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* ''Film/SuicideSquad'' is dark and the main protagonists are all criminals or morally gray government workers. Fitting the dangerous-but-occasionally-quirky aspects of the titular squad, bright colors interrupt the grim landscape, from oddly dyed hair to screaming neon lights. The credits are a kaleidoscopic vision of symbols of the characters in bright neons.
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* ''Film/SuicideSquad'' ''Film/SuicideSquad2016'' is dark and the main protagonists are all criminals or morally gray government workers. Fitting the dangerous-but-occasionally-quirky aspects of the titular squad, bright colors interrupt the grim landscape, from oddly dyed hair to screaming neon lights. The credits are a kaleidoscopic vision of symbols of the characters in bright neons.
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* ''Videogame/LANoire'' is a shining version of this trope, featuring all manner of crime, sleaze and mayhem taking place in a sun drenched [[TheFifties 50's-era]] Los Angeles.
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* Baz Luhrmann's adaptation of ''Film/WilliamShakespearesRomeoAndJuliet'' recasts the Montagues and Capulets as ruthless crime families in a fictitious setting that is a sunny, nightlife-driven mashup of [=SoCal=] and the Miami-Dade area, with Tybalt as a mob enforcer, Mercutio as a local club rat, and Friar Laurence reinterpreted as a drug-dealing beach bum.
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* Baz Luhrmann's adaptation of ''Film/WilliamShakespearesRomeoAndJuliet'' recasts the Montagues and Capulets as ruthless crime families in a fictitious setting that is a sunny, nightlife-driven mashup of [=SoCal=] and the Miami-Dade area, with Tybalt as a mob enforcer, Mercutio as a local club rat, and Friar Laurence reinterpreted as a drug-dealing beach bum. priest who moonlights as a drug farmer.
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* VideoGame/GrandTheftAutoViceCity, VideoGame/GrandTheftAutoSanAndreas and VideoGame/GrandTheftAutoV fit the bill. While VideoGame/GrandTheftAutoIVTheBalladOfGayTony fits the flashy nightlife version of this trope.
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* VideoGame/GrandTheftAutoViceCity, VideoGame/GrandTheftAutoSanAndreas ''VideoGame/GrandTheftAutoViceCity'', ''VideoGame/GrandTheftAutoSanAndreas'' and VideoGame/GrandTheftAutoV ''VideoGame/GrandTheftAutoV'' fit the bill. While VideoGame/GrandTheftAutoIVTheBalladOfGayTony ''VideoGame/GrandTheftAutoIVTheBalladOfGayTony'' fits the flashy nightlife version of this trope.
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* VideoGame/GrandTheftAutoViceCity, VideoGame/GrandTheftAutoSanAndreas and VideoGame/GrandTheftAutoV fit the bill.
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* VideoGame/GrandTheftAutoViceCity, VideoGame/GrandTheftAutoSanAndreas and VideoGame/GrandTheftAutoV fit the bill. While VideoGame/GrandTheftAutoIVTheBalladOfGayTony fits the flashy nightlife version of this trope.
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* ''Film/PokemonDetectivePikachu'' has a noir-ish story set in neon-lit Ryme City.
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* Baz Luhrmann's adaptation of ''Film/WilliamShakespearesRomeoAndJuliet'' recasts the Montagues and Capulets as ruthless crime families in a fictitious setting that is a sunny, nightlife-driven mashup of SoCal and the Miami-Dade area, with Tybalt as a mob enforcer, Mercutio as a local club rat, and Friar Laurence reinterpreted as a drug-dealing beach bum.
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* Baz Luhrmann's adaptation of ''Film/WilliamShakespearesRomeoAndJuliet'' recasts the Montagues and Capulets as ruthless crime families in a fictitious setting that is a sunny, nightlife-driven mashup of SoCal [=SoCal=] and the Miami-Dade area, with Tybalt as a mob enforcer, Mercutio as a local club rat, and Friar Laurence reinterpreted as a drug-dealing beach bum.
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* ''Film/WhoFramedRogerRabbit'' is a somewhat gritty film noir lined with cheery and goofy elements provided by the animated characters that populate the film's world. The [[ToonTown Toontown]] scene could most notably highlight this as it appears all silly, vibrant and happy, but can actually be a dangerous place.
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* ''Film/WhoFramedRogerRabbit'' is a somewhat gritty film detective noir lined with cheery and goofy elements provided by the animated characters that populate exists in the film's world. The [[ToonTown Toontown]] scene could most notably highlight this as it appears all silly, vibrant and happy, [[CrapsaccharineWorld but can actually be a dangerous place.place for humans]].
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* ''Film/TheRecklessMoment'' is all shot in sunny California in a upper-class suburban neighbourhood.
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* ''Film/TheRecklessMoment'' is all shot in sunny California in a upper-class suburban neighbourhood.neighborhood.
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* ''Film/WhoFramedRogerRabbit'' sort of exaggerates this in the [[ToonTown Toontown]] scene.
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* ''Film/WhoFramedRogerRabbit'' sort of exaggerates this in is a somewhat gritty film noir lined with cheery and goofy elements provided by the animated characters that populate the film's world. The [[ToonTown Toontown]] scene.scene could most notably highlight this as it appears all silly, vibrant and happy, but can actually be a dangerous place.
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* ''Film/{{Chinatown}}'': The TropeCodifier, famous for its golden yellow cinematography. According to an interview with Creator/RomanPolanski, Creator/RobertTowne was furious when he saw the sunny colors he was using. When Towne had wrote the script, he assumed the film would have the dark red filter the Film/{{Godfather}} had made so popular.
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* ''Film/{{Chinatown}}'': The TropeCodifier, famous for its golden yellow cinematography. According to an interview with Creator/RomanPolanski, Creator/RobertTowne was furious when he saw the sunny colors he was using. When Towne had wrote the script, he assumed the film would have the dark red filter the Film/{{Godfather}} ''Film/TheGodfather'' had made so popular.
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* ''Film/WhoFramedRogerRabbit'' sort of exaggerates this in the [[Toon Town Toontown]] scene.
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* ''Film/WhoFramedRogerRabbit'' sort of exaggerates this in the [[Toon Town [[ToonTown Toontown]] scene.
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Sunshine Noir is a trope that combines elements of ShiningCity and CityNoir. The setting may be a CrapsackWorld filled with gangsters, drug deals gone wrong, undercover police officers, criminal drifters, and violent youths. However, the setting does not necessarily ''look'' like a CrapsackWorld. This setting either tries to accentuate how lively it is, or is filled with beautiful sunshine and stylish chrome cars. Expect signs in the background (or the opening credits/title page of the story) to include a colorful neon font. Expect there to be a huge focus on vibrant, neon-lit nightlife in these kinds of settings. If not, expect to hear upbeat, poppy music playing in the background as undercover detectives bust a drug deal or as a young getaway driver makes his great escape. Often, in this setting, there is a juxtaposition of happy scenes set in broad daylight with events that would normally mark a WretchedHive. However, unlike a WretchedHive, this setting tends to be clean and polished. The setting in this peculiar type of Noir is usually a ViceCity, that looks particularly ''fun'' on the surface, with charming characters, colorful and quirky fashions, but is, due to its underworld of crime, a CrapsaccharineWorld. May sometimes overlap with CyberPunk.
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Sunshine Noir is a trope that combines elements of ShiningCity and CityNoir. The setting may be a CrapsackWorld filled with gangsters, drug deals gone wrong, undercover police officers, criminal drifters, and violent youths. youths; you name it. However, the setting does not necessarily ''look'' like a CrapsackWorld. CrapsackWorld.
This setting either tries to accentuate how lively it is, or is filled with beautiful sunshine and stylish chrome cars. Expect signs in the background (or the opening credits/title page of the story) to include a colorful neon font. Expect there to be a huge focus on vibrant, neon-lit nightlife in these kinds of settings. If not, expect to hear upbeat, poppy music playing in the background as undercover detectives bust a drug deal or as a young getaway driver makes his great escape. Often, in this setting, there is a juxtaposition of happy scenes set in broad daylight with events that would normally mark a WretchedHive. However, unlike a WretchedHive, this setting tends to be clean and polished. The setting in this peculiar type of Noir is usually a ViceCity, that looks particularly ''fun'' on the surface, with charming characters, colorful and quirky fashions, but is, due to its underworld of crime, a CrapsaccharineWorld. May sometimes overlap with CyberPunk.
This setting either tries to accentuate how lively it is, or is filled with beautiful sunshine and stylish chrome cars. Expect signs in the background (or the opening credits/title page of the story) to include a colorful neon font. Expect there to be a huge focus on vibrant, neon-lit nightlife in these kinds of settings. If not, expect to hear upbeat, poppy music playing in the background as undercover detectives bust a drug deal or as a young getaway driver makes his great escape. Often, in this setting, there is a juxtaposition of happy scenes set in broad daylight with events that would normally mark a WretchedHive. However, unlike a WretchedHive, this setting tends to be clean and polished. The setting in this peculiar type of Noir is usually a ViceCity, that looks particularly ''fun'' on the surface, with charming characters, colorful and quirky fashions, but is, due to its underworld of crime, a CrapsaccharineWorld. May sometimes overlap with CyberPunk.
* ''Film/MulhollandFalls'': Despite what the movie poster implies, most scenes take place in bright Californian light.
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* ''Film/MulhollandFalls'': Despite what the movie poster implies, most scenes take place in bright Californian light.
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* ''Film/MulhollandFalls'': Despite what ''Film/WhoFramedRogerRabbit'' sort of exaggerates this in the movie poster implies, most scenes take place in bright Californian light.[[Toon Town Toontown]] scene.
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* ''Series/{{Innocent}}'': A neo-noir thriller set against the backdrop of a rustic seaside town surrounded by turquoise waters and sundappled forests.
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* ''Series/IAmTheNight'': Takes place in sunny LA during 1960s, complete with the protagonist stalking a starlet on a Malibu beach.
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* The ''Driver'' series by James Sallis is the TropeNamer, while the film of the first book starring Ryan Gosling is the TropeCodifier.
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* The ''Driver'' series by James Sallis is the TropeNamer, while the film of the first book starring Ryan Gosling Creator/RyanGosling is the TropeCodifier.
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* ''Series/{{Dexter}}'' combines grisly crime and serial murder with the bright, sunny and colorful backdrop of Miami.
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* The ''Driver'' series by James Sallis is the TropeNamer, while the film of the first book starring Ryan Gosling is the TropeCodifier.
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This term was originally coined by ''{{Drive}}'' author James Sallis to describe his novels.
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This term was originally coined by ''{{Drive}}'' ''Literature/{{Drive}}'' author James Sallis to describe his novels.
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* ''Videogame/HotlineMiami'': To varying degrees. It is certainly this in [[spoiler:Biker's arc]]. In Jacket's arc it is definitely a WretchedHive, although due to SanitySlippage Jacket tends to be something of a WeirdnessMagnet. The game has been stated to have been partially inspired by ''Film/{{Drive}}'' as well.
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* ''Videogame/HotlineMiami'': To ''Videogame/HotlineMiami'', to varying degrees. It is certainly this in [[spoiler:Biker's arc]]. In Jacket's arc it is definitely a WretchedHive, although due to SanitySlippage Jacket tends to be something of a WeirdnessMagnet. The game has been stated to have been partially inspired by ''Film/{{Drive}}'' as well.
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* The City in ''Videogame/MirrorsEdge'' is almost entirely white with some garishly bright colored highlights, with the sun glaring down from a cloudless sky in almost every level. At the same time it's almost devoid of signs of life and somewhat unsettling sterile.
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* The City in ''Videogame/MirrorsEdge'' is almost entirely white with some garishly bright colored highlights, with the sun glaring down from a cloudless sky in almost every level. At the same time it's almost devoid of signs of life and somewhat unsettling unsettlingly sterile.
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* ''Film/WomanOnTheRun'' takes place in UsefulNotes/SanFrancisco and would be much brighter if it was filmed in colour. Even so, it's a sunny looking FilmNoir from the classic era.
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* The City in ''Videogame/MirrorsEdge'' is almost entirely white with some garishly bright colored highlights, with the sun glaring down from a cloudless sky in almost every level. At the same time it's almost devoid of signs of life and somewhat unsettling sterile.
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* ''Film/{{Chinatown}}'': The TropeCodifier, famous for its golden yellow cinematography. According to an interview with Roman Polanski, Robert Towne was furious when he saw the sunny colors he was using. When Towne had wrote the script, he assumed the film would have the dark red filter the Film/{{Godfather}} had made so popular.
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* ''Film/{{Chinatown}}'': The TropeCodifier, famous for its golden yellow cinematography. According to an interview with Roman Polanski, Robert Towne Creator/RomanPolanski, Creator/RobertTowne was furious when he saw the sunny colors he was using. When Towne had wrote the script, he assumed the film would have the dark red filter the Film/{{Godfather}} had made so popular.
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* Film/ToLiveAndDieInLA
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* Film/ToLiveAndDieInLA''Film/ToLiveAndDieInLA''
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* Southtown in ''VideoGame/FatalFury'' is constantly described as a crimeridden hellhole. On the surface however, it looks just like another sundrenched American city on the west coast.
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* ''Film/TheRecklessMoment'' is all shot in sunny California in a upper-class suburban neighbourhood.
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* ''Film/MulhollandFalls'': Despite what the movie poster implies, most scenes take place in bright Californian light.
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* Creator/IdaLupino's ''Film/TheHitchHiker'' is set on the backdrop of sunny Mexico, but has the story of a psycho killer kidnapping two friends.
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[[folder:Film]]
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[[folder:Video Game]]
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[[folder:Video Game]]Games]]
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%% Image selected per Image Pickin' thread: http://tvtropes.org/pmwiki/posts.php?discussion=1476976655010052300
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[[quoteright:350:[[Film/MulhollandFalls http://static.tvtropes.org/pmwiki/pub/images/daylight_noir1.png]]]]
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[[quoteright:350:[[Film/MulhollandFalls http://static.tvtropes.org/pmwiki/pub/images/daylight_noir1.png]]]]
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* ''Film/SuicideSquad'' is dark and the main protagonists are all criminals or morally gray government workers. Fitting the dangerous-but-occasionally-quirky aspects of the titular squad, bright colors interrupt the grim landscape, from oddly dyed hair to screaming neon lights. The credits are a kaleidoscopic vision of symbols of the characters in bright neons.