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* ''VideoGame/YsVITheArkOfNapishtim'' is one for the ''VideoGame/{{Ys}}'' series. From this game forward, the series starts making a serious effort to craft a consistent ''Ys'' lore. However, all games to follow also treat the pre-''Napishtim'' games in BroadStrokes where they acknowledge them at all, and ''Ys III'' and ''IV'' have both been replaced in the canon by remakes.
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** Series 10 does this for the Twelfth Doctor. The first episode starts off with the Doctor having been a lecturer at a university for [[TimeSkip some time]] after the events of the previous season, and sets up a plotline regarding a mysterious vault beneath it that the Doctor is charged with protecting. It also introduces Bill Potts and sets up her and Nardole, who was previously introduced in a Christmas Special, as his new companions.


** Davies does this again in a bigger way with "The Giggle": [[spoiler:The Fourteenth Doctor doesn't regenerate into a new form but instead performs a "bigeneration", splitting Fifteen off as his own person. Fourteen decides to retire on Earth, effectively ending the adventures of the original Doctor]].

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** Davies does this again in a bigger way with "The Giggle": [[spoiler:The Fourteenth Doctor doesn't regenerate into a new form but instead performs a "bigeneration", splitting Fifteen off as his own person. incarnation. Fourteen decides to retire on Earth, effectively ending the Earth (until he is ready to regenerate into Fifteenth for real), while Fifteenth is busy having adventures of his own]]. This effectively allows for a smooth transition from the original Doctor]].revival series handled by BBC Wales to a new era that is handled by Davies' new production company.

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[[folder:Literature]]
* The ''Literature/LandOfOz'' was created by Creator/LFrankBaum, but after his death the series was continued by Creator/RuthPlumlyThompson and then John R. Neill, who added a lot of their own characters and ideas. The fourth author, Jack Snow, choose to only acknowledge Baum's stories without directly contradicting those of his successors. Thompson, at least, reportedly preferred that her own characters not be used by other writers.
[[/folder]]



* ''Series/BuffyTheVampireSlayer'' the series takes up where [[Film/BuffyTheVampireSlayer the film]] leaves off, except that it considers the original screenplay to be canon and not the actual film. In particular, Buffy was apparently expelled from her old school for arson ("that gym was ''full'' of [[LastSecondWordSwap vampi...asbestos]]"), which did not happen in the film.

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* ''Series/BuffyTheVampireSlayer'' the series takes up where [[Film/BuffyTheVampireSlayer the film]] leaves off, except that it considers the original screenplay to be canon and not the actual film.film, which wound up [[ExecutiveMeddling quite different]] than Creator/JossWhedon wanted. In particular, Buffy was apparently expelled from her old school for arson ("that gym was ''full'' of [[LastSecondWordSwap vampi...asbestos]]"), which did not happen in the film. Eventually, a comic called ''The Origin'' was made that told Whedon's version of the story.
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[[folder:Fanfics]]

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[[folder:Fanfics]][[folder:Fan Fiction]]



* ''Film/BatmanForever'' nominally takes place in the same continuity as the Creator/TimBurton Batman films, but it changes the design of Gotham, introduces a new cast--including doing away with Creator/MichaelKeaton as Batman (Alfred's and Gordon's actors still stay on for the next two movies)--and goes over Batman's origin after ''Film/Batman1989'' did the same.

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* ''Film/BatmanForever'' nominally takes place in the same continuity as the Creator/TimBurton Batman Creator/TimBurton's ''Film/BatmanFilmSeries'' films, but it changes the design of Gotham, introduces a new cast--including cast -- including doing away with Creator/MichaelKeaton as Batman (Alfred's and Gordon's actors still stay on for the next two movies)--and movies) -- and goes over Batman's origin after ''Film/Batman1989'' did the same.



** ''Film/TheSuicideSquad'' is this to ''Film/SuicideSquad2016''. The film only reuses four characters from the original movie. One of the original characters dies before the opening credits and another dies at about the midpoint. It follows a new story and new team. The events of the first movie are implied at best but also Harley just shows back up as part of the team again, with ''Film/BirdsOfPrey'' ignored as well.
** ''Film/BlackAdam'' positioned itself as being a new center point for the franchise, largely ignoring the events of ''Film/{{Shazam}}'' despite being classic arch enemies. The ending was even trying to hype a conflict between him and Superman, but utilizing the classic ''Film/SupermanTheMovie'' theme rather than one used for ''Film/ManOfSteel''.

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** ''Film/TheSuicideSquad'' is this to ''Film/SuicideSquad2016''. The film only reuses four characters from the original movie. One of the original characters dies before the opening credits and another dies at about the midpoint. It follows a new story and new team. The events of the first movie are implied at best but also Harley just shows back up as part of the team again, with ''Film/BirdsOfPrey'' ''Film/BirdsOfPrey2020'' ignored as well.
** ''Film/BlackAdam'' ''Film/BlackAdam2022'' positioned itself as being a new center point for the franchise, largely ignoring the events of ''Film/{{Shazam}}'' ''Film/Shazam2019'' despite being classic arch enemies. The ending was even trying to hype a conflict between him and Superman, but utilizing the classic ''Film/SupermanTheMovie'' theme rather than one used for ''Film/ManOfSteel''.



* ''Film/GIJoeRetaliation'' was made in response to the lukewarm reaction to ''Film/GIJoeTheRiseOfCobra'', which was considered too high-tech to the point of lacking tension (everyone had a tool or vehicle to solve the problem), too many characters showing up and dropping out of the narrative and relied too much on slick CG for their action scenes. ''Retaliation'' grounds the series by [[SuddenSequelDeathSyndrome having the main team killed off]] in the first act and reducing the cast to a handful of people who are short on supplies and resources, officially disavowed, and labeled as rogues and terrorists. It still technically follows ''Rise of Cobra'', but the tone of the movie is MUCH different.
* ''Film/TheGirlInTheSpidersWeb'' is an in-continuity sequel to the [[Film/TheGirlWithTheDragonTattoo2011 2011 American adaptation]] of ''[[Literature/TheMillenniumTrilogy The Girl With The Dragon Tattoo]]'', but with a completely different cast and creative team behind it.

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* ''Film/GIJoeRetaliation'' was made in response to the lukewarm reaction to ''Film/GIJoeTheRiseOfCobra'', ''Film/GIJoeTheRiseofCobra'', which was considered too high-tech to the point of lacking tension (everyone had a tool or vehicle to solve the problem), too many characters showing up and dropping out of the narrative and relied too much on slick CG for their action scenes. ''Retaliation'' grounds the series by [[SuddenSequelDeathSyndrome having the main team killed off]] in the first act and reducing the cast to a handful of people who are short on supplies and resources, officially disavowed, and labeled as rogues and terrorists. It still technically follows ''Rise of Cobra'', but the tone of the movie is MUCH different.
* ''Film/TheGirlInTheSpidersWeb'' is an in-continuity sequel to the [[Film/TheGirlWithTheDragonTattoo2011 2011 American adaptation]] of ''[[Literature/TheMillenniumTrilogy The Girl With The Dragon Tattoo]]'', ''Film/TheGirlWithTheDragonTattoo2011'', but with a completely different cast and creative team behind it.
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* ''Fanfic/WelcomeToPrehistoricKingdom'' is the sequel to ''Fanfic/PrehistoricParkReturnedFromExtinction'', but also introduces new concepts and expands on ideas that got lost in the original story's long and disjointed run. In a similar case with ''Fanfic/TheTwoCommanders'' (which, despite both stories being soft reboots, share the same continuity), the author asked that the previous story not be read to avoid confusion with the new one, compounded here because the first few chapters of ''Returned from Extinction'' are ''[[EarlyInstallmentWeirdness extremely unpolished]]''.
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* A company-wide example is ''ComicBook/DCRebirth''. After the hard reboot ComicBook/New52 relaunch made [[TheyChangedItNowItSucks so many unwanted changes]] to the DC lore that it alienated their fanbase and potential readers, DC integrated as many aspects of the old pre-''ComicBook/{{Flashpoint}}'' timeline as they could. The result was that characters got [[CharacterRerailment rerailed]], [[EnsembleDarkhorse old favorites]] [[TheBusCameBack returned]], and core aspects of the lore were fully restored after being removed entirely, all while cleaning up much of the DarkerAndEdgier tone which some felt was an attempt to resurrect the maligned [[UsefulNotes/TheDarkAgeOfComicBooks Dark Age]]. It still takes place in the post-''Flashpoint'' continuity, but many would say it feels proper again.

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* A company-wide example is ''ComicBook/DCRebirth''. After the hard reboot ComicBook/New52 relaunch made [[TheyChangedItNowItSucks so many unwanted changes]] to the DC lore that it alienated their fanbase and potential readers, DC integrated as many aspects of the old pre-''ComicBook/{{Flashpoint}}'' timeline as they could. The result was that characters got [[CharacterRerailment rerailed]], [[EnsembleDarkhorse old favorites]] [[TheBusCameBack returned]], and core aspects of the lore were fully restored after being removed entirely, all while cleaning up much of the DarkerAndEdgier tone which some felt was an attempt to resurrect the maligned [[UsefulNotes/TheDarkAgeOfComicBooks [[MediaNotes/TheDarkAgeOfComicBooks Dark Age]]. It still takes place in the post-''Flashpoint'' continuity, but many would say it feels proper again.



* ''VideoGame/KillerInstinct'': Due the last game being released [[SequelGap way back in 1996]], the 2013 game for UsefulNotes/XboxOne went for this trope to avoid ContinuityLockout for the benefit of newcomers to the franchise. While the 2013 has been frequently referred to as a reboot, certain story threads of the prior games are still acknowledged, such as the nature of Jago's tiger spirit [[spoiler:(actually the spirit of Gargos)]] and Jago and Black Orchid being half-siblings. Most notably, the character Tusk is revealed to be [[CompleteImmortality an ageless immortal]], meaning he is the same exact character as the one from the second game (set in the prehistoric past due to TimeTravel) rather than being a LegacyCharacter (as is the case for Kim Wu and Maya Fallegeros).

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* ''VideoGame/KillerInstinct'': Due the last game being released [[SequelGap way back in 1996]], the 2013 game for UsefulNotes/XboxOne Platform/XboxOne went for this trope to avoid ContinuityLockout for the benefit of newcomers to the franchise. While the 2013 has been frequently referred to as a reboot, certain story threads of the prior games are still acknowledged, such as the nature of Jago's tiger spirit [[spoiler:(actually the spirit of Gargos)]] and Jago and Black Orchid being half-siblings. Most notably, the character Tusk is revealed to be [[CompleteImmortality an ageless immortal]], meaning he is the same exact character as the one from the second game (set in the prehistoric past due to TimeTravel) rather than being a LegacyCharacter (as is the case for Kim Wu and Maya Fallegeros).
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** Done out of necessity in Gen III. Due to technical limitations, you couldn't transfer any Pokémon from the first two generation, cleanly cutting off the Game Boy and Game Boy Color games from the rest of the main series, which has allowed players to [[OldSaveBonus bring Pokémon from previous generations into newer ones]] (e.g., you can transfer that Mawile you caught back in 2003 into an entry released [[VideoGame/PokemonSwordAndShield over fifteen years later]]). While these games have seen remakes, as well as later re-releases, that allow you to transfer those Mons into future entries, any Pokémon you caught on an original copy of ''[[VideoGame/PokemonRedAndBlue Pokémon Red, Blue, Yellow,]] [[VideoGame/PokemonGoldAndSilver Gold, Silver, or Crystal]]'' are forever stuck there. It also defined what a new generation meant for the series going forward, since it was set in an entirely new region that was disconnected from the previous ones in both geography and story, save for some minor {{Continuity Nod}}s and cameos. This was in contrast to [[VideoGame/PokemonGoldAndSilver Generation II]], which, while introducing new Pokémon and game mechanics as a new generation should, had much more continuity with Generation I, with its region being right next to the one from Gen I, which could even be visited in the post game. Its story picked up several plot threads from Gen I as well. Generation III and onwards would make much cleaner breaks from prior gens with more standalone regions and stories.

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** Done out of necessity in Gen III. Due to technical limitations, you couldn't transfer any Pokémon from the first two generation, cleanly cutting off the Game Boy and Game Boy Color games from the rest of the main series, which has allowed players to [[OldSaveBonus bring Pokémon from previous generations into newer ones]] (e.g., you can transfer that Mawile you caught back in 2003 into an entry released [[VideoGame/PokemonSwordAndShield over fifteen years later]]). While these games have seen remakes, as well as later re-releases, that allow you to transfer those Mons into future entries, any Pokémon you caught on an original copy of ''[[VideoGame/PokemonRedAndBlue Pokémon Red, Blue, Yellow,]] [[VideoGame/PokemonGoldAndSilver Gold, Silver, or Crystal]]'' are forever stuck there. It also defined what a new generation meant for the series going forward, since it was set in an entirely new region that was disconnected from the previous ones in both geography and story, save for some minor {{Continuity Nod}}s and cameos. This was in contrast to [[VideoGame/PokemonGoldAndSilver Generation II]], which, while introducing new Pokémon and game mechanics as a new generation should, had much more continuity with Generation I, with its region being right next to the one from Gen I, which could even be visited in the post game. I. Its story picked up several plot threads from ''Red and Blue'', and its region was right next to Gen I as well.I's, which could even be visited in the post game to show players how things had changed during the 3 year TimeSkip between games. Generation III and onwards would make much cleaner breaks from prior gens with more standalone regions and stories.
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** Done out of necessity in Gen III. Due to technical limitations, you couldn't transfer any Pokémon from the first two generation, cleanly cutting off the Game Boy and Game Boy Color games from the rest of the main series, which has allowed players to [[OldSaveBonus bring Pokémon from previous generations into newer ones]] (e.g., you can transfer that Mawile you caught back in 2003 into an entry released [[VideoGame/PokemonSwordAndShield over fifteen years later]]). While these games have seen remakes, as well as later re-releases, that allow you to transfer those Mons into future entries, any Pokémon you caught on an original copy of ''[[VideoGame/PokemonRedAndBlue Pokémon Red, Blue, Yellow,]] [[VideoGame/PokemonGoldAndSilver Gold, Silver, or Crystal]]'' are forever stuck there. It also defined what a new generation meant for the series going forward, since it was set in an entirely new region that was disconnected from the previous ones in both geography and story, save for some minor {{Continuity Nod}}s and cameos. This was in contrast to [[VideoGame/PokemonGoldAndSilver Generation II]], which, while introducing new Pokémon and game mechanics as a new generation should, had much more continuity with Generation I, with its region being right next to the one from Gen I, the latter of which could even be visited in the post game, and its story picking up several plot threads from Gen I as well. Generation III and onwards would make much cleaner breaks from prior gens with more standalone regions and stories.

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** Done out of necessity in Gen III. Due to technical limitations, you couldn't transfer any Pokémon from the first two generation, cleanly cutting off the Game Boy and Game Boy Color games from the rest of the main series, which has allowed players to [[OldSaveBonus bring Pokémon from previous generations into newer ones]] (e.g., you can transfer that Mawile you caught back in 2003 into an entry released [[VideoGame/PokemonSwordAndShield over fifteen years later]]). While these games have seen remakes, as well as later re-releases, that allow you to transfer those Mons into future entries, any Pokémon you caught on an original copy of ''[[VideoGame/PokemonRedAndBlue Pokémon Red, Blue, Yellow,]] [[VideoGame/PokemonGoldAndSilver Gold, Silver, or Crystal]]'' are forever stuck there. It also defined what a new generation meant for the series going forward, since it was set in an entirely new region that was disconnected from the previous ones in both geography and story, save for some minor {{Continuity Nod}}s and cameos. This was in contrast to [[VideoGame/PokemonGoldAndSilver Generation II]], which, while introducing new Pokémon and game mechanics as a new generation should, had much more continuity with Generation I, with its region being right next to the one from Gen I, the latter of which could even be visited in the post game, and its game. Its story picking picked up several plot threads from Gen I as well. Generation III and onwards would make much cleaner breaks from prior gens with more standalone regions and stories.
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Trope was cut/disambiguated due to cleanup


* ''VideoGame/Pikmin4'' isn't a continuation of ''Pikmin 3'', but rather diverges from the events of [[VideoGame/Pikmin2001 the first game]]. In fact, the game begins with a retelling of ''Pikmin 1'' with [[ForWantOfANail some key differences]]: namely that Olimar befriended a green "space dog" which he named Moss while searching for his missing ship parts, that he is able to send out an S.O.S signal that kicks off the actual game, and that [[FailureIsTheOnlyOption he remains stranded on the planet despite his best efforts]] (becoming victim to the first game's BadEnding).

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* ''VideoGame/Pikmin4'' isn't a continuation of ''Pikmin 3'', but rather diverges from the events of [[VideoGame/Pikmin2001 the first game]]. In fact, the game begins with a retelling of ''Pikmin 1'' with [[ForWantOfANail [[AlternateContinuity some key differences]]: namely that Olimar befriended a green "space dog" which he named Moss while searching for his missing ship parts, that he is able to send out an S.O.S signal that kicks off the actual game, and that [[FailureIsTheOnlyOption he remains stranded on the planet despite his best efforts]] (becoming victim to the first game's BadEnding).
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** ''Film/BlackAdam'' positioned itself as being a new center point for the franchise, largely ignoring the events of ''Film/Shazam'' despite being classic arch enemies. The ending was even trying to hype a conflict between him and Superman, but utilizing the classic ''Film/SupermanTheMovie'' theme rather than one used for ''Film/ManOfSteel''.

to:

** ''Film/BlackAdam'' positioned itself as being a new center point for the franchise, largely ignoring the events of ''Film/Shazam'' ''Film/{{Shazam}}'' despite being classic arch enemies. The ending was even trying to hype a conflict between him and Superman, but utilizing the classic ''Film/SupermanTheMovie'' theme rather than one used for ''Film/ManOfSteel''.
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* ''Film/DCExtendedUniverse'': Due to a rotation of upper management, every couple of films could be considered a soft reboot in trying to distance itself from the movies that came before in some form.

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* ''Film/DCExtendedUniverse'': ''Franchise/DCExtendedUniverse'': Due to a rotation of upper management, every couple of films could be considered a soft reboot in trying to distance itself from the movies that came before in some form.

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* ''Film/DCExpandedUniverse'': Due to a rotation of upper management, every couple of films could be considered a soft reboot in trying to distance itself from the movies that came before in some form.

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* ''Film/DCExpandedUniverse'': ''Film/DCExtendedUniverse'': Due to a rotation of upper management, every couple of films could be considered a soft reboot in trying to distance itself from the movies that came before in some form.



** ''Series/StarTrekTheNextGeneration'' was a reboot of the premise using an entirely new cast, using a TimeSkip of about 80 years from the then recent movie ''Film/StarTrekIVTheVoyageHome''.
*** ''The Next Generation'''s third season was also a soft reboot of the show to some extent, featuring less involvement from Creator/GeneRoddenberry, a new set of uniforms, and a slight cinematography shift from the first two seasons. A lot of ''Trek'' fans consider this to be [[GrowingTheBeard the point where the show started to get good]].
** ''Series/StarTrekVoyager'' spent the first two seasons with the crew dealing with local politics in the Delta Quadrant and having to deal with moles and traitors on the crew. The third season starts with them wrapping up all of those plotlines and moving into a different region as they focus on making the trip home.
** ''Series/StarTrekEnterprise'' was episodic for the first two seasons before making the third season more of a serialized MythArc. This served as a workable kick of adrenaline, and the fourth season more of a balance with mini-arcs.



** ''Series/StarTrekTheNextGeneration'' was also a soft reboot of the premise.
*** ''The Next Generation'''s third season was also a soft reboot of the show to some extent, featuring less involvement from Creator/GeneRoddenberry, a new set of uniforms, and different lighting from the first two seasons. A lot of ''Trek'' fans consider this to be [[GrowingTheBeard the point where the show started to get good]].

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** ''Series/StarTrekTheNextGeneration'' was also *** The show itself utilizes a soft reboot semi-anthology format, where each season keeps a handful of characters but features several newcomers to join the crew. The end of the premise.
*** ''The Next Generation'''s
second season features a major change, where they TimeTravel 900 years into the future and a place entirely untouched by any prior Trek lore, and the third season was also a soft reboot of the show to some extent, featuring less involvement from Creator/GeneRoddenberry, a new set of uniforms, and different lighting from the first two seasons. A lot of ''Trek'' fans consider this to be [[GrowingTheBeard the point where the show started to get good]].highlights their story as FishOutOfTemporalWater.

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* ''Film/DCExpandedUniverse'': Due to a rotation of upper management, every couple of films could be considered a soft reboot in trying to distance itself from the movies that came before in some form.
** ''Film/JusticeLeague2017'' was largely directed by Creator/ZackSnyder but he left in post production and the film was heavily remade by Creator/JossWhedon in an attempt to capture the same popularity of the Franchise/MarvelCinematicUniverse. The tone is significantly lighter than ''Film/ManOfSteel'' or ''Film/BatmanVSupermanDawnOfJustice'', and sometimes even contradicts some plot points. ''Film/ZackSnydersJusticeLeague'' is the original movie that was trying to be made and is much closer in tone while also more fully integrated with the plot points the previous films were trying to set up.
** ''Film/TheSuicideSquad'' is this to ''Film/SuicideSquad2016''. The film only reuses four characters from the original movie. One of the original characters dies before the opening credits and another dies at about the midpoint. It follows a new story and new team. The events of the first movie are implied at best but also Harley just shows back up as part of the team again, with ''Film/BirdsOfPrey'' ignored as well.
** ''Film/BlackAdam'' positioned itself as being a new center point for the franchise, largely ignoring the events of ''Film/Shazam'' despite being classic arch enemies. The ending was even trying to hype a conflict between him and Superman, but utilizing the classic ''Film/SupermanTheMovie'' theme rather than one used for ''Film/ManOfSteel''.



* ''Franchise/StarWars'' overall can be said to have gone through one of these after Creator/{{Disney}} bought the franchise. The entire ExpandedUniverse was wiped, leaving only the six films and ''WesternAnimation/StarWarsTheCloneWars'' as canon. Due to references to the past that exist in these sources, much of what came before the movies in universe is implied to have still happened, though in BroadStrokes. Most of what comes after the end of the Original Trilogy is open to be contradicted by new entries to the series, however. Disney has been [[CanonForeigner importing fan favorite concepts and characters]] from ''Franchise/StarWarsLegends'' into canon over the years.
* ''Film/TheSuicideSquad'' is this to ''Film/SuicideSquad2016''. The film only reuses four characters from the original movie. One of the original characters dies before the opening credits and another dies at about the midpoint. It follows a new story and new team. The events of the first movie are never mentioned.

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* ''Franchise/StarWars'' overall can ''Franchise/StarTrek''
** ''Film/StarTrekIITheWrathOfKhan'' is a heavy stylistic shift compared to ''Film/StarTrekTheMotionPicture'', focusing more on the nautical elements of ''Series/StarTrekTheOriginalSeries'' while also bringing back the villain Khan from one of the more notable episodes. While TMP was trying to
be said akin to ''Film/TwoThousandOneASpaceOdyssey'', WOK centers around ship-to-ship combat.
** ''Film/StarTrek2009'' is presented like it is an OriginsEpisode for the original series cast, but is actually an AlternateTimeline concerning a TimeTravel incident from the future of the TNG-era, serving as both a sequel to ''Film/StarTrekNemesis'' and prequel to TOS. This was used as an excuse for a major visual and tonal overhaul, much more action packed and focused on big set pieces.
* ''Franchise/StarWars''
** The prequel films had a dramatically different visual style compared to the original trilogy, trading a UsedFuture for more of a RaygunGothic. The plot was also centered more at the heart of a democracy in crisis compared to a [[LaResistance ragtag Rebellion]] fighting TheEmpire. This was largely intentional by Creator/GeorgeLucas, as he wanted the films
to have gone through one of these after their own identity and tell a story he was truly invested with.
** After
Creator/{{Disney}} bought the franchise. The franchise the entire ExpandedUniverse was wiped, leaving only the six films and ''WesternAnimation/StarWarsTheCloneWars'' as canon. Due to references to the past that exist in these sources, much of what came before the movies in universe is implied to have still happened, though in BroadStrokes. Most of what comes after the end of the Original Trilogy is open to be contradicted by new entries to the series, however. Disney has been [[CanonForeigner importing fan favorite concepts and characters]] from ''Franchise/StarWarsLegends'' into canon over the years. \n* ''Film/TheSuicideSquad'' is this to ''Film/SuicideSquad2016''. The film only reuses four characters from the original movie. One of the original characters dies before the opening credits and another dies at about the midpoint. It follows a new story and new team. The events of the first movie are never mentioned.
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* The fourth season of ''Series/TwentyFour'' was a marked departure from Season 3, which saw the premise and character set change drastically between seasons. It was the first season in the series to get a prequel (included on the Season 3 boxset, which was released in the leadup to the season), showing Jack getting fired from his job at CTU due to (plot-enforced) drug use in the preceding season, starting a new relationship and working in a completely different role. When the season started, all of the previous season's characters were gone, save for Jack, President John Keeler and Chloe O'Brian, while the enemy force transitioned from largely Eastern-European terrorists to Middle Eastern antagonists living among society (in a clear nod to UsefulNotes/TheWarOnTerror). It was also the first season in the series to begin with a six-episode "pod" that had Jack investigating and rescuing Secretary James Heller and his daughter, Audrey (Jack's girlfriend), in an episode that was largely unlike anything the show had done up to that point (the first twenty minutes being a sustained action setpiece that follows Jack as he infiltrates and rescues them from an enemy compound). However, as the season went on, several characters returned (likely motivated by fan demand), such as Tony Almeida, Michelle Dessler, Chloe O'Brien and David Palmer. Conversely, characters who had debuted in this season -- including new CTU Director Erin Driscoll, CTU agent Sarah Gavin and Heller himself -- were gone by the midpoint, with the original characters largely taking the focus of the plot by the final episode.

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* The fourth season of ''Series/TwentyFour'' was a marked departure from Season 3, which saw the premise and character set change drastically between seasons. It was the first season in the series to get a prequel (included on the Season 3 boxset, which was released in the leadup to the season), showing Jack getting fired from his job at CTU due to (plot-enforced) drug use in the preceding season, starting a new relationship and working in a completely different role. When the season started, all of the previous season's characters were gone, save for Jack, President John Keeler and Chloe O'Brian, while the enemy force transitioned from largely Eastern-European terrorists to Middle Eastern antagonists living among society (in a clear nod to UsefulNotes/TheWarOnTerror). It was also the first season in the series to begin with a six-episode "pod" that had Jack investigating and rescuing Secretary James Heller and his daughter, Audrey (Jack's girlfriend), in an episode that was largely unlike anything the show had done up to that point (the first twenty minutes being a sustained action setpiece that follows Jack as he infiltrates and rescues them from an enemy compound). However, as the season went on, several characters returned (likely motivated by fan demand), such as Tony Almeida, Michelle Dessler, Chloe O'Brien Dessler and David Palmer. Conversely, characters who had debuted in this season -- including new CTU Director Erin Driscoll, CTU agent Sarah Gavin and Heller himself -- were gone by the midpoint, with the original characters largely taking the focus of the plot by the final episode.



* ''VideoGame/Thief2014'' appears to reboot the universe, but several details make an allusion to to the original games (including a very heavy implication that this game's Garret is the Identical Grandson of the previous title's protagonist) taking place in the past.

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* ''VideoGame/Thief2014'' was originally marketed as a reboot of the ''VideoGame/{{Thief}}'' universe, following a character who appears to reboot have a drastically-different origin story (he no longer gets a "power" from a mechanical eye after having one ripped out, but gets it from looking directly into the universe, but several details make an allusion to Primal Stone's energy). However, as the game goes on it, it gradually becomes clear that the game is actually a StealthSequel to the original games (including a very heavy implication that this game's Garret is trilogy, which takes place several hundred years after the Identical Grandson events of the previous title's protagonist) taking place original trilogy: both the Keepers (the overriding magic-wielding BigGood) and Karras (the BigBad of ''VideoGame/ThiefIITheMetalAge'') in various bits of lore and art found throughout The City. The Clocktower appears to be the same one seen in the past."Life of the Party" mission in ''The Metal Age'', while an abandoned chapel, "Our Lady of the Iron Litany", appears to be an abandoned Hammerite chapel. The "Queen of Beggars" is implied to be either a descendant or the last remaining member of the original Keepers, while the Keeper Library (visited in ''VideoGame/ThiefDeadlyShadows'') is visited midway through the game, lying derelict underneath the House of Blossoms. There are also suggestions that the Garrett in this game is a descendant of the original Garrett, via a sidestory where the player can find bits of lore about the latter within Moira Asylum.
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* The fourth season of ''Series/TwentyFour'' was a marked departure from Season 3, which saw the premise and character set change drastically between seasons. It was the first season in the series to get a prequel (included on the Season 3 boxset, which was released in the leadup to the season), showing Jack getting fired from his job at CTU due to (plot-enforced) drug use in the preceding season, starting a new relationship and working in a completely different role. When the season started, all of the previous season's characters were gone, save for Jack, President John Keeler and Chloe O'Brian, while the enemy force transitioned from largely Eastern-European terrorists to Middle Eastern antagonists living among society (in a clear nod to UsefulNotes/TheWarOnTerror). It was also the first season in the series to begin with a six-episode "pod" that had Jack investigating and rescuing Secretary James Heller and his daughter, Audrey (Jack's girlfriend), in an episode that was largely unlike anything the show had done up to that point (the first twenty minutes being a sustained action setpiece that follows Jack as he infiltrates and rescues them from an enemy compound). However, as the season went on, several characters returned (likely motivated by fan demand), such as Tony Almeida, Michelle Dessler, Chloe O'Brien and David Palmer. Conversely, characters who had debuted in this season -- including new CTU Director Erin Driscoll, CTU agent Sarah Gavin and Heller himself -- were gone by the midpoint, with the original characters largely taking the focus of the plot by the final episode.
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** There are definite signs that ''VideoGame/MegaManX7'' is meant to be this for ''VideoGame/MegaManX''. Though taking place after ''[[VideoGame/MegaManX6 X6]]'', there's an unknown TimeSkip between that game's near-apocalyptic setting and this game's restored civilizations, previously introduced story elements (like Dynamo, Isoc, Wily's influence on Zero and the others, and Alia's CharacterDevelopment) [[AbortedArc are unceremoniously dropped]], Axl is introduced as the YoungerAndHipper alternative to X, the intro stage is a NostalgiaLevel based on ''[[VideoGame/MegaManX1 X1]]'''s iconic highway, [[ArsonMurderAndJaywalking and there's an overload of]] {{Forced Tutorial}}s. Also, [[BackFromTheDead somehow]], [[HijackedByGanon Sigma returned]].

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** There are definite signs that ''VideoGame/MegaManX7'' is meant to be this for ''VideoGame/MegaManX''. Though taking place after ''[[VideoGame/MegaManX6 X6]]'', there's an unknown TimeSkip between that game's near-apocalyptic setting and this game's restored civilizations, previously introduced story elements (like Dynamo, Isoc, Wily's influence on Zero and the others, and Alia's CharacterDevelopment) [[AbortedArc are unceremoniously dropped]], Axl is introduced as the YoungerAndHipper alternative to X, and the intro stage is a NostalgiaLevel based on ''[[VideoGame/MegaManX1 X1]]'''s iconic highway, [[ArsonMurderAndJaywalking and there's an overload of]] {{Forced Tutorial}}s.highway. Also, [[BackFromTheDead somehow]], [[HijackedByGanon Sigma returned]]. ''[[VideoGame/MegaManX8 X8]]'' would undo some of the rebooting, such as returning the gameplay to pure 2D and restoring X as a full protagonist.
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General clarification on works content


* The ''VideoGame/GodOfWar'' series has one with [[VideoGame/GodOfWarPS4 the 2018 entry for the PS4]]. It features an entire new look, feel and mythology with its Norse setting, but it is in no way a ContinuityReboot as it takes place years after the events of ''VideoGame/GodOfWarIII'' and the events of the original games still haunt Kratos to this day.

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* The ''VideoGame/GodOfWar'' series has one with the Playstation-exclusive [[VideoGame/GodOfWarPS4 the 2018 entry for of the PS4]]. It features an entire new look, same name]] and its sequel ''VideoGame/GodOfWarRagnarok''. Kratos returns as the main protagonist, now much older (even sporting a TimePassageBeard), and has a partner in his travels in the form of the son he had with his second wife Faye, named Atreus. The gameplay also has a very different feel as the combat is now more HackAndSlash than the Greek era's StylishAction button-mashing, and mythology the setting switches to Midgard and interacting with its characters from the Nine Realms of Norse setting, mythology, but it is in no way a ContinuityReboot as it takes place years decades after the events of ''VideoGame/GodOfWarIII'' ''VideoGame/GodOfWarIII'', and there are many references to Kratos' past actions as the events Ghost of Sparta and Greek god of war, of which deeply haunts him into the original games still haunt Kratos to this day.present.
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* ''VideoGame/BaldursGateIII'' does this to the original saga even if it was concluded: brand new game mechanics, new protagonist with different background, completely new story set more than 100 years after. But there are references to the originals, and some returning characters that help tie the stories.
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** Davies does this again in a bigger way with “The Giggle”: [[spoiler:The Fourteenth Doctor doesn’t regenerate into a new form but instead performs a “bigeneration”, splitting Fifteen off as his own person. Fourteen decides to retire on Earth, effectively ending the adventures of the original Doctor]].

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* ''Anime/Bakugan'' did this every season but there are two particularly notable examples, the 2018 and 2023 reboots notwithstanding:
** ''Gundalian Invaders'' is a unique case because the last ten episodes of the previous season were dedicated to setting up this one, but it otherwise largely ignores the previous seasons. Bakugan Interspace is now the main hub for brawling, Dan and the gang move to a new city, and all of the past main characters have vanished except for Dan, Marucho, Shun, and Julie (who doesn’t even have her Bakugan anymore). The series also dropped the “Battle Brawlers” subtitle from this season onwards, and the episode title font also changed.
** ''Mechtanium Surge'' was originally intended to be only 26 episodes, concluding the remaining threads from seasons 2 and 3. But then 20 more episodes were ordered before ending the show, forcing the creation of a whole new plot line in which the main cast moves to a city populated by Bakugan. Despite not being a new season, it has all of the changes of one, including a change in supporting cast and villains, new outfits for the main trio, and new Bakugan partners for Marucho and Shun.

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* ''Anime/Bakugan'' ''Anime/{{Bakugan}}'' did this every season but there are two particularly notable examples, the 2018 and 2023 reboots notwithstanding:
** ''Gundalian Invaders'' is a unique case because the last ten episodes of the previous season were dedicated to setting up this one, but it otherwise largely ignores the previous seasons. Bakugan Interspace is now the main hub for brawling, Dan and the gang move to a new city, and all of the past main characters have vanished except for Dan, Marucho, Shun, and Julie (who doesn’t doesn't even have her Bakugan anymore). The series also dropped the “Battle Brawlers” "Battle Brawlers" subtitle from this season onwards, and the episode title font also changed.
** ''Mechtanium Surge'' was originally intended to be only 26 episodes, concluding the remaining threads from seasons Seasons 2 and 3. But then 20 more episodes were ordered before ending the show, forcing the creation of a whole new plot line plotline in which the main cast moves to a city populated by Bakugan. Despite not being a new season, it has all of the changes of one, including a change in supporting cast and villains, new outfits for the main trio, and new Bakugan partners for Marucho and Shun.



** The Saiyan Saga counts as one for the manga in general, beginning with a TimeSkip and full-blown GenreShift that [[NothingIsTheSameAnymore completely changes the status quo]], introduces concepts that become franchise mainstays going forward, and establishes [[DarkerAndEdgier a very different tone]] compared to the original ''Manga/DragonBall''. That it serves as a decent introduction to the overall series despite being in the middle of it is one reason ''Dragon Ball Z'' managed to be such a success in the states despite getting localized [[SequelFirst before its predecessor]].
** The Buu Saga could be seen as another attempt on Toriyama's part of doing one for the series. Coming off the heels of the Cell Saga ending with Gohan becoming the new protagonist and Goku KilledOffForReal, the Buu Saga starts with another drastic TimeSkip, this time 7 years in the future. Gohan is now a teenager, his younger brother Goten is introduced to series, and the series now follows Gohan's adventures as a fish out of water attending high school.

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** The Saiyan Saga counts as one for the manga in general, beginning with a TimeSkip and full-blown GenreShift that [[NothingIsTheSameAnymore completely changes the status quo]], introduces concepts that become franchise mainstays going forward, and establishes [[DarkerAndEdgier a very different tone]] compared to the original ''Manga/DragonBall''. That it serves as a decent introduction to the overall series despite being in the middle of it is one reason ''Dragon Ball Z'' managed to be such a success in the states States despite getting localized [[SequelFirst before its predecessor]].
** The Buu Saga could be seen as another attempt on Toriyama's part of doing one for the series. Coming off the heels of the Cell Saga ending with Gohan becoming the new protagonist and Goku KilledOffForReal, the Buu Saga starts with another drastic TimeSkip, this time 7 seven years in into the future. Gohan is now a teenager, his younger brother Goten is introduced to series, and the series now follows Gohan's adventures as a fish out of water attending high school.
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* ''VideoGame/{{Contra}} 3: The Alien Wars'' is basically a remake of ''Contra'' with updated graphics and new mechanics. The final BossRush of the game is even a compilation of several bosses from the first two games.

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* ''VideoGame/{{Contra}} 3: The Alien Wars'' ''VideoGame/ContraIIITheAlienWars'' is basically a remake of ''Contra'' with updated graphics and new mechanics. The final BossRush of the game is even a compilation of several bosses from the first two ''VideoGame/{{Contra}}'' games.
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** [[ZigZaggingTrope Zig-zagged]] by the "Wild Saga": ''[[VideoGame/TheLegendOfZeldaBreathOfTheWild Breath of the Wild]]'' was initially stated to be set in the ''Zelda'' timeline ''somewhere'' ([[ContinuitySnarl Zelda continuity is complicated]]), but taking place thousands of years after each potential timeline branch, meaning it could be in any of the three (or they could've even merged together). However, its direct sequel ''[[VideoGame/TheLegendOfZeldaTearsOfTheKingdom Tears of the Kingdom]]'' muddles the situation over whether it's a soft or hard continuity reboot, as the game [[spoiler:provides a completely different origin for Ganondorf and the Kingdom of Hyrule as a whole, stating that Hyrule was founded by a union between the [[BenevolentPrecursors Zonai]] and Hylians while Ganondorf became the original Demon King by stealing a Zonai Secret Stone]].

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** [[ZigZaggingTrope Zig-zagged]] by the "Wild Saga": ''[[VideoGame/TheLegendOfZeldaBreathOfTheWild Breath of the Wild]]'' was initially stated to be set in the ''Zelda'' timeline ''somewhere'' ([[ContinuitySnarl Zelda continuity is complicated]]), but taking place thousands of years after each potential timeline branch, meaning it could be in any of the three (or they could've even merged together). However, its direct sequel ''[[VideoGame/TheLegendOfZeldaTearsOfTheKingdom Tears of the Kingdom]]'' muddles the situation over whether it's a soft or hard continuity reboot, as the game [[spoiler:provides a completely different origin for Ganondorf and the Kingdom of Hyrule as a whole, stating that Hyrule was founded by a union between the [[BenevolentPrecursors Zonai]] and Hylians while Ganondorf became the original Demon King by stealing a Zonai Secret Stone]]. This makes it [[AmbiguousSituation ambiguous]] whether the two games are supposed to override the previous continuity entirely or still takes place long after the previous games with the establishment of a new Hyrule.
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** ''VideoGame/WarioWareGold'': Not only does ''Gold'' introduce a new artstyle that would become the norm for the series onwards, its plot is very much a souped up version of the original ''Mega Microgame$'', with Wario deciding to make games after being inspired by some TV news, phoning his friends to help him out and then trying to cheat on them of their pay at the end (and failing).

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