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* Cazaril's backstory in Creator/LoisMcMasterBujold's ''[[Literature/{{Chalion}} The Curse of Chalion]]'' is revealed to contain two life-changing experiences/epiphanies during his 19 months as a rower on a Slave Galley (three if you cound the circumstances of him ending up on there to begin with).
to:
* Cazaril's backstory in Creator/LoisMcMasterBujold's ''[[Literature/{{Chalion}} The Curse of Chalion]]'' ''Literature/TheCurseOfChalion'' is revealed to contain two life-changing experiences/epiphanies during his 19 months as a rower on a Slave Galley (three if you cound the circumstances of him ending up on there to begin with). with).
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* Spoofed in [[http://oglaf.com/stroke/ this]] strip from ''Webcomic/{{Oglaf}}''.
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Confusion between subversion and aversion.
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** Legend of Luke, Mariel of Redwall, and Mossflower incorporated oarslaves for the pirates. More often than not the heroes will end up killing the ship's crew and freeing the slaves.
** Averted in some later books where the baddies held slaves, but did not use them on the ships.
** Averted in some later books where the baddies held slaves, but did not use them on the ships.
to:
** Legend of Luke, Mariel of Redwall, and Mossflower incorporated oarslaves incorporate oar slaves for the pirates. More often than not the heroes will end up killing the ship's crew and freeing the slaves.
** Averted in some later books where the baddiesheld hold slaves, but did do not use them on the ships.
** Averted in some later books where the baddies
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* Subverted: Actually far less common (though not unknown) in the SwordAndSandal era. Slave galleys were a staple of Renaissance naval warfare when it became normal to put several men on an oar. In Ancient and Medieval times freemen were preferred because rowing one man to an oar required more skill.
to:
* Subverted: Actually Usally averted in the SwordAndSandal era, where it was actually far less common (though not unknown) in the SwordAndSandal era. than is usually believed.
** Slave galleys were a staple of Renaissance naval warfare when it became normal to put several men on an oar. In Ancient and Medieval times freemen were preferred because rowing one man to an oar required more skill.
** Slave galleys were a staple of Renaissance naval warfare when it became normal to put several men on an oar. In Ancient and Medieval times freemen were preferred because rowing one man to an oar required more skill.
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** Carthaginian Navy rowers had living and training requirements similar to a modern athlete. No wonder their Navy was so feared in the Mediterranean.
to:
** The Carthaginian Navy rowers had living and training requirements similar to a modern athlete. No wonder their Navy was so feared in the Mediterranean.
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* Subverted in the Baltic Sea. Both the Swedes and the Russians used [[{{Conscription}} conscripts]] as rowers. They had their weapons (usually short musket and sabre) aside their thwarts. Also, both nations simply didn't practice slavery, and use of forced labor like convicts was deemed impractical for the reasons descripted above. While Russia had a serfdom at that time, which was sometimes hardly distinguishable from slavery, enlistment ''always'' immediately freed a person, and a military service was seen as a prestigious, if taxing occupation.
to:
* Subverted Averted in the Baltic Sea. Both the Swedes and the Russians used [[{{Conscription}} conscripts]] as rowers. They had their weapons (usually short musket and sabre) aside their thwarts. Also, both nations simply didn't practice slavery, and use of forced labor like convicts was deemed impractical for the reasons descripted above. While Russia had a serfdom at that time, which was sometimes hardly distinguishable from slavery, enlistment ''always'' immediately freed a person, and a military service was seen as a prestigious, if taxing occupation.
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Deleted multiple examples for \'\'Redwall\'\' and merged natter into the main example.
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* At least one ''Literature/{{Redwall}}'' book makes use of this.
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* Happens in "The Legend of Luke", one of the Redwall novels.
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* Seen in every ''{{Redwall}}'' book involving pirates in any major capacity. More often than not the heroes will end up killing the ship's crew and freeing the slaves.
** Not all {{Redwall}} books, actually. Legend of Luke, Mariel of Redwall, and Mossflower incorporated oarslaves for the pirates. Some of the baddies, even pirates, in later books held slaves, but did not use them on the ships.
** Not all {{Redwall}} books, actually. Legend of Luke, Mariel of Redwall, and Mossflower incorporated oarslaves for the pirates. Some of the baddies, even pirates, in later books held slaves, but did not use them on the ships.
to:
* Seen in every ''{{Redwall}}'' book involving pirates in any major capacity.''Literature/{{Redwall}}'':
** Legend of Luke, Mariel of Redwall, and Mossflower incorporated oarslaves for the pirates. More often than not the heroes will end up killing the ship's crew and freeing the slaves.
**Not all {{Redwall}} books, actually. Legend of Luke, Mariel of Redwall, and Mossflower incorporated oarslaves for the pirates. Some of the baddies, even pirates, Averted in some later books where the baddies held slaves, but did not use them on the ships.
** Legend of Luke, Mariel of Redwall, and Mossflower incorporated oarslaves for the pirates. More often than not the heroes will end up killing the ship's crew and freeing the slaves.
**
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* The galley was obsolete as a warship already in the end of 16th century, as sailing ships could carry far more cannons. The main reason why they were built after that date was purely penal: Their actual reason for existence was to be floating prisons and forced labour institutions.
* Subverted at Baltic. Both the Swedes and the Russians used [[{{Conscription}} conscripts]] as rowers. They had their weapons (usually short musket and sabre) aside their thwarts. Also, both nations simply didn't practice slavery, and use of forced labor like convicts was deemed impractical for the reasons descripted above. While Russia had a serfdom at that time, which was sometimes hardly distinguishable from slavery, enlistment ''always'' immediately freed a person, and a military service was seen as a prestigious, if taxing occupation.
* Subverted at Baltic. Both the Swedes and the Russians used [[{{Conscription}} conscripts]] as rowers. They had their weapons (usually short musket and sabre) aside their thwarts. Also, both nations simply didn't practice slavery, and use of forced labor like convicts was deemed impractical for the reasons descripted above. While Russia had a serfdom at that time, which was sometimes hardly distinguishable from slavery, enlistment ''always'' immediately freed a person, and a military service was seen as a prestigious, if taxing occupation.
to:
* The galley was obsolete as a deep-water warship already in the end of 16th century, as sailing ships could carry far more cannons. The main reason why they were built after that date was purely penal: Their actual reason for existence was to be floating prisons and forced labour institutions.
institutions. Galleys did see some use until the 19th century in shallow, coastal waters, such as in the Baltic archipelagoes during the wars between Sweden and Russia, but they were not manned by slaves.
* Subvertedat Baltic.in the Baltic Sea. Both the Swedes and the Russians used [[{{Conscription}} conscripts]] as rowers. They had their weapons (usually short musket and sabre) aside their thwarts. Also, both nations simply didn't practice slavery, and use of forced labor like convicts was deemed impractical for the reasons descripted above. While Russia had a serfdom at that time, which was sometimes hardly distinguishable from slavery, enlistment ''always'' immediately freed a person, and a military service was seen as a prestigious, if taxing occupation.
* Subverted
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[[folder: Advertising ]]
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[[folder: Comic Books ]]
* In ''ComicBook/{{Asterix}} At The Olympic Games'', the gauls hire a ship to transport them to Rome only to find the ship they hired is a galley, where they're expected to do the rowing. The ship's captain explains that these are the "deck games and sport" promised. He then confirms that it's usually a slave ship: "You got the better deal, normally rowers are chained and whipped!"
* In ''ComicBook/{{Asterix}} At The Olympic Games'', the gauls hire a ship to transport them to Rome only to find the ship they hired is a galley, where they're expected to do the rowing. The ship's captain explains that these are the "deck games and sport" promised. He then confirms that it's usually a slave ship: "You got the better deal, normally rowers are chained and whipped!"
to:
* ''ComicBook/{{Asterix}}'':
** In
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** And in Asterix the Legionary, the troop Asterix and Obelix signed up in are the rowers (see the RealLife section below). The voyage ends up quite pleasant, driving the captain nuts by countering his orders (heading straight for the pirate ship, for instance). He also tells the drummer to beat faster... only to be told the little Gaul has already requested it.
** And in another story, the drummer thing is subverted when the pirates end up in command of a Roman galley, they ask their (not very) ScaryBlackMan to be the drummer, at which point he pulls off a high-speed drum solo before being replaced with a standard drummer.
** And in another story, the drummer thing is subverted when the pirates end up in command of a Roman galley, they ask their (not very) ScaryBlackMan to be the drummer, at which point he pulls off a high-speed drum solo before being replaced with a standard drummer.
to:
** And in Asterix the Legionary, ''Recap/AsterixTheLegionary'', the troop Asterix and Obelix signed up in are the rowers (see the RealLife section below). The voyage ends up quite pleasant, driving the captain nuts by countering his orders (heading straight for the pirate ship, for instance). He also tells the drummer to beat faster... only to be told the little Gaul has already requested it.
** And in another story, the drummer thing is subverted when the pirates end up in command of a Romangalley, they galley. They ask their (not very) ScaryBlackMan to be the drummer, at which point he pulls off a high-speed drum solo before being replaced with a standard drummer.
** And in another story, the drummer thing is subverted when the pirates end up in command of a Roman
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[[folder: Film ]]
to:
* ''ComicStrip/TheFarSide'':
** Parodied in a cartoon. The sailors are wondering why their ship is going around in circles all the time... which the reader can see is because they put all the big, muscular slaves on one side of the boat, with the other side being crewed entirely by skinny wimps.
** Another featured a galley slave complaining to the whipmaster about getting jabbed with a splinter.
** Yet ''another'' had a slave complain that it was ''his'' turn for the window seat.
** One had the drummer replaced by a bad entertainer on a piano.
[[/folder]]
[[folder:Films -- Live-Action]]
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* ''Film/TheSeaHawk''
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[[folder: Literature ]]
* The Literature/FightingFantasy book ''Master Of Chaos'' begins like this. Unusually, the [[AnAdventurerIsYou hero]] went into slavery ''voluntarily'', as a discreet way of gaining entry to the local WretchedHive.
* Discussed at length in the ''TheToughGuideToFantasyLand''.
* The Literature/FightingFantasy book ''Master Of Chaos'' begins like this. Unusually, the [[AnAdventurerIsYou hero]] went into slavery ''voluntarily'', as a discreet way of gaining entry to the local WretchedHive.
* Discussed at length in the ''TheToughGuideToFantasyLand''.
to:
* The
[[/folder]]
[[folder:Literature]]
* Discussed at length in the
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[[folder: Live Action TV ]]
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[[folder: Music ]]
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[[folder: Newspaper Comics ]]
* Parodied in a ''TheFarSide'' cartoon. The sailors are wondering why their ship is going around in circles all the time... which the reader can see is because they put all the big, muscular slaves on one side of the boat, with the other side being crewed entirely by skinny wimps.
** Another featured a galley slave complaining to the whipmaster about getting jabbed with a splinter.
** Yet ''another'' had a slave complain that it was ''his'' turn for the window seat.
** One had the drummer replaced by a bad entertainer on a piano.
* Parodied in a ''TheFarSide'' cartoon. The sailors are wondering why their ship is going around in circles all the time... which the reader can see is because they put all the big, muscular slaves on one side of the boat, with the other side being crewed entirely by skinny wimps.
** Another featured a galley slave complaining to the whipmaster about getting jabbed with a splinter.
** Yet ''another'' had a slave complain that it was ''his'' turn for the window seat.
** One had the drummer replaced by a bad entertainer on a piano.
to:
*
-->'''Ecclus:''' I've never done this before.\\
'''Hortator:''' Faster, you dogs!\\
'''Bluebottlus:''' He wants us dogs to go faster.\\
'''Hortator:''' Silence, you scum!\\
'''Ecclus:''' He wants us scum to go silent.\\
'''Hortator:''' Or do you want a taste of the
** Another featured a galley slave complaining to the whipmaster about getting jabbed with a splinter.
** Yet ''another''
'''Bluebottlus:''' No, thanks, I've just had
** One had the drummer replaced by a bad entertainer on a piano.
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[[folder: Radio]]
* ''TheGoonShow'' had fun with this in "The Histories of Pliny the Elder".
--> '''Ecclus.''' I've never done this before.
--> '''Hortator.''' Faster, you dogs!
--> '''Bluebottlus.''' He wants us dogs to go faster.
--> '''Hortator.''' Silence, you scum!
--> '''Ecclus.''' He wants us scum to go silent.
--> '''Hortator.''' Or do you want a taste of the lash?!
--> '''Bluebottlus.''' No, thanks, I've just had some cocoa.
* ''TheGoonShow'' had fun with this in "The Histories of Pliny the Elder".
--> '''Ecclus.''' I've never done this before.
--> '''Hortator.''' Faster, you dogs!
--> '''Bluebottlus.''' He wants us dogs to go faster.
--> '''Hortator.''' Silence, you scum!
--> '''Ecclus.''' He wants us scum to go silent.
--> '''Hortator.''' Or do you want a taste of the lash?!
--> '''Bluebottlus.''' No, thanks, I've just had some cocoa.
to:
*
--> '''Ecclus.''' I've never done this before.
--> '''Hortator.''' Faster, you dogs!
--> '''Bluebottlus.''' He wants us dogs to go faster.
--> '''Hortator.''' Silence, you scum!
--> '''Ecclus.''' He wants us scum to go silent.
--> '''Hortator.''' Or do you want a taste
--> '''Bluebottlus.''' No, thanks, I've just had some cocoa.
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[[folder: Tabletop Games ]]
* One of the "bad endings" of the ''[[TabletopGame/TunnelsAndTrolls Tunnels & Trolls]]'' solo adventure ''City of Terror'', has your character end up as galley slave. "You learn to enjoy your life as a galley slave, it's not bad.. But it is HELL, when the captain wants to water-ski."
* One of the "bad endings" of the ''[[TabletopGame/TunnelsAndTrolls Tunnels & Trolls]]'' solo adventure ''City of Terror'', has your character end up as galley slave. "You learn to enjoy your life as a galley slave, it's not bad.. But it is HELL, when the captain wants to water-ski."
to:
*
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[[folder: Theatre ]]
* In ''Theatre/TheDuchessOfMalfi'', Bosola spent some years in the galleys, the last punishment for serious crimes before execution, for murder. This may explain his initial attitude.
* In ''Theatre/TheDuchessOfMalfi'', Bosola spent some years in the galleys, the last punishment for serious crimes before execution, for murder. This may explain his initial attitude.
to:
*
* They aren't seen on-screen, but one NPC in ''[[VideoGame/MountAndBlade Mount & Blade: Warband]]'' will buy prisoners for
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[[folder: Video Games ]]
* Downplayed in ''VideoGame/GoldenSun''. Monsters attack the ship Isaac and his friends are on, and by the time you fight each wave off, one of the (voluntarily employed) rowers has been put out of commission. After each round, you have to pick one of the NPC passengers to press-gang into service as a replacement for the rest of the voyage, whether they like it or not. Choosing the right combination of replacements will actually unbalance the rowers, sending the ship off-course and getting you early access to the BonusDungeon.
* They aren't seen on-screen, but one NPC in [[MountAndBlade Mount and Blade: Warband]] will buy prisoners for this purpose. He pays a flat rate of 50 Denars each, meaning basic units like recruits and bandits will sell for more than other Ransom Brokers will pay, but you get a lot less for high-tier units.
* Downplayed in ''VideoGame/GoldenSun''. Monsters attack the ship Isaac and his friends are on, and by the time you fight each wave off, one of the (voluntarily employed) rowers has been put out of commission. After each round, you have to pick one of the NPC passengers to press-gang into service as a replacement for the rest of the voyage, whether they like it or not. Choosing the right combination of replacements will actually unbalance the rowers, sending the ship off-course and getting you early access to the BonusDungeon.
* They aren't seen on-screen, but one NPC in [[MountAndBlade Mount and Blade: Warband]] will buy prisoners for this purpose. He pays a flat rate of 50 Denars each, meaning basic units like recruits and bandits will sell for more than other Ransom Brokers will pay, but you get a lot less for high-tier units.
to:
*
* They aren't seen on-screen, but one NPC in [[MountAndBlade Mount and Blade: Warband]] will buy prisoners for
-->'''Commander:''' After that, it was easier to just keep it up rather than
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[[folder:Webcomics]]
* ''Webcomic/ManlyGuysDoingManlyThings'': Commander Badass, time traveling super-soldier from the future, tells Jared about a time he and his family/squad were press-ganged into service on board a Viking slave galley. He mentions this off-hand to explain how he finally got his HeroicBuild, [[NoodleIncident and provides no further context]].
-->'''Commander:''' After that, it was easier to just keep it up rather than yo-yo back and forth every time we got captured again.
[[/folder]]
[[folder: Real Life ]]
* ''Webcomic/ManlyGuysDoingManlyThings'': Commander Badass, time traveling super-soldier from the future, tells Jared about a time he and his family/squad were press-ganged into service on board a Viking slave galley. He mentions this off-hand to explain how he finally got his HeroicBuild, [[NoodleIncident and provides no further context]].
-->'''Commander:''' After that, it was easier to just keep it up rather than yo-yo back and forth every time we got captured again.
[[/folder]]
[[folder: Real Life ]]
to:
* ''Webcomic/ManlyGuysDoingManlyThings'': Commander Badass, time traveling super-soldier from the future, tells Jared about a time he and his family/squad were press-ganged into service on board a Viking slave galley. He mentions this off-hand to explain how he finally got his HeroicBuild, [[NoodleIncident and provides no further context]].
-->'''Commander:''' After that, it was easier to just keep it up rather than yo-yo back and forth every time we got captured again.
[[/folder]]
[[folder: Real Life ]]
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Changed line(s) 19,20 (click to see context) from:
In reality, slave galleys were uncommon in the ancient world for various reasons [[note]](see [[Analysis/SlaveGalley analysis page]] for details)[[/note]], making this trope an example of ArtisticLicenseHistory.
to:
In reality, slave galleys were uncommon in the ancient world for various reasons [[note]](see reasons[[note]](see [[Analysis/SlaveGalley analysis page]] for details)[[/note]], making this trope an example of ArtisticLicenseHistory.
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Changed line(s) 19,20 (click to see context) from:
In reality, slave galleys were uncommon in the ancient world for various reasons[[note]](see [[Analysis/SlaveGalley analysis page]] for details)[[/note]], making this trope an example of ArtisticLicenseHistory.
to:
In reality, slave galleys were uncommon in the ancient world for various reasons[[note]](see reasons [[note]](see [[Analysis/SlaveGalley analysis page]] for details)[[/note]], making this trope an example of ArtisticLicenseHistory.
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Changed line(s) 19,20 (click to see context) from:
In reality, slave galleys were uncommon in the ancient world for various reasons[[note]]see [[Analysis/SlaveGalley analysis page]] for details[[/note]], making this trope an example of ArtisticLicenseHistory.
to:
In reality, slave galleys were uncommon in the ancient world for various reasons[[note]]see reasons[[note]](see [[Analysis/SlaveGalley analysis page]] for details[[/note]], details)[[/note]], making this trope an example of ArtisticLicenseHistory.
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Changed line(s) 19,22 (click to see context) from:
In reality, slave galleys were uncommon in the ancient world for various reasons[[note]]see [[Analysis/SlaveGalley analysis page]][[/note]], making this trope an example of ArtisticLicenseHistory.
Compare GladiatorGames, the alternative for a male slave in acient times.
Compare GladiatorGames, the alternative for a male slave in acient times.
to:
In reality, slave galleys were uncommon in the ancient world for various reasons[[note]]see [[Analysis/SlaveGalley analysis page]][[/note]], page]] for details[[/note]], making this trope an example of ArtisticLicenseHistory.
Compare GladiatorGames, the alternative for a male slave inacient ancient times.
Compare GladiatorGames, the alternative for a male slave in
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Changed line(s) 19,20 (click to see context) from:
In reality, slave galleys were uncommon in the ancient world for various reasons[[note]]see information on the [[Analysis/SlaveGalley analysis]] page[[/note]], making this trope an example of ArtisticLicenseHistory.
to:
In reality, slave galleys were uncommon in the ancient world for various reasons[[note]]see information on the [[Analysis/SlaveGalley analysis]] page[[/note]], analysis page]][[/note]], making this trope an example of ArtisticLicenseHistory.
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Trope page merged with Galley Slave in accordance with TSR discussion http://tvtropes.org/pmwiki/posts.php?discussion=1430698235098314700
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A type of ship powered by a large group of oarsmen, in addition to, or in the place of, sails. The standard image is dirty rowers seated two-by-two down either side of a narrow aisle, like an even-more-sadistic school bus, overseers with whips, and a coxswain with a drum beating out a steady rhythm. Showing a character as a galley slave is a quick-and-easy way to depict their suffering, as it combines all the bad parts of being a sailor with all the bad parts of slavery - that is to say, all of it.
Real-life oar-powered ships were in use from the time of the Pharaohs up through the early steam era, in one form or another. The Viking longship and the ancient Greek Triremes are just the best-known examples. All these ship types assigned one rower to one oar, and the oarsmen were ''free'' men that were either paid laborers, drafted recruits, or volunteers. Galleys that relied on multiple rowers per oar and were crewed by slaves did not show up until the Late Middle Ages. This rowing style is actually less efficient than each rower moving his own oar: Its only advantage is, in fact, that it allowed unskilled laborers (which is what slaves and convicts are) to be employed for rowing.
This trope was firmly established by ''Film/BenHur'' despite the movie being a good demonstration of why the ancient Greeks and Romans did not use slaves for galleys: Poorly treated slaves cannot row as fast as professionals, and the ship would be further slowed by the weight of all those chains and whip-wielding overseers. When a ship is in danger of being rammed, the worst thing to do is stop rowing and become a sitting duck, yet that is exactly what the panicky galley slaves do in ''Ben Hur''.
Real-life oar-powered ships were in use from the time of the Pharaohs up through the early steam era, in one form or another. The Viking longship and the ancient Greek Triremes are just the best-known examples. All these ship types assigned one rower to one oar, and the oarsmen were ''free'' men that were either paid laborers, drafted recruits, or volunteers. Galleys that relied on multiple rowers per oar and were crewed by slaves did not show up until the Late Middle Ages. This rowing style is actually less efficient than each rower moving his own oar: Its only advantage is, in fact, that it allowed unskilled laborers (which is what slaves and convicts are) to be employed for rowing.
This trope was firmly established by ''Film/BenHur'' despite the movie being a good demonstration of why the ancient Greeks and Romans did not use slaves for galleys: Poorly treated slaves cannot row as fast as professionals, and the ship would be further slowed by the weight of all those chains and whip-wielding overseers. When a ship is in danger of being rammed, the worst thing to do is stop rowing and become a sitting duck, yet that is exactly what the panicky galley slaves do in ''Ben Hur''.
to:
[[caption-width-right:350:Row, row, row our boat.]]
->''"Pulling the
is the plight of the galley slave\\
Chained to this cold bench, six to the oar\\
Sentenced to an early grave."''
-->-- '''Music/{{Accept}}''', "The Galley"
A staple of the SwordAndSandal and Fantasy genres, [[TropeCodifier firmly established]] by the film ''Film/BenHur''. The
* A coxswain with a drum beating out a steady rhythm
* A brutal first mate with a whip
* Dirty rowers seated two-by-two down either side of a narrow aisle, like an even-more-sadistic school
* A friendly ScaryBlackMan chained next to the hero, who will die heroically for the hero's freedom
Showing a character as a galley slave is a quick-and-easy way to depict their suffering, as it combines all the bad parts of being a sailor with all the bad parts of slavery
Real-life oar-powered ships were in use from the time of the Pharaohs up through the early steam era, in one form or another. The Viking longship and the ancient Greek Triremes are just the best-known examples. All these ship types assigned one rower to one oar, and the oarsmen were ''free'' men that were either paid laborers, drafted recruits, or volunteers. Galleys that relied on multiple rowers per oar and were crewed by slaves did not show up until the Late Middle Ages. This rowing style is actually less efficient than each rower moving his own oar: Its only advantage is, in fact, that it allowed unskilled laborers (which is what slaves and convicts are) to be employed for rowing.
Compare GladiatorGames, the
Changed line(s) 9,10 (click to see context) from:
[[AC:Film]]
* Most depictions in media are direct references to ''Literature/BenHur''; the title character spent a few years on a Roman slave galley.
* Most depictions in media are direct references to ''Literature/BenHur''; the title character spent a few years on a Roman slave galley.
to:
[[foldercontrol]]
[[folder: Advertising ]]
*
[[/folder]]
[[folder: Comic Books ]]
* In ''ComicBook/{{Asterix}} At The Olympic Games'', the gauls hire a ship to transport them to Rome only to find the ship they hired is a galley, where they're expected to do the rowing. The ship's captain explains that these are
** Similarly, the Phoenician merchant who shows up from time to time uses "business associates who didn't read the contract very well".
** And in Asterix the Legionary, the troop Asterix and Obelix signed up in are the rowers (see the RealLife section below). The voyage ends up quite pleasant, driving the captain nuts by countering his orders (heading straight for the pirate ship, for instance). He also tells the drummer to beat faster... only to be told the little Gaul has already requested it.
** And in another story, the drummer thing is subverted when the pirates end up in command of a Roman galley, they ask their (not very) ScaryBlackMan to be the drummer, at which point he pulls off a high-speed drum solo before being replaced with a standard drummer.
* The ''ComicBook/{{Thorgal}}'' volume "The Black Galley": Thorgal gets captured and becomes one of these. There's the drummer (who's a ScaryBlackMan) and the whip-man.
* In ''ComicBook/DeCapeEtDeCrocs'', our heroes are sent to a galley, with the requisite chains, drummers and slave uprising. Amusingly, [[AllDrummersAreAnimals the drummer wouldn't look out of place in a metal band]], and is seen still beating away on his drum ''while on the lifeboat''. Also, due to the RunningGag of referring to every ship as a galley, we get this exchange, as Don Lope and Armand have snuck onto the janissary's ship:
-->'''Don Lope:''' Ola, amigos! We are Christians, like you! We've come to rescue you from the Barbary scum!\\
'''Armand:''' Once again, Don Lope, this is not a galley, but a zebec. A zebec is a sailboat...\\
'''Don Lope:''' So these people in the hold are not galley slaves?\\
'''Armand:''' No!\\
'''Don Lope:''' But Turkish sailors?\\
'''Sailors:''' YES!
* ''ComicBook/TheTriganEmpire''. Trigo is usurped by his niece who, [[EvenEvilHasStandards rather than kill her own relatives]], does this trope instead.
[[/folder]]
[[folder: Film ]]
* ''Film/BenHur'' was the first film [[https://www.youtube.com/watch?v=ax7wcShvrus to popularize this trope.]] The title character spent a few years on a Roman slave
* ''The Crimson Permanent Assurance'', the Creator/MontyPython short at the beginning of ''Film/MontyPythonsTheMeaningOfLife'', has a scene in which the hard-working accountants switch to galley slaves, complete with BONG-BONG-BONG drummer.
* ''Film/ErikTheViking'' also has a slave galley (chasing the heroes' boat). Here the brutal first mate is Japanese (with silly subtitles).
* ''Film/TheSeaHawk''
* In ''Film/TheThreeStooges Meet Hercules'', the boys and the romantic lead end up as these. This eventually causes steering issues.
Changed line(s) 13,15 (click to see context) from:
[[AC:Literature]]
* Uhtred, the lead character from Creator/BernardCornwell's ''Literature/TheSaxonStories'', spent a year or so as a slave in the Dark Ages variant of a slave galley.
to:
[[folder: Literature ]]
* The Literature/FightingFantasy book ''Master Of Chaos'' begins like this. Unusually, the [[AnAdventurerIsYou hero]] went into slavery ''voluntarily'', as a discreet way of gaining entry to the local WretchedHive.
* Discussed at length in the ''TheToughGuideToFantasyLand''.
* Whole chapters of this in ''Literature/TheBaroqueCycle''. This is the [[AuthorFilibuster Baroque]] [[{{Doorstopper}} Cycle]], so 'whole chapters' doesn't mean much.
* In ''Literature/LesMiserables'', the main character is referred to as a galley slave ("galérien"), as was typical at the time, even though by that point the prisoners were no longer allowed to serve as actual galley slaves. However some translations seem to be slightly confused by this and have Valjean as an actual galley slave, as do some of the films. Valjean and those like him were more like enslaved dock workers/manual laborers.
* Uhtred, the
* At least one ''Literature/{{Redwall}}'' book makes use of
Changed line(s) 17,19 (click to see context) from:
* At least one ''Literature/{{Redwall}}'' book makes use of this.
[[AC:Real Life]]
[[AC:Real Life]]
to:
* At least in " the Golden Crown, by Chris Hiemerdinger, the time traveling Harry Hawkins is sold as a slave to Romans and finds himself on a ship heading who-knows-where. lucky for him, pirates burn down the ship( after he grabs the key, and unlocks all the other rowers.)
* Happens in "The Legend of Luke", one''Literature/{{Redwall}}'' of the Redwall novels.
* In the [[Literature/{{Gor}} World of Gor]], one of the few roles a male slave could live and die in. Captain Bosk made it a practice to free slaves of captured vessels, which made them more motivated rowers, and fighters when necessary, out of gratitude and aversion to re-enslavement.
* In Creator/RobertEHoward's ''Literature/TheHourOfTheDragon'', ConanTheBarbarian is kidnapped and taken aboard a ship with galley slaves. He turns the tables on his captors, however, when he notices some old comrades among the galley slaves and convinces them to mutiny.
** It happened [[AnarchicOrder again/beforehand]] in the ''City of Skulls'', where he escapes with his friend [[ScaryBlackMan Juma]] by breaking off part of an oar and beating his slavers to death with them.
* Played with in ''[[Literature/AsianSaga Shogun]]''. When Blackthorne sees the galley that will transport him to the capital, he panics thinking its a slave ship and is willing to die in order not to be a galley slave. It is revealed that the rowers were all full samurai doing their duty rather than slaves.
* In ''Literature/TheLongShips'', protagonist Orm and his companions are captured in Spain while on a viking trip, and spend two years as galley slaves.
* ''Master of Whitestorm'' begins with the titular character and his slaves working the same oar of a Mhurgai ship.
* Seen in every ''{{Redwall}}'' bookmakes involving pirates in any major capacity. More often than not the heroes will end up killing the ship's crew and freeing the slaves.
** Not all {{Redwall}} books, actually. Legend of Luke, Mariel of Redwall, and Mossflower incorporated oarslaves for the pirates. Some of the baddies, even pirates, in later books held slaves, but did not use them on the ships.
* In ''Literature/TheSeaHawk'', this happens to the hero [[spoiler: when he is betrayed by his younger brother.]] He later returns the favor to said betrayer.
* ''[[Literature/TimeMachineSeries The Mystery ofthis.
[[AC:Real Life]]Atlantis]]'': the hero can end up as a galley slave at one point. Being a time-traveller, he simply time travels out of there while everyone are hanging their heads down out of fatigue.
* ''Outcast'', Creator/RosemarySutcliff's second and worst-researched Roman novel, has its protagonist Beric arrested and sentenced to row a Roman army transport galley on the Rhine. His oarmate is a dreamy artist with an IncurableCoughOfDeath, leaving Beric in the role of barbarian best friend.
* In the Sevenwaters book Son of the Shadows by Juliet Marillier, one of the Painted Man's men had this as his backstory - captured by Vikings as a way to supplement their losses, freed by the Painted Man who asked the chained slaves to row them to Ulster, after which they could either go free with a bit of gold or stay with him.
* A. Merritt's ''The Ship of Ishtar'' is crewed by Galley Slaves in the ''alla scaloccio'' type arrangement, with two guys on each oar. AdventurerArchaeologist John Kenton, having been magically transported onto the ship from the 1920s, is MadeASlave and put to work there. His rowing partner is a big warm-hearted Viking called Sigurd. When John takes a whipping meant for Sigurd, Sigurd swears [[BloodBrothers Blood Brothership]] with him. Far from dying for him, Sigurd helps John and two other allies plan and execute a mutiny.
[[/folder]]
[[folder: Live Action TV ]]
* In the early ''Series/DoctorWho'' serial ''The Romans'', the heroes are separated while visiting Nero's Rome, and Ian ends up enslaved and working a galley.
* In Frankie Howerd's ''Series/UpPompeii'', the main character has a HaveWeMet? moment with another slave. He doesn't recognize the other guy at first, and the other guy only realizes when he sees the back of his head. He sat behind him in the galley, so that's all he saw of him for all those years, but he would recognize the back of that bonce ''anywhere'' after that.
[[/folder]]
[[folder: Music ]]
* HeatherAlexander's song "Yo Ho" is about being kidnapped and put to work as a galley. It's not a very happy song.
* The closing song of Music/{{Accept}}'s ''Stalingrad'' album is "The Galley", a lenghty song about the hopelessness of being a galley slave.
[[/folder]]
[[folder: Newspaper Comics ]]
* Parodied in a ''TheFarSide'' cartoon. The sailors are wondering why their ship is going around in circles all the time... which the reader can see is because they put all the big, muscular slaves on one side of the boat, with the other side being crewed entirely by skinny wimps.
** Another featured a galley slave complaining to the whipmaster about getting jabbed with a splinter.
** Yet ''another'' had a slave complain that it was ''his'' turn for the window seat.
** One had the drummer replaced by a bad entertainer on a piano.
[[/folder]]
[[folder: Radio]]
* ''TheGoonShow'' had fun with this in "The Histories of Pliny the Elder".
--> '''Ecclus.''' I've never done this before.
--> '''Hortator.''' Faster, you dogs!
--> '''Bluebottlus.''' He wants us dogs to go faster.
--> '''Hortator.''' Silence, you scum!
--> '''Ecclus.''' He wants us scum to go silent.
--> '''Hortator.''' Or do you want a taste of the lash?!
--> '''Bluebottlus.''' No, thanks, I've just had some cocoa.
[[/folder]]
[[folder: Tabletop Games ]]
* One of the "bad endings" of the ''[[TabletopGame/TunnelsAndTrolls Tunnels & Trolls]]'' solo adventure ''City of Terror'', has your character end up as galley slave. "You learn to enjoy your life as a galley slave, it's not bad.. But it is HELL, when the captain wants to water-ski."
[[/folder]]
[[folder: Theatre ]]
* In ''Theatre/TheDuchessOfMalfi'', Bosola spent some years in the galleys, the last punishment for serious crimes before execution, for murder. This may explain his initial attitude.
[[/folder]]
[[folder: Video Games ]]
* Downplayed in ''VideoGame/GoldenSun''. Monsters attack the ship Isaac and his friends are on, and by the time you fight each wave off, one of the (voluntarily employed) rowers has been put out of commission. After each round, you have to pick one of the NPC passengers to press-gang into service as a replacement for the rest of the voyage, whether they like it or not. Choosing the right combination of replacements will actually unbalance the rowers, sending the ship off-course and getting you early access to the BonusDungeon.
* They aren't seen on-screen, but one NPC in [[MountAndBlade Mount and Blade: Warband]] will buy prisoners for this purpose. He pays a flat rate of 50 Denars each, meaning basic units like recruits and bandits will sell for more than other Ransom Brokers will pay, but you get a lot less for high-tier units.
[[/folder]]
[[folder:Webcomics]]
* ''Webcomic/ManlyGuysDoingManlyThings'': Commander Badass, time traveling super-soldier from the future, tells Jared about a time he and his family/squad were press-ganged into service on board a Viking slave galley. He mentions this off-hand to explain how he finally got his HeroicBuild, [[NoodleIncident and provides no further context]].
-->'''Commander:''' After that, it was easier to just keep it up rather than yo-yo back and forth every time we got captured again.
[[/folder]]
[[folder: Real Life ]]
* Subverted: Actually far less common (though not unknown) in the SwordAndSandal era. Slave galleys were a staple of Renaissance naval warfare when it became normal to put several men on an oar. In Ancient and Medieval times freemen were preferred because rowing one man to an oar required more skill.
** The [[AncientRome Roman Army's]] [[TheGloryThatWasRome Naval Service]] only wanted free men, who were paid well, well trained, and highly motivated by the chance of citizenship at the end of their tenure. Since ramming and boarding actions were a staple of ancient sea combat, you'd need fast ships crewed by professionals willing to do their best. As a further reason, if the ship was boarded, a crew of angry and armed free men rowers was a far better second line of defense than chained, unhappy slaves.
** Being a Galley Rower was also a prestigious [[AncientGreece Athenian Navy]] position, for similar reasons as their Roman counterparts. It is true that the rowers were ''thetes''--the lower class of Athenian citizen[[note]]Athens had four classes of citizen: ''Thetes'', the working classes; ''zeugitae'', the middle classes who had enough wealth to purchase their own armor and weapons; ''hippeis'', or "knights", meaning people rich enough to maintain a horse and served as cavalry; and "five hundred bushel men", whose income of 500 bushels of grain (or equivalent) per year made them impossibly wealthy. While the Constitution of Solon originally included some political and legal inequalities, these were mostly eliminated in the time of Pericles.[[/note]]--this was purely economic; the ''thetes'' were the most numerous citizens, as well as the only ones who couldn't afford the weapons needed to fight on land.[[note]]With few exceptions, the soldiers in the armies of Greek city-states paid for their own equipment, while the state would pay for provisions while on campaign.[[/note]] Athens recognized the importance of its navy to its defense (calling them, famously, the "wooden walls") and later their importance to the [[HegemonicEmpire Athenian Empire]], and honored the rowers accordingly. The ''thetes'' also tended to be most favorable towards going to war, because being a galley rower was a better-paying and much more prestigious job than was available to them in peacetime.
** Carthaginian Navy rowers had living and training requirements similar to a modern athlete. No wonder their Navy was so feared in the Mediterranean.
* Played straight in the Renaissance when the chief tactic was to mount as many cannon (no more than five) as could be fitted onto the bow, gain a positional advantage, and sweep the opposing deck with [[MoreDakka shot]] before boarding. This required less delicacy than ramming and the rowing methods of the time meant that the chief desire was having more [[WeHaveReserves reserves]].
* Happens in "The Legend of Luke", one
* In the [[Literature/{{Gor}} World of Gor]], one of the few roles a male slave could live and die in. Captain Bosk made it a practice to free slaves of captured vessels, which made them more motivated rowers, and fighters when necessary, out of gratitude and aversion to re-enslavement.
* In Creator/RobertEHoward's ''Literature/TheHourOfTheDragon'', ConanTheBarbarian is kidnapped and taken aboard a ship with galley slaves. He turns the tables on his captors, however, when he notices some old comrades among the galley slaves and convinces them to mutiny.
** It happened [[AnarchicOrder again/beforehand]] in the ''City of Skulls'', where he escapes with his friend [[ScaryBlackMan Juma]] by breaking off part of an oar and beating his slavers to death with them.
* Played with in ''[[Literature/AsianSaga Shogun]]''. When Blackthorne sees the galley that will transport him to the capital, he panics thinking its a slave ship and is willing to die in order not to be a galley slave. It is revealed that the rowers were all full samurai doing their duty rather than slaves.
* In ''Literature/TheLongShips'', protagonist Orm and his companions are captured in Spain while on a viking trip, and spend two years as galley slaves.
* ''Master of Whitestorm'' begins with the titular character and his slaves working the same oar of a Mhurgai ship.
* Seen in every ''{{Redwall}}'' book
** Not all {{Redwall}} books, actually. Legend of Luke, Mariel of Redwall, and Mossflower incorporated oarslaves for the pirates. Some of the baddies, even pirates, in later books held slaves, but did not use them on the ships.
* In ''Literature/TheSeaHawk'', this happens to the hero [[spoiler: when he is betrayed by his younger brother.]] He later returns the favor to said betrayer.
* ''[[Literature/TimeMachineSeries The Mystery of
[[AC:Real Life]]
* ''Outcast'', Creator/RosemarySutcliff's second and worst-researched Roman novel, has its protagonist Beric arrested and sentenced to row a Roman army transport galley on the Rhine. His oarmate is a dreamy artist with an IncurableCoughOfDeath, leaving Beric in the role of barbarian best friend.
* In the Sevenwaters book Son of the Shadows by Juliet Marillier, one of the Painted Man's men had this as his backstory - captured by Vikings as a way to supplement their losses, freed by the Painted Man who asked the chained slaves to row them to Ulster, after which they could either go free with a bit of gold or stay with him.
* A. Merritt's ''The Ship of Ishtar'' is crewed by Galley Slaves in the ''alla scaloccio'' type arrangement, with two guys on each oar. AdventurerArchaeologist John Kenton, having been magically transported onto the ship from the 1920s, is MadeASlave and put to work there. His rowing partner is a big warm-hearted Viking called Sigurd. When John takes a whipping meant for Sigurd, Sigurd swears [[BloodBrothers Blood Brothership]] with him. Far from dying for him, Sigurd helps John and two other allies plan and execute a mutiny.
[[/folder]]
[[folder: Live Action TV ]]
* In the early ''Series/DoctorWho'' serial ''The Romans'', the heroes are separated while visiting Nero's Rome, and Ian ends up enslaved and working a galley.
* In Frankie Howerd's ''Series/UpPompeii'', the main character has a HaveWeMet? moment with another slave. He doesn't recognize the other guy at first, and the other guy only realizes when he sees the back of his head. He sat behind him in the galley, so that's all he saw of him for all those years, but he would recognize the back of that bonce ''anywhere'' after that.
[[/folder]]
[[folder: Music ]]
* HeatherAlexander's song "Yo Ho" is about being kidnapped and put to work as a galley. It's not a very happy song.
* The closing song of Music/{{Accept}}'s ''Stalingrad'' album is "The Galley", a lenghty song about the hopelessness of being a galley slave.
[[/folder]]
[[folder: Newspaper Comics ]]
* Parodied in a ''TheFarSide'' cartoon. The sailors are wondering why their ship is going around in circles all the time... which the reader can see is because they put all the big, muscular slaves on one side of the boat, with the other side being crewed entirely by skinny wimps.
** Another featured a galley slave complaining to the whipmaster about getting jabbed with a splinter.
** Yet ''another'' had a slave complain that it was ''his'' turn for the window seat.
** One had the drummer replaced by a bad entertainer on a piano.
[[/folder]]
[[folder: Radio]]
* ''TheGoonShow'' had fun with this in "The Histories of Pliny the Elder".
--> '''Ecclus.''' I've never done this before.
--> '''Hortator.''' Faster, you dogs!
--> '''Bluebottlus.''' He wants us dogs to go faster.
--> '''Hortator.''' Silence, you scum!
--> '''Ecclus.''' He wants us scum to go silent.
--> '''Hortator.''' Or do you want a taste of the lash?!
--> '''Bluebottlus.''' No, thanks, I've just had some cocoa.
[[/folder]]
[[folder: Tabletop Games ]]
* One of the "bad endings" of the ''[[TabletopGame/TunnelsAndTrolls Tunnels & Trolls]]'' solo adventure ''City of Terror'', has your character end up as galley slave. "You learn to enjoy your life as a galley slave, it's not bad.. But it is HELL, when the captain wants to water-ski."
[[/folder]]
[[folder: Theatre ]]
* In ''Theatre/TheDuchessOfMalfi'', Bosola spent some years in the galleys, the last punishment for serious crimes before execution, for murder. This may explain his initial attitude.
[[/folder]]
[[folder: Video Games ]]
* Downplayed in ''VideoGame/GoldenSun''. Monsters attack the ship Isaac and his friends are on, and by the time you fight each wave off, one of the (voluntarily employed) rowers has been put out of commission. After each round, you have to pick one of the NPC passengers to press-gang into service as a replacement for the rest of the voyage, whether they like it or not. Choosing the right combination of replacements will actually unbalance the rowers, sending the ship off-course and getting you early access to the BonusDungeon.
* They aren't seen on-screen, but one NPC in [[MountAndBlade Mount and Blade: Warband]] will buy prisoners for this purpose. He pays a flat rate of 50 Denars each, meaning basic units like recruits and bandits will sell for more than other Ransom Brokers will pay, but you get a lot less for high-tier units.
[[/folder]]
[[folder:Webcomics]]
* ''Webcomic/ManlyGuysDoingManlyThings'': Commander Badass, time traveling super-soldier from the future, tells Jared about a time he and his family/squad were press-ganged into service on board a Viking slave galley. He mentions this off-hand to explain how he finally got his HeroicBuild, [[NoodleIncident and provides no further context]].
-->'''Commander:''' After that, it was easier to just keep it up rather than yo-yo back and forth every time we got captured again.
[[/folder]]
[[folder: Real Life ]]
* Subverted: Actually far less common (though not unknown) in the SwordAndSandal era. Slave galleys were a staple of Renaissance naval warfare when it became normal to put several men on an oar. In Ancient and Medieval times freemen were preferred because rowing one man to an oar required more skill.
** The [[AncientRome Roman Army's]] [[TheGloryThatWasRome Naval Service]] only wanted free men, who were paid well, well trained, and highly motivated by the chance of citizenship at the end of their tenure. Since ramming and boarding actions were a staple of ancient sea combat, you'd need fast ships crewed by professionals willing to do their best. As a further reason, if the ship was boarded, a crew of angry and armed free men rowers was a far better second line of defense than chained, unhappy slaves.
** Being a Galley Rower was also a prestigious [[AncientGreece Athenian Navy]] position, for similar reasons as their Roman counterparts. It is true that the rowers were ''thetes''--the lower class of Athenian citizen[[note]]Athens had four classes of citizen: ''Thetes'', the working classes; ''zeugitae'', the middle classes who had enough wealth to purchase their own armor and weapons; ''hippeis'', or "knights", meaning people rich enough to maintain a horse and served as cavalry; and "five hundred bushel men", whose income of 500 bushels of grain (or equivalent) per year made them impossibly wealthy. While the Constitution of Solon originally included some political and legal inequalities, these were mostly eliminated in the time of Pericles.[[/note]]--this was purely economic; the ''thetes'' were the most numerous citizens, as well as the only ones who couldn't afford the weapons needed to fight on land.[[note]]With few exceptions, the soldiers in the armies of Greek city-states paid for their own equipment, while the state would pay for provisions while on campaign.[[/note]] Athens recognized the importance of its navy to its defense (calling them, famously, the "wooden walls") and later their importance to the [[HegemonicEmpire Athenian Empire]], and honored the rowers accordingly. The ''thetes'' also tended to be most favorable towards going to war, because being a galley rower was a better-paying and much more prestigious job than was available to them in peacetime.
** Carthaginian Navy rowers had living and training requirements similar to a modern athlete. No wonder their Navy was so feared in the Mediterranean.
* Played straight in the Renaissance when the chief tactic was to mount as many cannon (no more than five) as could be fitted onto the bow, gain a positional advantage, and sweep the opposing deck with [[MoreDakka shot]] before boarding. This required less delicacy than ramming and the rowing methods of the time meant that the chief desire was having more [[WeHaveReserves reserves]].
Changed line(s) 21 (click to see context) from:
----
to:
* Subverted at Baltic. Both the Swedes and the Russians used [[{{Conscription}} conscripts]] as rowers. They had their weapons (usually short musket and sabre) aside their thwarts. Also, both nations simply didn't practice slavery, and use of forced labor like convicts was deemed impractical for the reasons descripted above. While Russia had a serfdom at that time, which was sometimes hardly distinguishable from slavery, enlistment ''always'' immediately freed a person, and a military service was seen as a prestigious, if taxing occupation.
[[/folder]]
----
[[/folder]]
----
Is there an issue? Send a MessageReason:
That\'s kind of inherent in the trope.
Changed line(s) 15 (click to see context) from:
* Uhtred, the lead character from Creator/BernardCornwell's ''Literature/TheSaxonStories'', spent a year or so as a slave in the Dark Ages variant of a slave galley. He didn't enjoy it.
to:
* Uhtred, the lead character from Creator/BernardCornwell's ''Literature/TheSaxonStories'', spent a year or so as a slave in the Dark Ages variant of a slave galley. He didn't enjoy it.
Is there an issue? Send a MessageReason:
Moving stuff from the Real Life section to the description, media categories, \"Basically\" is basically nothing but annoying Word Cruft.
Changed line(s) 3,4 (click to see context) from:
Real-life oar-powered ships were in use from the time of the Pharaohs up through the early steam era, in one form or another. The Viking longship and the ancient Greek Triremes are just the best-known examples. All these ship types assigned one rower to one oar, and the oarsmen were ''free'' men that were either paid laborers, drafted recruits, or volunteers. Galleys that relied on multiple rowers per oar and were crewed by slaves did not show up until the Late Middle Ages.
to:
Real-life oar-powered ships were in use from the time of the Pharaohs up through the early steam era, in one form or another. The Viking longship and the ancient Greek Triremes are just the best-known examples. All these ship types assigned one rower to one oar, and the oarsmen were ''free'' men that were either paid laborers, drafted recruits, or volunteers. Galleys that relied on multiple rowers per oar and were crewed by slaves did not show up until the Late Middle Ages.
Ages. This rowing style is actually less efficient than each rower moving his own oar: Its only advantage is, in fact, that it allowed unskilled laborers (which is what slaves and convicts are) to be employed for rowing.
[[AC:Film]]
[[AC:Literature]]
Changed line(s) 16,20 (click to see context) from:
!!RealLife:
* Servile Galleys actually did come into fashion in TheLateMiddleAges (at the earliest). By that time rowing methods that allowed only one trained man to an oar with a large team of backup had been developed.
** This style is known as ''alla scaloccio'' and it is actually ''less'' efficient than ''alla sensile'' style, where each rower has his own oar. The only advantage of ''alla scaloccio'' style is that it allows unskilled labour to be employed as rowers.
* The galley was obsolete as a warship already in the end of 16th century as sailing ships could carry far more cannons. The main reason why they were built after that date was purely penal: they were basically nothing but floating forced labour institutions - man-made hells to intimidate the heretics and would-be criminals.
* Servile Galleys actually did come into fashion in TheLateMiddleAges (at the earliest). By that time rowing methods that allowed only one trained man to an oar with a large team of backup had been developed.
** This style is known as ''alla scaloccio'' and it is actually ''less'' efficient than ''alla sensile'' style, where each rower has his own oar. The only advantage of ''alla scaloccio'' style is that it allows unskilled labour to be employed as rowers.
* The galley was obsolete as a warship already in the end of 16th century as sailing ships could carry far more cannons. The main reason why they were built after that date was purely penal: they were basically nothing but floating forced labour institutions - man-made hells to intimidate the heretics and would-be criminals.
to:
* Servile Galleys actually did come into fashion in TheLateMiddleAges (at the earliest). By that time rowing methods that allowed only one trained man to an oar with a large team of backup had been developed.
** This style is known as ''alla scaloccio'' and it is actually ''less'' efficient than ''alla sensile'' style, where each rower has his own oar. The only advantage of ''alla scaloccio'' style is that it allows unskilled labour to be employed as rowers.
* The galley was obsolete as a warship already in the end of 16th
Is there an issue? Send a MessageReason:
Taking out unnecessary information. Wikipedia backs up the Late Middle Ages as the time when slave galleys appeared.
Changed line(s) 3,5 (click to see context) from:
Real-life oar-powered ships were in use from the time of the Pharaohs up through the early steam era, in one form or another. The Viking longship and the ancient Greek Triremes are the best-known examples, but the Triremes had three rows of oars stacked above each other (''alla sensile''), and the oarsmen were highly-skilled free men. Later designs that relied on multiple men per oar (''alla scaloccio''), instead of multiple rows of oars, were crewed by slave labor, but they didn't show up until Renaissance times.
This trope was firmly established by ''Film/BenHur'' despite the movie being a good demonstration of why the ancient Greeks and Romans did not use slaves for war galleys: Poorly treated slaves cannot row as fast as professionals, and the ship would be further slowed by the weight of all those chains and whip-wielding overseers. When a ship is in danger of being rammed, the worst thing to do is stop rowing and become a sitting duck, yet that is exactly what the panicky galley slaves do in ''Ben Hur''.
This trope was firmly established by ''Film/BenHur'' despite the movie being a good demonstration of why the ancient Greeks and Romans did not use slaves for war galleys: Poorly treated slaves cannot row as fast as professionals, and the ship would be further slowed by the weight of all those chains and whip-wielding overseers. When a ship is in danger of being rammed, the worst thing to do is stop rowing and become a sitting duck, yet that is exactly what the panicky galley slaves do in ''Ben Hur''.
to:
Real-life oar-powered ships were in use from the time of the Pharaohs up through the early steam era, in one form or another. The Viking longship and the ancient Greek Triremes are just the best-known examples, but the Triremes had three rows of oars stacked above each other (''alla sensile''), examples. All these ship types assigned one rower to one oar, and the oarsmen were highly-skilled free men. Later designs ''free'' men that were either paid laborers, drafted recruits, or volunteers. Galleys that relied on multiple men rowers per oar (''alla scaloccio''), instead of multiple rows of oars, and were crewed by slave labor, but they didn't slaves did not show up until Renaissance times.
the Late Middle Ages.
This trope was firmly established by ''Film/BenHur'' despite the movie being a good demonstration of why the ancient Greeks and Romans did not use slaves forwar galleys: Poorly treated slaves cannot row as fast as professionals, and the ship would be further slowed by the weight of all those chains and whip-wielding overseers. When a ship is in danger of being rammed, the worst thing to do is stop rowing and become a sitting duck, yet that is exactly what the panicky galley slaves do in ''Ben Hur''.
This trope was firmly established by ''Film/BenHur'' despite the movie being a good demonstration of why the ancient Greeks and Romans did not use slaves for
Is there an issue? Send a MessageReason:
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This trope was firmly established by "Ben Hur" despite the movie being a good demonstration of why the ancient Greeks and Romans didn't use slaves for war galleys! Poorly treated slaves can't row as fast as professionals, and the ship would be further slowed by the weight of all those chains and whip-wielding overseers. When a ship is in danger of being rammed, the worst thing to do is stop rowing and become a sitting duck, yet that is exactly what the panicky galley slaves do in "Ben Hur", thus converting the threat of being rammed into a certainty.
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This trope was firmly established by "Ben Hur" ''Film/BenHur'' despite the movie being a good demonstration of why the ancient Greeks and Romans didn't did not use slaves for war galleys! galleys: Poorly treated slaves can't cannot row as fast as professionals, and the ship would be further slowed by the weight of all those chains and whip-wielding overseers. When a ship is in danger of being rammed, the worst thing to do is stop rowing and become a sitting duck, yet that is exactly what the panicky galley slaves do in "Ben Hur", thus converting the threat of being rammed into a certainty.''Ben Hur''.
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* The undead crew of the Black Pearl in ''PiratesOfTheCaribbean'' used galley oars for a speed advantage. Since the crew were immortal zombies, they could conceivably push to flank speed for hours at a stretch, and still be ready to fight when they caught their prey.
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* The undead crew of the Black Pearl in ''PiratesOfTheCaribbean'' ''Film/PiratesOfTheCaribbean'' used galley oars for a speed advantage. Since the crew were immortal zombies, they could conceivably push to flank speed for hours at a stretch, and still be ready to fight when they caught their prey.
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* At least one Literature/{{Redwall}} book makes use of this.
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* At least one Literature/{{Redwall}} ''Literature/{{Redwall}}'' book makes use of this.
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* Subverted at Baltic, where both Swedes and Russians used [[{{conscription}} conscripts]] as rowers. The advantage of using conscripted labour as rowers was that they did not need to be paid and they could carry weapons aside their thwarts.
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Real-life oar-powered ships were in use from the time of the Pharaohs up through the early steam era, in one form or another. The Viking longship and the ancient Greek Triremes are the best-known examples, but the Triremes had three rows of oars stacked above each other, and the oarsmen were highly-skilled free men. Later designs that relied on multiple men per oar, instead of multiple rows of oars, were crewed by slave labor, but they didn't show up until Renaissance times.
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Real-life oar-powered ships were in use from the time of the Pharaohs up through the early steam era, in one form or another. The Viking longship and the ancient Greek Triremes are the best-known examples, but the Triremes had three rows of oars stacked above each other, other (''alla sensile''), and the oarsmen were highly-skilled free men. Later designs that relied on multiple men per oar, oar (''alla scaloccio''), instead of multiple rows of oars, were crewed by slave labor, but they didn't show up until Renaissance times.
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* The galley was obsolete as a warship already in the end of 16th century as sailing ships could carry far more cannons. The main reason why they were built after that date was purely penal: they were basically nothing but floating forced labour institutions.
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* The galley was obsolete as a warship already in the end of 16th century as sailing ships could carry far more cannons. The main reason why they were built after that date was purely penal: they were basically nothing but floating forced labour institutions.institutions - man-made hells to intimidate the heretics and would-be criminals.
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* The galley was obsolete as a warship already in the end of 16th century as sailing ships could carry far more cannons. The main reason why they were built after that date was purely penal: they were basically nothing but floating forced labour institutions.
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* Subverted at Baltic, where both Swedes and Russians used [[conscription conscripts]] as rowers. The advantage of using conscripted labour as rowers was that they did not need to be paid and they could carry weapons aside their thwarts.
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* Subverted at Baltic, where both Swedes and Russians used [[conscription [[{{conscription}} conscripts]] as rowers. The advantage of using conscripted labour as rowers was that they did not need to be paid and they could carry weapons aside their thwarts.
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** This style is known as ''alla scaloccio'' and it is actually ''less'' efficient than ''alla sensile'' style, where each rower has his own oar. The only advantage of ''alla scaloccio'' style is that it allows unskilled labour to be employed as rowers.
* Subverted at Baltic, where both Swedes and Russians used [[conscription conscripts]] as rowers. The advantage of using conscripted labour as rowers was that they did not need to be paid and they could carry weapons aside their thwarts.
* Subverted at Baltic, where both Swedes and Russians used [[conscription conscripts]] as rowers. The advantage of using conscripted labour as rowers was that they did not need to be paid and they could carry weapons aside their thwarts.
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* Servile Galleys actually did come into fashion in the late middle ages(at the earliest). By that time rowing methods that allowed only one trained man to an oar with a large team of backup had been developed.
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* Servile Galleys actually did come into fashion in the late middle ages(at TheLateMiddleAges (at the earliest). By that time rowing methods that allowed only one trained man to an oar with a large team of backup had been developed.
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* Uhtred, the lead character from Bernard Cornwell's ''[[Literature/TheSaxonStories]]'', spent a year or so as a slave in the Dark Ages variant of a slave galley. He didn't enjoy it.
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* Uhtred, the lead character from Bernard Cornwell's ''[[Literature/TheSaxonStories]]'', Creator/BernardCornwell's ''Literature/TheSaxonStories'', spent a year or so as a slave in the Dark Ages variant of a slave galley. He didn't enjoy it.
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* Uhtred, the lead character from Bernard Cornwell's ''Saxon Chronicles'', spent a year or so as a slave in the Dark Ages variant of a slave galley. He didn't enjoy it.
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* Uhtred, the lead character from Bernard Cornwell's ''Saxon Chronicles'', ''[[Literature/TheSaxonStories]]'', spent a year or so as a slave in the Dark Ages variant of a slave galley. He didn't enjoy it.
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* Most depictions in media are direct references to ''BenHur''; the title character spent a few years on a Roman slave galley.
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* Most depictions in media are direct references to ''BenHur''; ''Literature/BenHur''; the title character spent a few years on a Roman slave galley.
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* Cazaril's backstory in Creator/LoisMcMasterBujoldBujold's ''[[Literature/{{Chalion The Curse of Chalion]]'' is revealed to contain two life-changing experiences/epiphanies during his 19 months as a rower on a Slave Galley (three if you cound the circumstances of him ending up on there to begin with).
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* Cazaril's backstory in Creator/LoisMcMasterBujoldBujold's ''[[Literature/{{Chalion Creator/LoisMcMasterBujold's ''[[Literature/{{Chalion}} The Curse of Chalion]]'' is revealed to contain two life-changing experiences/epiphanies during his 19 months as a rower on a Slave Galley (three if you cound the circumstances of him ending up on there to begin with).
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* Cazaril's backstory in [[LoisMcMasterBujold Bujold's]] ''The Curse of Chalion'' is revealed to contain two life-changing experiences/epiphanies during his 19 months as a rower on a Slave Galley (three if you cound the circumstances of him ending up on there to begin with).
* At least one [[Redwall]] book makes use of this.
* At least one [[Redwall]] book makes use of this.
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* Cazaril's backstory in [[LoisMcMasterBujold Bujold's]] ''The Creator/LoisMcMasterBujoldBujold's ''[[Literature/{{Chalion The Curse of Chalion'' Chalion]]'' is revealed to contain two life-changing experiences/epiphanies during his 19 months as a rower on a Slave Galley (three if you cound the circumstances of him ending up on there to begin with).
* At least one[[Redwall]] Literature/{{Redwall}} book makes use of this.
* At least one
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* The Smokers from ''{{Waterworld}}'' showed off their cruelty by forcing their crew to move their flagship - a supertanker - by muscle power. This is spectacularly stupid since the supertanker weighs 30,000 tons even before loading any cargo, but ScifiWritersHaveNoSenseOfScale.
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* The Smokers from ''{{Waterworld}}'' ''Film/{{Waterworld}}'' showed off their cruelty by forcing their crew to move their flagship - a supertanker - by muscle power. This is spectacularly stupid since the supertanker weighs 30,000 tons even before loading any cargo, but ScifiWritersHaveNoSenseOfScale.
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<<|AppliedPhlebotinum|>>
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<<|AppliedPhlebotinum|>>
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* At least one [[Redwall]] book makes use of this.