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* Most fans aren't fond of the backstory given to the titular weasel in ''WesternAnimation/TheIceAgeAdventuresOfBuckWild''. In ''[[WesternAnimation/IceAgeDawnOfTheDinosaurs Dawn Of The Dinosaurs]]'', Buck was established as a rare sentient mammal in a DeathWorld that had to took extreme meassures to be able to defeat Rudy which lead to him becoming the CrazySurvivalist we know and love. But in the spin-off, Buck is depicted as someone who was the leader of a group of heroic mammals that proved to be the last resistance in a FantasticRacism motivated-war, which hardly fits with how uncivilized the Lost World was shown to be in the previous movies and how Buck was portrayed as a loner before The Herd's arrival (which is why he went insane and started talking with inanimate objects).

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* Most fans aren't fond of the backstory given to the titular weasel in ''WesternAnimation/TheIceAgeAdventuresOfBuckWild''. In ''[[WesternAnimation/IceAgeDawnOfTheDinosaurs Dawn Of The Dinosaurs]]'', Buck was established as a rare sentient mammal in a DeathWorld that had to took take extreme meassures measures to be able to defeat Rudy which lead to him becoming the CrazySurvivalist we know and love. But in the spin-off, Buck is depicted as someone who was the leader of a group of heroic mammals that proved to be the last resistance in a FantasticRacism motivated-war, which hardly fits with how uncivilized the Lost World was shown to be in the previous movies and how Buck was portrayed as a loner before The Herd's arrival (which is why he went insane and started talking with inanimate objects).
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NoodleIncident becoming ResolvedNoodleIncident can sometimes lead to this reaction, especially when it has taken a long time to resolve it. Sometimes explaining an incident does not have a middle ground between too mundane to be interesting and too bizarre to make sense.
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** In the ''[[ComicBook/MyLittlePony2022 Generation 5 comics]]'', it's revealed what caused HappyEndingOverride of G4. According to the comics, it started shortly after [[DistantFinale "The Last Problem"]] when [[spoiler:Opaline manipulated the pony tribes into prejudice against each other over their magic, which caused such disastrous consequences, Twilight Sparkle resorted to gathering all the world magic into the Unity Crystals so they'd only have magic if in harmony with each other]]. This was widely criticized by the fanbase, as the Mane Six have [[AesopAmnesia dealt with this same thing before]] and without resorting to such drastic measures, and it's questionable how the ponies would turn against each other so quickly when Twilight's reign was a golden age of harmony throughout the known world. Further, it gave more fuel to complaints about Twilight taking the throne that under her rule peace only lasted a matter of decades and was so fragile that it was all undone by [[spoiler:a single pony]].

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** In the ''[[ComicBook/MyLittlePony2022 Generation 5 comics]]'', it's revealed what caused HappyEndingOverride of G4. According to the comics, it started shortly after [[DistantFinale "The Last Problem"]] when [[spoiler:Opaline manipulated the pony tribes into prejudice against each other over their magic, which caused such disastrous consequences, Twilight Sparkle resorted to gathering all the world magic into the Unity Crystals so they'd only have magic if in harmony with each other]]. This was widely criticized by the fanbase, as the Mane Six have [[AesopAmnesia dealt with this same thing before]] and without resorting to such drastic measures, and it's questionable how the ponies would turn against each other so quickly when Twilight's reign was a golden age of harmony throughout the known world. Further, it gave more fuel to complaints about Twilight taking the throne that under her rule peace only lasted a matter of decades and was so fragile that it was all undone by [[spoiler:a single pony]]. While if this is still canon is suspect given the show [[spoiler:had Spike far older when the Unity Crystals were created]] suggesting it happened much later than in the comics, later explanations being so vague and contradictory that this original expiation remains the only substantive attempt and effort to connect the continues hasn't helped.
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* Nearly every ''ComicBook/XMen'' fan hated Chuck Austen's revelation that ComicBook/{{Nightcrawler}}'s biological father was Azazel -- a demon (or possibly demon-like mutant) imprisoned in another dimension. Not only was there very little buildup or {{foreshadowing}} for that reveal, several readers were uncomfortable with the idea that the devoutly religious Kurt Wagner was secretly half-demon all along, and many saw it as a shoddy attempt at incorporating Christian mythology into the ''X-Men'' mythos (particularly since the same era featured the revelation that Archangel was descended from ''actual'' angels). It didn't help that many saw it as a BrokenAesop since Kurt was initially introduced being chased by racist, superstitious villagers who thought he was a demon when he was really just a guy with a skin condition--the Azazel story means the villagers were actually right the whole time. As an alternative, many fans [[{{Fanon}} prefer to accept]] Creator/ChrisClaremont's [[WhatCouldHaveBeen original plan]] for his backstory: ComicBook/{{Mystique}} and Destiny are his parents, and Mystique used her shapeshifting powers to temporarily become male so that she and her lover could conceive a child. The character of Azazel has stuck around and made several more well-received appearances (including in the film ''Film/XMenFirstClass''), but to this day no one defends his original story.

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* Nearly every ''ComicBook/XMen'' fan hated Chuck Austen's revelation that ComicBook/{{Nightcrawler}}'s biological father was Azazel -- a demon (or possibly demon-like mutant) imprisoned in another dimension. Not only was there very little buildup or {{foreshadowing}} for that reveal, several readers were uncomfortable with the idea that the devoutly religious Kurt Wagner was secretly half-demon all along, and many saw it as a shoddy attempt at incorporating Christian mythology into the ''X-Men'' mythos (particularly since the same era featured the revelation that Archangel was descended from ''actual'' angels). It didn't help that many saw it as a BrokenAesop since Kurt was initially introduced being chased by racist, superstitious villagers who thought he was a demon when he was really just a guy with a skin condition--the Azazel story means the villagers were actually right the whole time. As an alternative, many fans [[{{Fanon}} prefer to accept]] Creator/ChrisClaremont's [[WhatCouldHaveBeen original plan]] for his backstory: ComicBook/{{Mystique}} and Destiny are his parents, and Mystique used her shapeshifting powers to temporarily become male so that she and her lover could conceive a child.child (something that would finally become comics canon years later, though [[VoodooShark not without raising more questions]] behind how the idea played out). The character of Azazel has stuck around and made several more well-received appearances (including in the film ''Film/XMenFirstClass''), but to this day no one defends his original story.
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** "The Circus" revealing Stella was [[EnfantTerrible evil since childhood]] and [[DomesticAbuse nothing but abusive of Stolas]] long before his [[SympatheticAdulterer resulting infidelity]] had detractors feel it was trying too hard to excuse Stolas's wrongdoings and negated the moral grayness/ambiguity that made it compelling. It also became part of the series growing criticism of shafting female characters, reducing Stella to a one-dimensional HateSink decided any depth or agency beyond propping up male characters conflicts.

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** "The Circus" revealing Stella was [[EnfantTerrible evil since childhood]] and [[DomesticAbuse nothing but abusive of Stolas]] long before his [[SympatheticAdulterer resulting infidelity]] had detractors feel it was trying too hard to excuse Stolas's wrongdoings and negated the moral grayness/ambiguity that made it compelling. It also became part of the series growing criticism of shafting female characters, reducing Stella to a one-dimensional HateSink decided deprived of any depth or agency beyond propping up male characters characters' conflicts.
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* Virtually everyone who watched ''Film/ForrestGump'' assumes that the virus [[TheDiseaseThatShallNotBeNamed doctors-cannot-identify]] that kills [[spoiler:Jenny]] at the end is AIDS. However, the author of the original novel, Winston Groom, revealed it was Hepatitis C in the sequel ''Gump and co.'' This is ignored by many fans because they feel the AIDS epidemic deserved to be referenced in the film's historical setting. It is also worth pointing that the film is an extremely loose adaptation of the first book anyway ([[spoiler:Jenny]] doesn't die in it, for one), with completely different tone and characterizations, and that Groom wrote the sequel in part as a TakeThat to the studio for mangling his book and also screwing him out of profit with UsefulNotes/HollywoodAccounting. It wasn't until 2019 when screenwriter Eric Roth confirmed that the movie version of the character did indeed die of AIDS.
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** "The Circus" revealing Stella was [[EnfantTerrible evil since childhood]] and [[DomesticAbuse nothing but abusive of Stolas]] long before his [[SympatheticAdulterer resulting infidelity]] had detractors feel it was trying too hard to excuse Stolas's wrongdoings and negated the moral grayness/ambiguity that made it compelling. It also became part of the series growing criticism of shafting female characters, reducing Stella to a one-dimensional HateSink decided any depth or agency beyond propping up male characters conflicts.
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* ''WebAnimation/HelluvaBoss'':
** "Spring Broken" revealed Blitzo adopted Loona when she was seventeen, displeasing fans who assumed he adopted her as a child which they felt was a stronger setup for their relationship and offers a much more nuanced look into Loona's mixed feelings about her adopted father.
** "OZZIE'S" reveals that Moxxie and Millie are in their first year of marriage, which many viewed as less compelling than them being so in love despite being many years past their "honeymoon phase".
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* ''Franchise/{{Transformers}}'':
** You'll be hard-pressed to find a fan of ''WesternAnimation/TheTransformers'' who thinks that Season 3's revelation of [[OmnicidalManiac Unicron]] -- the planet-eating-planet/Giant robot and SatanicArchetype of the ''Franchise/{{Transformers}}'' mythos -- being created by [[http://tfwiki.net/mediawiki/images2/3/30/Primacron.jpg this silly-looking alien monkey thing]] named Primacron was a good idea.[[labelnote:note]][[http://tfwiki.net/wiki/Controverse One manga made years later]] would attribute the Quintessons as another creation of his, which fans aren't too keen on either.[[/labelnote]] Hasbro seems to agree, as all later depictions of Unicron ignore Primacron in favour of the Primus/Unicron myth used in [[ComicBook/TheTransformersMarvel the Marvel comic]].
** To a lesser extent, most fans tend to brush off the explanation that Quintessons created Transformers in favor of Primus as creator.
** Quite a few fans of ''WesternAnimation/TransformersPrime'' along with the rest of the [[Franchise/TransformersAlignedUniverse Aligned universe]], don't like the identity of the unnamed Thirteenth Prime as given in ''Literature/TransformersTheCovenantOfPrimus'', who turned out to be [[spoiler:Optimus Prime]]. The general dislike toward it boils down to [[spoiler:undermining the feeling that he got where he did due to the hardships he faced and that he was basically destined to lead the Autobots instead]].
** Later Japanese material would establish ''[[Anime/TransformersRobotsInDisguise Transformers: Car Robots]]'' within the [[WesternAnimation/TheTransformers Japanese Generation 1 timeline]], taking place between Season 2 and [[WesternAnimation/TheTransformersTheMovie the Movie]] with Fire Convoy's team and the Destrongers coming from the future era of ''Anime/BeastWarsII'' and ''Anime/BeastWarsNeo''. Though [[AllThereInTheManual pre-release material]] had treated ''Car Robots'' as part of the ''[=G1=]'' timeline, this was only vaguely alluded to in the show proper, which otherwise seemed like a ContinuityReboot. Indeed, the English dub, ''[[MarketBasedTitle Transformers: Robots in Disguise]]'' is very much a reboot, with zero ties to the English [=G1=] continuities outside of a handful of characters showing up in future media.
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* The ''Film/TwentyEightDaysLater'' 2009-2011 comic series of the same name, which follows Selena after the movie's ending and explains her final fate at the end of ''Film/TwentyEightWeeksLater''. A lot of the fandom didn't like how the comics wrote Jim out via him being arrested and sentenced to execution for killing the rogue, would-be rapist soldiers that kidnapped his friends, while having comic-original character Clint Harris supplant Jim as Selena's love interest. Even on [[TheWikiRule the franchise's wiki]], whereas both movies and the ''28 Days Later: The Aftermath'' graphic novel all had articles and information since their inceptions, there was ''zero'' mention of the '09-'11 comic series for a long time, and the initial work towards adding information on and from the comics to the database was largely carried out by a single user.
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* In [[Recap/MyLittlePonyFriendshipIsMagicIDWHolidays2014 IDW Holidays 2014]], the Crusaders stated reason for framing Sunset Shimmer is disliked for failing to bring up Sunsets past actions that would have made it and how EasilyForgiven they were more justifiable and failing to explain why they continued to frame her after achieving that goal.

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* ** In [[Recap/MyLittlePonyFriendshipIsMagicIDWHolidays2014 IDW Holidays 2014]], the Crusaders stated reason for framing Sunset Shimmer is disliked for failing to bring up Sunsets past actions that would have made it and how EasilyForgiven they were more justifiable and failing to explain why they continued to frame her after achieving that goal.
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* In [[Recap/MyLittlePonyFriendshipIsMagicIDWHolidays2014 IDW Holidays 2014]], the Crusaders stated reason for framing Sunset Shimmer is disliked for failing to bring up Sunsets past actions that would have made it and how EasilyForgiven they were more justifiable and failing to explain why they continued to frame her after achieving that goal.
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* ''Literature/ASongOfIceAndFire'' has "Who sent the assassin to kill Bran Stark?", with the answer seemingly being Prince Joffrey. Two characters independently come to the conclusion that Joffrey did it, Joffrey acts suspiciously when probed about the matter, and the author stated that the mystery was solved in that book. However, him being the culprit requires a ''very'' specific motivation, most of the "clues" occur right before the reveal two books after the mystery was last relevant and/or refer to events that happened off-page ("You remember that time at breakfast when King Robert said...."), leading to a conclusion that many fans found unsatisfactory. As a result, many fans still believe that the explanation was mistaken and the ''true'' person who hired the assassin has still not been revealed.

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* ''Literature/ASongOfIceAndFire'' has "Who sent the assassin to kill Bran Stark?", with the answer seemingly being Prince Joffrey. [[spoiler:Prince Joffrey]]. Two characters independently come to the conclusion that Joffrey [[spoiler:Joffrey]] did it, Joffrey [[spoiler:Joffrey]] acts suspiciously when probed about the matter, and the author stated that the mystery was solved in that book. However, him being the culprit requires a ''very'' specific motivation, most of the "clues" occur right before the reveal two books after the mystery was last relevant and/or refer to events that happened off-page ("You remember that time at breakfast when King Robert said...."), leading to a conclusion that many fans found unsatisfactory. As a result, many fans still believe that the explanation was mistaken and the ''true'' person who hired the assassin has still not been revealed.
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Spelling/grammar fix(es)


* ''Literature/ASongOfIceAndFire'' has "Who sent the assassin to kill Bran Stark?", with the answer being Prince Joffrey. Two characters independently come to the conclusion that Joffrey did it, Joffrey act suspiciously when probed about the matter, and the author stated that the mystery was solved in that book. However, him being the culprit requires a ''very'' specific motivation, most of the "clues" occur right before the reveal two books after the mystery was last relevant and/or refer to events that happened off-page ("You remember that time at breakfast when King Robert said...."), leading to a conclusion that many fans found unsatisfactory. As a result, many fans still believe that the explanation was mistaken and the ''true'' person who hired the assassin has still not been revealed.

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* ''Literature/ASongOfIceAndFire'' has "Who sent the assassin to kill Bran Stark?", with the answer seemingly being Prince Joffrey. Two characters independently come to the conclusion that Joffrey did it, Joffrey act acts suspiciously when probed about the matter, and the author stated that the mystery was solved in that book. However, him being the culprit requires a ''very'' specific motivation, most of the "clues" occur right before the reveal two books after the mystery was last relevant and/or refer to events that happened off-page ("You remember that time at breakfast when King Robert said...."), leading to a conclusion that many fans found unsatisfactory. As a result, many fans still believe that the explanation was mistaken and the ''true'' person who hired the assassin has still not been revealed.
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** Hagrid's explanation in the first book that the reason wizards maintain secrecy is because "Muggles would want them to solve all their problems." Many fans consider such an explanation to be callous and self-centered, particularly in light of ''Film/FantasticBeastsTheCrimesOfGrindelwald'' showcasing that World War II and {{UsefulNotes/the Holocaust}} happened in-universe, indicating the "good guy" wizards could have intervened but instead chose to more or less turn a blind eye. Moreover, the series' lore establishes that wizards have valid reason to be fearful of Muggles knowing how completely outclassed they are for technology and such, which some fans view as a far more reasonable explanation.

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** Hagrid's explanation in the first book that the reason wizards maintain secrecy is because "Muggles would want them to solve all their problems." Many fans consider such an explanation to be callous and self-centered, particularly in light of ''Film/FantasticBeastsTheCrimesOfGrindelwald'' showcasing that World War II and {{UsefulNotes/the Holocaust}} happened in-universe, indicating the "good guy" wizards could have intervened but instead chose to more or less turn a blind eye.eye for no reason other than personal peace of mind. Moreover, the series' lore establishes that wizards have valid reason to be fearful of Muggles knowing how completely outclassed they are for technology and such, which some fans view as a far more reasonable explanation.
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** The 10th Anniversary short "Written by Spike" revealed the comics were written by Spike InUniverse, explaining their continuity errors and inconsistency with the show were in-universe Artistic License. This proved just as contentious for [[VoodooShark raising new issues]] regarding Spike being responsible for the comic poorly-received moments and portrayals of his friends despite claiming his changes were to improve the work.

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** The 10th Anniversary short "Written by Spike" revealed the comics were written by Spike InUniverse, explaining their continuity errors and inconsistency with the show were in-universe Artistic License. This proved just as contentious for [[VoodooShark raising new issues]] regarding Spike being responsible for the comic comics poorly-received moments and portrayals of his friends despite claiming his changes were to improve the work.
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** Ever since his debut Apollo Justice's upbringing had been shrouded in mystery. All that was certain was Apollo was put into an orphanage after the death of his biological father. ''VisualNovel/PhoenixWrightAceAttorneySpiritOfJustice'' felt the need to answer it by revealing that [[spoiler:when his father got killed in an arson attack (and his mother Thalassa being unaware of his survival), Apollo was found and raised by Dhurke Sahdmadhi. Because Dhurke was falsely accused of murdering his wife the Queen of Khura'in, he had to send Apollo to America for his safety, and he had two foster siblings never mentioned prior]]. This revelation proved to be controversial for fans as it gave Apollo sudden importance in the game when Phoenix had clearly been the protagonist for the first half and appeared to contradict the little we DID know about Apollo's past prior, making him unrecognizable from the character presented in previous games.

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** Ever since his debut Apollo Justice's upbringing had been shrouded in mystery. All that was certain was Apollo was put into an orphanage after the death of his biological father. ''VisualNovel/PhoenixWrightAceAttorneySpiritOfJustice'' felt the need to answer it by revealing that [[spoiler:when his father got killed in an arson attack (and his mother Thalassa being unaware of his survival), Apollo was found and raised by Dhurke Sahdmadhi. Because Dhurke was falsely accused of murdering his wife the Queen of Khura'in, he had to send Apollo to America for his safety, and he had two foster siblings never mentioned prior]]. This revelation proved to be controversial for fans as it gave Apollo sudden importance in the game when Phoenix had clearly been the protagonist for the first half and appeared to contradict the little we DID '''did''' know about Apollo's past prior, making him unrecognizable from the character presented in previous games.
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When a show [[OntologicalMystery has a premise]] that hinges on one or more big unanswered questions, fans feel there is an obligation that these questions be answered. Failure to do so leads to TheChrisCarterEffect, which can turn off fans in frustration. Likewise, not answering ''enough'' questions in a KudzuPlot alienates fans. The hard place to the above rock is that when a series answers a question and the answer isn't quite as epic, clever, or [[MindScrew mind-shattering]] as imagined. Maybe fan expectations are just too high. Maybe the answer is honestly unsatisfying. Maybe the answer conflicts with the genre established earlier in the work, like a [[DoingInTheWizard sci-fi explanation in a fantasy book]] or [[DoingInTheScientist vice-versa]]. Maybe it reveals that a character that did something seemingly of their own free will was instead subject to MindControl or brainwashing. Maybe it's a question no one asked or wanted to be answered at all, meaning ''no'' answer would be satisfying.

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When a show [[OntologicalMystery has a premise]] that hinges on one or more big unanswered questions, fans feel there is an obligation that these questions be answered. Failure to do so leads to TheChrisCarterEffect, which can turn off fans in frustration. Likewise, not answering ''enough'' questions in a KudzuPlot alienates fans. The hard place to the above rock is that when a series answers a question and the answer isn't quite as epic, clever, or [[MindScrew mind-shattering]] as imagined. Maybe fan expectations are just too high. Maybe the answer is honestly unsatisfying. Maybe the answer conflicts with the genre established earlier in the work, like a [[DoingInTheWizard sci-fi explanation in a fantasy book]] or [[DoingInTheScientist vice-versa]]. Maybe it reveals that a character that did something seemingly of their own free will was instead subject to MindControl or brainwashing. Maybe it reveals that rather than TheHero succeeding because of their own merits they [[BecauseDestinySaysSo were destined by a higher power to do so]]. Maybe it's a question no one asked or wanted to be answered at all, meaning ''no'' answer would be satisfying.
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** Several ''Franchise/LiloAndStitch'' fans took issue with the show not having any of [[Characters/LiloAndStitchExperiments Dr. Jumba Jookiba's genetic experiments]] appear (apart from Stitch himself), with the show instead having Jumba recreate Myth/{{Chinese mytholog|y}}ical creatures based on what he reads on ancient Chinese scrolls given to him by a mysterious sage. Although the show's director, who was one of the executive producers of ''WesternAnimation/LiloAndStitchTheSeries'', explained that those creature are all genetic experiments, said fans didn't buy that, still seeing them as just recreated Chinese mythological creatures and saying that they are not exactly [[NoTrueScotsman "genuine"]] experiments, save for maybe Dim Long, the one new experiment with a recurring role on the show.

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** Several ''Franchise/LiloAndStitch'' fans took issue with the show not having any of [[Characters/LiloAndStitchExperiments Dr. Jumba Jookiba's genetic experiments]] appear (apart from Stitch himself), with the show instead having Jumba recreate Myth/{{Chinese mytholog|y}}ical creatures based on what he reads on ancient Chinese scrolls given to him by a mysterious sage. Although the show's director, who was one of the executive producers of ''WesternAnimation/LiloAndStitchTheSeries'', explained that those creature creatures are all genetic experiments, said fans didn't buy that, still seeing them as just recreated Chinese mythological creatures and saying that they are not exactly [[NoTrueScotsman "genuine"]] experiments, save for maybe Dim Long, the one new experiment with a recurring role on the show.
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[[folder:Asian Animation]]
* ''Animation/StitchAndAi'':
** Several ''Franchise/LiloAndStitch'' fans took issue with the show not having any of [[Characters/LiloAndStitchExperiments Dr. Jumba Jookiba's genetic experiments]] appear (apart from Stitch himself), with the show instead having Jumba recreate Myth/{{Chinese mytholog|y}}ical creatures based on what he reads on ancient Chinese scrolls given to him by a mysterious sage. Although the show's director, who was one of the executive producers of ''WesternAnimation/LiloAndStitchTheSeries'', explained that those creature are all genetic experiments, said fans didn't buy that, still seeing them as just recreated Chinese mythological creatures and saying that they are not exactly [[NoTrueScotsman "genuine"]] experiments, save for maybe Dim Long, the one new experiment with a recurring role on the show.
** Likewise, some fans didn't buy the director's claim that [[spoiler:Stitch's [[NewPowersAsThePlotDemands metamorphosis program]] and newly-introduced [[AttackOfTheFiftyFootWhatever giant]] [[OneWingedAngel destructive form]] was what he was supposed to become all this time, but Lilo's and Ai's love for him was a suppressant for such]], especially considering that [[spoiler:Stitch is ''already'' dangerous and destructive enough as his normal pint-sized self]]. Furthermore, [[https://www.youtube.com/watch?v=vRVko1w0bH8 a deleted version of the original film's opening]] shows that Creator/ChrisSanders (the character's actual creator, who had no participation in this series whatsoever) never envisioned [[spoiler:giving Stitch this kind of ability]], and [[spoiler:Stitch's giant form]] also contradicts ''Lilo & Stitch: The Series'', specifically the episode "[[Recap/LiloAndStitchTheSeriesS1E29Shortstuff Short Stuff]]", which shows that [[spoiler:Stitch is much more clumsier when enlarged to a giant size]].
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** "The Good, the Bad and the Ponies": Twilight Sparkle explains she can't use her StoryBreakerPower to stop the the villains due to a law that princesses can't use their powers against Equestria's citizens even if they were threatening and attacking her friends and others. This was universally despised as horrifically {{out of character|Moment}} for Twilight, who had/would become the Princess of Friendship by [[Recap/MyLittlePonyFriendshipIsMagicS4E26TwilightsKingdomPart2 willing to sacrifice the only chance at saving Equestria to save her friends]], to be unwilling to do so especially over a law so arbitrary/minor [[AssPull it never came up when Twilight and the Princesses used their powers on others prior]]. Even those who felt this could have been theoretically valid balked once she used fraud and kidnapping (one of those she supposedly couldn't use her powers against) to trick them into breaking a mere properly law she was willing to use her powers over, making it so morally inconsistent it sunk whatever credibility the law had and left no reason for not just writing Twilight out of this story. Luckily the writers realized how poorly received it was and ignored it since with Twilight not hesitating to use her powers to protect others.

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** "The "[[Recap/MyLittlePonyFriendshipIsMagicIDWIssue25To26 The Good, the Bad and the Ponies": Ponies]]": Twilight Sparkle explains she can't use her StoryBreakerPower to stop the the villains due to a law that princesses can't use their powers against Equestria's citizens even if they were threatening and attacking her friends and others. This was universally despised as horrifically {{out of character|Moment}} for Twilight, who had/would become the Princess of Friendship by [[Recap/MyLittlePonyFriendshipIsMagicS4E26TwilightsKingdomPart2 willing to sacrifice the only chance at saving Equestria to save her friends]], to be unwilling to do so especially over a law so arbitrary/minor [[AssPull it never came up when Twilight and the Princesses used their powers on others prior]]. Even those who felt this could have been theoretically valid balked once she used fraud and kidnapping (one of those she supposedly couldn't use her powers against) to trick them the villains into breaking a mere properly property law she was willing to use and then used her powers over, magic to imprison them, making it so morally inconsistent it sunk whatever credibility the law had and left no reason for not just writing Twilight out of this story. Luckily the writers realized how poorly received it was and ignored it since with Twilight not hesitating to use her powers to protect others.
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* "The Good, the Bad and the Ponies": Twilight Sparkle explains she can't use her StoryBreakerPower to stop the the villains due to a law that princesses can't use their powers against Equestria's citizens even if they were threatening and attacking her friends and others. This was universally despised as horrifically {{out of character|Moment}} for Twilight, who had/would become the Princess of Friendship by [[Recap/MyLittlePonyFriendshipIsMagicS4E26TwilightsKingdomPart2 willing to sacrifice the only chance at saving Equestria to save her friends]], to be unwilling to do so especially over a law so arbitrary/minor [[AssPull it never came up when Twilight and the Princesses used their powers on others prior]]. Even those who felt this could have been theoretically valid balked once she used fraud and kidnapping (one of those she supposedly couldn't use her powers against) to trick them into breaking a mere properly law she was willing to use her powers over, making it so morally inconsistent it sunk whatever credibility the law had and left no reason for not just writing Twilight out of this story. Luckily the writers realized how poorly received it was and ignored it since with Twilight not hesitating to use her powers to protect others.

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* ** "The Good, the Bad and the Ponies": Twilight Sparkle explains she can't use her StoryBreakerPower to stop the the villains due to a law that princesses can't use their powers against Equestria's citizens even if they were threatening and attacking her friends and others. This was universally despised as horrifically {{out of character|Moment}} for Twilight, who had/would become the Princess of Friendship by [[Recap/MyLittlePonyFriendshipIsMagicS4E26TwilightsKingdomPart2 willing to sacrifice the only chance at saving Equestria to save her friends]], to be unwilling to do so especially over a law so arbitrary/minor [[AssPull it never came up when Twilight and the Princesses used their powers on others prior]]. Even those who felt this could have been theoretically valid balked once she used fraud and kidnapping (one of those she supposedly couldn't use her powers against) to trick them into breaking a mere properly law she was willing to use her powers over, making it so morally inconsistent it sunk whatever credibility the law had and left no reason for not just writing Twilight out of this story. Luckily the writers realized how poorly received it was and ignored it since with Twilight not hesitating to use her powers to protect others.
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* "The Good, the Bad and the Ponies": Twilight Sparkle explains she can't use her StoryBreakerPower to stop the the villains due to a law that princesses can't use their powers against Equestria's citizens even if they were threatening and attacking her friends and others. This was universally despised as horrifically {{out of character|Moment}} for Twilight, who had/would become the Princess of Friendship by [[Recap/MyLittlePonyFriendshipIsMagicS4E26TwilightsKingdomPart2 willing to sacrifice the only chance at saving Equestria to save her friends]], to be unwilling to do so especially over a law so arbitrary/minor [[AssPull it never came up when Twilight and the Princesses used their powers on others prior]]. Even those who felt this could have been theoretically valid balked once she used fraud and kidnapping (one of those she supposedly couldn't use her powers against) to trick them into breaking a mere properly law she was willing to use her powers over, making it so morally inconsistent it sunk whatever credibility the law had and left no reason for not just writing Twilight out of this story. Luckily the writers realized how poorly received it was and ignored it since with Twilight not hesitating to use her powers to protect others.
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** The 10th Anniversary short "Written by Spike" revealed the comics were written by Spike InUniverse, explaining their continuity errors and inconsistency with the show were in-universe Artistic License. This proved just as contentious for [[VoodooShark raising new issues]] regarding Spike being responsible for the comic poorly-received moments and portrayals of his friends despite claiming his changes were to improve the work.
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* Most fans aren't fond of the backstory given to the titular weasel in ''WesternAnimation/TheIceAgeAdventuresOfBuckWild''. In ''[[WesternAnimation/IceAgeDawnOfTheDinosaurs Dawn Of The Dinosaurs]]'', Buck was established as a rare sentient mammal in a DeathWorld that had to took extreme meassures to be able to defeat Rudy which lead to him becoming the CrazySurvivalist we know and love. But in the spin-off, Buck is depicted as someone who was the leader of a group of heroic mammals that proved to be the last resistance in a FantasticRacism motivated-war, which hardly fits with how uncivilized the Lost World was shown to be in the previous movies and how Buck was portrayed as a loner before The Herd's arrival (which is why he went insane and started talking with inanimate objects).
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** In the ''[[ComicBook/MyLittlePony2022 Generation 5 comics]]'', it's revealed what caused HappyEndingOverride of G4. According to the comics, it started shortly after [[DistantFinale "The Last Problem"]] when [[spoiler:Opaline manipulated the pony tribes into prejudice against each other over their magic, which caused such disastrous consequences, Twilight Sparkle resorted to gathering all the world magic into the Unity Crystals so they'd only have magic if in harmony with each other]]. This was widely criticized by the fanbase, as the Mane Six have [[AesopAmnesia dealt with this same thing before]] and without resorting to such drastic measures, and it's questionable how the ponies would turn against each other so quickly when Twilight's reign was a golden age of harmony throughout the known world. Further, the comics reveal that under her rule peace only lasted for a matter of decades and was so fragile that it was all undone by [[spoiler:a single pony]].

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** In the ''[[ComicBook/MyLittlePony2022 Generation 5 comics]]'', it's revealed what caused HappyEndingOverride of G4. According to the comics, it started shortly after [[DistantFinale "The Last Problem"]] when [[spoiler:Opaline manipulated the pony tribes into prejudice against each other over their magic, which caused such disastrous consequences, Twilight Sparkle resorted to gathering all the world magic into the Unity Crystals so they'd only have magic if in harmony with each other]]. This was widely criticized by the fanbase, as the Mane Six have [[AesopAmnesia dealt with this same thing before]] and without resorting to such drastic measures, and it's questionable how the ponies would turn against each other so quickly when Twilight's reign was a golden age of harmony throughout the known world. Further, it gave more fuel to complaints about Twilight taking the comics reveal throne that under her rule peace only lasted for a matter of decades and was so fragile that it was all undone by [[spoiler:a single pony]].
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* This is half of why ''ComicBook/TroubleMarvelComics'' is so reviled and isn't really canon with either the main Marvel universe or the ComicBook/UltimateMarvel one: it attempted to retcon that Franchise/SpiderMan's father Richard Parker and Aunt May had an affair behind Mary Fitzpatrick and Uncle Ben's back as teens--[[spoiler:[[FamilyRelationshipSwitcheroo and that Peter himself was]] [[TeenPregnancy the product of it]]]], much to the hatred of fans and creators.[[note]]The other half being the incompatibility this attempted retcon had with mainline Marvel canon (Where May and Ben were established as far older than Richard and Mary and already married by the time Peter's parents even met) and with Ultimate Marvel (where Richard and Mary Parker were renowned scientists).[[/note]]

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* This is half of why ''ComicBook/TroubleMarvelComics'' is so reviled and isn't really canon with either the main Marvel universe or the ComicBook/UltimateMarvel one: it attempted to retcon that Franchise/SpiderMan's ComicBook/SpiderMan's father Richard Parker and Aunt May had an affair behind Mary Fitzpatrick and Uncle Ben's back as teens--[[spoiler:[[FamilyRelationshipSwitcheroo and that Peter himself was]] [[TeenPregnancy the product of it]]]], much to the hatred of fans and creators.[[note]]The other half being the incompatibility this attempted retcon had with mainline Marvel canon (Where May and Ben were established as far older than Richard and Mary and already married by the time Peter's parents even met) and with Ultimate Marvel (where Richard and Mary Parker were renowned scientists).[[/note]]
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** In the ''[[ComicBook/MyLittlePony2022 Generation 5 comics]]'', it's revealed what caused HappyEndingOverride of G4. According to the comics, it started shortly after [[DistantFinale "The Last Problem"]] when [[spoiler:Opaline manipulated the pony tribes into prejudice against each other over their magic, which caused such disastrous consequences, Twilight Sparkle resorted to gathering all the world magic into the Unity Crystals so they'd only have magic if in harmony with each other]]. This was widely criticized by the fanbase, as the Mane Six have [[AesopAmnesia dealt with this same thing before]] and without resorting to such drastic measures, and it's questionable how the ponies would turn against each other so quickly when Twilight's reign was a golden age of harmony throughout the known world. Further, the comics reveal that under her rule peace only lasted for a matter of decades and was so fragile that it was all undone by [[spoiler:a single pony]].
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** Many fans disliked the final book's off-handed reveal that the SecretKeeper that anchors the Fidelius Charm could be within the place protected (read: rendered completely invisible and intangible) by the charm. Not only does this fact make the charm [[StoryBreakerPower extremely overpowered]], it reduces James and Lily Potter's decision to make the traitorous Peter Pettigrew the Secret Keeper for their cottage to [[RetroactiveIdiotBall sheer idiocy]].

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