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The entire point of the show, around which almost all of its plots revolved, was deconstructing, subverting and inverting all the standard tropes of broadcast television sitcoms. Shandling would later use this same method to skewer late night television with ''Series/TheLarrySandersShow''.

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The entire point of the show, around which almost all of its plots revolved, was deconstructing, subverting and inverting all the standard tropes of broadcast television sitcoms. In any given episode, Garry would have a monologue to set up whatever the standard sitcom plot of the week is, talk directly to the audience mid-scene (which the other cast members rarely acknowledged), and even change scenes by walking off one set and directly onto the next one. This level of PostModernism, combined with a total lack of regard for the fourth wall, the conventions of sitcoms, [[SelfDeprecation and even the show in and of itself,]] was pretty unusual for the straight-faced [[TheEighties 80s,]] and considering that writers for this show went on to work on ''WesternAnimation/TheSimpsons'' and ''Series/{{Seinfeld}},'' one could say that this show was quite a few years ahead of its time.

Shandling would later use this same method similar methods to skewer late night television with ''Series/TheLarrySandersShow''.



* AdvertisedExtra: Grant, who hadn't been doing much story-wise as of late, once stormed into Garry's house and got mad at him for letting him become this trope.
* AnAesop: Garry likes to end shows by telling the audience what the lesson is from the episode, but it’s obviously tacked on and Garry never feels bothered to explain it very well. Nancy tried to deliver the episode’s Aesop once, but it kinda got away from her a bit.



* AsideGlance: Garry was ''especially'' fond of this trope.
* BigDamnHeroes: Creator/RobReiner saves Garry from a CrazyJealousGuy about to beat the crap out of Garry. Rob then apologizes for trying to pad out his part too much.



* HostileShowTakeover: A variant. In the season one finale, Garry moves to New York to try his hand at being in a cop show. So Creator/RedButtons, of all people, sublets his apartment, and it becomes his show.



* TheNotLoveInterest: Nancy, who's Garry's "attractive, yet non-threatening, platonic neighbor."



* PostModernism

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* PostModernismPostModernism: Garry and his friends are fully aware that they're in a {{Sitcom}}, often talking directly to members of the audience, with Garry even manipulating the story to his own ends.
* {{Sexophone}}: Plays when Garry meets a hot girl in a laundromat, but the sax is loud enough that it lets her jealous ex-boyfriend find them.



* StudioAudience: Practically characters in their own right. In one episode they go to a big band club, and it really is a "big" band - the audience are part of it, playing along on instruments.



-->'''Nancy''': Aw, Garry, not the theme song! I feel like I'm on a kid's show!

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-->'''Nancy''': Aw, Garry, not the theme song! I feel like I'm on a kid's puppet show!


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* ToBeContinued: Parodied with a season one cliffhanger that’s intentionally never resolved, because Garry immediately decides the plot threads aren’t really worth resolving.
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* SuspiciouslySimilarSong: In-universe, one episode reveals that the theme song is actually a rewritten version of a local high school's FootballFightSong.
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** On a more literal note, Garry would go from scene to scene by stepping off the current set and walking (or driving a golf cart) to the next set.
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** Shandling himself went on to create ''Series/TheLarrySandersShow'' which further explored the disconnect between the world of television and the world of reality (albeit in a less fourth-wall breaking way).
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** Some of the show's [[LampshadeHanging Lampshading]] spirit lives on in ''Series/TheSimpsons'', where staff writers Al Jean and Mike Reiss ended up after its run was over (Sam Simon also had a hand in the writing).

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** Some of the show's [[LampshadeHanging Lampshading]] spirit lives on in ''Series/TheSimpsons'', ''WesternAnimation/TheSimpsons'', where staff writers Al Jean and Mike Reiss ended up after its run was over (Sam Simon also had a hand in the writing).
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''It's Garry Shandling's Show'' was a late-1980s comedy on Showtime (which would later be rebroadcast on Fox) that turned NoFourthWall into an art form. Comedian Garry Shandling played comedian Garry Shandling, who not only knew he lived inside a sitcom, but had a StudioAudience "inside" his house. (Sometimes their presence there waiting for him would surprise him when he first came out of his bedroom in the morning.) Garry's visitors, friends and neighbors, while not possessing studio audiences of their own, were all aware of his, and everyone made a point of addressing the audience at some point in the show.

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''It's Garry Shandling's Show'' was a late-1980s comedy on Showtime Creator/{{Showtime}} (which would later be rebroadcast on Fox) Creator/{{Fox}}) that turned NoFourthWall into an art form. Comedian Garry Shandling played comedian Garry Shandling, who not only knew he lived inside a sitcom, but had a StudioAudience "inside" his house. (Sometimes their presence there waiting for him would surprise him when he first came out of his bedroom in the morning.) Garry's visitors, friends and neighbors, while not possessing studio audiences of their own, were all aware of his, and everyone made a point of addressing the audience at some point in the show.
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!! "These are the tropes to Garry's show, the opening tropes to Garry's show..."

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!! "These are "This is the tropes to list for Garry's show, the opening tropes to tropes. The list for Garry's show...tropes..."
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/its_garry_shandlings_show.jpg]]
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Hey Its That Guy cut by TRS decision. Ditto for Hey Its That Voice.


* DeconstructorFleet: Once the SitCom tropes had generally been mined out, [[HeyItsThatGuy guest stars]] from classic programs and political figures allowed exploration of tropes ranging from Musicals to health movies.

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* DeconstructorFleet: Once the SitCom tropes had generally been mined out, [[HeyItsThatGuy guest stars]] stars from classic programs and political figures allowed exploration of tropes ranging from Musicals to health movies.
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** Some of the show's [[LampshadeHanging Lampshading]] spirit lives on in ''Series/TheSimpsons'', where staff writers Al Jean and Mike Reiss ended up after its run was over.

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** Some of the show's [[LampshadeHanging Lampshading]] spirit lives on in ''Series/TheSimpsons'', where staff writers Al Jean and Mike Reiss ended up after its run was over.over (Sam Simon also had a hand in the writing).
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** The first couple seasons of ''{{Series/Seinfeld}}'' played a lot like a less [[MetaFiction Metafictional]] version of this show. Not accidental, since Jerry Seinfeld had been a longtime associate of Shandling, and Creator/LarryDavid even wrote one episode(credited to "Mac Brandes"). Frequent IGSS writers Tom Gammill and Max Pross also moved on to ''Seinfeld''.

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** The first couple seasons of ''{{Series/Seinfeld}}'' played a lot like a less [[MetaFiction Metafictional]] version of this show. Not accidental, since Jerry Seinfeld had been a longtime associate of Shandling, and Creator/LarryDavid even wrote one episode(credited episode (credited to "Mac Brandes"). Frequent IGSS writers Tom Gammill and Max Pross also moved on to ''Seinfeld''.



* WholePlotReference: There were episodes that parodied ''Film/The Graduate'', ''Film/TheNatural'' and ''Film/DrivingMissDaisy''.

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* WholePlotReference: There were episodes that parodied ''Film/The Graduate'', ''Film/TheGraduate'', ''Film/TheNatural'' and ''Film/DrivingMissDaisy''.
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* SpiritualSuccessor:
** The first couple seasons of ''{{Series/Seinfeld}}'' played a lot like a less [[MetaFiction Metafictional]] version of this show. Not accidental, since Jerry Seinfeld had been a longtime associate of Shandling, and Creator/LarryDavid even wrote one episode(credited to "Mac Brandes"). Frequent IGSS writers Tom Gammill and Max Pross also moved on to ''Seinfeld''.
** Some of the show's [[LampshadeHanging Lampshading]] spirit lives on in ''Series/TheSimpsons'', where staff writers Al Jean and Mike Reiss ended up after its run was over.


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* WholePlotReference: There were episodes that parodied ''Film/The Graduate'', ''Film/TheNatural'' and ''Film/DrivingMissDaisy''.
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!!! "These are the tropes to Garry's show, the opening tropes to Garry's show..."

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!!! !! "These are the tropes to Garry's show, the opening tropes to Garry's show..."



* OpeningMonologue: In keeping with NoFourthWall

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* OpeningMonologue: OpeningNarration: In keeping with NoFourthWallNoFourthWall.
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''It's Garry Shandling's Show'' was a late-1980s comedy on Showtime (which would later be rebroadcast on Fox) that turned NoFourthWall into an art form. Comedian Garry Shandling played comedian Garry Shandling, who not only knew he lived inside a sitcom, but had a studio audience "inside" his house. (Sometimes their presence there waiting for him would surprise him when he first came out of his bedroom in the morning.) Garry's visitors, friends and neighbors, while not possessing studio audiences of their own, were all aware of his, and everyone made a point of addressing the audience at some point in the show.

to:

''It's Garry Shandling's Show'' was a late-1980s comedy on Showtime (which would later be rebroadcast on Fox) that turned NoFourthWall into an art form. Comedian Garry Shandling played comedian Garry Shandling, who not only knew he lived inside a sitcom, but had a studio audience StudioAudience "inside" his house. (Sometimes their presence there waiting for him would surprise him when he first came out of his bedroom in the morning.) Garry's visitors, friends and neighbors, while not possessing studio audiences of their own, were all aware of his, and everyone made a point of addressing the audience at some point in the show.

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* LoveGoddess: Zsa Zsa Gabor in a two-part special as the "Goddess of Commitment". When Garry and Phoebe finally commit to their relationship, she bursts in and impatiently starts moving Phoebe's stuff into Garry's home


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* LoveGoddess: Zsa Zsa Gabor in a two-part special as the "Goddess of Commitment". When Garry and Phoebe finally commit to their relationship, she bursts in and impatiently starts moving Phoebe's stuff into Garry's home
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* LoveGoddess: Zsa Zsa Gabor in a two-part special as the "Goddess of Commitment". When Garry and Phoebe finally commit to their relationship, she bursts in and impatiently starts moving Phoebe's stuff into Garry's home
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None

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-->'''Nancy''': Aw, Garry, not the theme song! I feel like I'm on a kid's show!
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!! "These are the tropes to Garry's show, the tropes to Garry's show..."

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!! !!! "These are the tropes to Garry's show, the opening tropes to Garry's show..."



* CensorBar: Well, more like Censor Dot. In one episode, Garry strips down to just a black dot on a chain covering his genitals.

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* CensorBar: CensorBox: Well, more like Censor Dot. In one episode, Garry strips down to just a black dot on a chain covering his genitals.

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* ThisIsThePartWhere: Used frequently. It's also part of the theme tune. "We're almost to the part / of where I start to whistle / Then we'll watch It's Garry Shandling's Show." ''(cue whistling solo)''

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* ThisIsThePartWhere: Used frequently. It's also part of the theme tune. "We're opening theme.
-->"We're
almost to the part / of where I start to whistle / Then we'll watch It's Garry Shandling's Show." ''(cue whistling solo)''
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* MusicalEpisode: In the third season, musical numbers accompanied a plot where Grant goes through puberty and a female classmate makes advances on him.
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* DeconstructorFleet: Once the SitCom tropes had generally been mined out GuestStars from classic programs and political figures allows exploration of tropes ranging from Musicals to health movies.

to:

* DeconstructorFleet: Once the SitCom tropes had generally been mined out GuestStars out, [[HeyItsThatGuy guest stars]] from classic programs and political figures allows allowed exploration of tropes ranging from Musicals to health movies.
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None

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* CensorBar: Well, more like Censor Dot. In one episode, Garry strips down to just a black dot on a chain covering his genitals.
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* ThisIsThePartWhere: Part of the theme tune - "We're almost to the part / of where I start to whistle / Then we'll watch It's Garry Shandling's Show." (cue whistling instrumental)

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* ThisIsThePartWhere: Part Used frequently. It's also part of the theme tune - tune. "We're almost to the part / of where I start to whistle / Then we'll watch It's Garry Shandling's Show." (cue ''(cue whistling instrumental)solo)''

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* ThisIsThePartWhere: Part of the theme tune - "We're almost to the part / of where I start to whistle / Then we'll watch It's Garry Shandling's Show." (cue whistling instrumental)



* TropeName
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!! "These are the tropes to Garry's show, the opening tropes to Garry's show..."

to:

!! "These are the tropes to Garry's show, the opening tropes to Garry's show..."
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!!! "These are the tropes to Garry's show, the opening tropes to Garry's show..."

to:

!!! !! "These are the tropes to Garry's show, the opening tropes to Garry's show..."



* '''NoFourthWall''': Including Garry asking people not to shout out a secret he was trying to keep or tip off his neighbors to the surprise party he was planning.

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* '''NoFourthWall''': Including NoFourthWall: '''And how.''' Gags included Garry asking the people in the studio not to shout out a secret he was trying to keep or tip off his neighbors to the surprise party he was planning.



* SitCom: Subverted

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* SitCom: SubvertedSubverted big time.
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Late 1980s comedy on Showtime which turned NoFourthWall into an art form. Comedian Garry Shandling played comedian Garry Shandling, who not only knew he lived inside a sitcom, but had a studio audience "inside" his house. (Sometimes their presence there waiting for him would surprise him when he first came out of his bedroom in the morning.) Garry's visitors, friends and neighbors, while not possessing studio audiences of their own, were all aware of his, and everyone made a point of addressing the audience at some point in the show.

to:

Late 1980s ''It's Garry Shandling's Show'' was a late-1980s comedy on Showtime which (which would later be rebroadcast on Fox) that turned NoFourthWall into an art form. Comedian Garry Shandling played comedian Garry Shandling, who not only knew he lived inside a sitcom, but had a studio audience "inside" his house. (Sometimes their presence there waiting for him would surprise him when he first came out of his bedroom in the morning.) Garry's visitors, friends and neighbors, while not possessing studio audiences of their own, were all aware of his, and everyone made a point of addressing the audience at some point in the show.
Is there an issue? Send a MessageReason:
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The entire point of the show, around which almost all of its plots revolved, was deconstructing, subverting and inverting all the standard tropes of broadcast television sitcoms. Shandling would later use this same method to skewer late night television with ''TheLarrySandersShow''.

to:

The entire point of the show, around which almost all of its plots revolved, was deconstructing, subverting and inverting all the standard tropes of broadcast television sitcoms. Shandling would later use this same method to skewer late night television with ''TheLarrySandersShow''.''Series/TheLarrySandersShow''.



!!This show provides examples of:

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!!This show provides examples of:!!! "These are the tropes to Garry's show, the opening tropes to Garry's show..."
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* ThisIsASong: The theme song (see Title Theme Tune below)
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* NoFourthWall: Including Garry asking people not to shout out a secret he was trying to keep or tip off his neighbors to the surprise party he was planning.

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* NoFourthWall: '''NoFourthWall''': Including Garry asking people not to shout out a secret he was trying to keep or tip off his neighbors to the surprise party he was planning.

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