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* HIM from ''WesternAnimation/ThePowerpuffGirls1998'' switches from sugar-sweet effeminate giggling to a very deep, menacing voice in very sudden and unpredictable ways.

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* HIM The devil-like supervillain Him from ''WesternAnimation/ThePowerpuffGirls1998'' switches from sugar-sweet effeminate giggling to a very deep, menacing voice in very sudden and unpredictable ways.
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* In ''VideoGame/Fallout1'', the Master suffered from an extreme exposure to the FEV virus, and ended up being reduced to just a sentient blob of flesh that somehow managed to fuse himself with the machinery in his hideout. When you finally meet him, his speech is constantly alternating between a normal male voice, a male computerized voice, and a female computerized voice.

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* In ''VideoGame/Fallout1'', the Master suffered from an extreme exposure to the FEV virus, and ended up being reduced to just a sentient blob of flesh that somehow managed to fuse himself with the machinery in his hideout. When you finally meet him, his speech is constantly alternating between a normal male voice, a male computerized voice, and a female computerized voice. There is some method to the voices: his normal voice is used to deliver information, the male computer voice is used for negative ideas, and the female computer voice is used for positive ideas.
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* [[SatanicArchetype The Red Guy]] from ''WesternAnimation/CowAndChicken'' is always in a constant shift of moods and changes his voice accordingly, going from faux-sweet and fluffy whispers to sudden shouts of mania, all to keep them in their toes.
* ComicBook/TheJoker from, [[WesternAnimation/BatmanTheAnimatedSeries well, you know]], became very famous for this during his series, and his [[WesternAnimation/JusticeLeague later showings]]. He simply can't hold a single emotion for a moment, and it goes from fake amicability to shouts of rage. Other Jokers from other animated series have shown similar styles, but they all follow Creator/MarkHamill's perfect performance.
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* Maximillian Roivas' autopsy reports of the various aberrations in ''VideoGame/EternalDarkness'' start out sane with the Zombies, but the more insidious the creature, the more out of tune with the natural order it is, the more crazed and unhinged he stands to sound, ''especially'' with those creatures commanded by Xel'lotath. Doesn't help that his entire chapter in the game involves him not only facing these horrors, but literally (in-narrative ''and'' in-gameplay) losing his mind.
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Talking To Himself is dewicked


* Throughout Music/{{Eminem}}'s music, he [[TalkingToHimself uses a lot of different voice tones]], usually to represent different characters commenting on the story or highlight a particular passage, but (considering Eminem's notorious mental health problems both in [[KayfabeMusic kayfabe]] and [[CreatorBreakdown out]]) it ended up giving the impression that he was just crazy - which he then ran with.

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* Throughout Music/{{Eminem}}'s music, he [[TalkingToHimself [[ActingForTwo uses a lot of different voice tones]], usually to represent different characters commenting on the story or highlight a particular passage, but (considering Eminem's notorious mental health problems both in [[KayfabeMusic kayfabe]] and [[CreatorBreakdown out]]) it ended up giving the impression that he was just crazy - which he then ran with.
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Up To Eleven is a defunct trope


* At the end of ''VisualNovel/DanganronpaTriggerHappyHavoc'', [[spoiler:the true [[BigBad Mastermind]] behind everything]] switches rapidly between personalities, including [[spoiler:a cutesy teenage girl, a tomboyish punk, and a haughty condescending personality]], each with its own vocal patterns and tics. In the dub, she has two voice actresses to accommodate this and [[VisualNovel/Danganronpa2GoodbyeDespair the sequel]] [[UpToEleven adds a third]].

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* At the end of ''VisualNovel/DanganronpaTriggerHappyHavoc'', [[spoiler:the true [[BigBad Mastermind]] behind everything]] switches rapidly between personalities, including [[spoiler:a cutesy teenage girl, a tomboyish punk, and a haughty condescending personality]], each with its own vocal patterns and tics. In the dub, she has two voice actresses to accommodate this and [[VisualNovel/Danganronpa2GoodbyeDespair the sequel]] [[UpToEleven sequel adds a third]].
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* HIM from ''WesternAnimation/ThePowerpuffGirls'' switches from sugar-sweet effeminate giggling to a very deep, menacing voice in very sudden and unpredictable ways.

to:

* HIM from ''WesternAnimation/ThePowerpuffGirls'' ''WesternAnimation/ThePowerpuffGirls1998'' switches from sugar-sweet effeminate giggling to a very deep, menacing voice in very sudden and unpredictable ways.
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* In Chapter 2 of ''VideoGame/{{Deltarune}}'', Spamton's dialogue is frequently overridden by barely-relevant hyperlinks with distinctly different formatting compared to his primary speech patterns.
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** Also used for ContinuityCavalcade on "Discombobulated", in which Eminem dramatises the journey through his comeup with a variety of his old accents - the ''Relapse'' accent and the slurred, Southern-twang flow he used on ''Encore''.
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*** In several other ''Relapse'' songs, the [[NerdyNasalness nose-pinch]] voice Eminem used on "My Name Is" and "The Real Slim Shady" is used to represent a slightly saner voice inside Shady's mind - as if it's the voice of the classic Shady trying to break through the SerialKiller version of himself. This can be heard on "Old Time's Sake", "We Made You", "Drop The Bomb On 'Em" and most prominently on the leaked track "Things Get Worse", in which the nasal voice takes the entire hook begging Shady to shut up and stop saying these awful things.

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*** In several other ''Relapse'' songs, the [[NerdyNasalness nose-pinch]] voice Eminem used on "My Name Is" and "The Real Slim Shady" (accompanied by 'chk-chk' disc-scratching sounds) is used to represent a slightly saner voice inside Shady's mind - as if it's the voice of the classic Shady trying to break through the SerialKiller version of himself. This can be heard on "Old Time's Sake", "We Made You", "Drop The Bomb On 'Em" and most prominently on the leaked track "Things Get Worse", in which the nasal voice takes much of the entire hook hook, begging Shady to shut up and stop saying these awful things.

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