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** The Metal from ''ComicBook/SwampThing'' is a metaphysical "kingdom" that had appeared with the advent of artificial intelligence in the 21st-century, embodying all mechanical life on Earth much in the way the Green embodies plant-life and the Red embodies animal-life. They are represented by the Rithm (also known as Calculus), a parliament of machine lifeforms that represents The Metal that manifest as a series of faceless humanoid robots in tailored suits.

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** The Metal from ''ComicBook/SwampThing'' is a metaphysical "kingdom" that had appeared with the advent of artificial intelligence in the 21st-century, embodying all mechanical life on Earth much in the way the Green embodies plant-life and the Red embodies animal-life. They are represented by the Rithm (also known as Calculus), a parliament of machine lifeforms that represents The the Metal that manifest as a series of faceless humanoid robots in tailored suits.

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-> ''"We're the coming thing; we are already here. We are self-driving cars and 3D printers and subdermal time-release insulin, and your old boss is still selling oranges on the side of the road -- not even organic. We are now, and tomorrow, and tomorrow, and tomorrow, and tomorrow, and he ain't even yesterday anymore."''
-->-- '''Media''', ''Series/AmericanGods2017'' episode "[[Recap/AmericanGodsS1E2TheSecretOfSpoons The Secret of Spoons]]"

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-> ''"We're %%%
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%% The examples section has been alphabetized. Please add new examples in the correct place in accordance with Administrivia/HowToAlphabetizeThings.
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->''"We're
the coming thing; we are already here. We are self-driving cars and 3D printers and subdermal time-release insulin, and your old boss is still selling oranges on the side of the road -- not even organic. We are now, and tomorrow, and tomorrow, and tomorrow, and tomorrow, and he ain't even yesterday anymore."''
-->-- '''Media''', ''Series/AmericanGods2017'' episode ''Series/AmericanGods2017'', "[[Recap/AmericanGodsS1E2TheSecretOfSpoons The Secret of Spoons]]"



* "[[https://www.boredpanda.com/modern-gods/ I Illustrated Modern Gods]]" is an article posted by Katarina Makarova on the online-magazine [[https://www.boredpanda.com/ Bored Panda]] showing illustrations of gods associated with computers and the internet illustrated in a Classical/Neoclassical style, including a God of [=WiFi=], God of Headphones, a God of Games And Virtual Reality, God of GPS, God of Smarphones, God of Social Networks and the Antivir Guardian.

to:

* "[[https://www.boredpanda.com/modern-gods/ I Illustrated Modern Gods]]" is an article posted by Katarina Makarova on the online-magazine [[https://www.boredpanda.com/ Bored Panda]] showing illustrations of gods associated with computers and the internet illustrated in a Classical/Neoclassical style, including a God of [=WiFi=], God of Headphones, a God of Games And Virtual Reality, God of GPS, God of Smarphones, Smartphones, God of Social Networks and the Antivir Guardian.



* ComicBook/DCUniverse:
** The ComicBook/NewGods are a race of alien beings who came into existence after Ragnarok destroyed the old pantheon (and the original planet they inhabited). From the original homeworld resulted in the two planets they inhabit -- [[AthensAndSparta the utopian New Genesis and dystopian Apokolips]], collectively called "The Fourth World" -- who have endured an on-again, off-again conflict with each other for ages. Whether they're literal gods [[AnthropomorphicPersonification embodying platonic concepts]] or just {{Sufficiently Advanced Alien}}s vary DependingOnTheWriter, and the existence of various mythological characters in other DC comic series like ''Franchise/WonderWoman'' and ''ComicBook/TheSandman1989'' confirm that the "Old Gods" are different from the kind known on Earth.
---> ''There came a time when the Old Gods died! The brave died with the cunning! The noble perished, locked in battle with the unleashed evil! It was the last day for them! An ancient era was passing in fiery holocaust! The final moment came with the fatal release of the indescribable power -- which tore the home of the Old Gods asunder -- split it in great halves -- and filled the universe with the blinding death-flash of its destruction! In the end there were two giant molten bodies, spinning slow and barren -- clean of all that had gone before -- adrift in the fading sounds of cosmic thunder... Silence closed upon what had happened -- a long, deep silence -- wrapped in massive darkness... it was this way for an age... THEN--THERE WAS NEW LIGHT!''
** The Metal is a metaphysical "kingdom" that had appeared with the advent of artificial intelligence in the 21st-century, embodying all mechanical life on Earth much in the way The Green embodies plant-life and The Red embodies animal-life. They are represented by The Rithm (also known as Calculus), a parliament of machine lifeforms that represents The Metal that manifest as a series of faceless humanoid robots in tailored suits.
* Franchise/MarvelUniverse:
** The Manchester Gods are a race of mythical beings that spontaneously appeared in Otherworld (a sort of PortalCrossroadWorld that exists within the collective minds of the British Isles) who embody the Industrial Revolution and urbanization. They are treated as an existential threat to the other inhabitants of Otherworld, though it's later revealed that the Manchester Gods were hoping to usurp Otherworld's governing body ''politically'', viewing the likes of Camelot and the Celtic Gods as antiquated and backwards.

to:

* ComicBook/DCUniverse:
''Franchise/TheDCU'':
** [[EldritchAbomination The Candlemaker]] from ''ComicBook/DoomPatrol'' is the god of the fear of WWIII and the nuclear bomb. He was brought into reality by Dorothy Spinner as part of a DealWithTheDevil and created a body in which to manifest himself through the Chief's nanobots.
** The ComicBook/NewGods are a race of alien beings who came into existence after Ragnarok Ragnarök [[DeathOfTheOldGods destroyed the old pantheon pantheon]] (and the original planet they inhabited). From the original homeworld resulted in the two planets they inhabit -- [[AthensAndSparta the utopian New Genesis and dystopian Apokolips]], collectively called "The Fourth World" -- who have endured an on-again, off-again conflict with each other for ages. Whether they're literal gods [[AnthropomorphicPersonification embodying platonic concepts]] or just {{Sufficiently Advanced Alien}}s vary DependingOnTheWriter, and the existence of various mythological characters in other DC comic Creator/DCComics series like ''Franchise/WonderWoman'' ''ComicBook/WonderWoman'' and ''ComicBook/TheSandman1989'' confirm that the "Old Gods" are different from the kind known on Earth.
---> ''There --->''There came a time when the Old Gods died! The brave died with the cunning! The noble perished, locked in battle with the unleashed evil! It was the last day for them! An ancient era was passing in fiery holocaust! The final moment came with the fatal release of the indescribable power -- which tore the home of the Old Gods asunder -- split it in great halves -- and filled the universe with the blinding death-flash of its destruction! In the end there were two giant molten bodies, spinning slow and barren -- clean of all that had gone before -- adrift in the fading sounds of cosmic thunder... Silence closed upon what had happened -- a long, deep silence -- wrapped in massive darkness... it was this way for an age... THEN--THERE THEN -- THERE WAS NEW LIGHT!''
** The Metal from ''ComicBook/SwampThing'' is a metaphysical "kingdom" that had appeared with the advent of artificial intelligence in the 21st-century, embodying all mechanical life on Earth much in the way The the Green embodies plant-life and The the Red embodies animal-life. They are represented by The the Rithm (also known as Calculus), a parliament of machine lifeforms that represents The Metal that manifest as a series of faceless humanoid robots in tailored suits.
* Franchise/MarvelUniverse:
** The Manchester Gods are
''ComicBook/TheInvisibles'' features a race {{postmodern|ism}} reimagining of mythical beings that spontaneously appeared in Otherworld (a sort religion and spirituality, so some of PortalCrossroadWorld that exists within these appear once or twice. Music/JohnLennon [[AbstractApotheosis has become the collective minds God of Psychaedelia]], who can be accessed through Ganesh and sacramental LSD, and Papa Ghede takes the British Isles) who embody shape of a rapper artist to interact with the Industrial Revolution and urbanization. They are treated as an existential threat to the other inhabitants of Otherworld, though it's later revealed that the Manchester Gods were hoping to usurp Otherworld's governing body ''politically'', viewing the likes of Camelot and the Celtic Gods as antiquated and backwards.earthly plane.
* ''Franchise/MarvelUniverse'':



* ''ComicBook/TheInvisibles'' features a [[PostModernism post-modern]] reimagining of religion and spirituality, so some of these appear once or twice. John Lennon [[AbstractApotheosis has become the God of Psychaedelia]], who can be accessed through Ganesh and sacramental LSD, and Papa Ghede takes the shape of a rapper artist to interact with the earthly plane.
* From [[Creator/GrantMorrison the same writer]] we have the ''ComicBook/DoomPatrol'''s [[EldritchAbomination the Candlemaker]], the god of the fear of WWIII or the nuclear bomb. He was brought into reality by Dorothy Spinner as part of a DealWithTheDevil and created a body in which to manifest himself through the Chief's nanobots.

to:

* ''ComicBook/TheInvisibles'' features ** ''ComicBook/JourneyIntoMysteryGillen'': The Manchester Gods are a [[PostModernism post-modern]] reimagining race of religion and spirituality, so some of these mythical beings that spontaneously appear once or twice. John Lennon [[AbstractApotheosis has become in Otherworld (a sort of PortalCrossroadWorld that exists within the God of Psychaedelia]], who can be accessed through Ganesh and sacramental LSD, and Papa Ghede takes the shape of a rapper artist to interact with the earthly plane.
* From [[Creator/GrantMorrison the same writer]] we have the ''ComicBook/DoomPatrol'''s [[EldritchAbomination the Candlemaker]], the god
collective minds of the fear of WWIII or British Isles) who embody the nuclear bomb. He was brought into reality by Dorothy Spinner as part of a DealWithTheDevil Industrial Revolution and created a urbanization. They are treated as an existential threat to the other inhabitants of Otherworld, though it's later revealed that the Manchester Gods were hoping to usurp Otherworld's governing body in which to manifest himself through ''politically'', viewing the Chief's nanobots.likes of Camelot and the Celtic Gods as antiquated and backwards.



* While the Old Gods in ''Literature/AmericanGods'' were gods of old religions brought to America through their worshippers, they had long since been kicked off of the proverbial seat of power by the New Gods, gods who came into being to fill the "faith gap" with an increasingly secularized world. Such gods include Technical Boy (God of the Internet), Media (Goddess of Pop Culture), the Spookshow (TheMenInBlack who embody conspiracy theories and act as enforcers of the New Gods), and various unnamed gods associated with railways, the film industry, currency, weaponry, ufology, medical science and so on. The crux of the book is Mr. Wednesday -- originally known as Odin Allfather from Myth/NorseMythology -- urging his fellow Old Gods to wage a war on the New Gods to establish control over America's collective faith.



* While the Old Gods in ''Literature/AmericanGods'' were gods of old religions brought to America through their worshippers, they had long since been kicked off of the proverbial seat of power by the New Gods, gods who came into being to fill the "faith gap" with an increasingly secularized world. Such gods include Technical Boy (God of the Internet), Media (Goddess of Pop Culture), the Spookshow (TheMenInBlack who embody conspiracy theories and act as enforcers of the New Gods), and various unnamed gods associated with railways, the film industry, currency, weaponry, ufology, medical science and so on. The crux of the book is Mr. Wednesday -- originally known as Odin Allfather from Myth/NorseMythology -- urging his fellow Old Gods to wage a war on the New Gods to establish control over America's collective faith.



* The [[BigBad main antagonist]] of the ''Literature/ShadowPolice'' series is [[ArchEnemy The Smiling Man]], the new GodOfEvil for the city of London. Whilst some of the Gods are figures from mythology (such as Brutus the Trojan, who became first king of Britain and founded London), the vast majority are representations of abstract concepts that are part of the city (such as the Rat King being god of all things lost, unwanted, forgotten or discarded). The Smiling Man being the representation of modern day evil, representing all the greed, corruption, unquenchable first for power and cruelty of the City since the Industrial Revolution. Shortly after forming he murdered Lucifer and took over Hell [[spoiler:and secretly kidnapped the souls of everyone who ever lived in City back to its founding to throw into Hell, then broke the metaphysical laws of the world so that now all its souls were damned upon death. Still not satisfied, his overall goal is to create enough chaos that the whole city will be plunged into Hell, for him to rule over for eternity]].

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* The [[BigBad main antagonist]] of the ''Literature/ShadowPolice'' series is [[ArchEnemy The Smiling Man]], the new GodOfEvil for the city of London. Whilst some of the Gods are figures from mythology (such as Brutus the Trojan, who became first king of Britain and founded London), the vast majority are representations of abstract concepts that are part of the city (such as the Rat King being god of all things lost, unwanted, forgotten or discarded). The Smiling Man being the representation of modern day modern-day evil, representing all the greed, corruption, unquenchable first for power and cruelty of the City since the Industrial Revolution. Shortly after forming he murdered Lucifer and took over Hell [[spoiler:and secretly kidnapped the souls of everyone who ever lived in City back to its founding to throw into Hell, then broke the metaphysical laws of the world so that now all its souls were damned upon death. Still not satisfied, his overall goal is to create enough chaos that the whole city will be plunged into Hell, for him to rule over for eternity]].



* Like in the book, [[Characters/AmericanGods2017TheNewGods the New Gods]] in ''Series/AmericanGods2017'' are presented as a pantheon currently in power in America, if-not the entire world. They are an OddlySmallOrganization, Mr. World, Media and Technical Boy being the only members who aren't Old Gods who've been "[[ModernizedGod rebranded]]" [[spoiler:and even then the SeriesFinale reveals that Mr. World and Technical Boy are themselves Old Gods, just newer versions of them]]. While the book presented them as merely embodying the status quo and was [[GreyAndGrayMorality morally neutral]], [[AdaptationalVillainy here they are portrayed as overtly malevolent]], having constructed the modern era to [[BreadAndCircuses keep mankind complacent so that they could feed on their time and attention]], with Season 3 implying that they were building a "[[MindControlDevice virtual church of the mind]]" that would [[UnPerson erase all of the Old Gods from existence]] and [[AssimilationPlot mind-control everyone into blindly worshipping them forever]].

to:

* Like in the book, [[Characters/AmericanGods2017TheNewGods the New Gods]] in ''Series/AmericanGods2017'' are presented as a pantheon currently in power in America, if-not the entire world. They are an OddlySmallOrganization, Mr. World, Media and Technical Boy being the only members who aren't Old Gods who've been "[[ModernizedGod rebranded]]" [[spoiler:and even then then, the SeriesFinale reveals that Mr. World and Technical Boy are themselves Old Gods, just newer versions of them]]. While the book presented them as merely embodying the status quo and was [[GreyAndGrayMorality morally neutral]], [[AdaptationalVillainy here they are portrayed as overtly malevolent]], having constructed the modern era to [[BreadAndCircuses keep mankind complacent so that they could feed on their time and attention]], with Season 3 implying that they were building a "[[MindControlDevice virtual church of the mind]]" that would [[UnPerson erase all of the Old Gods from existence]] and [[AssimilationPlot mind-control everyone into blindly worshipping them forever]].



* While the more traditional hell-born demons in the ''WebAnimation/{{Hellaverse}}'' like the [[Characters/HelluvaBossSevenDeadlySins Seven Deadly Sins]] or the [[Characters/HelluvaBossGoetiaRoyalty Ars Goetia]] have been running {{Hell}} since its founding, the Overlords in ''WesternAnimation/HazbinHotel'' are a different story. They were all sinners who manage to stake a claim for themselves and accumulate authority and supernatural power through economic enterprise and [[DealWithTheDevil Faustian Bargains]] with other sinners. In practice, these abilities manifest to suit their domain: Alastor the Radio Demon has a radio-voice and a host of other abilities, Vox (who runs screen-media) can teleport through cameras, has hypnotic abilities and [[FourthWallObserver can spy through any screen]], and so on.

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* While the more traditional hell-born demons in the ''WebAnimation/{{Hellaverse}}'' ''Franchise/{{Hellaverse}}'' like the [[Characters/HelluvaBossSevenDeadlySins Seven Deadly Sins]] or the [[Characters/HelluvaBossGoetiaRoyalty Ars Goetia]] have been running {{Hell}} since its founding, the Overlords in ''WesternAnimation/HazbinHotel'' are a different story. They were all sinners who manage to stake a claim for themselves and accumulate authority and supernatural power through economic enterprise and [[DealWithTheDevil Faustian Bargains]] with other sinners. In practice, these abilities manifest to suit their domain: Alastor the Radio Demon has a radio-voice and a host of other abilities, Vox (who runs screen-media) can teleport through cameras, has hypnotic abilities and [[FourthWallObserver can spy through any screen]], and so on.
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* It's common in more esoteric religions, like Chaos Magick, to venerate gods of 21st century technology or spirituality, politics, companies...
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* From [[Creator/GrantMorrison the same writer]] we have [[EldritchAbomination the Candlemaker]], the god of the fear of WWIII or the nuclear bomb. He was brought into reality by Dorothy Spinner as part of a DealWithTheDevil and created a body in which to manifest himself through the Chief's nanobots.

to:

* From [[Creator/GrantMorrison the same writer]] we have the ''ComicBook/DoomPatrol'''s [[EldritchAbomination the Candlemaker]], the god of the fear of WWIII or the nuclear bomb. He was brought into reality by Dorothy Spinner as part of a DealWithTheDevil and created a body in which to manifest himself through the Chief's nanobots.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* From [[Creator/GrantMorrison the same writer]] we have [[EldritchAbomination the Candlemaker]], the god of the fear of WWIII or the nuclear bomb. He was brought into reality by Dorothy Spinner as part of a DealWithTheDevil and created a body in which to manifest himself through the Chief's nanobots.
Is there an issue? Send a MessageReason:
None


* While the more traditional hell-born demons in the ''WebAnimation/{{Hellaverse}}'' like the [[Characters/HelluvaBossSevenDeadlySins Seven Deadly Sins]] or the [[Characters/HelluvaBossGoetiaRoyalty Ars Goetia]] have been running {{Hell}} since its founding, the Overlords in ''WesternAnimation/HazbinHotel'' are a different story. They were all sinners who manage to stake a claim for themselves and accumulate authority and supernatural power through economic enterprise and [[DealWithTheDevil Faustian Bargains]] with other sinners. In practice, these abilities manifest to suit their domain: Alastor the Radio Demon has a radio-voice and a host of other abilities, Vox (who runs screen-media) can teleport through cameras, has hypnotic abilities and [[FourthWallObserver can spy through any screen), and so on.

to:

* While the more traditional hell-born demons in the ''WebAnimation/{{Hellaverse}}'' like the [[Characters/HelluvaBossSevenDeadlySins Seven Deadly Sins]] or the [[Characters/HelluvaBossGoetiaRoyalty Ars Goetia]] have been running {{Hell}} since its founding, the Overlords in ''WesternAnimation/HazbinHotel'' are a different story. They were all sinners who manage to stake a claim for themselves and accumulate authority and supernatural power through economic enterprise and [[DealWithTheDevil Faustian Bargains]] with other sinners. In practice, these abilities manifest to suit their domain: Alastor the Radio Demon has a radio-voice and a host of other abilities, Vox (who runs screen-media) can teleport through cameras, has hypnotic abilities and [[FourthWallObserver can spy through any screen), screen]], and so on.
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[[folder:Western Animation]]
* While the more traditional hell-born demons in the ''WebAnimation/{{Hellaverse}}'' like the [[Characters/HelluvaBossSevenDeadlySins Seven Deadly Sins]] or the [[Characters/HelluvaBossGoetiaRoyalty Ars Goetia]] have been running {{Hell}} since its founding, the Overlords in ''WesternAnimation/HazbinHotel'' are a different story. They were all sinners who manage to stake a claim for themselves and accumulate authority and supernatural power through economic enterprise and [[DealWithTheDevil Faustian Bargains]] with other sinners. In practice, these abilities manifest to suit their domain: Alastor the Radio Demon has a radio-voice and a host of other abilities, Vox (who runs screen-media) can teleport through cameras, has hypnotic abilities and [[FourthWallObserver can spy through any screen), and so on.
[[/folder]]
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[[folder:Tabletop Games]]
* ''TabletopGame/{{Scion}}'' has the premise that player characters are demigods living in the modern day. While most pantheons to pick from are those of real polytheisms from around the world, the game also provides the "national pantheons" -- {{Anthropomorphic Personification}}s of Allied nations of the UsefulNotes/SecondWorldWar, apparently fuelled by patriotic feelings rather than the old-school mode of worship. Covering the Modern Gods vs. Old Gods angle, the war between mortals is reflected by a divine conflict of the new national pantheons against the old Germanic, Greco-Roman and Japanese gods.
[[/folder]]
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* ''ComicBook/TheInvisibles'' features a [[PostModernism post-modern]] reimagining of religion and spirituality, so some of these appear once or twice. John Lennon [[AbstractApotheosis has become the God of Psychaedelia]], who can be accessed through Ganesh and sacramental LSD, and Papa Ghede takes the shape of a rapper artist to interact with the earthly plane.
Is there an issue? Send a MessageReason:
None


* The [[BigBad main antagonist]] of the ''Literature/ShadowPolice'' series is [[ArchEnemy The Smiling Man]], the new GodOfEvil for the city of London. Whilst some of the Gods are figures from mythology (such as Brutus the Trojan, who became first king of Britain and founded London), the vast majority are representations of abstract concepts that are part of the city (such as the Rat King being god of all things lost, unwanted, forgotten or discarded). The Smiling Man being the representation of modern day evil, representing all the greed, corruption, unquenchable first for power and cruelty of the City since the Industrial Revolution. Shortly after forming he murdered Lucifer and took over Hell [[spoiler: and secretly kidnapped the souls of everyone who ever lived in City back to its founding to throw into Hell, then broke the metaphysical laws of the world so that now all its souls were damned upon death. Still not satisfied, his overall goal is to create enough chaos that the whole city will be plunged into Hell, for him to rule over for eternity]].

to:

* The [[BigBad main antagonist]] of the ''Literature/ShadowPolice'' series is [[ArchEnemy The Smiling Man]], the new GodOfEvil for the city of London. Whilst some of the Gods are figures from mythology (such as Brutus the Trojan, who became first king of Britain and founded London), the vast majority are representations of abstract concepts that are part of the city (such as the Rat King being god of all things lost, unwanted, forgotten or discarded). The Smiling Man being the representation of modern day evil, representing all the greed, corruption, unquenchable first for power and cruelty of the City since the Industrial Revolution. Shortly after forming he murdered Lucifer and took over Hell [[spoiler: and [[spoiler:and secretly kidnapped the souls of everyone who ever lived in City back to its founding to throw into Hell, then broke the metaphysical laws of the world so that now all its souls were damned upon death. Still not satisfied, his overall goal is to create enough chaos that the whole city will be plunged into Hell, for him to rule over for eternity]].



[[folder:Religion and Mythology]]

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[[folder:Religion and & Mythology]]



* ''VideoGame/GenshinImpact'': Due to a variety of causes, 5/7 of the current [[Characters/GenshinImpactArchons Archons]] died and were replaced roughly 500 years prior to the start of the game. This created a new era of leadership and marks a shift in their society following the change of power.

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* ''VideoGame/GenshinImpact'': Due to a variety of causes, 5/7 five sevenths of the current [[Characters/GenshinImpactArchons Archons]] died and were replaced roughly 500 years prior to the start of the game. This created a new era of leadership and marks a shift in their society following the change of power.
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* ''Literature/GoodOmens'': The Four Horsepeople of the Apocalypse consist of Death, Famine, War, and ''Pollution'', their original lineup's Pestilence having retired around the time penicillin was invented. Pollution's manifestation appears much younger than his counterparts.
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-> ''"We’re the coming thing; we are already here. We are self-driving cars and 3D printers and subdermal time-release insulin, and your old boss is still selling oranges on the side of the road — not even organic. We are now, and tomorrow, and tomorrow, and tomorrow, and tomorrow, and he ain't even yesterday anymore."''
-->-- '''Media''', ''Series/AmericanGods2017'' episode "[[Recap/AmericanGodsS1E2TheSecretOfSpoons The Secret of Spoons]]"

With the DeathOfTheOldGods, there is a gap that needs to fill. And nature abhors a vacuum.

Since humans didn't understand how things really worked during the old days, their gods would be how they explained these things. "Why is there thunder?" "The GodOfThunder is angry at someone." This applies to all sorts of phenomena, like [[FertilityGod life]] and [[GodOfTheDead death]], [[NatureSpirit the seasons]], [[ThePowerOfTheSun the sun]], [[DishingOutDirt earthquakes]], and many other examples you'd find on the StockGods page.

With Modern Gods on the other hand, writers like to use them for things that wouldn't have existed in those days, [[TheNewestOnesInTheBook but are very much prevalent or hold cultural significance today]]. Things like TheInternet, VideoGames, [[UsefulNotes/{{Firearms}} gun-culture]], [[PhoneTropes cell-phones]], [[VehicleIndex combustion-engine vehicles]], CasualInterstellarTravel, [[HealingAndCuringTropes penicillin]], UsefulNotes/PoliticalIdeologies, [[TheAlmightyDollar Free-Market Capitalism]], UsefulNotes/NuclearWeapons, Anime-{{Hentai}}, etc. DeusEstMachina are very popular in Modern God pantheons because of this, technological innovation having changed the way people live so fundamentally that it would make sense to liken it to something miraculous.

When there are Modern Gods, there naturally has to be [[TheOldGods Older Gods]] too. Whether the Old Gods are still around or [[{{Gotterdammerung}} if they were all wiped out]] can vary between examples, but the relationship between the two is almost always [[DivineConflict antagonistic]], not unlike [[TheGenerationGap the conflict between generations]]. The Modern Gods wouldn't want the Old Gods getting any worship now that they are the ones on top. They might even see the old faith as an existential threat to their newly minted seat at the table, not wanting [[GodsNeedPrayerBadly the Old Gods to gain enough of their old strength]] to challenge them.

The reverse is equally likely, the Old Gods seeing this new pantheon manifest as heralding their downfall just as their reign peaks and wishing to smother their cult while it's still in its infancy. Since a lot of the old mythologies have a lot of [[SelfFulfillingProphecy Self-Fulfilling Prophecies]], it's very likely that the Old Gods would have seen these Modern Gods replacing them and, in their attempts at preventing their downfall, ensure the Modern Gods rise to power in the first place.

When RuleOfSymbolism is in effect, expect them to collectively embody "Progress" and "The Future" in the same way that the Old Gods represent "Tradition" and "The Past", the puny mortals they are so desperately fighting over caught in the crossfire.

SubTrope of FantasyPantheon and OurGodsAreDifferent. Contrast TheOldGods. See also ChangingOfTheGuard, DeityOfHumanOrigin and DeityOfMortalCreation.

Not to be confused with ModernizedGod, where old gods of religion and mythology are [[SettingUpdate rebranded for the times]].
----

!!Examples

[[foldercontrol]]

[[folder:Art]]
* "[[https://www.boredpanda.com/modern-gods/ I Illustrated Modern Gods]]" is an article posted by Katarina Makarova on the online-magazine [[https://www.boredpanda.com/ Bored Panda]] showing illustrations of gods associated with computers and the internet illustrated in a Classical/Neoclassical style, including a God of [=WiFi=], God of Headphones, a God of Games And Virtual Reality, God of GPS, God of Smarphones, God of Social Networks and the Antivir Guardian.
[[/folder]]

[[folder:Comic Books]]
* ComicBook/DCUniverse:
** The ComicBook/NewGods are a race of alien beings who came into existence after Ragnarok destroyed the old pantheon (and the original planet they inhabited). From the original homeworld resulted in the two planets they inhabit -- [[AthensAndSparta the utopian New Genesis and dystopian Apokolips]], collectively called "The Fourth World" -- who have endured an on-again, off-again conflict with each other for ages. Whether they're literal gods [[AnthropomorphicPersonification embodying platonic concepts]] or just {{Sufficiently Advanced Alien}}s vary DependingOnTheWriter, and the existence of various mythological characters in other DC comic series like ''Franchise/WonderWoman'' and ''ComicBook/TheSandman1989'' confirm that the "Old Gods" are different from the kind known on Earth.
---> ''There came a time when the Old Gods died! The brave died with the cunning! The noble perished, locked in battle with the unleashed evil! It was the last day for them! An ancient era was passing in fiery holocaust! The final moment came with the fatal release of the indescribable power — which tore the home of the Old Gods asunder — split it in great halves — and filled the universe with the blinding death-flash of its destruction! In the end there were two giant molten bodies, spinning slow and barren — clean of all that had gone before — adrift in the fading sounds of cosmic thunder... Silence closed upon what had happened — a long, deep silence — wrapped in massive darkness... it was this way for an age... THEN—THERE WAS NEW LIGHT!''
** The Metal is a metaphysical "kingdom" that had appeared with the advent of artificial intelligence in the 21st-century, embodying all mechanical life on Earth much in the way The Green embodies plant-life and The Red embodies animal-life. They are represented by The Rithm (also known as Calculus), a parliament of machine lifeforms that represents The Metal that manifest as a series of faceless humanoid robots in tailored suits.
* Franchise/MarvelUniverse:
** The Manchester Gods are a race of mythical beings that spontaneously appeared in Otherworld (a sort of PortalCrossroadWorld that exists within the collective minds of the British Isles) who embody the Industrial Revolution and urbanization. They are treated as an existential threat to the other inhabitants of Otherworld, though it's later revealed that the Manchester Gods were hoping to usurp Otherworld's governing body ''politically'', viewing the likes of Camelot and the Celtic Gods as antiquated and backwards.
** ''ComicBook/Hercules2015'': The Uprising Storm are a trio of gods who appeared to embody the dark sides of modern culture. They consist of Cryptomnesia, a god of the internet's knowledge; Horrorscope, embodying toxic beauty standards; and Catastrophobia, a war god with tricks like a KillSat. They tried to kill all the old gods, but Hercules defeated them with his allies.
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[[folder:Literature]]
* ''Literature/ArciaChronicles'': The Lightbringers were seven deities who conquered the ConstructedWorld of Tarra, [[DeathOfTheOldGods killed its entire original pantheon]], and ruled it for [[ArcNumber seven]] thousand years. Unfortunately, they were still subordinate to an even greater deity, the Throne of Light, so when it called them back, they had to leave Tarra behind with no more gods to protect it from cosmic dangers.
* While the Old Gods in ''Literature/AmericanGods'' were gods of old religions brought to America through their worshippers, they had long since been kicked off of the proverbial seat of power by the New Gods, gods who came into being to fill the "faith gap" with an increasingly secularized world. Such gods include Technical Boy (God of the Internet), Media (Goddess of Pop Culture), the Spookshow (TheMenInBlack who embody conspiracy theories and act as enforcers of the New Gods), and various unnamed gods associated with railways, the film industry, currency, weaponry, ufology, medical science and so on. The crux of the book is Mr. Wednesday -- originally known as Odin Allfather from Myth/NorseMythology -- urging his fellow Old Gods to wage a war on the New Gods to establish control over America's collective faith.
* ''Literature/MagikaSwordsmanAndSummoner'': Unlike the other Pantheons in the world, The American Justice of North America represents "patriotic spirit" and have names like Super One and Frontier Spirit.
* The [[BigBad main antagonist]] of the ''Literature/ShadowPolice'' series is [[ArchEnemy The Smiling Man]], the new GodOfEvil for the city of London. Whilst some of the Gods are figures from mythology (such as Brutus the Trojan, who became first king of Britain and founded London), the vast majority are representations of abstract concepts that are part of the city (such as the Rat King being god of all things lost, unwanted, forgotten or discarded). The Smiling Man being the representation of modern day evil, representing all the greed, corruption, unquenchable first for power and cruelty of the City since the Industrial Revolution. Shortly after forming he murdered Lucifer and took over Hell [[spoiler: and secretly kidnapped the souls of everyone who ever lived in City back to its founding to throw into Hell, then broke the metaphysical laws of the world so that now all its souls were damned upon death. Still not satisfied, his overall goal is to create enough chaos that the whole city will be plunged into Hell, for him to rule over for eternity]].
[[/folder]]

[[folder:Live-Action TV]]
* Like in the book, [[Characters/AmericanGods2017TheNewGods the New Gods]] in ''Series/AmericanGods2017'' are presented as a pantheon currently in power in America, if-not the entire world. They are an OddlySmallOrganization, Mr. World, Media and Technical Boy being the only members who aren't Old Gods who've been "[[ModernizedGod rebranded]]" [[spoiler:and even then the SeriesFinale reveals that Mr. World and Technical Boy are themselves Old Gods, just newer versions of them]]. While the book presented them as merely embodying the status quo and was [[GreyAndGrayMorality morally neutral]], [[AdaptationalVillainy here they are portrayed as overtly malevolent]], having constructed the modern era to [[BreadAndCircuses keep mankind complacent so that they could feed on their time and attention]], with Season 3 implying that they were building a "[[MindControlDevice virtual church of the mind]]" that would [[UnPerson erase all of the Old Gods from existence]] and [[AssimilationPlot mind-control everyone into blindly worshipping them forever]].
[[/folder]]

[[folder:Religion and Mythology]]
* Santoshi Mata (or Santoshi Maa) first began being worshipped in the 1960s, and rose to prominence in 1975 after the film ''Jai Santoshi Maa'' (EN: ''Victory to Santoshi Maa'') made her a household name. Unlike other gods in Myth/HinduMythology like Ganesha or Vishnu, she has no scriptural precedent, and appears to have been created whole cloth by a cult in Northern India, before ascending to become part of the Pan-Indian Hindu Pantheon.
* Myth/JapaneseMythology: [[https://en.wikipedia.org/wiki/Tama_(cat) Tama]], a cat who was made the stationmaster of Kishi Station in Kinokawa, was posthumously given the title of "Eternal Stationmaster" and as deified as the spirit goddess ''Tama Daimyojin''.
[[/folder]]

[[folder:Video Games]]
* ''VideoGame/FearAndHunger'': The New Gods, particularly a group of four known as the Fellowship, are [[DeityOfHumanOrigin mortals who ascended]] who desire to spread their influence over the world and maintain their divine power in place of TheOldGods, despite their relative lack of strength compared to their predecessors.
* ''VideoGame/GenshinImpact'': Due to a variety of causes, 5/7 of the current [[Characters/GenshinImpactArchons Archons]] died and were replaced roughly 500 years prior to the start of the game. This created a new era of leadership and marks a shift in their society following the change of power.
* ''VideoGame/NeonAbyss'' is about Hades making war on the New Gods, who represent modern obsessions like Mobile Videos, Guns and Fast Food.
[[/folder]]
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