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A Date With Rosie Palms is no longer a trope
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* ADateWithRosiePalms: The opening line of "Touching Me Touching You"
-->"[[RefugeInAudacity I'm always touching myself]]"
-->"[[RefugeInAudacity I'm always touching myself]]"
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* RevolvingDoorBand: Those that aren't Difford or Tilbrook tend to change, although Gilson and Jools both came back post-breakup.
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* RevolvingDoorBand: Those that aren't Difford or Tilbrook tend to change, although change. Even Difford left the band for a while in 1999. Gilson and Jools Jools, meanwhile, both came back post-breakup.post-breakup -- and then left again. Paul Carrack, John Bentley, Andy Metcalfe and Christopher Holland (Jools' brother) have also had multiple tenures in the group.
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* BreakfastInBed: {{Implied|Trope}} in the song "Black Coffee in Bed." The song is sung from the perspective a jilted narrator whose lover left him, and the only physical reminder he has of her is a coffee cup stain left behind after having a morning cup in bed, suggesting the woman having some kind of breakfast in bed before leaving the narrator.
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[[caption-width-right:350:The 1978 lineup of Squeeze. From left to right: Harry Kakoulli, Glenn Tillbrook, Chris Difford, Gilson Lavis, and Jools Holland]]
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For the final Music/VelvetUnderground album of the same name (which the group took their name from), see ''[[Music/{{Squeeze1973}} Squeeze]]''.
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As usual, you can find the basics at [[http://en.wikipedia.org/wiki/Squeeze_(band) The Other Wiki]].
For the final Music/VelvetUnderground album of the same name (which the group took their name from), see ''[[Music/{{Squeeze1973}} Squeeze]]''.
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! '''''Tempted by the tropes of another''''':
As usual, you can find the basics at [[http://en.wikipedia.org/wiki/Squeeze_(band) The Other Wiki]].
For the final Music/VelvetUnderground album of the same name (which the group took their name from), see ''[[Music/{{Squeeze1973}} Squeeze]]''.
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! '''''Tempted by the tropes of another''''':
to:
As usual, you can find the basics at [[http://en.wikipedia.org/wiki/Squeeze_(band) The Other Wiki]].
For the final Music/VelvetUnderground album of the same name (which the group took their name from), see ''[[Music/{{Squeeze1973}} Squeeze]]''.
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!
!! '''''Tempted by the tropes of another''''':
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* SopranoAndGravel: Compare Tilbrook's highers vocal to Difford's raspy vocals.
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* SopranoAndGravel: Compare Tilbrook's highers vocal high pitch to Difford's raspy vocals.snarl.
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* WordSaladLyrics: Difford and Tilbrook have both admitted that the lyrics of "Hourglass" don't really mean much of anything.
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Changed line(s) 68,70 (click to see context) from:
* SeriesFauxnale: ''Sweets from a Stranger'' functions as this: their "last" album followed by their "last" tour, "last" TV appearance[[note]]A ''Series/SaturdayNightLive'' hosted by child star Creator/DrewBarrymore[[/note]], etc. As it turned out Difford and Tilbrook continued to collaborate and were calling themselves "Squeeze" again within 3 years, although they became more of a RevolvingDoorBand.
* ShoutOut: "Pulling Mussels (From the Shell)" mentions "A Harold [=Robbins=] paperback"
* SopranoAndGravel: Compare Tilbrook's higher vocal to Difford's raspy vocal.
* ShoutOut: "Pulling Mussels (From the Shell)" mentions "A Harold [=Robbins=] paperback"
* SopranoAndGravel: Compare Tilbrook's higher vocal to Difford's raspy vocal.
to:
* SeriesFauxnale: ''Sweets from a Stranger'' functions as this: their "last" album followed by their "last" tour, "last" TV appearance[[note]]A ''Series/SaturdayNightLive'' episode hosted by child star Creator/DrewBarrymore[[/note]], etc. As it turned out Difford and Tilbrook continued to collaborate and were calling themselves "Squeeze" again within 3 years, although they became more of a RevolvingDoorBand.
* ShoutOut: "Pulling Mussels (From the Shell)" mentions "A Harold[=Robbins=] paperback"
Robbins paperback".
* SopranoAndGravel: Compare Tilbrook'shigher highers vocal to Difford's raspy vocal.vocals.
* ShoutOut: "Pulling Mussels (From the Shell)" mentions "A Harold
* SopranoAndGravel: Compare Tilbrook's
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Added DiffLines:
* SeriesFauxnale: ''Sweets from a Stranger'' functions as this: their "last" album followed by their "last" tour, "last" TV appearance[[note]]A ''Series/SaturdayNightLive'' hosted by child star Creator/DrewBarrymore[[/note]], etc. As it turned out Difford and Tilbrook continued to collaborate and were calling themselves "Squeeze" again within 3 years, although they became more of a RevolvingDoorBand.
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* SopranoAndGravel: Compare Tilbrook's higher vocal to Difford's raspy vocal.
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None
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* SeductionLyric: Despite the blunt-sounding title, "Take Me I'm Yours" is actually a metaphorical sort of seduction; the singer has found not only his dream girl, but a whole fantasy world, and offers it and her complete surrender.
-->''Take me I'm yours''\\
''Because dreams are made of this''\\
''Forever there'll be''\\
''A heaven in your kiss''
-->''Take me I'm yours''\\
''Because dreams are made of this''\\
''Forever there'll be''\\
''A heaven in your kiss''
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* CreatorProvincialism: The band's habit of writing lyrics in working-class British slang kept them from becoming more popular in the U.S.
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Changed line(s) 55 (click to see context) from:
* ObligatoryBondageSong: "Sex Master"
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* ObligatoryBondageSong: ObligatoryBondageSong:
** "Sex Master"
** "Sex Master"
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* RevolvingDoorBand: Those that aren't Difford or Tilbrook tend to change, although Gilson and Jools both came back post break up.
to:
* RevolvingDoorBand: Those that aren't Difford or Tilbrook tend to change, although Gilson and Jools both came back post break up.post-breakup.
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Changed line(s) 48 (click to see context) from:
-->"[[RefugeInAudacity I’m always touching myself]]"
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-->"[[RefugeInAudacity I’m I'm always touching myself]]"
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Changed line(s) 11,12 (click to see context) from:
-->'''Squeeze''', "''Cool For Cats''"
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-->'''Squeeze''', "''Cool For for Cats''"
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Changed line(s) 13,14 (click to see context) from:
Squeeze is a new wave band from Deptford, South London. The group formed in 1974 when Glenn Tilbrook answered an advertisement Chris Difford posted looking for a guitarist and bandmate. The two began writing music together, and were soon recording and publicly performing. Their first hit came in 1978 with "Take Me, I’m Yours". The band experienced great success, at least in the U.K., with songs that followed, including "Cool For Cats", "Up the Junction”, "Tempted", "Labelled With Love" and "Black Coffee In Bed".
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Squeeze is a new wave band from Deptford, South London. The group formed in 1974 when Glenn Tilbrook answered an advertisement Chris Difford posted looking for a guitarist and bandmate. The two began writing music together, and were soon recording and publicly performing. Their first hit came in 1978 with "Take Me, I’m Yours". The band experienced great success, at least in the U.K., with songs that followed, including "Cool For for Cats", "Up the Junction”, "Tempted", "Labelled With with Love" and "Black Coffee In in Bed".
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Changed line(s) 13,14 (click to see context) from:
Squeeze is a new wave band from Deptford, South London. The group formed in 1974 when Glenn Tilbrook answered an advertisement Chris Difford posted looking for a guitarist and bandmate. The two began writing music together, and were soon recording and publicly performing. Their first hit came in 1978 with "Take Me, I’m Yours". The band experienced great success, at least in the U.K., with songs that followed, including "Cool For Cats", "Up The Junction”, "Tempted", "Labelled With Love" and "Black Coffee In Bed".
to:
Squeeze is a new wave band from Deptford, South London. The group formed in 1974 when Glenn Tilbrook answered an advertisement Chris Difford posted looking for a guitarist and bandmate. The two began writing music together, and were soon recording and publicly performing. Their first hit came in 1978 with "Take Me, I’m Yours". The band experienced great success, at least in the U.K., with songs that followed, including "Cool For Cats", "Up The the Junction”, "Tempted", "Labelled With Love" and "Black Coffee In Bed".
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Changed line(s) 15,16 (click to see context) from:
The group broke up for the first time in 1982 due to artistic and personal tensions in the band, especially between main songwriters Difford and Tilbrook. Realizing that their songwriting partnership was too valuable to be scrapped, Difford and Tilbrook collaborated again in 1984 to release a Squeeze-unaffiliated album (aptly titled ''Difford &Tilbrook'') before reforming in 1985 as Squeeze once again. Further chart success followed, including the US hit “Hourglass” in 1987. The band continue to tour and record today.
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The group broke up for the first time in 1982 due to artistic and personal tensions in the band, especially between main songwriters Difford and Tilbrook. Realizing that their songwriting partnership was too valuable to be scrapped, Difford and Tilbrook collaborated again in 1984 to release a Squeeze-unaffiliated album (aptly titled ''Difford &Tilbrook'') & Tilbrook'') before reforming in 1985 as Squeeze once again. Further chart success followed, including the US hit “Hourglass” in 1987. The band continue to tour and record today.
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* ''Cool For Cats'' (1978)
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* ''Cool For for Cats'' (1978)
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* ''Sweets From A Stranger'' (1982)
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* ''Sweets From A from a Stranger'' (1982)
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* ''Babylon And On'' (1987)
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* ''Babylon And and On'' (1987)
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* ''Spot The Difference'' (2010)
* ''Cradle To The Grave'' (2015)
* ''Cradle To The Grave'' (2015)
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* ''Spot The the Difference'' (2010)
* ''CradleTo The to the Grave'' (2015)
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* ''Cradle
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Changed line(s) 60 (click to see context) from:
* StepUpToTheMicrophone: Difford on "Love Circles" and "Cool for Cats". Keyboardist (and later vocalist for Mike + the Mechanics) Paul Carrack on "Tempted."
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* StepUpToTheMicrophone: Difford on "Love Circles" and "Cool for Cats". Keyboardist Cats", keyboardist (and later vocalist for Mike + the Mechanics) Paul Carrack on "Tempted.""Tempted".
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!!Cool for Tropes
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! '''''Tempted by the tropes of another''''':
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* AllDrummersAreAnimals: Gilson Lavis had this said about him prior to sobriety
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* AllDrummersAreAnimals: Gilson Lavis had this said about him prior to sobrietysobriety.
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* {{Homage}}: to ''Series/TheSweeney'' in ''Cool For Cats''
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* {{Homage}}: to ''Series/TheSweeney'' in ''Cool For for Cats''
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* RevolvingDoorBand: Those that aren't Difford or Tilbrook tend to change, although Gilson and Jools both came back post break up
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* RevolvingDoorBand: Those that aren't Difford or Tilbrook tend to change, although Gilson and Jools both came back post break upup.
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* VisualPun: In the logo on the front cover of ''East Side Story'', the second "e" in "Squeeze" is printed much smaller than the rest of the word - thus, the middle of their name is being "squeezed".
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* VisualPun: In the logo on the front cover of ''East Side Story'', the second "e" first "e"[[note]]Which is also the last letter of the word "side" in ''East Side Story''[[/note]] in "Squeeze" is printed much smaller than the rest of the word words - thus, the middle of their name is being "squeezed"."squeezed".
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Well, it is Refuge In Audacity
Changed line(s) 45 (click to see context) from:
-->"I’m always touching myself"
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For the final Music/VelvetUnderground album of the same name, see ''[[Music/{{Squeeze1973}} Squeeze]]''.
to:
For the final Music/VelvetUnderground album of the same name, name (which the group took their name from), see ''[[Music/{{Squeeze1973}} Squeeze]]''.
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Moving to Trivia.
Deleted line(s) 44 (click to see context) :
* BreakupBreakout: Jools Holland went on to have a very successful career as a television presenter with his show ''Later...with Jools Holland'' while also having a solo career which produced two platinum selling albums.
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Glenn Tilbrook and and Chris Difford have remained the two constants in the band’s lineup through their many years together. Other notable and long-standing members in the band include keyboardists Jools Holland and Paul Carrack, bassists John Bentley and Keith Wilkinson, and drummer Gilson Lavis. The current line-up consists of Tilbrook, Difford, keyboardist Stephen Large, basist Yolanda Charles, drummer Simon Hanson and percussionist Steve Smith.
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Glenn Tilbrook and and Chris Difford have remained the two constants in the band’s lineup through their many years together. Other notable and long-standing members in the band include keyboardists Jools Holland and Paul Carrack, bassists John Bentley and Keith Wilkinson, and drummer Gilson Lavis. The current line-up consists of Tilbrook, Difford, keyboardist Stephen Large, basist bassist Yolanda Charles, drummer Simon Hanson and percussionist Steve Smith.
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Changed line(s) 17,18 (click to see context) from:
Glenn Tilbrook and and Chris Difford have remained the two constants in the band’s lineup through their many years together. Other notable and long-standing members in the band include keyboardists Jools Holland and Paul Carrack, bassists John Bentley and Keith Wilkinson, and drummer Gilson Lavis. The current line-up consists of Tilbrook, Difford, bassist Lucy Shaw, keyboardist Stephen Large and drummer Simon Hanson.
to:
Glenn Tilbrook and and Chris Difford have remained the two constants in the band’s lineup through their many years together. Other notable and long-standing members in the band include keyboardists Jools Holland and Paul Carrack, bassists John Bentley and Keith Wilkinson, and drummer Gilson Lavis. The current line-up consists of Tilbrook, Difford, bassist Lucy Shaw, keyboardist Stephen Large and Large, basist Yolanda Charles, drummer Simon Hanson.
Hanson and percussionist Steve Smith.