History Main / UltimateUniverse

* ''VideoGame/MegaManBattleNetwork'' is a [[SpinOff spinoff]]/reimagining of the [[Franchise/MegaMan Mega Man Franchise]] from the [[TurnOfTheMillennium early 2000s]]. Set in an AlternateUniverse that focuses on a grand development of the internet instead of robotics. It mostly features characters from the [[VideoGame/MegaManClassic Classic Series]], who are all redesigned to fit with the ''Battle Network'' aesthetic. Though Glyde from the [[VideoGame/MegaManLegends Legends Series]], as well as Zero and The Colonel from the [[VideoGame/MegaManX X Series]] are also featured. The series would later recieve a [[SpinOff spinoff]] and [[DistantSequel distant sequel]] called ''VideoGame/MegaManStarForce'', which deals with [[ItMakesSenseInContext aliens and Wi-Fi radio]].

* ''VideoGame/MegaManBattleNetwork'' is a [[SpinOff spinoff]]/reimagining of the [[Franchise/MegaMan Mega Man Franchise]] from the [[TurnOfTheMillennium early 2000s]]. Set in an AlternateUniverse that focuses on a grand development of the internet instead of robotics. It mostly features characters from the [[VideoGame/MegaManClassic Classic Series]], who are all redesigned to fit with the series' aesthetic. Though Glyde from the [[VideoGame/MegaManLegends Legends Series]], as well as Zero and The Colonel from the [[VideoGame/MegaManX X Series]] are also featured. The series would later recieve a [[SpinOff spinoff]] and [[DistantSequel distant sequel]] called ''VideoGame/MegaManStarForce'', which deals with [[ItMakesSenseInContext aliens and Wi-Fi radio]].

* ''Series/TheBoys'' is this to [[ComicBook/TheBoys the comic book it's based on]], which is ironic since it is already a {{Deconstruction}} of the {{Superhero}} genre. Regardless, the show distills many parts of the original story, and takes a much more different route than the comic to be a new take instead of a literal adaptation. It also goes for a more grounded and brooding tone, instead of being cartoonishly edgy like the comic, though there's still a good amount of BlackComedy. Some characters have also had their [[RaceLift race]], [[GenderFlip sex]] and [[AdaptationalPersonalityChange personality]] changed. The show also features political satire of TheNewTens, so instead of mocking and calling out the comic book industry, the show is more of a {{Parody}} and critique of the ''Franchise/MarvelCinematicUniverse'' and the ''Franchise/DCExtendedUniverse'', showing just how elitist, corporate and cynical Disney's Avengers and Zack Snyder's Justice League would be if they operated in the real world.

[[folder:Live-Action TV]]
* ''Series/TheBoys'' is this to [[ComicBook/TheBoys the comic book it's based on]], which is ironic since it is already a {{Deconstruction}} of the {{Superhero}} genre. Regardless, the show distills many parts of the original story, and takes a much more different route than the comic to be a new take instead of a literal adaptation. It also goes for a more grounded and brooding tone, instead of being cartoonishly edgy like the comic, though there's still a good amount of BlackComedy. Some characters have also had their [[RaceLift race]], [[GenderFlip sex]] and [[AdaptationalPersonalityChange personality]] changed. The show also features political satire of TheNewTens, so instead of mocking and calling out the comic book industry, the show is more of a {{Parody}} and critique of the ''Franchise/MarvelCinematicUniverse'' and the ''Franchise/DCExtendedUniverse'', showing just how elitist, corporate and cynical Disney's Avengers and Zack Snyder's Justice League would be if they operated in the real world.
[[/folder]]

* ''Series/TheBoys'' is this to [[ComicBook/TheBoys the comic book it's based on]], which is ironic since it's already a {{Deconstruction}} of the {{Superhero}} genre. Regardless, the show distills many parts of the original story, and takes a much more different route than the comic to be a new take instead of a literal adaptation. It also goes for a more grounded and brooding tone, instead of being cartoonishly edgy like the comic, though there's still a good amount of BlackComedy. Some characters have also had their [[RaceLift race]], [[GenderFlip sex]] and [[AdaptationalPersonalityChange personality]] changed. The show also features political satire of TheNewTens, so instead of mocking and calling out the comic book industry, the show is more of a {{Parody}} and critique of the ''Franchise/MarvelCinematicUniverse'' and the ''Franchise/DCExtendedUniverse'', showing just how elitist, corporate and cynical Disney's Avengers and Zack Snyder's Justice League would be if they operated in the real world.

* In a way, ''Franchise/TheKingOfFighters'' is this by being a {{Retool}}ed {{Crossover}} [[CanonWelding that puts many SNK Games into a single shared continuity]], while also featuring many OriginalGeneration characters. From ''VideoGame/FatalFury'' and ''VideoGame/ArtOfFighting'' (with later games featuring characters [[VideoGame/GarouMarkOfTheWolves from]] [[VideoGame/BurikiOne their]] [[DistantSequel Distant Sequels]]), to ''VideoGame/IkariWarriors'' and ''VideoGame/PsychoSoldier''. More recent titles have also added ''VideoGame/SamuraiShodown'' and ''VideoGame/MetalSlug'' into the mix. Some of the characters like Robert, Athena and Terry have also gotten redesigns as the series went on. [[spoiler:And then there's King of Dinosaurs, who is actually Tizoc [[FaceHeelTurn going under a new heel persona]], kind of like [[Characters/UltimateFantasticFour The Maker]] [[AntiRoleModel but much more comedic]].]]

* In a way, ''Franchise/TheKingOfFighters'' is this by being a {{Retool}}ed {{Crossover}} [[CanonWelding that puts many SNK Games into a single shared continuity]], while also featuring many OriginalGeneration characters. From ''VideoGame/FatalFury'' and ''VideoGame/ArtOfFighting'' (with later games featuring characters [[VideoGame/GarouMarkOfTheWolves from]] [[VideoGame/BurikiOne their]] [[DistantSequel Distant Sequels]]), to ''VideoGame/IkariWarriors'' and ''VideoGame/PsychoSoldier''. More recent titles have also added ''VideoGame/SamuraiShodown'' and VideoGame/MetalSlug into the mix. Some of the characters like Robert, Athena and Terry have also gotten redesigns as the series went on. [[spoiler:And then there's King of Dinosaurs, who is actually Tizoc [[FaceHeelTurn going under a new heel persona]], kind of like [[Characters/UltimateFantasticFour The Maker]] [[AntiRoleModel but much more comedic]].]]

* In a way, ''Franchise/TheKingOfFighters'' is this by being a {{Retool}}ed {{Crossover}} [[CanonWelding that puts many SNK Games into a single shared continuity]], while also featuring many OriginalGeneration characters. From ''VideoGame/FatalFury'' and ''VideoGame/ArtOfFighting'' (with later games featuring characters [[VideoGame/GarouMarkOfTheWolves from]] [[VideoGame/BurikiOne their]] [[DistantSequel Distant Sequels]]), to ''VideoGame/IkariWarriors'' and ''VideoGame/PsychoSoldier''. More recent titles have also added ''VideoGame/SamuraiShodown'' and VideoGame/MetalSlug into the mix. Some of the characters like Robert, Athena and Terry have also gotten redesigns as the series went on. [[spoiler:And then there's King of Dinosaurs, who is actually Tizoc [[FaceHeelTurn going under a new heel persona]], kind of like [[ComicBook/UltimateFantasticFour The Maker]] [[AntiRoleModel but much more comedic]].]]

** In a way, ''Franchise/TheKingOfFighters'' is this by being a {{Retool}}ed {{Crossover}} [[CanonWelding that puts many SNK Games into a single shared continuity]], while also featuring many OriginalGeneration characters. From ''VideoGame/FatalFury'' and ''VideoGame/ArtOfFighting'' (with later games featuring characters [[VideoGame/GarouMarkOfTheWolves from]] [[VideoGame/BurikiOne their]] [[DistantSequel Distant Sequels]]), to ''VideoGame/IkariWarriors'' and ''VideoGame/PsychoSoldier''. More recent titles have also added ''VideoGame/SamuraiShodown'' and VideoGame/MetalSlug into the mix. Some of the characters like Robert, Athena and Terry have also gotten redesigns as the series went on. [[spoiler:And then there's King of Dinosaurs, who is actually Tizoc [[FaceHeelTurn going under a new heel persona]], kind of like [[ComicBook/UltimateFantasticFour The Maker]] [[AntiRoleModel but much more comedic]].]]

* The ''Franchise/MortalKombat'' games by ''Creator/NetherrealmStudios'' are an odd example of this, much like the ''ComicBook/New52'' they start off a New Timeline by establishing an InUniverse ContinuityReboot in their [[VideoGame/MortalKombat9 First Game]]. After that, they condense the plot of [[VideoGame/MortalKombat1 The]] [[VideoGame/MortalKombat2 Arcade]] [[VideoGame/MortalKombat3 Trilogy]] in a cinematic Story Mode that involves characters introduced later into the series, With big changes to the events of the timeline being a result of TimeTravel [[ButterflyOfDoom shenanigans]]. ''VideoGame/MortalKombatX'' adapts the plot of ''VideoGame/MortalKombat4'' and re-introduces some elements and characters from [[VideoGame/MortalKombatDeadlyAlliance The]] [[VideoGame/MortalKombatDeception 3D]] [[VideoGame/MortalKombatArmageddon Era]], [[CreatorsPest while also killing of many others]] in the Prequel Comic or [[DroppedABridgeOnHim off-screen]]. It also introduces New Characters and [[LegacyCharacter Legacy Characters]] into the lore. Then ''VideoGame/MortalKombat11'' features another big cinematic Story Mode with TimeTravel that has, [[BrokenBase controversially]], changed the personality/backstory of certain characters more so than previous installments, such as, for example, [[FaceHeelTurn Sindel]]. and used some of them to make very on the nose [[WriterOnBoard political statements]] like [[PoliticallyIncorrectVillain Shao Kahn]].

* Franchise/KingdomHearts is a {{Retool}}ed {{Crossover}} of Disney and Franchise/FinalFantasy, that sets both in the same continuity alongside characters from WesternAnimation/TheNightmareBeforeChristmas, Movies by Pixar, and VideoGame/TheWorldEndsWithYou. When the worlds the player travels to are not a {{Compressed Adaptation}} of the movies they're based on, they and the Square Enix Characters usually have some thematic relevance with the story of the {{Original Generation}} Characters and the overall series. Creator/TetsuyaNomura has also given drastic redesigns to some of the Disney and Final Fantasy Characters, putting them in clothes that are [[AuthorAppeal his preffered aesthetic]].

* The Franchise/MortalKombat games by Creator/NetherrealmStudios are an odd example of this, much like the ComicBook/New52 they start off a New Timeline by establishing an InUniverse ContinuityReboot in their [[VideoGame/MortalKombat9 First Game]]. After that, they condense the plot of [[VideoGame/MortalKombat1 The]] [[VideoGame/MortalKombat2 Arcade]] [[VideoGame/MortalKombat3 Trilogy]] in a cinematic Story Mode that involves characters introduced later into the series, With big changes to the events of the timeline being a result of TimeTravel [[ButterflyOfDoom shenanigans]]. VideoGame/MortalKombatX condenses the plot of VideoGame/MortalKombat4 and re-introduces some elements and characters from [[VideoGame/MortalKombatDeadlyAlliance The]] [[VideoGame/MortalKombatDeception 3D]] [[VideoGame/MortalKombatArmageddon Era]], [[CreatorsPest while also killing of many others]] in the Prequel Comic or [[DroppedABridgeOnHim off-screen]]. It also introduces new characters and [[LegacyCharacter legacy characters]] into the lore. Then VideoGame/MortalKombat11 features another big cinematic Story Mode with TimeTravel that has, [[BrokenBase controversially]], changed the personality/backstory of certain characters more so than previous installments, and used some of them to make very on the nose [[WriterOnBoard political statements]].

A kind of [[{{retool}} "reboot"]] designed to create an AdaptationDistillation effect in the same medium as the original. Said adaptation will usually incorporate bits of plot and design from each previous incarnation, but is overall a standalone world/story that can be understood by newcomers, sometimes as a JumpingOnPoint. A more specific and very deliberate form of AlternateContinuity.

* ''WesternAnimation/GodzillaTheSeries'' turns the continuity of Film/Godzilla1998 into this. While the movie is regarded by American and Japanese Kaiju fans as a [[InNameOnly Godzilla in name only]], the Animated Series is a [[SettingUpdate then-contemporary]] [[TheRemake remake]] of WesternAnimation/TheGodzillaPowerHour. [[TruerToTheText Bringing back familiar elements]] such as his Atomic Breath and a [[MonsterOfTheWeek Monster of the Week format]]. [[WritingAroundTrademarks The show also has Expies of other Toho monsters]], such as Quetzacoatl being the show's version of Rodan, The Nanotech Creature as Hedorah, and The Robo-Yeti as both King Kong and Mechani-Kong. Then there's also Cyber-Godzilla, a mechanized Kaiju that uses the remains of the previous Godzilla, a concept later used for the Millenium Mechagodzilla (Kiryu). Cyber-Godzilla was created by the Tachyons, [[CompositeCharacter which are the show's equivalent to the Simeons and Kilaaks]]. Much like Godzilla himself, [[YouDontLookLikeYou the designs]] and backstory of these Expies are drastically different from their source, and The Robo-Yeti is [[AdaptationalNationality Japanese instead of American]], the inverse of this Godzilla, which is something that the show playfully points out. And finally, there's the thing that it has most in common with it's [[TropeNamer Trope]] [[ComicBook/UltimateMarvel Namer]], these adaptations are a [[TurnOfTheMillennium product of their time]].

* Creator/WhiteWolf's ''TabletopGame/NewWorldOfDarkness'' is an Ultimate SpiritualSuccessor of the ''TabletopGame/OldWorldOfDarkness'', created to tighten focus, tweak rules mechanics, standardize rules between different gamelines, and replace a {{metaplot}} continuity that in just a little over a decade had become as convoluted and incomprehensible as any comic book universe with a more ambiguous, optional, and largely more internally consistent one.

* ''WesternAnimation/GodzillaTheSeries'' turns the continuity of Film/Godzilla1998 into this. While the movie is regarded by American and Japanese Kaiju fans as a [[InNameOnly Godzilla in name only]], the Animated Series is a [[SettingUpdate then-contemporary remake]] of WesternAnimation/TheGodzillaPowerHour. [[TruerToTheText Bringing back familiar elements]] such as his Atomic Breath and a [[MonsterOfTheWeek Monster of the Week format]]. [[WritingAroundTrademarks The show also has Expies of other Toho monsters]], such as Quetzacoatl being the show's version of Rodan, The Nanotech Creature as Hedorah, and The Robo-Yeti as both King Kong and Mechani-Kong. Then there's also Cyber-Godzilla, a mechanized Kaiju that uses the remains of the previous Godzilla, a concept later used for the Millenium Mechagodzilla (Kiryu). Cyber-Godzilla was created by the Tachyons, [[CompositeCharacter which are the show's equivalent to the Simeons and Kilaaks]]. Much like Godzilla himself, [[YouDontLookLikeYou the designs]] and backstory of these Expies are drastically different from their source, and The Robo-Yeti is [[AdaptationalNationality Japanese instead of American]], the inverse of this Godzilla, which is something that the show playfully points out. And finally, there's the thing that it has most in common with it's [[TropeNamer Trope]] [[ComicBook/UltimateMarvel Namer]], these adaptations are a [[TurnOfTheMillennium product of their time]].

* ''WesternAnimation/GodzillaTheSeries'' turns the continuity of Film/Godzilla1998 into this. While the movie is regarded by American and Japanese Kaiju fans as a [[InNameOnly Godzilla in name only]], the Animated Series is a [[SettingUpdate then-contemporary remake]] of WesternAnimation/TheGodzillaPowerHour. [[TruerToTheText Bringing back familiar elements]] such as his Atomic Breath and a [[MonsterOfTheWeek Monster of the Week format]]. The show also has Expies of other Toho monsters, such as Quetzacoatl being the show's version of Rodan, The Nanotech Creature as Hedorah, and The Robo-Yeti as both King Kong and Mechani-Kong. Then there's also Cyber-Godzilla, a mechanized Kaiju that uses the remains of the previous Godzilla, a concept later used for the Millenium Mechagodzilla (Kiryu). Cyber-Godzilla was created by the Tachyons, [[CompositeCharacter which are the show's equivalent to the Simeons and Kilaaks]]. Much like Godzilla himself, the designs and backstory of these Expies are drastically different from their source, and The Robo-Yeti is [[AdaptationalNationality Japanese instead of American]], the inverse of this Godzilla, which is something that the show playfully points out. And finally, there's the thing that it has most in common with it's [[TropeNamer Trope]] [[ComicBook/UltimateMarvel Namer]], these adaptations are a [[TurnOfTheMillennium product of their time]].

* Franchise/KingdomHearts is a {{Retool}}ed {{Crossover}} of Disney and Franchise/FinalFantasy, that sets both in the same continuity alongside characters from WesternAnimation/TheNightmareBeforeChristmas, Movies by Pixar, and VideoGame/TheWorldEndsWithYou. When the worlds the player travels to are not a {{Compressed Adaptation}} of the movies they're based on, they and the Square Enix Characters usually have some thematic relevance with the story of the {{Original Generation}} Characters and the overall series. Nomura has also given drastic redesigns to some of the Disney and Final Fantasy Characters, putting them in clothes that are his preffered aesthetic.

* Franchise/KingdomHearts is a {{Retool}}ed {{Crossover}} of Disney and Franchise/FinalFantasy, that sets both in the same continuity alongside characters from WesternAnimation/TheNightmareBeforeChristmas, Movies by Pixar, and VideoGame/TheWorldEndsWithYou. When the worlds the player travels to are not a {{Compressed Adaptation}} of those movies, they usually have some thematic relevance with the story of the {{Original Generation}} Characters and the overall series. Nomura has also given drastic redesigns to some of the Disney and Final Fantasy Characters, putting them in clothes that are his preffered aesthetic.

* ''WesternAnimation/GodzillaTheSeries'' turns the continuity of Film/Godzilla1998 into this. While the movie is regarded by American and Japanese Kaiju fans as a [[InNameOnly Godzilla in name only]], the Animated Series is a [[SettingUpdate contemporary remake]] of WesternAnimation/TheGodzillaPowerHour. [[TruerToTheText Bringing back familiar elements]] such as his Atomic Breath and a [[MonsterOfTheWeek Monster of the Week format]]. The show also has Expies of other Toho monsters, such as Quetzacoatl being the show's version of Rodan, The Nanotech Creature as Hedorah, and The Robo-Yeti as both King Kong and Mechani-Kong. Then there's also Cyber-Godzilla, a mechanized Kaiju that uses the remains of the previous Godzilla, a concept later used for the Millenium Mechagodzilla (Kiryu). Cyber-Godzilla was created by the Tachyons, [[CompositeCharacter which are the show's equivalent to the Simeons and Kilaaks]]. Much like Godzilla himself, the designs and backstory of these Expies are drastically different from their source, and The Robo-Yeti is [[AdaptationalNationality Japanese instead of American]], the inverse of this Godzilla, which is something that the show playfully points out. And finally there's the thing that it has most in common with it's [[TropeNamer Trope]] [[ComicBook/UltimateMarvel Namer]], these adaptations are a [[TurnOfTheMillennium product of their time]].

* ''WesternAnimation/GodzillaTheSeries'' turns the continuity of Film/Godzilla1998 into this. While the movie is regarded by American and Japanese Kaiju fans as a [[InNameOnly Godzilla in name only]], the Animated Series is a [[SettingUpdate contemporary remake]] of WesternAnimation/TheGodzillaPowerHour. [[TruerToTheText Bringing back familiar elements]] such as his Atomic Breath and a [[MonsterOfTheWeek Monster of the Week format]]. The show also has Expies of other Toho monsters, such as Quetzacoatl being the show's version of Rodan, The Nanotech Creature as Hedorah, and The Robo-Yeti as both King Kong and Mechani-Kong. Then there's also Cyber-Godzilla, a mechanized Kaiju that uses the remains of the previous Godzilla, a concept later used for the Millenium Mechagodzilla (Kiryu). Cyber-Godzilla was created by the Tachyons, [[CompositeCharacter which are the show's equivalent to the Simeons and Kilaaks]]. Much like Godzilla himself, the designs and backstory of these Expies are drastically different from their source, and the Robo-Yeti is [[AdaptationalNationality Japanese instead of American]], the inverse of this Godzilla, which is something that the show playfully points out. And finally there's the thing that it has most in common with it's [[TropeNamer Trope]] [[ComicBook/UltimateMarvel Namer]], these adaptations are a [[TurnOfTheMillennium product of their time]].

* ''WesternAnimation/GodzillaTheSeries'' turns the continuity of Film/Godzilla1998 into this. While the movie is regarded by American and Japanese Kaiju fans as a [[InNameOnly Godzilla in name only]], the Animated Series is a [[SettingUpdate contemporary remake]] of WesternAnimation/TheGodzillaPowerHour. [[TruerToTheText Bringing back familiar elements]] such as his Atomic Breath and a [[MonsterOfTheWeek Monster of the Week format]]. The show also has Expies of other Toho monsters, such as Quetzacoatl being the show's version of Rodan, The Nanotech Creature as Hedorah, and The Robo-Yeti as both King Kong and Mechani-Kong. Then there's also Cyber-Godzilla, a mechanized Kaiju that uses the remains of the previous Godzilla, a concept later used for the Millenium Mechagodzilla (Kiryu). Cyber-Godzilla was created by the Tachyons, [[CompositeCharacter which are the show's equivalent to the Simeons and Kilaaks]]. Much like Godzilla himself, the designs and backstory of these Expies are drastically different from their source. the same applies to the human characters, which have much more defined personalities than their archetypal Hannah Barbera counterparts. and the Robo-Yeti is [[AdaptationalNationality Japanese instead of American]], the inverse of this Godzilla, which is something that the show playfully points out. And finally there's the thing that it has most in common with it's [[TropeNamer Trope]] [[ComicBook/UltimateMarvel Namer]], these adaptations are a [[TurnOfTheMillennium product of their time]].

* ''WesternAnimation/GodzillaTheSeries'' turns the continuity of Film/Godzilla1998 into this. While the movie is regarded by American and Japanese Kaiju fans as a [[InNameOnly Godzilla in name only]], the Animated Series is a [[SettingUpdate contemporary remake]] of WesternAnimation/TheGodzillaPowerHour. [[TruerToTheText Bringing back familiar elements]] such as his Atomic Breath and a [[MonsterOfTheWeek Monster of the Week format]]. The show also has Expies of other Creator/Toho monsters, such as Quetzacoatl being the show's version of Rodan, The Nanotech Creature as Hedorah, and The Robo-Yeti as both King Kong and Mechani-Kong. Then there's also Cyber-Godzilla, a mechanized Kaiju that uses the remains of the previous Godzilla, a concept later used for the Millenium Mechagodzilla (Kiryu). Cyber-Godzilla was created by the Tachyons, [[CompositeCharacter which are the show's equivalent to the Simeons and Kilaaks]]. Much like Godzilla himself, the designs and backstory of these Expies are drastically different from their source. the same applies to the human characters, which have much more defined personalities than their archetypal Hannah Barbera counterparts. and the Robo-Yeti is [[AdaptationalNationality Japanese instead of American]], the inverse of this Godzilla, which is something that the show playfully points out. And finally there's the thing that it has most in common with it's [[TropeNamer Trope]] [[ComicBook/UltimateMarvel Namer]], these adaptations are a [[TurnOfTheMillennium product of their time]].

* ''WesternAnimation/GodzillaTheSeries'' turns the continuity of Film/Godzilla1998 into this. While the movie is regarded by American and Japanese Kaiju fans as a [[InNameOnly Godzilla in name only]], the Animated Series is a [[SettingUpdate contemporary remake]] of WesternAnimation/TheGodzillaPowerHour. [[TruerToTheText Bringing back familiar elements]] such as his Atomic Breath and a [[MonsterOfTheWeek Monster of the Week format]]. The show also has Expies of other Tōhō monsters, such as Quetzacoatl being the show's version of Rodan, The Nanotech Creature as Hedorah, and The Robo-Yeti as both King Kong and Mechani-Kong. Then there's also Cyber-Godzilla, a mechanized Kaiju that uses the remains of the previous Godzilla, a concept later used for the Millenium Mechagodzilla (Kiryu). Cyber-Godzilla was created by the Tachyons, [[CompositeCharacter which are the show's equivalent to the Simeons and Kilaaks]]. Much like Godzilla himself, the designs and backstory of these Expies are drastically different from their source. the same applies to the human characters, which have much more defined personalities than their archetypal Hannah Barbera counterparts. and the Robo-Yeti is [[AdaptationalNationality Japanese instead of American]], the inverse of this Godzilla, which is something that the show playfully points out. And finally there's the thing that it has most in common with it's [[TropeNamer Trope]] [[ComicBook/UltimateMarvel Namer]], these adaptations are a [[TurnOfTheMillennium product of their time]].