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* ''Film/Enigma2001'' (2001)[[note]]his final film score.[[/note]]

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* ''Film/Enigma2001'' ''{{Film/Enigma|2001}}'' (2001)[[note]]his final film score.[[/note]]
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Trope was cut/disambiguated due to cleanup



* BleachedUnderpants: A frequently used theme song for children's TV shows in TheSeventies was Barry's "Florida Fantasy", from the decidedly family-unfriendly ''Film/MidnightCowboy''.
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* ''Film/TheDeep'' (1977)

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* ''Film/TheDeep'' ''Film/{{The Deep|1977}}'' (1977)
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* ''Film/TheLegendOfTheLoneRanger'' (1981)
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* ''Film/Enigma2001'' (2001)[[note]]his final film score.[[/note]]
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Stylistically, Barry's music tends toward the moody side, with extremely limited use of {{Fanfare}} (all but eliminating the brighter instruments in the orchestra in favor of deep undertones and rich, dark melodies). His most popular pieces consist of a lyrical theme accompanied by broken chords with a French horn countermelody. Because his non-Bond music typically does not include [[{{Leitmotif}} iconic themes]], some have accused his various film scores of being "interchangeable". Nonetheless, Barry earned five UsefulNotes/{{Academy Award}}s and four Grammys in his career.

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Stylistically, Barry's music tends toward the moody side, with extremely limited use of {{Fanfare}} (all but eliminating the brighter instruments in the orchestra in favor of deep undertones and rich, dark melodies). His most popular pieces consist of a lyrical theme accompanied by broken chords with a French horn countermelody. Because his non-Bond music typically does not include [[{{Leitmotif}} iconic themes]], some have accused his various film scores of being "interchangeable". Nonetheless, Barry earned five UsefulNotes/{{Academy Award}}s and four Grammys in his career.
career. He also wrote [[TheMusical musicals]], scoring a big hit in the West End with his 1974 adaptation of ''Film/BillyLiar'' with Creator/MichaelCrawford.
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Correction


* EndOfAnEra: ''Film/AViewToAKill'' was the last Franchise/JamesBond film to feature Barry's music, as he retired from the series after its release.

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* EndOfAnEra: ''Film/AViewToAKill'' ''Film/TheLivingDaylights'' was the last Franchise/JamesBond film to feature Barry's music, as he retired from the series after its release.
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* EndOfAnEra: ''Film/AViewToKill'' was the last Franchise/JamesBond film to feature Barry's music, as he retired from the series after its release.

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* EndOfAnEra: ''Film/AViewToKill'' ''Film/AViewToAKill'' was the last Franchise/JamesBond film to feature Barry's music, as he retired from the series after its release.
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Crosswicking.


* EndOfAnEra: ''Film/AViewToKIll'' was the last Franchise/JamesBond film to feature Barry's music, as he retired from the series after its release.

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* EndOfAnEra: ''Film/AViewToKIll'' ''Film/AViewToKill'' was the last Franchise/JamesBond film to feature Barry's music, as he retired from the series after its release.
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Crosswicking.

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!!Tropes associated with this composer:

* BleachedUnderpants: A frequently used theme song for children's TV shows in TheSeventies was Barry's "Florida Fantasy", from the decidedly family-unfriendly ''Film/MidnightCowboy''.
* CultSoundtrack: ''Film/RaiseTheTitanic'' was a critical miss, to say the least. But the film also features a score that many of Barry's fans consider among his very best work.
* EndOfAnEra: ''Film/AViewToKIll'' was the last Franchise/JamesBond film to feature Barry's music, as he retired from the series after its release.
* {{Fanfare}}: His ''Film/JamesBond'' scores are practically ''made'' of fanfare. Hell, there's a track on the ''Film/AViewToAKill'' score [[LampshadeHanging that's actually called]] "Fanfare".
* InstrumentalThemeTune: There are only three ''Film/JamesBond'' films where Barry employed this: ''Film/DrNo'', ''Film/FromRussiaWithLove'' and ''Film/OnHerMajestysSecretService''. It's believed the last case was so because Barry couldn't figure out how to put in all nine syllables into a coherent song.
* SelfPlagiarism: He re-used the main chord progression from his theme song for ''Film/YouOnlyLiveTwice'' in the ''Film/MidnightCowboy'' theme song. There are also some obvious similarities in his scores for ''Film/{{Walkabout}}'' and ''Film/OutOfAfrica''.
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** ''Film/TheLivingDaylights'' (1987)

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** ''Film/TheLivingDaylights'' (1987)(1987) [[note]]Barry made his cameo as an orchestra conductor at the end of the film.[[/note]]
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** ''Film/DrNo'' (1962) [[note]]Did the arrangement and was credited as performer for "The James Bond Theme"; controversy over whether Monty Norman [who did the rest of the soundtrack] or Barry actually composed the theme has resulted in two lawsuits, both ruling in favor of Norman[[/note]]

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** ''Film/DrNo'' (1962) [[note]]Did the arrangement and was credited as performer for "The James Bond Theme"; controversy over whether Monty Norman [who (who did the rest of the soundtrack] soundtrack) or Barry actually composed the theme has resulted in two lawsuits, both ruling in favor of Norman[[/note]]
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* ''Film/MaryQueenOfScots'' (1971)

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* ''Film/MaryQueenOfScots'' ''Film/MaryQueenOfScots1971'' (1971)
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John Barry Pendergast [[UsefulNotes/KnightFever OBE]] (3 November 1933 – 30 January 2011) was an English composer of film scores, probably best known for his work on the ''Film/JamesBond'' series.

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John Barry Pendergast [[UsefulNotes/KnightFever OBE]] (3 November 1933 – 30 January 2011) was an English composer of film scores, probably best known for his work on the ''Film/JamesBond'' series.
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* ''Film/TheIpcressFile'' (1965)


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* ''Film/TheLastValley'' (1971)
* ''Film/TheyMightBeGiants'' (1971)


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* ''Film/MaryQueenOfScots'' (1971)


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* ''Film/RobinAndMarian'' (1976)
* ''Film/TheDeep'' (1977)
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* ''Film/TheDayOfTheLocust'' (1975)
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He started out with his own jazz combo, "The John Barry Seven", in the late 1950s before getting into film composing when asked to arrange Monty Norman's theme for the ''Film/DrNo'', which became the iconic ThemeTune of the film series. He would compose scores for twelve Bond films in total, and those became a prominent part of the series' trademark style, to the point of being emulated by his successor Music/DavidArnold.

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He started out with his own jazz combo, "The John Barry Seven", in the late 1950s before getting into film composing when asked to arrange Monty Norman's theme for the first Bond film, ''Film/DrNo'', which in 1962; the piece, titled "The James Bond Theme" and recorded by Barry's combo, subsequently became the iconic ThemeTune of for the entire film series. He Barry would compose scores for twelve Bond films in total, and those became a prominent part of the series' trademark style, to the point of being emulated by his successor Music/DavidArnold.
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He started out with his own jazz combo "The John Barry Seven" in the late Fifties before getting into film composing when asked to arrange Monty Norman's theme for the ''Film/DrNo'', which became the iconic ThemeTune of the film series. He would compose scores for twelve Bond films in total, and those became a prominent part of the series' trademark style, to the point of being emulated by his successor Music/DavidArnold.

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He started out with his own jazz combo combo, "The John Barry Seven" Seven", in the late Fifties 1950s before getting into film composing when asked to arrange Monty Norman's theme for the ''Film/DrNo'', which became the iconic ThemeTune of the film series. He would compose scores for twelve Bond films in total, and those became a prominent part of the series' trademark style, to the point of being emulated by his successor Music/DavidArnold.
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Barry was briefly married to actress Creator/JaneBirkin. Their late daughter, photographer Kate Barry, was born of it. He passed away on January 30, 2011 in New York from a heart attack.

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Barry was briefly married in the '60s to actress Creator/JaneBirkin. Their late Creator/JaneBirkin, with whom he had one daughter, the late photographer Kate Barry, was born of it.Barry. He passed away on January 30, 2011 in New York from a heart attack.
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John Barry Pendergast [[UsefulNotes/KnightFever OBE]] (3 November 1933 – 30 January 2011) was an English composer and conductor, probably best known for his work on the ''Film/JamesBond'' film series.

to:

John Barry Pendergast [[UsefulNotes/KnightFever OBE]] (3 November 1933 – 30 January 2011) was an English composer and conductor, of film scores, probably best known for his work on the ''Film/JamesBond'' film series.
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John Barry Pendergast [[UsefulNotes/KnightFever OBE]] (3 November 1933 – 30 January 2011) was an English film composer, probably best known for his work on the ''Film/JamesBond'' film series.

to:

John Barry Pendergast [[UsefulNotes/KnightFever OBE]] (3 November 1933 – 30 January 2011) was an English film composer, composer and conductor, probably best known for his work on the ''Film/JamesBond'' film series.
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John Barry Pendergast [[UsefulNotes/KnightFever OBE]] (3 November 1933 -- 30 January 2011) was a British film composer, probably best known for his work on the ''Film/JamesBond'' film series.

to:

John Barry Pendergast [[UsefulNotes/KnightFever OBE]] (3 November 1933 -- 30 January 2011) was a British an English film composer, probably best known for his work on the ''Film/JamesBond'' film series.
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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/johnbarry.jpg]]

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[[quoteright:300:https://static.[[quoteright:325:https://static.tvtropes.org/pmwiki/pub/images/johnbarry.jpg]]



Stylistically, Barry's music tends toward the moody side, with extremely limited use of {{Fanfare}} (all but eliminating the brighter instruments in the orchestra in favor of deep undertones and rich, dark melodies). His most popular pieces consist of a lyrical theme accompanied by broken chords with a French horn countermelody. Because his non-Bond music typically does not include [[{{Leitmotif}} iconic themes]], some have accused his various film scores of being "interchangeable".

to:

Stylistically, Barry's music tends toward the moody side, with extremely limited use of {{Fanfare}} (all but eliminating the brighter instruments in the orchestra in favor of deep undertones and rich, dark melodies). His most popular pieces consist of a lyrical theme accompanied by broken chords with a French horn countermelody. Because his non-Bond music typically does not include [[{{Leitmotif}} iconic themes]], some have accused his various film scores of being "interchangeable".
"interchangeable". Nonetheless, Barry earned five UsefulNotes/{{Academy Award}}s and four Grammys in his career.


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John Barry passed away on January 30, 2011 in New York from a heart attack.

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John Barry was briefly married to actress Creator/JaneBirkin. Their late daughter, photographer Kate Barry, was born of it. He passed away on January 30, 2011 in New York from a heart attack.
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* ''Born Free'' (1966) [[note]]Souble Oscar winner -- his first for Original Score, and his only one for Original Song[[/note]]

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* ''Born Free'' ''Film/BornFree'' (1966) [[note]]Souble [[note]]Double Oscar winner -- his first for Original Score, and his only one for Original Song[[/note]]
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John Barry Pendergast [[UsefulNotes/KnightFever OBE]] (November 3, 1933 -- January 30, 2011) was a British film composer, probably best known for his work on the ''Film/JamesBond'' film series.

to:

John Barry Pendergast [[UsefulNotes/KnightFever OBE]] (November 3, (3 November 1933 -- 30 January 30, 2011) was a British film composer, probably best known for his work on the ''Film/JamesBond'' film series.

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* The following ''Film/JamesBond'' films:
** ''Film/DrNo'' (1962) (did the arrangement and was credited as performer for "The James Bond Theme"; controversy over whether Monty Norman [who did the rest of the soundtrack] or Barry actually composed the theme has resulted in two lawsuits, both ruling in favor of Norman)

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* The following ''Film/JamesBond'' films:
** ''Film/DrNo'' (1962) (did [[note]]Did the arrangement and was credited as performer for "The James Bond Theme"; controversy over whether Monty Norman [who did the rest of the soundtrack] or Barry actually composed the theme has resulted in two lawsuits, both ruling in favor of Norman)Norman[[/note]]



* ''Born Free'' (1966) (a double Oscar winner -- his first for Original Score, and his only one for Original Song)

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* ''Born Free'' (1966) (a double [[note]]Souble Oscar winner -- his first for Original Score, and his only one for Original Song)Song[[/note]]



* ''Film/TheLionInWinter'' (1968) (Oscar winner)

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* ''Film/TheLionInWinter'' (1968) (Oscar winner)[[note]]Oscar winner[[/note]]



* ''Film/GameOfDeath'' (1972) [[note]]Soundtrack for the American version[[/note]]



* ''Film/RaiseTheTitanic'' (1980) (generally agreed to be the best part of the film and some of Barry's best work)

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* ''Film/RaiseTheTitanic'' (1980) (generally agreed to be the best part of the film and some of Barry's best work)



* ''Film/OutOfAfrica'' (1985) (Oscar winner)
* ''Film/TheGoldenChild'' (1986) (only two of his compositions remained in the final film, however)
* ''Film/HowardTheDuck'' (1986) (not one of his proudest moments...)
* ''Film/DancesWithWolves'' (1990) (Oscar winner)

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* ''Film/OutOfAfrica'' (1985) (Oscar winner)
[[note]]Oscar winner[[/note]]
* ''Film/TheGoldenChild'' (1986) (only [[note]]only two of his compositions remained in the final film, however)
film[[/note]]
* ''Film/HowardTheDuck'' (1986) (not one of his proudest moments...)
(1986)
* ''Film/DancesWithWolves'' (1990) (Oscar winner)[[note]]Oscar winner[[/note]]

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