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* The InstrumentalThemeTune to ''Series/{{Cranford}}'' is in 4/4, but when it shows up for a ThemeTuneCameo at the end of the last episode, it's in 3/4 time.

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For some reason, 4/4 time is used in the overwhelming majority of rock and pop songs, to the point that it gives an impression of no other time signatures existing. A well-known joke among jazz bands is about a newbie trying (and failing) to read a piece written in 7/8 time, counting the beats "one - two - three - four - five - six - se - ven," being all too accustomed to 4/4 time. Classical music is rather more diverse in meter, with 2/2 ('Cut time'), 3/8, 6/8, and 3/4 being quite common.

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For some reason, 4/4 time is used in the overwhelming majority of rock and pop songs, to the point that it gives an impression of no other time signatures existing. A well-known joke among jazz bands is about a newbie trying (and failing) to read a piece written in 7/8 time, counting the beats "one - two - three - four - five - six - se - ven," being all too accustomed to 4/4 time. Classical music is rather more diverse in meter, with 2/2 ('Cut time'), 3/8, 3/8 ('waltz'), 6/8, and 3/4 being quite common.



** Unusually for an opera, ''Lohengrin'' comes close to being ''entirely'' in CommonTime, the exception being the chorale preceding the duel. (The famous Bridal Chorus is in 2/4, but that's too similar.)

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** Unusually for an opera, ''Lohengrin'' comes close to being ''entirely'' in CommonTime, the exception being the chorale preceding the duel. (The famous Bridal Chorus is in 2/4, but that's too similar.)similar)
* The "Mars" section of Gustav Holst's orchestral suite ''The Planets'' is 5/4.



* Jazz pianist David Benoit makes a point of having at least one composition per album use something other than common-time. Usually it'll be 7/8.



* Old British Broadsides are usually written down in mixed time signatures, reflecting the singer's personal style. This led to Percy Grainger recoring pieces in fractional time signatures - i.e. two-and-a-half quavers (quarters) to the measure.

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* Old British Broadsides are usually written down in mixed time signatures, reflecting the singer's personal style. This led to Percy Grainger recoring (who tended to be kind of a troll about this sort of thing) rescoring pieces in fractional time signatures - i.e. two-and-a-half quavers (quarters) to the measure.measure (i.e. 5/8).



* Movies often use variants on 3/4 for "epic" tunes. Think of the ''PiratesOfTheCaribbean'' and ''Film/HarryPotter'' themes.

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* Hollywood Movies often use variants on 3/4 for "epic" tunes. Think of the ''PiratesOfTheCaribbean'' and ''Film/HarryPotter'' themes.
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* Movies often use variants on 3/4 for "epic" tunes. Think of the ''PiratesOfTheCaribbean'' and ''HarryPotter'' themes.

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* Movies often use variants on 3/4 for "epic" tunes. Think of the ''PiratesOfTheCaribbean'' and ''HarryPotter'' ''Film/HarryPotter'' themes.
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This is about The Four Chords Of Pop; chord progression, not time signature


->'''Jordan Raskopoulos''': ''Let me get this straight, Chicken Little. What you're trying to say is that you can take those four chords, repeat them, and pump out every pop song ever. Is that what you're saying?''
->'''Benny Davis''': ''Yeah.''
->'''Jordan Raskopoulos''': ''Fuck off.''
-->-- The Axis of Awesome, intro to ''[[http://www.youtube.com/watch?v=5pidokakU4I 4 Chord Song]]''



* Discussed and demonstrated by the Axis of Awesome in their [[http://www.youtube.com/watch?v=5pidokakU4I 4 Chord Song]].
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* While the chorus of TheBeatles' "All You Need is Love" is in CommonTime, the verses are all in 7/8.

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* While the chorus of TheBeatles' Music/TheBeatles' "All You Need is Love" is in CommonTime, the verses are all in 7/8.
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->'''Jordan Raskopoulos''': ''Let me get this straight, Chicken Little. What you're trying to say is that you can take those four chords, repeat them, and pump out every pop song ever. Is that what you're saying?''
->'''Benny Davis''': ''Yeah.''
->'''Jordan Raskopoulos''': ''Fuck off.''
-->-- The Axis of Awesome, intro to ''[[http://www.youtube.com/watch?v=5pidokakU4I 4 Chord Song]]''


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* Discussed and demonstrated by the Axis of Awesome in their [[http://www.youtube.com/watch?v=5pidokakU4I 4 Chord Song]].

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Changing da Namespace!+


* RichardWagner's "Music/RideOfTheValkyries" is in 9/8.

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* RichardWagner's Creator/RichardWagner's "Music/RideOfTheValkyries" is in 9/8.



<<|MusicTropes|>>
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* {{Gorillaz}} played around with this in [[http://www.youtube.com/watch?v=4tAEqUQ210M at least one song]], with drums in 4/4 and everything else in 5/4, occasionally switching to 4/4.

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* {{Gorillaz}} Music/{{Gorillaz}} played around with this in [[http://www.youtube.com/watch?v=4tAEqUQ210M at least one song]], with drums in 4/4 and everything else in 5/4, occasionally switching to 4/4.
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* Most of the music from the entire VideoGame/MegaMan series is in 4/4 time, or an equivalent such as 2/2 or 8/8 (which is almost audibly indistinguishable anyway). However, a select few tracks are in other time signatures, such as Crystal Snail's theme from Mega Man X2 (a combination of 6, 7, and 8 to a bar, changing at different points) and Blizzard Buffalo from Mega Man X3 (3 beats to a bar).

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* Most of the music from the entire VideoGame/MegaMan series is in 4/4 time, or an equivalent such as 2/2 or 8/8 (which is almost audibly indistinguishable anyway). However, a select few tracks are in other time signatures, such as Crystal Snail's theme from Mega Man X2 ''VideoGame/MegaManX 2'' (a combination of 6, 7, and 8 to a bar, changing at different points) and Blizzard Buffalo from Mega Man X3 ''X3'' (3 beats to a bar).
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* Most of the music from the entire Game/MegaMan series is in 4/4 time, or an equivalent such as 2/2 or 8/8 (which is almost audibly indistinguishable anyway). However, a select few tracks are in other time signatures, such as Crystal Snail's theme from Mega Man X2 (a combination of 6, 7, and 8 to a bar, changing at different points) and Blizzard Buffalo from Mega Man X3 (3 beats to a bar).

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* Most of the music from the entire Game/MegaMan VideoGame/MegaMan series is in 4/4 time, or an equivalent such as 2/2 or 8/8 (which is almost audibly indistinguishable anyway). However, a select few tracks are in other time signatures, such as Crystal Snail's theme from Mega Man X2 (a combination of 6, 7, and 8 to a bar, changing at different points) and Blizzard Buffalo from Mega Man X3 (3 beats to a bar).
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In music, CommonTime refers to the 4/4 time signature. It means that each bar (measure) of music has four beats and that a beat is equal to a quarter note. It so common that the notes (in American English at least) are pretty much named for it. Why else would a 'whole note' be four beats and everything else taken as fractions?

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In music, CommonTime refers to the 4/4 time signature. It means that each bar (measure) of music has four beats and that a beat is equal to a quarter note. It It's so common that the notes (in American English at least) are pretty much named for it. Why else would a 'whole note' be four beats and everything else taken as fractions?
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* RichardWagner's "RideOfTheValkyries" is in 9/8.

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* RichardWagner's "RideOfTheValkyries" "Music/RideOfTheValkyries" is in 9/8.
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Note: while the topic specifically warns for using 3/4 examples I feel like the movie themes still fit in, because that\'s not where you\'dd first look on a quest for uncommon musical stuff. Feel free to delete that line if you disagree.

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* The beginning of the ''MissionImpossible'' theme is 5/4.
* So is "Everything's Alright" from ''JesusChristSuperstar''.
* Movies often use variants on 3/4 for "epic" tunes. Think of the ''PiratesOfTheCaribbean'' and ''HarryPotter'' themes.
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* LedZeppelin were one of the earliest rock bands to deviate from common time, laying down the groundwork for metal bands for years to come. Sometimes, they were very subtle about it: most people miss the extra beat they add in to the pre-guitar-solo section of "Stairway to Heaven." Other times they were very blatant, such as in their song "The Ocean" which constantly switches between 7/8 and common. Notably, "Black Dog" was written by bassist John Paul Jones to have lots of time signature changes, but drummer John Bonham ignored this and played the whole song in Common Time. It shows.

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* LedZeppelin Music/LedZeppelin were one of the earliest rock bands to deviate from common time, laying down the groundwork for metal bands for years to come. Sometimes, they were very subtle about it: most people miss the extra beat they add in to the pre-guitar-solo section of "Stairway to Heaven." Other times they were very blatant, such as in their song "The Ocean" which constantly switches between 7/8 and common. Notably, "Black Dog" was written by bassist John Paul Jones to have lots of time signature changes, but drummer John Bonham ignored this and played the whole song in Common Time. It shows.
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* Calgary indie rock band Women are rather fond of odd time signatures. They have songs in 13/8 and 7/4, and "Shaking Hand" has an opening riff that cycles (to this troper's best guess) through one bar in 13/8 and two bars of 4/4, and a closing section that cycles through one bar each of 3/4, 5/8, 3/4, 3/4, and 3/8.

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* Calgary indie rock band Women are rather fond of odd time signatures. They have songs in 13/8 and 7/4, and "Shaking Hand" has an opening riff that cycles (to this troper's best guess) through one bar in 13/8 and two bars of 4/4, and a closing section that cycles through one bar each of 3/4, 5/8, 3/4, 3/4, and 3/8.
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* Calgary indie rock band Women are rather fond of odd time signatures. They have songs in 13/8 and 7/4, and "Shaking Hand" has an opening riff that cycles (to this troper's best guess) through one bar in 13/8 and two bars of 4/4, and a closing section that cycles through one bar each of 3/4, 5/8, 3/4, 3/4, and 3/8.
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* As with JethroTull, a lot of prog rock (in many cases drawing on Brubeck or on classical music) is in UncommonTime. For instance, the ''[[{{Genesis}} Supper's Ready]]'' segment "Apocalypse in 9/8" is [[ExactlyWhatItSaysOnTheTin precisely what its name says]].

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* As with JethroTull, a lot of prog rock (in many cases drawing on Brubeck or on classical music) is in UncommonTime. For instance, the ''[[{{Genesis}} ''[[Music/{{Genesis}} Supper's Ready]]'' segment "Apocalypse in 9/8" is [[ExactlyWhatItSaysOnTheTin precisely what its name says]].
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*Try playing "guess the time signature" with Dream Theater music. By the time you think you found it, it changes again.
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** 9/8 time has a numerological/religious significance for hymns. Three is considered a holy number, as it represents the Trinity, and thus three times three (=9) represents divine perfection. Three times three is often woven into other aspects of the structure of hymns and plainchants as well.
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** Which actually makes the song ''harder'' to play as one really doesn't follow the rhythm. Yet it works!
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* {{Gorillaz}} played around with this in [[http://www.youtube.com/watch?v=4tAEqUQ210M at least one song]], with drums in 4/4 and everything else in 5/4, occasionally switching to 4/4.
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None

Added DiffLines:

* Old British Broadsides are usually written down in mixed time signatures, reflecting the singer's personal style. This led to Percy Grainger recoring pieces in fractional time signatures - i.e. two-and-a-half quavers (quarters) to the measure.
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** And unlike standard 9/8, which is divided into the groups of 3, "Apocalypse in 9/8" is divided as 4+3+2/8

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** And unlike standard 9/8, which is divided into the 3 groups of 3, "Apocalypse in 9/8" is divided as 4+3+2/8
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**And unlike standard 9/8, which is divided into the groups of 3, "Apocalypse in 9/8" is divided as 4+3+2/8
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For some reason, 4/4 time is used in the overwhelming majority of rock and pop songs, to the point that it gives an impression of no other time signatures existing. A well-known joke among jazz bands is about a newbie trying (and failing) to read a piece written in 7/8 time, counting the beats "one - two - three - four - five - six - se - ven," being all-too accustomed to 4/4 time. Classical music is rather more diverse in meter, with 2/2 ('Cut time'), 3/8, 6/8, and 3/4 being quite common.

to:

For some reason, 4/4 time is used in the overwhelming majority of rock and pop songs, to the point that it gives an impression of no other time signatures existing. A well-known joke among jazz bands is about a newbie trying (and failing) to read a piece written in 7/8 time, counting the beats "one - two - three - four - five - six - se - ven," being all-too all too accustomed to 4/4 time. Classical music is rather more diverse in meter, with 2/2 ('Cut time'), 3/8, 6/8, and 3/4 being quite common.
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In music, CommonTime refers to the 4/4 time signature. It means that each bar (measure) of music has four beats and that a beat is equal to a quarter note. It so common that the notes are pretty much named for it. Why else would a 'whole note' be four beats and everything else taken as fractions?

to:

In music, CommonTime refers to the 4/4 time signature. It means that each bar (measure) of music has four beats and that a beat is equal to a quarter note. It so common that the notes (in American English at least) are pretty much named for it. Why else would a 'whole note' be four beats and everything else taken as fractions?
Is there an issue? Send a MessageReason:
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* Most of the music from the entire MegaMan series is in 4/4 time, or an equivalent such as 2/2 or 8/8 (which is almost audibly indistinguishable anyway). However, a select few tracks are in other time signatures, such as Crystal Snail's theme from Mega Man X2 (a combination of 6, 7, and 8 to a bar, changing at different points) and Blizzard Buffalo from Mega Man X3 (3 beats to a bar).

to:

* Most of the music from the entire MegaMan Game/MegaMan series is in 4/4 time, or an equivalent such as 2/2 or 8/8 (which is almost audibly indistinguishable anyway). However, a select few tracks are in other time signatures, such as Crystal Snail's theme from Mega Man X2 (a combination of 6, 7, and 8 to a bar, changing at different points) and Blizzard Buffalo from Mega Man X3 (3 beats to a bar).

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wrong page! (I had two "Common Xs" up, sue me)


-->I learned from ''{{Achewood}}'' that since this poem [Because I could not stop for Death] is in ballad meter, it can be sung to the tune of ''GilligansIsland''. Since then, [[EarWorm try as I might]], I haven't ONCE been able to read it normally. \\
--{{xkcd}}, "[[http://xkcd.com/788/ The Carriage]]"

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-->I learned from ''{{Achewood}}'' that since this poem [Because I could not stop for Death] is in ballad meter, it can be sung to the tune of ''GilligansIsland''. Since then, [[EarWorm try as I might]], I haven't ONCE been able to read it normally. \\
--{{xkcd}}, "[[http://xkcd.com/788/ The Carriage]]"
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-->I learned from ''{{Achewood}}'' that since this poem [Because I could not stop for Death] is in ballad meter, it can be sung to the tune of ''GilligansIsland''. Since then, [[EarWorm try as I might]], I haven't ONCE been able to read it normally. \\
--{{xkcd}}, "[[http://xkcd.com/788/ The Carriage]]"
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* In the Royal Conservatory of Music's grade eight repertoire, there is a song titled "O Moon", which completely lacks any time signature for a large portion of the piece.

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