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The "[3]" makes it very obvious that this was copy/pasted from the Wikipedia page for this film, which is plagiarism.
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* The ''Bolero'' piece introduces bizarre parodies of life. At the end, [[spoiler:they pretty much get forcibly transformed into construction equipment by the evil ape. The chilling close-ups and bombastic music don't help at all]].
* In Igor Stravinsky's ''The Firebird'' (specifically The Princesses' Khorovod and The Infernal Dance of King Katschey) begins with a lump of clay molded by a monotheistic symbol of the omniscient pyramid, first making a few unsuccessful creatures with overly awkward limbs, then finally the Adam and Eve as portrayed in Genesis. Adam and Eve then transform into cel animation and, as in Genesis, the serpent comes up to them, offering the fruits of knowledge in the form of an apple. After they refuse it, the serpent swallows the apple himself. Falling asleep, he is immediately plunged into a nightmare in a hellish environment where he is first tormented by fiery demons and then plagued by all the things that are supposed to corrupt humankind (sex, alcohol, money, material objects, drugs, violence);[3] he also grows arms and legs and is magicked into a suit and fedora. When the music ends after he wakes up, he is still wearing the suit and hat, but after telling Adam and Eve his dream in a fast-motion and incomprehensible manner, he sheds the suit (losing his arms and legs but keeping the hat) and spits up the still-whole apple.
* In Igor Stravinsky's ''The Firebird'' (specifically The Princesses' Khorovod and The Infernal Dance of King Katschey) begins with a lump of clay molded by a monotheistic symbol of the omniscient pyramid, first making a few unsuccessful creatures with overly awkward limbs, then finally the Adam and Eve as portrayed in Genesis. Adam and Eve then transform into cel animation and, as in Genesis, the serpent comes up to them, offering the fruits of knowledge in the form of an apple. After they refuse it, the serpent swallows the apple himself. Falling asleep, he is immediately plunged into a nightmare in a hellish environment where he is first tormented by fiery demons and then plagued by all the things that are supposed to corrupt humankind (sex, alcohol, money, material objects, drugs, violence);[3] he also grows arms and legs and is magicked into a suit and fedora. When the music ends after he wakes up, he is still wearing the suit and hat, but after telling Adam and Eve his dream in a fast-motion and incomprehensible manner, he sheds the suit (losing his arms and legs but keeping the hat) and spits up the still-whole apple.
to:
* The ''Bolero'' piece introduces bizarre parodies of life. At the end, [[spoiler:they they pretty much get forcibly transformed into construction equipment by the evil ape. The chilling close-ups and bombastic music don't help at all]].
all.
*In Igor The segment for Stravinsky's ''The Firebird'' (specifically The (more precisely, "The Princesses' Khorovod Khorovod" and The "The Infernal Dance of King Katschey) begins Katschey") opens with a lump of clay molded by a monotheistic symbol of the omniscient pyramid, first making being sculpted into a few unsuccessful creatures deranged false starts at life with overly awkward limbs, then finally the limbs before settling on Adam and Eve as portrayed in Genesis. Adam and Eve Eve, who then transform into cel animation and, as animation. As in Genesis, the serpent comes up appears to them, offering the fruits of knowledge in the form of tempt them with an apple. After apple representing knowledge, but when they refuse it, refuse, the serpent swallows eats the apple himself. Falling asleep, he is instead. He immediately plunged falls asleep and is thrown into a nightmare in a hellish environment where he is first tormented by fiery nightmarish hellscape of demons and then plagued by all the things that are supposed to corrupt humankind (sex, alcohol, money, corrupting influences (such as sex, drugs, violence, and material objects, drugs, violence);[3] he also grows wealth) that cause him to sprout arms and legs and is magicked into don a suit and fedora. When the music ends after he wakes up, hat, which he is still wearing the suit and hat, but after he wakes up. He tries telling Adam and Eve about his dream in a fast-motion and incomprehensible manner, dream, to little interest, after which he sheds the suit (losing his arms and legs but keeping (but not the hat) and spits throws up the still-whole apple.apple, still intact.
*
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* In Igor Stravinsky's The Firebird (specifically The Princesses' Khorovod and The Infernal Dance of King Katschey) begins with a lump of clay molded by a monotheistic symbol of the omniscient pyramid, first making a few unsuccessful creatures with overly awkward limbs, then finally the Adam and Eve as portrayed in Genesis. Adam and Eve then transform into cel animation and, as in Genesis, the serpent comes up to them, offering the fruits of knowledge in the form of an apple. After they refuse it, the serpent swallows the apple himself. Falling asleep, he is immediately plunged into a nightmare in a hellish environment where he is first tormented by fiery demons and then plagued by all the things that are supposed to corrupt humankind (sex, alcohol, money, material objects, drugs, violence);[3] he also grows arms and legs and is magicked into a suit and fedora. When the music ends after he wakes up, he is still wearing the suit and hat, but after telling Adam and Eve his dream in a fast-motion and incomprehensible manner, he sheds the suit (losing his arms and legs but keeping the hat) and spits up the still-whole apple.
* The Firebird sequence sends the snake from the Garden of Eden into a nightmarish world of western capitalism and commercialism.
* The Firebird sequence sends the snake from the Garden of Eden into a nightmarish world of western capitalism and commercialism.
to:
* In Igor Stravinsky's The Firebird ''The Firebird'' (specifically The Princesses' Khorovod and The Infernal Dance of King Katschey) begins with a lump of clay molded by a monotheistic symbol of the omniscient pyramid, first making a few unsuccessful creatures with overly awkward limbs, then finally the Adam and Eve as portrayed in Genesis. Adam and Eve then transform into cel animation and, as in Genesis, the serpent comes up to them, offering the fruits of knowledge in the form of an apple. After they refuse it, the serpent swallows the apple himself. Falling asleep, he is immediately plunged into a nightmare in a hellish environment where he is first tormented by fiery demons and then plagued by all the things that are supposed to corrupt humankind (sex, alcohol, money, material objects, drugs, violence);[3] he also grows arms and legs and is magicked into a suit and fedora. When the music ends after he wakes up, he is still wearing the suit and hat, but after telling Adam and Eve his dream in a fast-motion and incomprehensible manner, he sheds the suit (losing his arms and legs but keeping the hat) and spits up the still-whole apple.
* The Firebird sequence sends the snake from the Garden of Eden into a nightmarish world of western capitalism and commercialism.apple.
* The Firebird sequence sends the snake from the Garden of Eden into a nightmarish world of western capitalism and commercialism.
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* The monkey in Ravel's Bolero.
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* The monkey in Ravel's Bolero.
''Bolero'' piece introduces bizarre parodies of life. At the end, [[spoiler:they pretty much get forcibly transformed into construction equipment by the evil ape. The chilling close-ups and bombastic music don't help at all]].
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[[quoteright:232:https://static.tvtropes.org/pmwiki/pub/images/allegro4_1.jpg]]
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[[quoteright:232:https://static.tvtropes.org/pmwiki/pub/images/allegro4_1.jpg]]
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* In Igor Stravinsky's The Firebird (specifically The Princesses' Khorovod and The Infernal Dance of King Katschey) begins with a lump of clay molded by a monotheistic symbol of the omniscient pyramid, first making a few unsuccessful creatures with overly awkward limbs, then finally the Adam and Eve as portrayed in Genesis. Adam and Eve then transform into cel animation and, as in Genesis, the serpent comes up to them, offering the fruits of knowledge in the form of an apple. After they refuse it, the serpent swallows the apple himself. Falling asleep, he is immediately plunged into a nightmare in a hellish environment where he is first tormented by fiery demons and then plagued by all the things that are supposed to corrupt humankind (sex, alcohol, money, material objects, drugs, violence);[3] he also grows arms and legs and is magicked into a suit and fedora. When the music ends after he wakes up, he is still wearing the suit and hat, but after telling Adam and Eve his dream in a fast-motion and incomprehensible manner, he sheds the suit (losing his arms and legs but keeping the hat) and spits up the still-whole apple.
to:
* In Igor Stravinsky's The Firebird (specifically The Princesses' Khorovod and The Infernal Dance of King Katschey) begins with a lump of clay molded by a monotheistic symbol of the omniscient pyramid, first making a few unsuccessful creatures with overly awkward limbs, then finally the Adam and Eve as portrayed in Genesis. Adam and Eve then transform into cel animation and, as in Genesis, the serpent comes up to them, offering the fruits of knowledge in the form of an apple. After they refuse it, the serpent swallows the apple himself. Falling asleep, he is immediately plunged into a nightmare in a hellish environment where he is first tormented by fiery demons and then plagued by all the things that are supposed to corrupt humankind (sex, alcohol, money, material objects, drugs, violence);[3] he also grows arms and legs and is magicked into a suit and fedora. When the music ends after he wakes up, he is still wearing the suit and hat, but after telling Adam and Eve his dream in a fast-motion and incomprehensible manner, he sheds the suit (losing his arms and legs but keeping the hat) and spits up the still-whole apple.apple.
* The Firebird sequence sends the snake from the Garden of Eden into a nightmarish world of western capitalism and commercialism.
* The Firebird sequence sends the snake from the Garden of Eden into a nightmarish world of western capitalism and commercialism.
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* The monkey in Ravel's Bolero.
* In Igor Stravinsky's The Firebird (specifically The Princesses' Khorovod and The Infernal Dance of King Katschey) begins with a lump of clay molded by a monotheistic symbol of the omniscient pyramid, first making a few unsuccessful creatures with overly awkward limbs, then finally the Adam and Eve as portrayed in Genesis. Adam and Eve then transform into cel animation and, as in Genesis, the serpent comes up to them, offering the fruits of knowledge in the form of an apple. After they refuse it, the serpent swallows the apple himself. Falling asleep, he is immediately plunged into a nightmare in a hellish environment where he is first tormented by fiery demons and then plagued by all the things that are supposed to corrupt humankind (sex, alcohol, money, material objects, drugs, violence);[3] he also grows arms and legs and is magicked into a suit and fedora. When the music ends after he wakes up, he is still wearing the suit and hat, but after telling Adam and Eve his dream in a fast-motion and incomprehensible manner, he sheds the suit (losing his arms and legs but keeping the hat) and spits up the still-whole apple.
* In Igor Stravinsky's The Firebird (specifically The Princesses' Khorovod and The Infernal Dance of King Katschey) begins with a lump of clay molded by a monotheistic symbol of the omniscient pyramid, first making a few unsuccessful creatures with overly awkward limbs, then finally the Adam and Eve as portrayed in Genesis. Adam and Eve then transform into cel animation and, as in Genesis, the serpent comes up to them, offering the fruits of knowledge in the form of an apple. After they refuse it, the serpent swallows the apple himself. Falling asleep, he is immediately plunged into a nightmare in a hellish environment where he is first tormented by fiery demons and then plagued by all the things that are supposed to corrupt humankind (sex, alcohol, money, material objects, drugs, violence);[3] he also grows arms and legs and is magicked into a suit and fedora. When the music ends after he wakes up, he is still wearing the suit and hat, but after telling Adam and Eve his dream in a fast-motion and incomprehensible manner, he sheds the suit (losing his arms and legs but keeping the hat) and spits up the still-whole apple.
