Is there an issue? Send a MessageReason:
None
Changed line(s) 13 (click to see context) from:
!![[Administrivia/DefinitionOnlyPages This page is only made to describe the term.]] No examples please.
to:
!![[Administrivia/DefinitionOnlyPages This page is only made to describe the term.]] No examples please.please.
----
----
Is there an issue? Send a MessageReason:
None
Changed line(s) 7,8 (click to see context) from:
This technique was the main way of producing animation during the 20th century, especially in MediaNotes/TheGoldenAgeOfAnimation. It was the standard for animated films until the advent of computer animation, such as [[pmwiki.php/AllCGICartoon CGI]] or 2D programs such as [[pmwiki.php/ToonBoom Toonboom Harmony]].
to:
This technique was the main way of producing animation during the 20th century, especially in MediaNotes/TheGoldenAgeOfAnimation. It was the standard for animated films until the advent of computer animation, such as [[pmwiki.php/AllCGICartoon [[AllCGICartoon CGI]] or 2D programs such as [[pmwiki.php/ToonBoom [[MediaNotes/ToonBoom Toonboom Harmony]].
Is there an issue? Send a MessageReason:
None
Changed line(s) 7,8 (click to see context) from:
This technique was the main way of producing animation during the 20th century, especially in MediaNotes/TheGoldenAgeOfAnimation. It was the standard for animated films until the advent of [[Main/AllCGICartoon computer animation.]]
to:
This technique was the main way of producing animation during the 20th century, especially in MediaNotes/TheGoldenAgeOfAnimation. It was the standard for animated films until the advent of [[Main/AllCGICartoon computer animation.]]
animation, such as [[pmwiki.php/AllCGICartoon CGI]] or 2D programs such as [[pmwiki.php/ToonBoom Toonboom Harmony]].
Is there an issue? Send a MessageReason:
Spelling/grammar fix(es)
Changed line(s) 5,6 (click to see context) from:
Cel animation starts with the lineart being done on one side of a blank cels with ink. (In later years, Xerox photocopiers replaced hand inking, except for colored lines.) The cel is then flipped over, and a painter colours it in from the other side. Backgrounds are created separately. When both are complete, the cel is stacked in front of the background. It is photographed, creating a frame. More cels are painted and photographed in sequence to create the illusion of movement.
to:
Cel animation starts with the lineart being done on one side of a blank cels cel with ink. (In later years, Xerox photocopiers replaced hand inking, except for colored lines.) The cel is then flipped over, and a painter colours it in from the other side. Backgrounds are created separately. When both are complete, the cel is stacked in front of the background. It is photographed, creating a frame. More cels are painted and photographed in sequence to create the illusion of movement.
Is there an issue? Send a MessageReason:
General clarification on work content
Changed line(s) 5,6 (click to see context) from:
Cel animation starts with the lineart being done on one side of a blank cels with ink. The cel is then flipped over, and a painter colours it in from the other side. Backgrounds are created separately. When both are complete, the cel is stacked in front of the background. It is photographed, creating a frame. More cels are painted and photographed in sequence to create the illusion of movement.
to:
Cel animation starts with the lineart being done on one side of a blank cels with ink. (In later years, Xerox photocopiers replaced hand inking, except for colored lines.) The cel is then flipped over, and a painter colours it in from the other side. Backgrounds are created separately. When both are complete, the cel is stacked in front of the background. It is photographed, creating a frame. More cels are painted and photographed in sequence to create the illusion of movement.
Is there an issue? Send a MessageReason:
None
Changed line(s) 5,6 (click to see context) from:
Cel animation starts with each individual frame drawn on a blank cel with ink. The cel is then flipped over, with the painter painting it on the back. Backgrounds are created separately. When both are complete, the cel is stacked in front of the background. It is photographed, creating a frame. More cels are painted and photographed in sequence to create the illusion of movement.
to:
Cel animation starts with each individual frame drawn the lineart being done on one side of a blank cel cels with ink. The cel is then flipped over, with the and a painter painting colours it on in from the back.other side. Backgrounds are created separately. When both are complete, the cel is stacked in front of the background. It is photographed, creating a frame. More cels are painted and photographed in sequence to create the illusion of movement.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3,4 (click to see context) from:
Cel animation, also known as traditional animation, is a technique where each frame is drawn by hand on celluloids (cel for short), a transparent sheet where characters are painted on. The process was time-consuming and costly, requiring a large team of artists.
to:
Cel animation, also known as traditional animation, is a technique where each frame is drawn and characters painted by hand on celluloids (cel for short), a transparent sheet where characters are painted on.sheets of celluloid (cels for short). The process was time-consuming and costly, requiring a large team of artists.
Changed line(s) 7,8 (click to see context) from:
This technique was the main animation producer of the 20th century, especially in [[MediaNotes/TheGoldenAgeOfAnimation the Golden Age of animation.]] This method was the standard for animated films until the advent of [[Main/AllCGICartoon computer animation.]]
to:
This technique was the main way of producing animation producer of during the 20th century, especially in [[MediaNotes/TheGoldenAgeOfAnimation the Golden Age of animation.]] This method MediaNotes/TheGoldenAgeOfAnimation. It was the standard for animated films until the advent of [[Main/AllCGICartoon computer animation.]]
Changed line(s) 11 (click to see context) from:
Compare Main/LimitedAnimation, which is a kind of cel animation that reuses the same animation frames for certain sequences.
to:
Is there an issue? Send a MessageReason:
Created from YKTTW
Added DiffLines:
[[quoteright:500:https://static.tvtropes.org/pmwiki/pub/images/file_inkandpaint.jpg]]
[[caption-width-right:500:[[https://en.wikipedia.org/wiki/Traditional_animation Source]]]]
Cel animation, also known as traditional animation, is a technique where each frame is drawn by hand on celluloids (cel for short), a transparent sheet where characters are painted on. The process was time-consuming and costly, requiring a large team of artists.
Cel animation starts with each individual frame drawn on a blank cel with ink. The cel is then flipped over, with the painter painting it on the back. Backgrounds are created separately. When both are complete, the cel is stacked in front of the background. It is photographed, creating a frame. More cels are painted and photographed in sequence to create the illusion of movement.
This technique was the main animation producer of the 20th century, especially in [[MediaNotes/TheGoldenAgeOfAnimation the Golden Age of animation.]] This method was the standard for animated films until the advent of [[Main/AllCGICartoon computer animation.]]
Not to be confused with CelShading, another type of animation that has nothing to do with cel animation.
Compare Main/LimitedAnimation, which is a kind of cel animation that reuses the same animation frames for certain sequences.
!![[Administrivia/DefinitionOnlyPages This page is only made to describe the term.]] No examples please.
[[caption-width-right:500:[[https://en.wikipedia.org/wiki/Traditional_animation Source]]]]
Cel animation, also known as traditional animation, is a technique where each frame is drawn by hand on celluloids (cel for short), a transparent sheet where characters are painted on. The process was time-consuming and costly, requiring a large team of artists.
Cel animation starts with each individual frame drawn on a blank cel with ink. The cel is then flipped over, with the painter painting it on the back. Backgrounds are created separately. When both are complete, the cel is stacked in front of the background. It is photographed, creating a frame. More cels are painted and photographed in sequence to create the illusion of movement.
This technique was the main animation producer of the 20th century, especially in [[MediaNotes/TheGoldenAgeOfAnimation the Golden Age of animation.]] This method was the standard for animated films until the advent of [[Main/AllCGICartoon computer animation.]]
Not to be confused with CelShading, another type of animation that has nothing to do with cel animation.
Compare Main/LimitedAnimation, which is a kind of cel animation that reuses the same animation frames for certain sequences.
!![[Administrivia/DefinitionOnlyPages This page is only made to describe the term.]] No examples please.
