added DiffLines:
* CanonForeigner: Zoser and Mereb don't appear in Verdi's opera.
Added DiffLines:
* SparedByTheAdaptation: [[spoiler: Aida's father is killed in the opera, but escapes in the musical, with [[CanonForeigner Mereb]] killed instead.]]
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Changed line(s) 48 (click to see context) from:
* OddFriendship: Aida and Amneris, though she technically owns Aida, Amenris treat's her kindly, and the two are able to relate well to one another, due to the fact that, unknown to Amneris, they both are Princess.
to:
* OddFriendship: Aida and Amneris, though she technically owns Aida, Amenris treat's treats her kindly, and the two are able to relate well to one another, due to the fact that, unknown to Amneris, they are both are Princess.princesses.
Changed line(s) 66 (click to see context) from:
*** ''I feel better when beguiling/find that fashion keeps me smiling/but in my heart i know it's sad.../So I'll flutter to decieve/no, you must believe, that one day you'll find a different/a stronger suit.''
to:
*** ''I feel better when beguiling/find that fashion keeps me smiling/but in my heart i know it's sad.../So I'll flutter to decieve/no, deceive/no, you must believe, that one day you'll find a different/a stronger suit.''
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Added DiffLines:
* ChildhoodFriendRomance[=/=]ChildhoodMarriagePromise: Radames tells Amneris, "I've loved you since we were children" and they've apparently been betrothed since then.
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Changed line(s) 46,47 (click to see context) from:
* LoveTriangle: Aida, Radames and Amneris. [[TriangRelations Mixture of 1 and 3]], though Radames is definitely not neutral toward either woman.
** The show makes it even more blatant by having a laser triangle light up behind the three while they sing "A Step Too Far" at the beginning of Act II.
** The show makes it even more blatant by having a laser triangle light up behind the three while they sing "A Step Too Far" at the beginning of Act II.
to:
* LoveTriangle: Aida, Radames and Amneris. [[TriangRelations Mixture of 1 and 3]], though Radames is definitely not neutral toward either woman.
**The show makes may make it even more blatant by having a laser triangle light up behind the three or positioning them to form a triangle while they sing "A Step Too Far" at the beginning of Act II.
**
Changed line(s) 54 (click to see context) from:
* SexyDiscretionShot: Aida and Radames embrace passionately at the end of "Elaborate Lives". The scene fades to black. When it fades back in, they're lying in each others arms, with him shirtless and her dress now wrapped around her in ModestyBedsheet style.
to:
* SexyDiscretionShot: Aida and Radames embrace passionately at the end of "Elaborate Lives". The scene fades to black. When it fades back in, they're lying in each others other's arms, with him shirtless and her dress now wrapped around her in ModestyBedsheet style.
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* TriangRelations: Type 8: Radames and Amneris as childhood friends/arranged marriage, Amneris and Aida as friends, Aida and Radames as lovers. On romantic feelings alone, towards the beginning it's a type 5 or 10, and by the end more of a type 4 (Amneris A, Radames B, Aida C in both cases).
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Cut Song now Trivia.
Deleted line(s) 27 (click to see context) :
* CutSong: ''The Messenger''. Can be found on the concept album.
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* OddFriendship: Aida and Amneris, though she technically owns Aida, Amenris treat's her kindly, and the two are able to relate well to one another, due to the fact that, unknown to Amneris, they both are Princess.
-->'''Aida''': ''(about speaking to Radames on Amneris behalf)'' Princess... ''Please'' don't make me.
-->'''Amneris''': ''(tenderly)'' I would never make you, I am asking you, as my friend.
-->'''Aida''': ''(about speaking to Radames on Amneris behalf)'' Princess... ''Please'' don't make me.
-->'''Amneris''': ''(tenderly)'' I would never make you, I am asking you, as my friend.
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Added DiffLines:
* FadingIntoTheNextSong: "Every Story Is A Love Story" turns into "Fortune Favors The Brave". On the original cast recording, one can even hear Amneris singing the final note of the first song as the second one begins.
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Deleted line(s) 65 (click to see context) :
* StuntCasting: The casting of R&B stars such as Toni Braxton, Michelle Williams, and Deborah Cox, in the title role. Fantastic singing, but some found the acting to border on {{Narm}}.
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Added DiffLines:
*** It kicks into high gear during "I Know The Truth", where she sings about her realization that her upcoming marriage is a sham--as she's dressing for her wedding.
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Added DiffLines:
* AnachronismStew: During a war planning scene, the city Khartoum is mentioned. Khartoum was not founded until 1821.