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* MisogynySong: Decades later, two of the bands anti-premarital sex songs ("Something's Holding On" and "Pearls Before Swine") can feel a bit like slut-shaming.

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* MisogynySong: Decades later, two of the bands band’s anti-premarital sex songs ("Something's Holding On" and "Pearls Before Swine") can feel a bit like slut-shaming.
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* ExecutiveMeddling: ‘’Drowning with Land in Sight’’ was subject to quite a bit of it:
** Word Records demanded that the band’s cover of “Nobody’s Fault but Mine” open the record and be the lead singer. (Most fans will agree that this was for the best.)
** They also felt that the record lacked religious content and had the band record the closing track, “For Crying Out Loud,” which is tonally very different from everything else on the album.
** The label demanded that the innuendo-laden song “Sneakers” be removed from the album. It was later released on the general-market version of Roe’s first solo album.
** Most infamously, Word backmasked the phrase “kicked my ass” in the song “Dave’s Blues” without informing the band.
** The 2018 reissue of ‘’Drowning’’ uncensors “Dave’s Blues,” restores “Sneakers,” and shuffles “For Crying Out Loud” to the bonus disc.
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* ExecutiveMeddling: ‘’Drowning with Land in Sight’’ was subject to quite a bit of it:
** Word Records demanded that the band’s cover of “Nobody’s Fault but Mine” open the record and be the lead singer. (Most fans will agree that this was for the best.)
** They also felt that the record lacked religious content and had the band record the closing track, “For Crying Out Loud,” which is tonally very different from everything else on the album.
** The label demanded that the innuendo-laden song “Sneakers” be removed from the album. It was later released on the general-market version of Roe’s first solo album.
** Most infamously, Word backmasked the phrase “kicked my ass” in the song “Dave’s Blues” without informing the band.
** The 2018 reissue of ‘’Drowning’’ uncensors “Dave’s Blues,” restores “Sneakers,” and shuffles “For Crying Out Loud” to the bonus disc.
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* DeadHorseGenre: At Lost Dogs shows, Terry Taylor and Gene Eugene were fond of making fun of Roe for his other band's "boogie woogie music."
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* DeadHorseGenre: At Lost Dogs shows, Terry Taylor and Gene Eugene were fond of making fun of Roe for his other band's "boogie woogie music."
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* CoverVersion: Washington Phillips's "Denomination Blues"; [Music/VelvetUnderground]'s "Jesus"; a cover of [Music/LedZeppelin]'s cover of Blind Willie Johnson's "Nobody's Fault but Mine."

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* CoverVersion: Washington Phillips's "Denomination Blues"; [Music/VelvetUnderground]'s Music/VelvetUnderground's "Jesus"; a cover of [Music/LedZeppelin]'s Music/LedZeppelin's cover of Blind Willie Johnson's "Nobody's Fault but Mine."
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* CoverVersion: Washington Phillips's "Denomination Blues"; [The Velvet Underground Music/VelvetUnderground]; a cover of the Led Zeppelin cover of Blind Willie Johnson's "Nobody's Fault but Mine."

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* CoverVersion: Washington Phillips's "Denomination Blues"; [The Velvet Underground Music/VelvetUnderground]; [Music/VelvetUnderground]'s "Jesus"; a cover of the Led Zeppelin [Music/LedZeppelin]'s cover of Blind Willie Johnson's "Nobody's Fault but Mine."
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* CoverVersion: Washington Phillips's "Denomination Blues"; "Jesus" by TheVelvetUnderground; a cover of the LedZeppelin cover of Blind Willie Johnson's "Nobody's Fault but Mine."

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* CoverVersion: Washington Phillips's "Denomination Blues"; "Jesus" by TheVelvetUnderground; [The Velvet Underground Music/VelvetUnderground]; a cover of the LedZeppelin Led Zeppelin cover of Blind Willie Johnson's "Nobody's Fault but Mine."

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* AllGuitarsAreStratocasters: At least Mike Roe's primary guitar is.
* AudienceParticipationSong: When Roe plays "Nowhere Else" at solo shows, the audience is often asked to sing the Nurk Sisters' "Hey na na" backing vocals.



* CoverVersion: Washington Phillips's "Denomination Blues"; "Jesus" by TheVelvetUnderground; a cover of the LedZeppelin cover of Blind Willie Johnson's "Nobody's Fault but Mine."



* {{Supergroup}}: Roe is in the Lost Dogs with the frontmen of DanielAmos, The Choir, and Adam Again.

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* {{Supergroup}}: Roe is in the Lost Dogs Dogs, along with the frontmen of DanielAmos, Daniel Amos, The Choir, and Adam Again.
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* {{Supergroup}}: Roe is in the Lost Dogs with the frontmen of DanielAmos, The Choir, and Adam Again.
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* LongRunnerLineUp: Type 2. The band has been Mike Roe, Mark Harmon, and Bruce Spencer since 1995.


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* RockTrio: Since 1995, although guitarist/keyboardist Scott Reams sometimes makes the band a quartet onstage.


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* SingerSongwriter: Largely averted. While Mike Roe has written songs on all of the band's albums, the first 77s song credited to him alone ("Pearls Before Swine") didn't appear until their third album, and most of his credits are co-writes.
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* MisogynySong: Decades later, two of the bands anti-premarital sex songs ("Something's Holding On" and "Pearls Before Swine") can feel a bit like slut-shaming.
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*BreakUpSong: Much of *Drowning with Land in Sight* was inspired by the breakdown of Roe's marriage and the subsequent breakdown of his rebound relationship with a much younger woman.
* ListSong: "MT" is a list of things the addressee is "more than" to the singer.

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* SelfBackingVocalist: Beginning with the 1987 self-titled album, Roe frequently performed his own backing vocals, though other band members have typically joined him.

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* BawdySong: Given the band's Christian rock milieu, "Pearls Before Swine" probably qualifies:
-->Well, she put it out\\
He put the heat on, she got too hot\\
So she put it out\\
Gives in a little, she's giving him a lot\\
She lays it out\\
She's showing all her prized possessions to him\\
And she's puttin' out\\
Swappin' everything for what he's puttin' in
**Subverted, however, in that it's a song ''criticizing'' extramarital sex, not praising it.
* LyricalColdOpen: "What Was in That Letter" and "UUUU."
* NonAppearingTitle: "Pearls Before Swine."
* SelfBackingVocalist: Beginning with the 1987 self-titled album, Roe frequently performed his own backing vocals, though other band members have typically joined him.him.
* TitleOnlyChorus: "Make a Difference Tonight," "Do It for Love."
* TitleTrack: Averted, except for "Ping Pong Over the Abyss" and "Pray Naked."
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-->'All fall down' like dominoes

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-->'All -->'''All fall down' down''' like dominoes
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!!Provides examples of:
* AlbumTitleDrop: "Caught in an Unguarded Moment":
-->'All fall down' like dominoes
* SelfBackingVocalist: Beginning with the 1987 self-titled album, Roe frequently performed his own backing vocals, though other band members have typically joined him.
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* Mike Roe: Lead Vocals, Guitars, Harmonica
* Mark Harmon: Keyboards, Bass, Backing Vocals
* Bruce Spencer: Keyboards, Drums, Backing Vocals

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* Mike Roe: Lead Vocals, Guitars, Guitar, Harmonica
* Mark Harmon: Bass, Keyboards, Bass, Backing Vocals
* Bruce Spencer: Percussion, Keyboards, Drums, Backing Vocals
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The band has played a wide variety of music over the years, as most long-running acts do: They began as a NewWave act, but by the time the '90s had rolled around, had become much more influenced by BluesRock and HardRock. In the Christian rock community, they were known for walking an uncomfortable line between Christian and secular, with many of their lyrics dealing frankly with topics like abortion and premarital sex that were generally considered off limits for Christian bands.
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[AC: Mike Roe solo albums]]

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[AC: Mike [[AC: Michael Roe solo albums]]
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Removed: 9

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[[index]]



[[/index]]

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[[/index]]
[[AC:7&7iS / Michael Roe and Mark Harmon]]
* ''More Miserable Than You'll Ever Be'' (1990)
* ''Daydream'' (1999)
* ''Orbis'' (2002)
* ''Fun with Sound'' (2004)
* ''Misery Loves Company'' (2014)

[AC: Mike Roe solo albums]]
* ''Safe as Milk'' (1995)
* ''The Boat Ashore'' (1996)
* ''Safe as Milk - Live at Cornerstone 1997'' (1999)
* ''It's for You'' (2000) (a double-disc acoustic live album)
* ''Say Your Prayers'' (2002)
* ''All Day Sing and Dinner on the Ground'' (2003) (with Terry Scott Taylor)
* ''Roesbuds'' (2003)
* ''We All Gonna Face the Rising Sun'' (2009)
* ''Michael Roe: Solo and Alternate Versions'' (2010)
* ''Guadalupe'' (2014) (acoustic re-recordings of Roe and 77s songs)
* ''Live in Torrence'' (2014)
* ''Gothic'' (2016) (live)
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[[/index]]

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* ''Naked and Unashamed'' (2017) (outtakes from the ''Pray Naked'' Sessions)

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* ''Naked and Unashamed'' (2017) (outtakes from the ''Pray Naked'' Sessions)Sessions)
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* Jan Eric Volz: Bass, Vocals (1982-1987)

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* Jan Eric Volz: Bass, Vocals (1982-1987)(1982-1987)

[[folder:Discography:]]
[[AC:The 77s]]
[[index]]
* ''Ping Pong Over the Abyss'' (1982)
* ''All Fall Down'' (1984)
* ''The 77s'' (1987)
* ''Sticks and Stones'' (1990) (a collection of demos and outtakes from ''The 77s'')
* ''Eighty Eight'' (1991) (a live album recorded in, you guessed it, 1988)
* ''Pray Naked'' (1992)
* ''Drowning with Land in Sight'' (1994)
* ''tom tom Blues'' (1995)
* ''Echoes o' Faith'' (1996) (an acoustic live album)
* ''EP'' (1999)
* ''A Golden Field of Radioactive Crows'' (2001)
* ''Ninety Nine'' (2007) (another live album)
* ''Holy Ghost Building'' (2008)
* ''Seeds and Stems'' (2012) (more outtakes from the sessions that produced *Sticks and Stones*)
* ''Cornerstone Is Dead...Long Live Cornerstone'' (2012) (a series of live recordings from the Cornerstone Festival)
* ''Naked and Unashamed'' (2017) (outtakes from the ''Pray Naked'' Sessions)
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They released their first album, *Ping Pong Over the Abyss*, in 1982 and, by 1987, seemed to be on the cusp of a mainstream breakthrough, with a self-titled album set to release on Island Records in April. Unfortunately for them, a few weeks before their album was to come out, Island released its biggest hit of the decade: U2's TheJoshuaTree, and, depending on whom you ask, the 77s were left without much label support. This iteration of the band didn't last much longer. Roe put out some unreleased tracks under a variety of names in the late '80s and early '90s, and then reformed the band in the 1990s, first as a quartet and then as a power trio, its membership staying stable since 1995.

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They released their first album, *Ping ''Ping Pong Over the Abyss*, Abyss'', in 1982 and, by 1987, seemed to be on the cusp of a mainstream breakthrough, with a self-titled album set to release on Island Records in April. Unfortunately for them, a few weeks before their album was to come out, Island released its biggest hit of the decade: U2's TheJoshuaTree, ''TheJoshuaTree'', and, depending on whom you ask, the 77s were left without much label support. This iteration of the band didn't last much longer. Roe put out some unreleased tracks under a variety of names in the late '80s and early '90s, and then reformed the band in the 1990s, first as a quartet and then as a power trio, its membership staying stable since 1995.
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The 77s (occasionally the Seventy Sevens) are a ChristianRock band from Sacramento, California. Their one consistent member throughout their four-decade history has been the singer and guitarist Mike Roe, whose range and abilities as a vocalist and a musician are sizeable.

They released their first album, *Ping Pong Over the Abyss*, in 1982 and, by 1987, seemed to be on the cusp of a mainstream breakthrough, with a self-titled album set to release on Island Records in April. Unfortunately for them, a few weeks before their album was to come out, Island released its biggest hit of the decade: U2's TheJoshuaTree, and, depending on whom you ask, the 77s were left without much label support. This iteration of the band didn't last much longer. Roe put out some unreleased tracks under a variety of names in the late '80s and early '90s, and then reformed the band in the 1990s, first as a quartet and then as a power trio, its membership staying stable since 1995.

[[AC:Current Members]]
* Mike Roe: Lead Vocals, Guitars, Harmonica
* Mark Harmon: Keyboards, Bass, Backing Vocals
* Bruce Spencer: Keyboards, Drums, Backing Vocals

[[AC: Former Members]]
* Mark Proctor: Drums, Vocals (1982-1984)
* Aaron Smith: Drums (always credited as some variation of "pounding and thrashing") (1984-1994)
* Mark Tootle: Guitar, Keyboards, Vocals (1982-1987)
* Jan Eric Volz: Bass, Vocals (1982-1987)

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