Follow TV Tropes

Following

History Music / DiamondDogs

Go To

OR

Is there an issue? Send a MessageReason:
None

Added DiffLines:

''Diamond Dogs'' was supported by three singles: "Rebel Rebel", the TitleTrack, and "1984". The album was also supported by a lengthy tour filled with elaborate, theatrically-inspired stage designs, props, and even animatronics, among other things including a sequence where Bowie floats above the audience in a cherry picker while singing "Music/SpaceOddity". However, due to the tour suffering from constant technical problems, Bowie dropped the whole thing altogether after the first leg and shifted focus to a more subdued and minmalist design for the rest of the tour, bringing in additional influences from the African-American music that initially inspired him to get into rock in the first place. In hindsight, it's generally agreed that this was the prelude to Bowie's abandonment of glam rock and the beginning of his "plastic soul" period, which would galvanize on his [[Music/YoungAmericans next]] [[Music/StationToStation two]] albums and have a lasting impact on the remainder of his career. Though that's not to say Bowie completely left his bombastic and theatrical glam era to rot in the gutter; he would still maintain an air of theatricality in live performances, and would use the ''Diamond Dogs'' tour as the basis for his similarly elaborate ''[[Music/NeverLetMeDown Glass Spider]]'' tour in 1987.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

** ''VideoGame/EarthBound'' features a boss named Diamond Dog, likely a reference to the Bowie album and song given the game's bevy of other musical references.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* FunkRock: "1984", unusual given that the rest of the album is straight GlamRock; in hindsight, the song's embrace of the genre was more or less a premonition of the sound Bowie would embrace on ''Music/YoungAmericans'' and ''Music/StationToStation''.
Is there an issue? Send a MessageReason:
None


[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/diamond_dogs_4341.jpg]]

to:

[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/diamond_dogs_4341.org/pmwiki/pub/images/david_bowie_diamond_dogs.jpg]]
Is there an issue? Send a MessageReason:
None


* UncommonTime: "Chant of the Ever Circling Skeletal Family" switches irregularly between 5/4 and 6/4 or between 2/4 and 3/4, depending upon you count it.

to:

* UncommonTime: "Chant of the Ever Circling Skeletal Family" switches irregularly between 5/4 and 6/4 or between 2/4 and 3/4, depending upon you count it.
it. (The pattern seems to be two bars of 5/4, one bar of 6/4, one bar of 5/4, and two bars of 6/4 before the whole cycle repeats, though it's very disorienting.)
Is there an issue? Send a MessageReason:
None


* FadingIntoTheNextSong: The "Sweet Thing"/"Candidate"/"Sweet Thing" (reprise) sequence, as well as "Future Legend" into "Diamond Dogs" and "Big Brother" into "Chant of the Ever Circling Skeletal Family".

to:

* FadingIntoTheNextSong: The "Sweet Thing"/"Candidate"/"Sweet Thing" (reprise) sequence, sequence (which actually fades into "Rebel Rebel" as well as well), plus "Future Legend" into "Diamond Dogs" and "Big Brother" into "Chant of the Ever Circling Skeletal Family".
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* MusicalPastiche: "1984" is inspired by the theme from ''Film/{{Shaft}}''.
* NewSoundAlbum: The album as a whole is still in Bowie's GlamRock style, but "1984" and "Rock 'n' Roll with Me" provide a foretaste of the R&B and soul-influenced direction Bowie would take on ''Music/YoungAmericans''. There is also some audible ProgressiveRock influence on the "Sweet Thing"/"Candidate"/"Sweet Thing (reprise)" suite and the odd rhythms of the closing track, "Chant of the Ever Circling Skeletal Family".

Added: 196

Changed: 553

Is there an issue? Send a MessageReason:
None


# "Rock 'N' Roll With Me" (4:00)
# "We Are The Dead" (4:58)

to:

# "Rock 'N' 'n' Roll With with Me" (4:00)
# "We Are The the Dead" (4:58)



# "Chant Of The Ever Circling Skeletal Family" (2:00)

to:

# "Chant Of The of the Ever Circling Skeletal Family" (2:00)



* AlliterativeTitle: "'''D'''iamond '''D'''ogs", "'''R'''ebel '''R'''ebel", "'''B'''ig '''B'''rother" and "'''C'''hant Of The Ever '''C'''ircling Skeletal Family".

to:

* AlliterativeTitle: "'''D'''iamond '''D'''ogs", "'''R'''ebel '''R'''ebel", "'''B'''ig '''B'''rother" and "'''C'''hant Of The of the Ever '''C'''ircling Skeletal '''S'''keletal Family".



* BigBrotherIsWatchingYou: The album is inspired by ''Literature/NineteenEightyFour'', with "1984" and "Big Brother" directly referencing it.

to:

* BigBrotherIsWatchingYou: The album is inspired by ''Literature/NineteenEightyFour'', with "1984" "We Are the Dead", "1984", and "Big Brother" directly referencing it.



* FadingIntoTheNextSong: The "Sweet Thing"/"Candidate"/"Sweet Thing" (reprise) sequence.

to:

* FadingIntoTheNextSong: The "Sweet Thing"/"Candidate"/"Sweet Thing" (reprise) sequence.sequence, as well as "Future Legend" into "Diamond Dogs" and "Big Brother" into "Chant of the Ever Circling Skeletal Family".



* HeavyMeta: "Rock 'N' Roll With Me"

to:

* HeavyMeta: "Rock 'N' 'n' Roll With with Me"



* {{Homage}}: The album was inspired by Creator/GeorgeOrwell's ''Literature/NineteenEightyFour''. Two tracks, "Big Brother" and "1984", refer to it directly. Indeed, Bowie originally intended them and other songs for a musical based on the novel, but Orwell's estate wouldn't give him the rights.

to:

* {{Homage}}: The album was inspired by Creator/GeorgeOrwell's ''Literature/NineteenEightyFour''. Two Three tracks, "Big Brother" and "We Are the Dead", "1984", and "Big Brother", refer to it directly. Indeed, Bowie originally intended them and other songs for a musical based on the novel, but Orwell's estate wouldn't give him the rights.



* LastNoteNightmare: "Chant of the Ever Circling Skeletal Family" already qualifies as this even before its ending, which sounds like a locked groove, though, even on the vinyl version, it wasn't.



* LoopedLyrics: "Chant of the Ever Circling Skeletal Family" is simply the below lyrics repeated six times. [[spoiler: a seventh time is attempted, but cuts instead to BrokenRecord]]

to:

* LoopedLyrics: "Chant of the Ever Circling Skeletal Family" is simply the below lyrics repeated six times. [[spoiler: a [[spoiler:A seventh time is attempted, but cuts instead to BrokenRecord]]



* PrecisionFStrike: "We Are The Dead" has a subtle one:

to:

* PrecisionFStrike: "We Are The the Dead" has a subtle one:



** As noted, "1984" and "Big Brother" refer to ''Literature/NineteenEightyFour''. The song title "We Are the Dead" is also a direct quote from the novel.
** "Candidate" mentions Cassius Clay (aka UsefulNotes/MuhammadAli) and UsefulNotes/CharlesManson.

to:

** As noted, "1984" "We Are the Dead", "1984", and "Big Brother" refer to ''Literature/NineteenEightyFour''. The song title "We ("We Are the Dead" is also a direct quote from the novel.
novel, used most memorably [[spoiler:when the Thought Police capture Winston and Julia]]).
** "Candidate" mentions Cassius Clay (aka UsefulNotes/MuhammadAli) and UsefulNotes/CharlesManson. The demo version has a reference to the Music/GratefulDead.




to:

* UncommonTime: "Chant of the Ever Circling Skeletal Family" switches irregularly between 5/4 and 6/4 or between 2/4 and 3/4, depending upon you count it.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* SanitySlippageSong: "Candidate" could be considered this as it starts with the "candidate" propositioning the client and finishes with the same person claiming they can commit suicide together. His voice even starts off quite smooth and suave, becoming more high-pitched and rushed as the song progresses.
Is there an issue? Send a MessageReason:
None


--> ''Someone scrawled on the wall: "I smell the blood of les tricoteuses''

to:

--> ''Someone scrawled on the wall: "I smell the blood of les tricoteuses''tricoteuses''[[note]]"Les tricoteuses" is a reference to the famous female revolutionaries who knitted at the base of a guillotine during UsefulNotes/TheFrenchRevolution, immortalized in Creator/CharlesDickens Literature/ATaleOfTwoCities[[/note]]
Is there an issue? Send a MessageReason:
None


* AlterEgoActing: "Halloween Jack", who is only mentioned in the title track, isn't generally regarded as a true Bowie alter ego in the vein of Ziggy Stardust or The Thin White Duke,though he does seem to be the character he played on the North American tour done to support the album.

to:

* AlterEgoActing: "Halloween Jack", who is only mentioned in the title track, isn't generally regarded as a true Bowie alter ego in the vein of Ziggy Stardust or The Thin White Duke,though Duke, though he does seem to be the character he played on the North American tour done to support the album.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* LoopedLyrics: "Chant of the Ever Circling Skeletal Family" is simply the below lyrics repeated six times. [[spoiler: a seventh time is attempted, but cuts instead to BrokenRecord]]
-->''Brother''
-->''Ooh-ooh''
-->''Shake it up, shake it up''
-->''Move it up, move it up''
Is there an issue? Send a MessageReason:
None


* RearrangeTheSong: In 2003, "Rebel Rebel" was remixed with "Never Get Old" from ''Music/{Reality}}'' and released as a single as "Rebel Never Gets Old"

to:

* RearrangeTheSong: In 2003, "Rebel Rebel" was remixed with "Never Get Old" from ''Music/{Reality}}'' ''Music/{{Reality}}'' and released as a single as "Rebel Never Gets Old"
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* RearrangeTheSong: In 2003, "Rebel Rebel" was remixed with "Never Get Old" from ''Music/{Reality}}'' and released as a single as "Rebel Never Gets Old"
Is there an issue? Send a MessageReason:
None


** "Sweet Thing" mentions Cassius Clay (aka UsefulNotes/MuhammadAli) and UsefulNotes/CharlesManson.

to:

** "Sweet Thing" "Candidate" mentions Cassius Clay (aka UsefulNotes/MuhammadAli) and UsefulNotes/CharlesManson.
Is there an issue? Send a MessageReason:
No bolding for work titles (which includes album titles). See format rules on How To Create A Works Page, 4th paragraph "No bolding is used for work titles".


-->--"Future Legend"

'''''Diamond Dogs''''' is the eighth studio album by Music/DavidBowie, released in 1974. It is the last album of his that can be classified as GlamRock. A ConceptAlbum born from the ashes of a proposed musical adaptation of ''Literature/NineteenEightyFour'' (Bowie could not get the rights to the novel), it is set in a post-apocalyptic environment called "Hunger City", where the remnants of humanity scrounge their way into as much decadence that can be enjoyed in the dying days of mankind.

to:

-->--"Future -->-- "Future Legend"

'''''Diamond Dogs''''' ''Diamond Dogs'' is the eighth studio album by Music/DavidBowie, released in 1974. It is the last album of his that can be classified as GlamRock. A ConceptAlbum born from the ashes of a proposed musical adaptation of ''Literature/NineteenEightyFour'' (Bowie could not get the rights to the novel), it is set in a post-apocalyptic environment called "Hunger City", where the remnants of humanity scrounge their way into as much decadence that can be enjoyed in the dying days of mankind.
Is there an issue? Send a MessageReason:
None


** "Diamond Dogs" references Creator/TodBrowning's ''Film/{{Freaks}}'' and Creator/SalavdorDali:

to:

** "Diamond Dogs" references Creator/TodBrowning's ''Film/{{Freaks}}'' and Creator/SalavdorDali:Creator/SalvadorDali:
Is there an issue? Send a MessageReason:
None


** "Diamond Dogs" references Creator/TodBrowning's ''Film/{{Freaks}}'':

to:

** "Diamond Dogs" references Creator/TodBrowning's ''Film/{{Freaks}}'':''Film/{{Freaks}}'' and Creator/SalavdorDali:
Is there an issue? Send a MessageReason:
None


** Halfway through "Future Legend", [[Music/RodgersAndHammerstein Rodgers & Hart]]'s "Bewitched, Bothered and Bewildered" by can be heard.

to:

** Halfway through "Future Legend", [[Music/RodgersAndHammerstein Rodgers & Hart]]'s "Bewitched, Bothered and Bewildered" by can be heard.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* PrecisionFStrike: "We Are The Dead" has a subtle one:
-->"Locator for the virgin King, but I love you in your fuck-me pumps"
Is there an issue? Send a MessageReason:
None


* LastNameBasis: The artist credit on the labels for the original vinyl releases of the album and its singles is just BOWIE.

to:

* LastNameBasis: The artist credit on front cover just credits the album to BOWIE and the labels for the original vinyl releases of the album and release (and its singles is just BOWIE.accompanying singles) followed suit.
Is there an issue? Send a MessageReason:
None


* LastNameBasis: The labels for the original vinyl releases of the album and its singles are credited to just BOWIE.

to:

* LastNameBasis: The artist credit on the labels for the original vinyl releases of the album and its singles are credited to is just BOWIE.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* LastNameBasis: The labels for the original vinyl releases of the album and its singles are credited to just BOWIE.
Is there an issue? Send a MessageReason:
None


*** [[VideoGame/MetalGearSolidVThePhantomPain Venom Snake's nationless army]] is also called named after the album.

to:

*** [[VideoGame/MetalGearSolidVThePhantomPain Venom Snake's nationless army]] is also called named after the album.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

*** [[VideoGame/MetalGearSolidVThePhantomPain Venom Snake's nationless army]] is also called named after the album.
Is there an issue? Send a MessageReason:
None


* EpicRocking: The "Sweet Thing"/"Candidate"/"Sweet Thing (reprise)" trifecta are often considered a single 8:50 song, and were usually performed that way live.

to:

* EpicRocking: The six minute TitleTrack. Also, the "Sweet Thing"/"Candidate"/"Sweet Thing (reprise)" trifecta are often considered a single 8:50 song, and were usually performed that way live.
Is there an issue? Send a MessageReason:
None


** As noted, "1984" and "Big Brother" refer to ''Literature/NineteenEightyFour''.

to:

** As noted, "1984" and "Big Brother" refer to ''Literature/NineteenEightyFour''. The song title "We Are the Dead" is also a direct quote from the novel.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* EpicRocking: The "Sweet Thing"/"Candidate"/"Sweet Thing (reprise)" trifecta are often considered a single 8:50 song, and were usually performed that way live.
Is there an issue? Send a MessageReason:
None


Ripping and rewrapping mink and shiny silver fox, now legwarmers\\

to:

Ripping and rewrapping re-wrapping mink and shiny silver fox, now legwarmers\\leg-warmers\\


Added DiffLines:

Added: 632

Changed: 3

Is there an issue? Send a MessageReason:
None


[[caption-width-right:350:''This ain't rock 'n' roll: This is genocide!''.]]

to:

[[caption-width-right:350:''This [[caption-width-right:350:''"This ain't rock 'n' roll: This is genocide!''.]]
genocide!"'']]

->''"And in the death, as the last few corpses lay\\
Rotting on the slimy thoroughfare\\
The shutters lifted in inches\\
In temperance building high on poacher's hill\\
And red mutant eyes gaze down on hunger city\\
No more big wheels\\
\\
Fleas the size of rats sucked on rats the size of cats\\
And ten thousand peoploids split into small tribes\\
Coveting the highest of the sterile skyscrapers\\
Like packs of dogs assaulting the glass fronts of love-me avenue\\
Ripping and rewrapping mink and shiny silver fox, now legwarmers\\
Family badge of sapphire and cracked emerald, any day now\\
The year of the diamond dogs"''
-->--"Future Legend"

Top