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->''"There is only one thing worse than being served a terrible meal: being served a terrible meal by earnest waiters who have no idea just how awful the things they are doing to you are. And so, to the flagship Michelin three-star restaurant of the George V Hotel in Paris, or the scene of the crime as I now like to call it. In terms of value for money and expectation Le Cinq supplied by far the worst restaurant experience I have endured in my 18 years in this job. This, it must be said, is an achievement of sorts.\\
\\
The dining room, deep in the hotel, is a broad space of high ceilings and coving, with thick carpets to muffle the screams. It is decorated in various shades of taupe, biscuit and fuck you. There’s a little gilt here and there, to remind us that this is a room designed for people for whom guilt is unfamiliar. It shouts money much as football fans shout at the ref. There’s a stool for the lady’s handbag. Well, of course there is.\\
...\\
Other things are the stuff of therapy. The canapé we are instructed to eat first is a transparent ball on a spoon. It looks like a Barbie-sized silicone breast implant, and is a “spherification”, a gel globe using a technique perfected by Ferran Adrià at El Bulli about 20 years ago. This one pops in our mouth to release stale air with a tinge of ginger. My companion winces. “It’s like eating a condom that’s been left lying about in a dusty greengrocer’s,” she says.\\
...\\
I have spent sums like this on restaurant experiences before, and have not begrudged it. We each of us build our best memories in different ways, and some of mine involve expensive restaurants. But they have to be good. This one will also leave me with memories. They are bleak and troubling. If I work hard, one day, with luck, I may be able to forget."''
-->-- '''Jay Rayner''', ''[[UsefulNotes/BritishNewspapers The Guardian]]'', [[https://www.theguardian.com/lifeandstyle/2017/apr/09/le-cinq-paris-restaurant-review-jay-rayner 9th April 2017]]
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->''Every episode of this show should be tossed in a dumpster and set on fire! ''The Patrick Show'' is a crime against humanity, and-and-and ''everyone'' involved with it should be thrown in jail! Patrick for starring in it, Squidina for producing it, and the lawnies for watching it!''
-->-- '''Bubble Bass''' reviewing Patrick's show, ''WesternAnimation/ThePatrickStarShow'', “[[Recap/ThePatrickStarShowS1E26BubbleBassReviewsPatricksPrisonPals Bubble Bass Reviews]]”
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[[folder:Music]]
->What’s with this critic\\
So damn sadistic\\
Blaring on my frequency?\\
I feel my eardrums caving in\\
Screaming\\
“Get off my radio”\\
You’re fake and a liar\\
So don’t even try, yeah\\
You’ll just mess it up, you know?\\
So sick of listening, man\\
I just wish s/he’d\\
Get off my radio!\\
\\
Yeah I got that creep\\
cursing at me\\
24/7\\
Wish s/he would just SHUT THE FUCK UP\\
\\
Feeding me lies\\
Poison advice\\
Overanalysing every little thing - it never lets up\\
-->-- '''Music/RedHook''', "The Critic"
[[/folder]]
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'''Angel:''' ''What?!'' ''[Realizing Skinner was talking about the victim's am-dram performance, not an ''actual'' Bill Shakespeare]'' Oh, right.

to:

'''Angel:''' ''What?!'' ''[Realizing Skinner was talking about the victim's am-dram performance, not an ''actual'' Bill Shakespeare]'' ''[Realizing]'' Oh, right.

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'''Skinner:''' Well, he murdered [[Creator/WilliamShakespeare Bill Shakespeare.]]

to:

'''Skinner:''' Well, he murdered [[Creator/WilliamShakespeare Bill Shakespeare.]]]]\\
'''Angel:''' ''What?!'' ''[Realizing Skinner was talking about the victim's am-dram performance, not an ''actual'' Bill Shakespeare]'' Oh, right.
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-->-- '''Malaya''', ''WebComic/{{Shortpacked}}'', on the subject of ''Webcomic/{{Multiplex}}'s Jason during a {{crossover}}

to:

-->-- '''Malaya''', ''WebComic/{{Shortpacked}}'', on the subject of ''Webcomic/{{Multiplex}}'s ''Webcomic/{{Multiplex}}'''s Jason during a {{crossover}}
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-->-- '''Malaya''', ''WebComic/{{Shortpacked}}''

to:

-->-- '''Malaya''', ''WebComic/{{Shortpacked}}''
''WebComic/{{Shortpacked}}'', on the subject of ''Webcomic/{{Multiplex}}'s Jason during a {{crossover}}
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->"In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves [[HangingJudge to our judgment]]. We thrive on negative criticism, which is fun to write and to read."

to:

->"In ->''"In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves [[HangingJudge to our judgment]]. We thrive on negative criticism, which is fun to write and to read.""''



"Hi, I'm Leonard Maltin. And this is ''The Movie Police.''" *blows whistle*

to:

"Hi, ''"Hi, I'm Leonard Maltin. And this is ''The Movie Police.''" *blows whistle*whistle*''



-->-- '''Creator/CharlesDickens''', ''Literature/OliverTwist''

to:

-->-- '''Creator/CharlesDickens''', ''Literature/OliverTwist''
-->--''Literature/OliverTwist'', by '''Creator/CharlesDickens'''



->When we write criticism we have to be continually on our guard against this sort of thing. If we honestly believe a work to be very bad we cannot help hating it. The function of criticism, however, is ‘to get ourselves out of the way and let humanity decide’; not to discharge our hatred but to expose the grounds for it; not to vilify faults but to diagnose and exhibit them. Unfortunately to express our hatred and to revenge ourselves is easier and more agreeable. Hence there is a tendency to select our pejorative epithets with a view not to their accuracy but to their power of hurting. If writing which was intended to be comic has set our teeth on edge, how easily the adjectives arch or facetious trickle out of the pen! But if we do not know exactly what we mean by them, if we are not prepared to say how comic work which errs by archness and facetiousness differs from comic work which errs in any other way, it is to be feared that we are really using them not to inform the reader but to annoy the author—arch or facetious being among the most effective ‘smear-words’ of our period. In the same way work which obviously aspires and claims to be mature, if the critic dislikes it, will be called adolescent; not because the critic has really seen that its faults are those of adolescence but because he has seen that adolescence is the last thing the author wishes or expects to be accused of.

to:

->When ->''When we write criticism we have to be continually on our guard against this sort of thing. If we honestly believe a work to be very bad we cannot help hating it. The function of criticism, however, is ‘to get ourselves out of the way and let humanity decide’; not to discharge our hatred but to expose the grounds for it; not to vilify faults but to diagnose and exhibit them. Unfortunately to express our hatred and to revenge ourselves is easier and more agreeable. Hence there is a tendency to select our pejorative epithets with a view not to their accuracy but to their power of hurting. If writing which was intended to be comic has set our teeth on edge, how easily the adjectives arch or facetious trickle out of the pen! But if we do not know exactly what we mean by them, if we are not prepared to say how comic work which errs by archness and facetiousness differs from comic work which errs in any other way, it is to be feared that we are really using them not to inform the reader but to annoy the author—arch or facetious being among the most effective ‘smear-words’ of our period. In the same way work which obviously aspires and claims to be mature, if the critic dislikes it, will be called adolescent; not because the critic has really seen that its faults are those of adolescence but because he has seen that adolescence is the last thing the author wishes or expects to be accused of.''



->"Where ''I'm'' from, they'd toss that thing in [[DeepSouth the barbecue pit.]]"

to:

->"Where ->''"Where ''I'm'' from, they'd toss that thing in [[DeepSouth the barbecue pit.]]"]]"''



->"Of my first play, the ''Herald'' said: ''[='=]A dead whale has washed up at the Shubert Theater, and stinks a little more with each passing night.[='=]'' The ''Tribune'' called my first opera as ''[='=]having the effect of canceling out all of Mozart's classics in a single caterwaul[='=]."

to:

->"Of ->''"Of my first play, the ''Herald'' said: ''[='=]A dead whale has washed up at the Shubert Theater, and stinks a little more with each passing night.[='=]'' The ''Tribune'' called my first opera as ''[='=]having the effect of canceling out all of Mozart's classics in a single caterwaul[='=].""''



->"''Oh Yahtzee, we're looking forward to hearing your opinions on this one!''" trilled several correspondents this week, and then they ran away like they just lit a firework, or pushed a friend into the girl's toilets, or thrown an unwanted child into a pen with a scary dog. OH, I SEE. No one wants me around when the new ''VideoGame/{{Call of Duty}}'' is training you to ignore yet another quality-recognition instinct, but the moment something comes along that offends what few atrophied taste buds you have left, suddenly I'm your personal attack gopher! Well, how do you know I don't actually really '''like''' ''Colonial Marines''?! [-([[IResembleThatRemark I don't, it's fucking atrocious]], but you'd have looked pretty silly if I had, wouldn't you?)-]
-->-- '''''WebAnimation/ZeroPunctuation''''', ''VideoGame/AliensColonialMarines''

to:

->"''Oh ->"Oh Yahtzee, we're looking forward to hearing your opinions on this one!''" trilled several correspondents this week, and then they ran away like they just lit a firework, or pushed a friend into the girl's toilets, or thrown an unwanted child into a pen with a scary dog. OH, I SEE. No one wants me around when the new ''VideoGame/{{Call of Duty}}'' is training you to ignore yet another quality-recognition instinct, but the moment something comes along that offends what few atrophied taste buds you have left, suddenly I'm your personal attack gopher! Well, how do you know I don't actually really '''like''' ''Colonial Marines''?! [-([[IResembleThatRemark I don't, it's fucking atrocious]], but you'd have looked pretty silly if I had, wouldn't you?)-]
you?)''
-->-- '''''WebAnimation/ZeroPunctuation''''', ''WebAnimation/ZeroPunctuation'', ''VideoGame/AliensColonialMarines''



'''Maelyn:''' [[HypocrisyNod Well sure]], [[SelfDeprecation but because everyone thinks I'm an idiot]], nobody actually takes my opinion seriously. Totally different.

to:

'''Maelyn:''' [[HypocrisyNod Well sure]], [[SelfDeprecation but because everyone thinks I'm an idiot]], idiot, nobody actually takes my opinion seriously. Totally different.



-->-- '''''Jabootu''''' [[http://www.jabootu.com/highlander2.htm on]] ''Film/HighlanderIITheQuickening''

to:

-->-- '''''Jabootu''''' '''Jabootu''' [[http://www.jabootu.com/highlander2.htm on]] ''Film/HighlanderIITheQuickening''



->"Is that how we critique movies nowadays? By just ranting and nitpicking about all the individual moments we hated?"

to:

->"Is ->''"Is that how we critique movies nowadays? By just ranting and nitpicking about all the individual moments we hated?"hated?"''



->"Y'know, I could spend ten hours talking about how dumb this entire sequence is, but I'm gonna try to do it in nine."

to:

->"Y'know, ->''"Y'know, I could spend ten hours talking about how dumb this entire sequence is, but I'm gonna try to do it in nine.""''



->"I know who you are. I know what you want. If you're trying to sell me a ticket, I can tell you I don't have money. --[-I mean, like, except maybe for the matinée or something-]. But what I do have are a very annoying set of skills; skills I have acquired over an extended and yet wasted adolescence. Skills that make me ''a nightmare'' for movies like you. The first one was ridiculous but fun, I'll admit, and if you let it go now, that'll be the end of it. I will not dwell on it, I will not pursue it. But if you [[{{Sequelitis}} make a pointless sequel]], I will look for it. I will find it. And '''I will review it.'''"

to:

->"I ->''"I know who you are. I know what you want. If you're trying to sell me a ticket, I can tell you I don't have money. --[-I mean, like, except maybe for the matinée or something-]. But what I do have are a very annoying set of skills; skills I have acquired over an extended and yet wasted adolescence. Skills that make me ''a nightmare'' for movies like you. The first one was ridiculous but fun, I'll admit, and if you let it go now, that'll be the end of it. I will not dwell on it, I will not pursue it. But if you [[{{Sequelitis}} make a pointless sequel]], I will look for it. I will find it. And '''I will review it.'''"'''"''



->"This is fuckin' Coop. But I'm gonna call him '[[TheScrappy Poop]]'. I don't care. That's why ''I'' get paid to be a critic, and you don't."

to:

->"This ->''"This is fuckin' Coop. But I'm gonna call him '[[TheScrappy Poop]]'. I don't care. That's why ''I'' get paid to be a critic, and you don't.""''



->"I have neither the time or the inclination to explain myself to a mob who rises and sleeps demanding to know my opinion of every goddamn thing in the world, and then '''questions the manner in which I provide it!''' I would rather you just say "Thank you". [[PleaseSubscribeToOurChannel And click on an ad along the way.]] Otherwise, I suggest [[LetsSeeYOUDoBetter you pick up a camera and make a blog post.]] Either way, I don't '''''[[YouCantHandleTheParody GIVE A DAMN! WHAT YOU THINK! YOU'RE ENTITLED TO!]]'''''" (leaves)
-->-- '''[[WebVideo/TheSpoonyExperiment Noah Antwiler]]''' [[https://www.youtube.com/watch?v=1bPvUFq3ZbI#t=4750s on]] Wrestling/SurvivorSeries 2014

->"So there, I said some good things about [[VideoGame/TheLegendOfZeldaMajorasMask the game]], but that's all anybody ever talks about is the good things. The bad things? Well, that's my job."

to:

->"I ->''"I have neither the time or the inclination to explain myself to a mob who rises and sleeps demanding to know my opinion of every goddamn thing in the world, and then '''questions the manner in which I provide it!''' I would rather you just say "Thank you". [[PleaseSubscribeToOurChannel And click on an ad along the way.]] Otherwise, I suggest [[LetsSeeYOUDoBetter you pick up a camera and make a blog post.]] Either way, I don't '''''[[YouCantHandleTheParody GIVE A DAMN! WHAT YOU THINK! YOU'RE ENTITLED TO!]]'''''" TO!]]'''''"'' (leaves)
-->-- '''[[WebVideo/TheSpoonyExperiment Noah Antwiler]]''' [[https://www.youtube.com/watch?v=1bPvUFq3ZbI#t=4750s on]] Wrestling/SurvivorSeries 2014

->"So
''Wrestling/SurvivorSeries 2014''

->''So
there, I said some good things about [[VideoGame/TheLegendOfZeldaMajorasMask the game]], but that's all anybody ever talks about is the good things. The bad things? Well, that's my job.""''



->"If you wanna be a genius, it's easy! All you gotta say is 'Everything stinks,' then you're never wrong."

to:

->"If ->''"If you wanna be a genius, it's easy! All you gotta say is 'Everything stinks,' then you're never wrong.""''



-->-- '''Aldous Huxley''', "Silence is Golden"

to:

-->-- '''Aldous Huxley''', '''Creator/AldousHuxley''', "Silence is Golden"
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-->-- '''Creator/RogerEbert''' [[http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19940722/REVIEWS/407220302/1023 review]] of ''Film/{{North}}'' (extended edition)

to:

-->-- '''Creator/RogerEbert''' [[http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19940722/REVIEWS/407220302/1023 [[https://www.rogerebert.com/reviews/north-1994 review]] of ''Film/{{North}}'' (extended edition)
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Dewicking Not So Different as it is now a disambig.


'''Dave:''' Isn't that literally '''''exactly''''' [[NotSoDifferent what you do]] ''all the time'' about ''everything''?\\

to:

'''Dave:''' Isn't that literally '''''exactly''''' [[NotSoDifferent [[NotSoDifferentRemark what you do]] ''all the time'' about ''everything''?\\
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->'''George Stobbart:''' You're Laine, the critic, aren't you?\\
'''Hector Laine:''' Correct. Can't you see I'm busy?\\
'''George Stobbart:''' Busy? Doing what?\\
'''Hector Laine:''' Appreciating the art. Or depreciating it. I have a reputation to uphold.
-->-- ''VideoGame/BrokenSwordIITheSmokingMirror''

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->When we write criticism we have to be continually on our guard against this sort of thing. If we honestly believe a work to be very bad we cannot help hating it. The function of criticism, however, is ‘to get ourselves out of the way and let humanity decide’; not to discharge our hatred but to expose the grounds for it; not to vilify faults but to diagnose and exhibit them. Unfortunately to express our hatred and to revenge ourselves is easier and more agreeable. Hence there is a tendency to select our pejorative epithets with a view not to their accuracy but to their power of hurting. If writing which was intended to be comic has set our teeth on edge, how easily the adjectives arch or facetious trickle out of the pen! But if we do not know exactly what we mean by them, if we are not prepared to say how comic work which errs by archness and facetiousness differs from comic work which errs in any other way, it is to be feared that we are really using them not to inform the reader but to annoy the author—arch or facetious being among the most effective ‘smear-words’ of our period. In the same way work which obviously aspires and claims to be mature, if the critic dislikes it, will be called adolescent; not because the critic has really seen that its faults are those of adolescence but because he has seen that adolescence is the last thing the author wishes or expects to be accused of.
-->-- '''Creator/CSLewis''', ''Studies in Words''




->When we write criticism we have to be continually on our guard against this sort of thing. If we honestly believe a work to be very bad we cannot help hating it. The function of criticism, however, is ‘to get ourselves out of the way and let humanity decide’; not to discharge our hatred but to expose the grounds for it; not to vilify faults but to diagnose and exhibit them. Unfortunately to express our hatred and to revenge ourselves is easier and more agreeable. Hence there is a tendency to select our pejorative epithets with a view not to their accuracy but to their power of hurting. If writing which was intended to be comic has set our teeth on edge, how easily the adjectives arch or facetious trickle out of the pen! But if we do not know exactly what we mean by them, if we are not prepared to say how comic work which errs by archness and facetiousness differs from comic work which errs in any other way, it is to be feared that we are really using them not to inform the reader but to annoy the author—arch or facetious being among the most effective ‘smear-words’ of our period. In the same way work which obviously aspires and claims to be mature, if the critic dislikes it, will be called adolescent; not because the critic has really seen that its faults are those of adolescence but because he has seen that adolescence is the last thing the author wishes or expects to be accused of.
-->-- '''Creator/CSLewis''', ''Studies in Words''
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->When we write criticism we have to be continually on our guard against this sort of thing. If we honestly believe a work to be very bad we cannot help hating it. The function of criticism, however, is ‘to get ourselves out of the way and let humanity decide’; not to discharge our hatred but to expose the grounds for it; not to vilify faults but to diagnose and exhibit them. Unfortunately to express our hatred and to revenge ourselves is easier and more agreeable. Hence there is a tendency to select our pejorative epithets with a view not to their accuracy but to their power of hurting. If writing which was intended to be comic has set our teeth on edge, how easily the adjectives arch or facetious trickle out of the pen! But if we do not know exactly what we mean by them, if we are not prepared to say how comic work which errs by archness and facetiousness differs from comic work which errs in any other way, it is to be feared that we are really using them not to inform the reader but to annoy the author—arch or facetious being among the most effective ‘smear-words’ of our period. In the same way work which obviously aspires and claims to be mature, if the critic dislikes it, will be called adolescent; not because the critic has really seen that its faults are those of adolescence but because he has seen that adolescence is the last thing the author wishes or expects to be accused of.
-->-- '''Creator/CSLewis''', ''Studies in Words''
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->'''Greg:''' Okay, I'll grant you that [[WebVideo/HonestTrailers they're]] funny...that's the whole point, but they achieve that by [[AccentuateTheNegative taking something and nitpicking it to death]], focusing on the most insignificant crap they can find. And then, because it has this big booming trailer voiceover guy doing it, it somehow takes on an air of authoritativeness, and people just watch it and say "Yep, uh-huh, that's true". [[DudeNotFunny It goes beyond simple criticism and just comes off as mean]].\\

to:

->'''Greg:''' ->'''Maelyn:''' Okay, I'll grant you that [[WebVideo/HonestTrailers they're]] funny...that's the whole point, but they achieve that by [[AccentuateTheNegative taking something and nitpicking it to death]], focusing on the most insignificant crap they can find. And then, because it has this big booming trailer voiceover guy doing it, it somehow takes on an air of authoritativeness, and people just watch it and say "Yep, uh-huh, that's true". [[DudeNotFunny It goes beyond simple criticism and just comes off as mean]].\\



'''Greg:''' [[HypocrisyNod Well sure]], [[SelfDeprecation but because everyone thinks I'm an idiot]], nobody actually takes my opinion seriously. Totally different.
-->-- ''Webcomic/RealLifeComics'', [[http://www.reallifecomics.com/comic.php?comic=november-24-2014 Nov. 24th, 2015]]

to:

'''Greg:''' '''Maelyn:''' [[HypocrisyNod Well sure]], [[SelfDeprecation but because everyone thinks I'm an idiot]], nobody actually takes my opinion seriously. Totally different.
-->-- ''Webcomic/RealLifeComics'', [[http://www.[[https://www.reallifecomics.com/comic.php?comic=november-24-2014 php?comic=november-24-2015 Nov. 24th, 2015]]
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Moved.


->''She has everything that a great critic needs [[InsaneTrollLogic except judgment]]. And I don't mean that facetiously. She has great passion, terrific wit, wonderful writing style, huge knowledge of film history, but too often what she [[RootingForTheEmpire chooses to extol]] or [[ComicallyMissingThePoint fails to see]] is very surprising.''
-->-- '''Creator/WoodyAllen''' on Pauline Kael

to:

->''She has everything ->'''Editor''': I guess you didn't know that [[Creator/TerrenceMalick Terry]] is like a great critic needs [[InsaneTrollLogic except judgment]]. And I don't mean that facetiously. She has great passion, terrific wit, wonderful writing style, huge knowledge son to me.\\
'''Creator/PaulineKael''': Tough shit, Bill.
-->--regarding a negative review
of film history, but too often what she [[RootingForTheEmpire chooses to extol]] or [[ComicallyMissingThePoint fails to see]] is very surprising.''
-->-- '''Creator/WoodyAllen''' on Pauline Kael
''{{Film/Badlands}}''
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->''Please tell my why\\

to:

->''Please tell my me why\\

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to:

->''Please tell my why\\
{{WebVideo/HBomberguy}}'s\\
Disappointed by an anime\\
Reach for the sky\\
[=HBomberguy's=]\\
Gonna tell us why\\
''{{WebAnimation/RWBY}}'' is lame''
-->--Anime intro, [[https://www.youtube.com/watch?v=81fdKWOHrdE&ab_channel=hbomberguy "RWBY Is Disappointing, And Here's Why"]]
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->'In 2014, Heigl lent her voice to the animated feature, ''WesternAnimation/TheNutJob.\\\

to:

->'In ->''In 2014, Heigl lent her voice to the animated feature, ''WesternAnimation/TheNutJob.\\\''\\\
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->'In 2014, Heigl lent her voice to the animated feature, ''WesternAnimation/TheNutJob.\\\
Heigl + Nut Job = Instant Joke.''
-->--'''[[https://lebeauleblog.com/2014/04/12/what-the-hell-happened-to-katherine-heigl/ LeBeau]]''', "What the Hell Happened to Creator/KatherineHeigl?"
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->"In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves [[HangingJudge to our judgment]]. We thrive on negative criticism]], which is fun to write and to read."

to:

->"In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves [[HangingJudge to our judgment]]. We thrive on negative criticism]], criticism, which is fun to write and to read."

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->'''Clive''': There's no beginning to your talents.
\\

to:

->'''Clive''': There's no beginning to your talents.
talents.\\
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[foldercontrol]]

to:

[foldercontrol]]
[[foldercontrol]]
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A[[foldercontrol]]

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A[[foldercontrol]]
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