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* Examples: ''Series/TheSopranos'', ''Series/TheWire'', ''Film/TheGodfather'' (Book and Movie), most of Creator/MartinScorsese's crime films (i.e. ''Film/GoodFellas'' and ''Film/{{Casino}}''), ''Scarface'' ([[Film/Scarface1932 1932]] and [[Film/Scarface1983 1983]] versions), ''Breaking Bad'' (roughly second half), ''VideoGame/GrandTheftAuto'', ''Film/EasternPromises'', ''Franchise/JohnWick'' and ''Film/TheProfessional''.

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* Examples: ''Series/TheSopranos'', ''Series/TheWire'', ''Film/TheGodfather'' (Book and Movie), most of Creator/MartinScorsese's crime films (i.e. ''Film/GoodFellas'' and ''Film/{{Casino}}''), ''Scarface'' ([[Film/Scarface1932 1932]] and [[Film/Scarface1983 1983]] versions), ''Breaking Bad'' (roughly second half), ''VideoGame/GrandTheftAuto'', ''Series/SonsOfAnarchy'', ''Film/EasternPromises'', ''Franchise/JohnWick'' and ''Film/TheProfessional''.
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'''Hardcore/Organised Criminals''' are the least popular protagonists for Criminal Procedurals, largely because they have to be shown to be despicable people in order to come across as being remotely realistic. It's also difficult to play down the crimes that they commit: murder, extortion, dealing in highly dangerous drugs, etc. As a result, such series tend to be very adult in tone and morally complex, and therefore not attractive to advertisers. Where there is humour, it tends to be pitch black.
* See also: TheMafia, TheCartel, TheMafiya, {{Yakuza}}, TheTriadsAndTheTongs, GangBangers, TheIrishMob, KosherNostra, TheYardies
* Examples: ''Series/TheSopranos'', ''Series/TheWire'', ''Film/TheGodfather'' (Book and Movie), ''Breaking Bad'' (roughly second half)

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'''Hardcore/Organised '''Hardcore/Organized Criminals''' are the least popular protagonists for Criminal Procedurals, largely because they have to be shown to be despicable people in order to come across as being remotely realistic.realistic though occasionally they will have their PetTheDog moments especially among the more sympathetic gangsters. It's also difficult to play down the crimes that they commit: murder, extortion, dealing in highly dangerous drugs, etc. As a result, such series tend to be very adult in tone and morally complex, and therefore not attractive to advertisers. Where there is humour, it tends to be pitch black.
black
* See also: TheMafia, TheCartel, TheMafiya, {{Yakuza}}, TheTriadsAndTheTongs, GangBangers, TheIrishMob, KosherNostra, TheYardies
TheYardies, LondonGangster, AllBikersAreHellsAngels, BanditClan, ThievesGuild, TheSyndicate, GenericEthnicCrimeGang, TheDon, ProfessionalKiller, MurderInc, LegitimateBusinessmensSocialClub, NebulousCriminalConspiracy, NeighbourhoodFriendlyGangsters, RuthlessForeignGangsters, HumanTraffickers, {{Gayngster}}, LoanShark, FromCamouflageToCriminal, MobWar, ProtectionRacket and {{Gangsterland}}.
* Examples: ''Series/TheSopranos'', ''Series/TheWire'', ''Film/TheGodfather'' (Book and Movie), most of Creator/MartinScorsese's crime films (i.e. ''Film/GoodFellas'' and ''Film/{{Casino}}''), ''Scarface'' ([[Film/Scarface1932 1932]] and [[Film/Scarface1983 1983]] versions), ''Breaking Bad'' (roughly second half)
half), ''VideoGame/GrandTheftAuto'', ''Film/EasternPromises'', ''Franchise/JohnWick'' and ''Film/TheProfessional''.
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Those Two Bad Guys is replaced by Bumbling Henchmen Duo with a slightly different definition, as per this thread. These two were the Trope Codifier for Those Two Bad Guys, but don't really fit Bumbling Henchmen Duo.


* Also from Tarantino is ''Film/PulpFiction'', whose main characters are [[ThoseTwoBadGuys two contract killers]], their imposing boss, a boxer who's killed a man in the ring by way of ripping the boss off, and two sweetheart stickup artists whose victims include the contract killers, although [[MuggingTheMonster "victim" isn't really the right word]].

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* Also from Tarantino is ''Film/PulpFiction'', whose main characters are [[ThoseTwoBadGuys two contract killers]], killers, their imposing boss, a boxer who's killed a man in the ring by way of ripping the boss off, and two sweetheart stickup artists whose victims include the contract killers, although [[MuggingTheMonster "victim" isn't really the right word]].
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* The ''Literature/{{Wyatt}}'' books are about the Australian version of Literature/{{Parker}}. The books devote a lot of time and description to the planning and execution of Wyatt's extremely professional heists (and even more time to the fallout from them).
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* In ''Film/AssaultOnAQueen'', [[ShownTheirWork a lot of thought]] has been put into the mechanics of using [[SubmarinePirates a small submarine to rob an ocean liner at sea]], and the characters are showing discovering the issues involved and working out ways round them. Even then, they acknowledge that the plan is risky and relies heavily on the fact that ships officers are trained to be cautious and take no unnecessary risks
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* [[LongRunningBookSeries John D. Macdonald's extensive chronicles]] of "salvage consultant" Travis [=McGee=] include several adventures in which [=McGee=] discovers a con game and plots to take it down with a con of his own. ''Pale Gray for Guilt'' and ''Darker than Amber'' both show, in particularly impressive and plausible detail, both how the innocent victims got taken and how Travis and his best friend and accomplice Meyer work the big con on the con men.

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* [[LongRunningBookSeries John D. Macdonald's extensive chronicles]] of "salvage consultant" Travis [=McGee=] Literature/TravisMcGee include several adventures in which [=McGee=] discovers a con game and plots to take it down with a con of his own. ''Pale Gray for Guilt'' and ''Darker than Amber'' both show, in particularly impressive and plausible detail, both how the innocent victims got taken and how Travis and his best friend and accomplice Meyer work the big con on the con men.
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* ''Film/SkinTraffik'': A hitman attacks a ring of HumanTraffickers.
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* ''Film/HowToRobABank'': Caught in the middle of a bank robbery, a slacker and a bank employee become the ones who arbitrate the intense situation.
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* ''Film/TheHoodlum'': A 1951 FilmNoir with a strong focus on the planning of an ArmedBlag.
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* ''Series/TheRiches'': A family of UsefulNotes/IrishTravellers impersonates a rich couple they accidentally ran off the road.
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* ''Literature/VoidMoon'': A ClassyCatBurglar steals a BriefcaseFullOfMoney which she thinks is a Vegas high roller's $500,000, only to find out that it's really $2.5M in Mafia money, and the Mafia wants it back very badly.
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* ''Film/Sicario'': Mostly based on the activities of Mexican organized criminal groups operating in America and Mexico and American/Mexican [=LEO=] responses.
** ''Film/SicarioDayOfTheSoldado'', a continuation of Sicario, except that it escalates with black ops.

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* ''Film/Sicario'': ''Film/{{Sicario}}'': Mostly based on the activities of Mexican organized criminal groups operating in America and Mexico and American/Mexican [=LEO=] responses.
** ''Film/SicarioDayOfTheSoldado'', a continuation of Sicario, except that it escalates with black ops.ops to deal with the cartels.

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* ''Film/Sicario'': Mostly based on the activities of Mexican organized criminal groups operating in America and Mexico and American/Mexican [=LEO=] responses.
** ''Film/SicarioDayOfTheSoldado'', a continuation of Sicario, except that it escalates with black ops.
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* ''Series/GodfatherOfHarlem'' is a fact-based crime drama about the gangster Bumpy Johnson and his attempt to wrestle Harlem back from the Genovese crime family in the 1960s, as well as his association with Civil Rights leaders such as Malcom X.
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* ''Series/TopBoy'' is about people involved in drug dealing on a fictional housing estate in London.
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* ''Pale Gray for Guilt,'' part of [[LongRunningBookSeries John D. Macdonald's extensive chronicles]] of "salvage consultant" Travis [=McGee=], details in impressive and plausible detail both how the innocent victim got taken, and how Travis and his best friend and accomplice Meyer work the big con on the con men.

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* ''Pale Gray for Guilt,'' part of [[LongRunningBookSeries John D. Macdonald's extensive chronicles]] of "salvage consultant" Travis [=McGee=], details [=McGee=] include several adventures in which [=McGee=] discovers a con game and plots to take it down with a con of his own. ''Pale Gray for Guilt'' and ''Darker than Amber'' both show, in particularly impressive and plausible detail detail, both how the innocent victim victims got taken, taken and how Travis and his best friend and accomplice Meyer work the big con on the con men.
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* ''Series/{{ProdigalSon}}'': in flashbacks: the Surgeon was a prolific serial killer, brought down by a simple phone call to the neighborhood police.

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* ''Series/{{ProdigalSon}}'': in flashbacks: the Surgeon was a prolific ''Series/ProdigalSon'': The son of an incarcerated serial killer, brought down by killer works as a simple phone call to profiler for the neighborhood police. NYPD.
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* ''Series/{{ProdigalSon}}: The Surgeon was a prolific serial killer, brought down by a simple phone call to the neighborhood police.

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* ''Series/{{ProdigalSon}}: The ''Series/{{ProdigalSon}}'': in flashbacks: the Surgeon was a prolific serial killer, brought down by a simple phone call to the neighborhood police. police.
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* ''Series/{{ProdigalSon}}: Malcolm Bright is a gifted criminal psychologist, using his twisted genius to solve crimes and stop serial killers.

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* ''Series/{{ProdigalSon}}: Malcolm Bright is The Surgeon was a gifted criminal psychologist, using his twisted genius to solve crimes and stop prolific serial killers. killer, brought down by a simple phone call to the neighborhood police.
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* ''Series/{{ProdigalSon}}: Malcolm Bright is a gifted criminal psychologist, using his twisted genius to solve crimes and stop serial killers.

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'''Outsiders/Hangers On''' are the next rung down on the popularity ladder. Generally petty crooks, fencers, forgers, dealers of soft drugs and other people who are on the wrong side of the law but not sufficiently nasty to put off the viewing audience. Expect the really nasty criminals to pop up more regularly, usually as a plot device if the protagonists owe them money/drugs/something else. The outsiders are usually cowardly or otherwise non-violent. These guys typically star in dark comedies.

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'''Outsiders/Hangers On''' '''Outsiders and Hangers-on''' are the next rung down on the popularity ladder. Generally petty crooks, fencers, forgers, dealers of soft drugs and other people who are on the wrong side of the law but not sufficiently nasty to put off the viewing audience. Expect the really nasty criminals to pop up more regularly, usually as a plot device if the protagonists owe them money/drugs/something else. The outsiders are usually cowardly or otherwise non-violent. These guys typically star in dark comedies.
comedies.






'''Convicts''' do not fit comfortably into the popularity ladder. This is because, since they have been taken off the street and are (in theory) paying for their crimes, they don't necessarily have to be shown committing criminal acts. Or, when they do commit such acts, they are usually in flashbacks, as a part of the convict's origin story - or against fellow inmates, which attacks can be seen as justified to some viewers. As a result, series set in {{prison}} can have wildly different tones, from harrowing to comedic.

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'''Convicts''' '''Convicts and Prisoners''' do not fit comfortably into the popularity ladder. This is because, since they have been taken off the street and are (in theory) paying for their crimes, they don't necessarily have to be shown committing criminal acts. Or, when they do commit such acts, they are usually in flashbacks, as a part of the convict's origin story - or against fellow inmates, which attacks can be seen as justified to some viewers. As a result, series set in {{prison}} can have wildly different tones, from harrowing to comedic.
comedic.




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* ''Series/BreakingBad'' about a mild-mannered high school chemistry teacher turned meth cook turned drug kingpin. Features an excellent ProtagonistJourneyToVillain.

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* ''Series/BreakingBad'' is about a mild-mannered high school chemistry teacher turned meth cook turned drug kingpin. Features an excellent ProtagonistJourneyToVillain.
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[[ConMan Con Men]] and [[GentlemanThief Gentlemen Thieves]] are the most popular, since it's easy to make them sympathetic to the audience by making [[TheMark their victims]] rich and greedy. They are also usually charismatic and attractive. Their shows are usually light in tone and there will almost certainly be one episode where they actually help the police to take down a violent (and therefore "bad") criminal. There may be a recurring police officer who tries (and fails) to capture the protagonists, or who coerces them into helping him out with his investigations.

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[[ConMan '''[[ConMan Con Men]] and [[GentlemanThief Gentlemen Thieves]] Thieves]]''' are the most popular, since it's easy to make them sympathetic to the audience by making [[TheMark their victims]] rich and greedy. They are also usually charismatic and attractive. Their shows are usually light in tone and there will almost certainly be one episode where they actually help the police to take down a violent (and therefore "bad") criminal. There may be a recurring police officer who tries (and fails) to capture the protagonists, or who coerces them into helping him out with his investigations.
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* ''Pale Gray for Guilt,'' part of [[LongRunningBookSeries John D. Macdonald's extensive chronicles]] of "salvage consultant" Travis McGee, details in impressive and plausible detail both how the innocent victim got taken, and how Travis and his best friend and accomplice Meyer work the big con on the con men.

to:

* ''Pale Gray for Guilt,'' part of [[LongRunningBookSeries John D. Macdonald's extensive chronicles]] of "salvage consultant" Travis McGee, [=McGee=], details in impressive and plausible detail both how the innocent victim got taken, and how Travis and his best friend and accomplice Meyer work the big con on the con men.
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* ''Pale Gray for Guilt,'' part of [[LongRunningBookSeries John D. Macdonald's extensive chronicles]] of "salvage consultant" Travis McGee, details in impressive and plausible detail both how the innocent victim got taken, and how Travis and his best friend and accomplice Meyer work the big con on the con men.
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Add The Saint

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* ''Literature/TheSaint'': Simon Templar is a con man whose victims are criminals and other shady characters. He’s always one step ahead of the police, particularly Inspector Claude Eustace Teal. However he does occasionally give them assistance in bringing criminals to justice.

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