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Asskicking Equals Authority has been renamed.


* WarriorPrince: Many sagas have episodes where Icelandic heroes on a continental trip rub shoulders with royalty, mostly kings of Norway. Because AsskickingEqualsAuthority was the rule among Norse aristocracy, every Norse king or earl was necessarily a Warrior Prince (though some more so than others).

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* WarriorPrince: Many sagas have episodes where Icelandic heroes on a continental trip rub shoulders with royalty, mostly kings of Norway. Because AsskickingEqualsAuthority AsskickingLeadsToLeadership was the rule among Norse aristocracy, every Norse king or earl was necessarily a Warrior Prince (though some more so than others).
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* MoneySlap: In the''Saga of Gisli Sursson'' Eyjolf, after failing once again to track Gisli in the wild, goes to Gisli's wife Aud and offers the three hundred marks of silver he has been paid in advance for bringing in Gisli's head, if she will reveal Gisli's whereabouts to him. He also promises her that she will not have to be present when her husband is killed, and that he will arrange a new marriage to a wealthy man for her. Aud acts like she is inclined to accept the deal and asks Eyjolf to count out the silver for her; this done, she asks Eyjolf whether she "[[ExactWords might do as she wished]]" with this money, and Eyjolf gladly affirms this. Aud then fills the silver into a large purse, stands up and smashes the purse into Eyjolf's face so that "blood spurted all over him".

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* MoneySlap: In the''Saga the ''Saga of Gisli Sursson'' Eyjolf, after failing once again to track Gisli in the wild, goes to Gisli's wife Aud and offers the three hundred marks of silver he has been paid in advance for bringing in Gisli's head, if she will reveal Gisli's whereabouts to him. He also promises her that she will not have to be present when her husband is killed, and that he will arrange a new marriage to a wealthy man for her. Aud acts like she is inclined to accept the deal and asks Eyjolf to count out the silver for her; this done, she asks Eyjolf whether she "[[ExactWords might do as she wished]]" with this money, and Eyjolf gladly affirms this. Aud then fills the silver into a large purse, stands up and smashes the purse into Eyjolf's face so that "blood spurted all over him".
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* MoneySlap: In the''Saga of Gisli Sursson'' Eyjolf, after failing once again to track Gisli in the wild, goes to Gisli's wife Aud and offers the three hundred marks of silver he has been paid in advance for bringing in Gisli's head, if she will reveal Gisli's whereabouts to him. He also promises her that she will not have to be present when her husband is killed, and that he will arrange a new marriage to a wealthy man for her. Aud acts like she is inclined to accept the deal and asks Eyjolf to count out the silver for her; this done, she asks Eyjolf whether she "[[ExactWords might do as she wished]]" with this money, and Eyjolf gladly affirms this. Aud then fills the silver into a large purse, stands up and smashes the purse into Eyjolf's face so that "blood spurted all over him".
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Trope has been disambiguated per TRS


* DeterminedWidow
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Dewicked trope


* LostInTranslation: The most obvious example is the key Icelandic social position of ''godi,'' which is so impossible to translate into a single English (or most other languages) word that most modern translations simply describe it in detail in the introduction or a footnote and then use it untranslated. Also ''atgeir,'' the WeaponOfChoice of many saga characters, is often translated as "halberd" despite the fact that nobody is certain whether that's what it actually was and no actual halberds dating from the saga era have ever been found. Finally, Old Norse poetry is notoriously difficult to translate into other languages thanks to its reliance on wordplay and complex metaphor. In particular, wordplay in poems based on people's names is often just explained in a footnote.

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* LostInTranslation: The most obvious example is the key Icelandic social position of ''godi,'' which is so impossible to translate into a single English (or most other languages) word that most modern translations simply describe it in detail in the introduction or a footnote and then use it untranslated. Also ''atgeir,'' the WeaponOfChoice weapon of many saga characters, is often translated as "halberd" despite the fact that nobody is certain whether that's what it actually was and no actual halberds dating from the saga era have ever been found. Finally, Old Norse poetry is notoriously difficult to translate into other languages thanks to its reliance on wordplay and complex metaphor. In particular, wordplay in poems based on people's names is often just explained in a footnote.

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* DeterminedHomesteader: When not abroad adventuring, farming was the way of life of almost all Icelanders.
* DeterminedHomesteadersWife: Norse women worked hard -- frequently harder than the men. Side note: While women in Norse society had certain rights that they typically did not have in medieval Christian societies (such as the right to divorce her husband or the right to inherit), by and large Norse society was sexist -- women could, for example, not vote in the assembly or hold chieftaincies. In legal affairs, they were usually represented by male relatives.

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* DeterminedHomesteader: When not abroad adventuring, farming was the way of life of almost all Icelanders.
* DeterminedHomesteadersWife:
Icelanders. Norse women worked hard -- frequently harder than the men. Side note: While women in Norse society had certain rights that they typically did not have in medieval Christian societies (such as the right to divorce her husband or the right to inherit), by and large Norse society was sexist -- women could, for example, not vote in the assembly or hold chieftaincies. In legal affairs, they were usually represented by male relatives.
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* TheTrickster: Several sagas, such as Gisli Sursson's, have a character named Ref -- Icelandic for [[CunningLikeAFox "Fox"]] -- who always lives up to his name. There is also a Saga of Ref the Sly, where the eponymous hero tricks [[WarriorPrince Harald Hardradi]]. (Parts of the Saga of Ref, and some of the scenes dealing with bit-part Ref characters in other sagas, show [[WholePlotReference clear similarities]] to the French "[[FantasticFoxes Reynard]]" folktales.)

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* TheTrickster: Several sagas, such as Gisli Sursson's, have a character named Ref -- Icelandic for [[CunningLikeAFox "Fox"]] -- who always lives up to his name. There is also a Saga of Ref the Sly, where the eponymous hero tricks [[WarriorPrince Harald Hardradi]]. (Parts of the Saga of Ref, and some of the scenes dealing with bit-part Ref characters in other sagas, show [[WholePlotReference clear similarities]] to the French "[[FantasticFoxes Reynard]]" "Literature/{{Reynard|TheFox}}" folktales.)
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Mary Suetopia has been cut per TRS: [1]. Appropriate examples are moved to Utopia

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* {{Utopia}}: A peculiar inverted example. Many right-libertarians or free-market anarchists like to point to the Icelandic Commonwealth as the main historic example of a successful individualistic society with the rule of law but no central government or official law enforcement. The sagas, however, frequently demonstrate that the rule of law is pretty useless in terms of actual justice if you have to enforce judgements yourself and the wrongdoer is tougher or more powerful than you are. In history, the Icelandic Commonwealth essentially collapsed into civil war when so much of the agricultually-practical parts of Iceland got inhabited that people who were forced out of their homes or didn't get on with their neighbours couldn't go and move somewhere else.
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[[caption-width-right:350:[- Page from the ''Book of Flatey'' (late 14th century), containing the beginning of the ''Saga of Sverrir Sigurdsson''.-]]]
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The Icelandic / Old Norse word ''saga'' means, basically, story. [[note]] In modern Icelandic it can also mean, depending on the context, "statement," "account," or "message." The Icelandic plural is ''sögur.'' [[/note]] And ''the'' sagas are anonymous narratives in the [[https://en.wikipedia.org/wiki/Old_Norse#Old_West_Norse Old West Norse]] language that were penned in the [[TheHighMiddleAges 13th and 14th century]] by UsefulNotes/{{Iceland}}ers, in Iceland, and preserved in Iceland; which is where the term "Icelandic Sagas" comes in.

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The Icelandic / Old Norse word ''saga'' means, basically, story. [[note]] In modern Icelandic it can also mean, depending on the context, "statement," "account," or "message." The Icelandic plural is ''sögur.'' It’s cognate to the English words "say" and "saw" (as in "old saw" for a cliché).[[/note]] And ''the'' sagas are anonymous narratives in the [[https://en.wikipedia.org/wiki/Old_Norse#Old_West_Norse Old West Norse]] language that were penned in the [[TheHighMiddleAges 13th and 14th century]] by UsefulNotes/{{Iceland}}ers, in Iceland, and preserved in Iceland; which is where the term "Icelandic Sagas" comes in.
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* SinisterSchnoz: Several sagas (to wit, Oddr Snorrason's ''Saga of Olaf Tryggvason'', ''Fagrskinna'', ''Kristni saga'', and ''The Greatest Saga of Olaf Tryggvason'') record a stanza of Old Norse invective poetry supposedly composed around 1000 CE by the Icelander Stefnir Thorgilsson in scorn of the Danish jarl Sigvaldi, the latter supposedly a notorious traitor who was blamed for betraying, at different opportunities, kings Svein Forkbeard of Denmark and Olaf Tryggvason of Norway. The verse itself makes a point of not mentioning the name of its target, but instead speaks only of a "villain" (''níðingr'') whose nose is "curved down", the latter allegedly being a salient physical feature of Jarl Sigvaldi.
-->''I will not name him, but I will aim close: The nose is curved down on the traitor who tricked King Svein from his realm and drew the son of Tryggvi into a trap.''
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/the_flateyjarbk_a_collection_of_manuscripts_of_the_icelandic_sagas_ec87nd.jpg]]
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* DangerousBackswing: In the ''Saga of Hrómund Gripsson'', Hrómund's enemy Helgi wins all battles because of his mistress Lara, a shape-changing witch who assists her lover in battle casting spells while flying over the battlefield in the shape of a swan. In Hrómund's and Helgi's last confrontation, Helgi swings his sword at Hrómund while Lara soars overhead and accidentally cuts off Lara's leg, which kills her. Without her magic to protect Helgi, Hrómund can finally kill him.
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Loads And Loads Of Characters is no longer a trope


* LoadsAndLoadsOfCharacters: Especially in the longest Sagas (''Njáls'', ''Egils'', ''Laxdæla'', and ''Grettis Saga''), but even the shorter ones almost always have a high character density. It doesn't help that a lot of the males tend to begin with ''thór-'', and sometimes there are even multiple characters with the same first name. Woe to the careless, casual reader!
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The Sagas of Icelanders encompass about 40 extant texts. ''[[Literature/NjalsSaga Njál's Saga]]'', ''Literature/LaxdaelaSaga'', ''Literature/GrettirsSaga'', ''Literature/EgilsSaga'' and ''Literature/EyrbyggjaSaga'' are sometimes defined as the 'Big Five' of the group. Other popular sagas of Icelanders include ''Gisli's Saga'', ''Hrafnkel's Saga'', the ''Saga of Erik the Red'' and the ''Saga of Gunnlaug Serpent-Tongue''. For a more exhaustive list, check out [[http://en.wikipedia.org/wiki/Sagas_of_Icelanders the other wiki]] or our own [[Recap/TheIcelandicSagas Synopsis page]]. Note that the title of one and the same saga may be encountered in a variety of versions, due to choices made by translators and editors. For example, ''[[Literature/TheSagaOfGrettirTheStrong Grettis saga]]'' -- which is also called ''Gréttla'' by Icelanders -- has been published in English as ''Gréttir's Saga'' or ''The Saga of Gréttir the Strong.''

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The Sagas of Icelanders encompass about 40 extant texts. ''[[Literature/NjalsSaga Njál's Saga]]'', ''Literature/LaxdaelaSaga'', ''Literature/GrettirsSaga'', ''Literature/TheSagaOfThePeopleOfLaxardal'', ''Literature/TheSagaOfGrettirTheStrong'', ''Literature/EgilsSaga'' and ''Literature/EyrbyggjaSaga'' are sometimes defined as the 'Big Five' of the group. Other popular sagas of Icelanders include ''Gisli's Saga'', ''Hrafnkel's Saga'', the ''Saga of Erik the Red'' and the ''Saga of Gunnlaug Serpent-Tongue''. For a more exhaustive list, check out [[http://en.wikipedia.org/wiki/Sagas_of_Icelanders the other wiki]] or our own [[Recap/TheIcelandicSagas Synopsis page]]. Note that the title of one and the same saga may be encountered in a variety of versions, due to choices made by translators and editors. For example, ''[[Literature/TheSagaOfGrettirTheStrong Grettis saga]]'' ''Grettis saga'' -- which is also called ''Gréttla'' by Icelanders -- has been published in English as ''Gréttir's Saga'' or ''The Saga of Gréttir the Strong.''






* ''[[Literature/NjalsSaga Njál's Saga]]''

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* ''[[Literature/NjalsSaga Njál's Saga]]''''Literature/NjalsSaga''



* ''Literature/LaxdaelaSaga''

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* ''Literature/LaxdaelaSaga''''Literature/TheSagaOfThePeopleOfLaxardal''
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A specific example.


* BeastlyBloodsports: Horse fights are a popular entertainment in the world of the Icelandic Sagas, and will always become the catalyzer of a quarrel or feud. A prominent example occurs in ''[[Literature/NjalsSaga Njál's Saga]].''

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* BeastlyBloodsports: Horse fights are "The Tale of Thorstein Staff-struck" starts with a popular entertainment horse-fight in which both Thord and Thorstein strike their opponent's horse with their horse-prods, and when finally Thord's horse runs off, Thord strikes at Thorstein in anger and wounds him on his forehead. The wound leads to a feud that costs the world lives of the Icelandic Sagas, and will always become the catalyzer of a quarrel or feud. A prominent example occurs in ''[[Literature/NjalsSaga Njál's Saga]].''three men.
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* SavedByTheChurchBell: In "The Tale of Thorstein Shiver" Thorstein, a follower of Norway's missionary king Olaf Tryggvason, enounters a demonic imp while using an outhouse late at night. Fearing for his life, Thorstein cleverly persuades the demon to imitate the screams of the damned in Hell. The screams alert King Olaf, who at once orders the bell of the local church to be rung, the sound of which makes the demon fall to the floor and disappear into the ground, thus saving Thorstein's life.
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On second thought, I think it counts. He's not a sidekick, but a tiny devil whose mission may be to take Thorstein to Hell, but is ineffectual because he's too talkative and not smart enough.


* DemonOfHumanOrigin: In the "Tale of Thorstein Shiver", a short tale from the ''Book of Flatey'' (c. 1390), the Christian Thorstein encounters an imp from Hell who introduces himself as a certain Thorkel the Thin, a warrior of the pagan times who died in the famous Battle of Bravellir. All the same, the demon also relates in conversation that Sigurd and Starkad, two famous heroes of the pagan days, [[FireAndBrimstoneHell are tortured in Hell.]]

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* DemonOfHumanOrigin: In the "Tale of Thorstein Shiver", a short tale from the ''Book of Flatey'' (c. 1390), the Christian Thorstein encounters an [[TheImp imp from Hell Hell]] who introduces himself as a certain Thorkel the Thin, a warrior of the pagan times who died in the famous Battle of Bravellir. All the same, the demon also relates in conversation that Sigurd and Starkad, two famous heroes of the pagan days, [[FireAndBrimstoneHell are tortured in Hell.]]
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trope misuse


* DemonOfHumanOrigin: In the "Tale of Thorstein Shiver", a short tale from the ''Book of Flatey'' (c. 1390), the Christian Thorstein encounters an [[TheImp imp from Hell]] who introduces himself as a certain Thorkel the Thin, a warrior of the pagan times who died in the famous Battle of Bravellir. All the same, the demon also relates in conversation that Sigurd and Starkad, two famous heroes of the pagan days, [[FireAndBrimstoneHell are tortured in Hell.]]

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* DemonOfHumanOrigin: In the "Tale of Thorstein Shiver", a short tale from the ''Book of Flatey'' (c. 1390), the Christian Thorstein encounters an [[TheImp imp from Hell]] Hell who introduces himself as a certain Thorkel the Thin, a warrior of the pagan times who died in the famous Battle of Bravellir. All the same, the demon also relates in conversation that Sigurd and Starkad, two famous heroes of the pagan days, [[FireAndBrimstoneHell are tortured in Hell.]]
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* ReforgedBlade: In the ''Saga of Gísli Súrsson'', Gísli Thorkelson and the slave Koll [[MutualKill kill each other]] fighting over the ownership of the sword Greyside, which Gísli borrowed from Koll and never returned, and which he breaks by smasthing it on Koll's skull. Many years later Gísli's nephew Thorkel, who has inherited the pieces of Greyside, has them forged into a spearhead by a sorcerer, with the implication he intends the weapon to kill Vestein (who was having an affair with Thorkel's wife). Later an unknown attacker stabs Vestein with the spear and leaves it at the crime scene; Gísli Thorbjornsson, Vestein's brother-in-law and Thorkel's own brother, takes it and later uses it to murder Thorkel's brother-in-law Thorgrim in retaliation. There is no explanation given for why Thorkel chose to reforge the pieces of Greyside rather than to use any other weapon, but it is transparent that the sword's grim history predestined the spear made from its pieces to become a two-times murder weapon.
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* EmpathicWeapon (suggested): When Kormak of ''Kormak's Saga'' asks Skeggi of Midfjord to lend him the famous sword Skofnung for his duel with Bersi, Skeggi is reluctant and, though he eventually gives Kormak the sword, warns him that he will find Skofnung "difficult to handle" because "Skofnung is slow and deliberate whereas you are rash and impatient." Kormak subsequently disregards all of the instructions Skeggi gave him for handling the sword, including an incident in which he tries in vain to unsheath Skofnung against Skeggi's injunction to only draw it before the fight, to which the sword reacts by "howling". In the duel with Bersi, Kormak cuts off the point of Bersi's sword with Skofnung, but the split-off sword-point hits Kormak's hand so it bleeds, which means Kormak has lost the duel. This could be accident, or maybe Skofnung (while proving itself superior to Bersi's sword) punished Kormak for his bad treatment.
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* LegendaryWeapon: Several of the sagas (specifically ''Kormak's Saga'' and ''Laxdoela Saga'') have a cameo of Skofnung, the legendary sword of the ancient Danish king Hrolf Kraki told about in ''Literature/TheSagaOfHrolfKraki'', which supposedly was [[GraveRobbing robbed from Hrolf's gravemound]] and brought to Iceland by the Icelander Skeggi of Midfirth.

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* LegendaryWeapon: Several of Preparing for his duel with Bersi, and following the sagas (specifically advice of his mother Dalla, Kormak of ''Kormak's Saga'' and ''Laxdoela Saga'') have a cameo asks Skeggi of Midfjord to lend him Skofnung, the legendary sword of the ancient legendary Danish king Hrolf Kraki told about in ''Literature/TheSagaOfHrolfKraki'', which supposedly was [[GraveRobbing Skeggi robbed from Hrolf's gravemound]] and brought to Iceland by the Icelander Skeggi of Midfirth.gravemound in his youth.
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* DrawSwordDrawBlood: Downplayed in ''Kormak's Saga''. When Skeggi lends Kormak the famous sword Skofnung for Kormak's duel with Bersi, he tells him numerous rules he must follow in order to benefit from the sword's magic; among them that he must not carry the sword unless he is going for a fight, and to draw it only before a fight. As soon as he comes home, Kormak tries to draw Skofnung to show it to his mother, but is unable to remove it from its sheath despite considerable efforts. On the day of the duel, Kormak is able to draw the sword, but, having disregarded each and every of Skeggi's instructions, loses the duel.
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** However, that's subverted later on: [[spoiler: even though Gunnar has his halberd during his last stand, he can't hold his enemies off once his bowstring snaps.]]
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This fuzziness is not surprising as, in its basic meaning, the term ''saga'' can encompass almost all narrative prose of medieval Norse-speaking Europe.[[note]]Which, besides UsefulNotes/{{Norway}}, UsefulNotes/{{Sweden}}, UsefulNotes/{{Denmark}}, and UsefulNotes/{{Iceland}}, also included Orkney, the UsefulNotes/FaroeIslands, UsefulNotes/{{Greenland}}, and some bilingual places -- like UsefulNotes/{{Dublin}}, the Isle of Man, the Hebrides, and Caithness in UsefulNotes/{{Scotland}}.[[/note]] Medieval Iceland, however, was exceptionally productive in literary output, the place where writers most consequently used their native Norse (as opposed to Latin), and where most manuscripts of Old Norse literature were preserved.

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This fuzziness is not surprising as, in its basic meaning, the term ''saga'' can encompass almost all narrative prose of medieval Norse-speaking Europe.[[note]]Which, besides UsefulNotes/{{Norway}}, UsefulNotes/{{Sweden}}, UsefulNotes/{{Denmark}}, and UsefulNotes/{{Iceland}}, also included Shetland, Orkney, the UsefulNotes/FaroeIslands, UsefulNotes/{{Greenland}}, and some bilingual places -- like UsefulNotes/{{Dublin}}, the Isle of Man, UsefulNotes/IsleOfMan, the Hebrides, and Caithness in UsefulNotes/{{Scotland}}.[[/note]] Medieval Iceland, however, was exceptionally productive in literary output, the place where writers most consequently used their native Norse (as opposed to Latin), and where most manuscripts of Old Norse literature were preserved.

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* BadassBeard: The male beauty ideal of the Saga Age. Inability to grow a beard was considered a sad disfigurement of the the male appearance, as lack of beard was associated with effeminateness. Becomes a plot point in ''Njáls saga.''


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* ManlyFacialHair: The male beauty ideal of the Saga Age. Inability to grow a beard was considered a sad disfigurement of the the male appearance, as lack of beard was associated with effeminateness. Becomes a plot point in ''Njáls saga.''
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The Sagas of Icelanders encompass about 40 extant texts. ''[[Literature/NjalsSaga Njál's Saga]]'', ''Literature/LaxdaelaSaga'', ''Literature/GrettirsSaga'', ''Literature/EgilsSaga'' and ''Literature/EyrbyggjaSaga'' are sometimes defined as the 'Big Five' of the group. Other popular sagas of Icelanders include ''Gisli's Saga'', ''Hrafnkel's Saga'', the ''Saga of Erik the Red'' and the ''Saga of Gunnlaug Serpent-Tongue''. For a more exhaustive list, check out [[http://en.wikipedia.org/wiki/Sagas_of_Icelanders the other wiki]] or our own [[Recap/TheIcelandicSagas Synopsis page]]. Note that the title of one and the same saga may be encountered in a variety of versions, due to choices made by translators and editors. For example, ''[[Literature/TheSagaOfGrettirTheStrong Grettis saga]]'' -- which is also called ''Grettla'' by Icelanders -- has been published in English as ''Grettir's Saga'' or ''The Saga of Grettir the Strong.''

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The Sagas of Icelanders encompass about 40 extant texts. ''[[Literature/NjalsSaga Njál's Saga]]'', ''Literature/LaxdaelaSaga'', ''Literature/GrettirsSaga'', ''Literature/EgilsSaga'' and ''Literature/EyrbyggjaSaga'' are sometimes defined as the 'Big Five' of the group. Other popular sagas of Icelanders include ''Gisli's Saga'', ''Hrafnkel's Saga'', the ''Saga of Erik the Red'' and the ''Saga of Gunnlaug Serpent-Tongue''. For a more exhaustive list, check out [[http://en.wikipedia.org/wiki/Sagas_of_Icelanders the other wiki]] or our own [[Recap/TheIcelandicSagas Synopsis page]]. Note that the title of one and the same saga may be encountered in a variety of versions, due to choices made by translators and editors. For example, ''[[Literature/TheSagaOfGrettirTheStrong Grettis saga]]'' -- which is also called ''Grettla'' ''Gréttla'' by Icelanders -- has been published in English as ''Grettir's ''Gréttir's Saga'' or ''The Saga of Grettir Gréttir the Strong.''



* BornUnlucky: The natural counterpart to BornLucky. Grettir Asmundarson is an example.

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* BornUnlucky: The natural counterpart to BornLucky. Grettir Asmundarson Gréttir Ásmundarson is an example.



* {{Outlaw}}: Outlawry was the most severe punishment an Icelandic jury could dispense. Outlawry came in two degrees: Full outlawry was forever, lesser outlawry for three years. (There was also the still milder form of district banishment, where you were only forbidden to enter a certain district.) As killing an outlaw was impunishable by law, and it was technically forbidden to shelter an outlaw[[note]]Though as the sagas testify, this ban was often violated in secret.[[/note]], your best bet as an outlaw was to leave the country; if you could not or would not, you had to settle for a life of hiding and running. Outlaws appear in sagas both as heroes and as villains, with Grettir Amundarson and Gisli Sursson (each from his own saga) as the most famous examples of heroic outlaws who escape their pursuers by cunning and perseverance for many years. Less noble-minded outlaws often are villains, as outlaws frequently would turn to robbery and violence to survive.

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* {{Outlaw}}: Outlawry was the most severe punishment an Icelandic jury could dispense. Outlawry came in two degrees: Full outlawry was forever, lesser outlawry for three years. (There was also the still milder form of district banishment, where you were only forbidden to enter a certain district.) As killing an outlaw was impunishable by law, and it was technically forbidden to shelter an outlaw[[note]]Though as the sagas testify, this ban was often violated in secret.[[/note]], your best bet as an outlaw was to leave the country; if you could not or would not, you had to settle for a life of hiding and running. Outlaws appear in sagas both as heroes and as villains, with Grettir Amundarson Gréttir Ámundarson and Gisli Sursson Gísli Súrsson (each from his own saga) as the most famous examples of heroic outlaws who escape their pursuers by cunning and perseverance for many years. Less noble-minded outlaws often are villains, as outlaws frequently would turn to robbery and violence to survive.
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* ''Literature/NjalsSaga''

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* ''Literature/NjalsSaga''''[[Literature/NjalsSaga Njál's Saga]]''
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The Sagas of Icelanders encompass about 40 extant texts. ''Njál's Saga'', ''Literature/LaxdaelaSaga'', ''Literature/GrettirsSaga'', ''Literature/EgilsSaga'' and ''Literature/EyrbyggjaSaga'' are sometimes defined as the 'Big Five' of the group. Other popular sagas of Icelanders include ''Gisli's Saga'', ''Hrafnkel's Saga'', the ''Saga of Erik the Red'' and the ''Saga of Gunnlaug Serpent-Tongue''. For a more exhaustive list, check out [[http://en.wikipedia.org/wiki/Sagas_of_Icelanders the other wiki]] or our own [[Recap/TheIcelandicSagas Synopsis page]]. Note that the title of one and the same saga may be encountered in a variety of versions, due to choices made by translators and editors. For example, ''[[Literature/TheSagaOfGrettirTheStrong Grettis saga]]'' -- which is also called ''Grettla'' by Icelanders -- has been published in English as ''Grettir's Saga'' or ''The Saga of Grettir the Strong.''

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The Sagas of Icelanders encompass about 40 extant texts. ''Njál's Saga'', ''[[Literature/NjalsSaga Njál's Saga]]'', ''Literature/LaxdaelaSaga'', ''Literature/GrettirsSaga'', ''Literature/EgilsSaga'' and ''Literature/EyrbyggjaSaga'' are sometimes defined as the 'Big Five' of the group. Other popular sagas of Icelanders include ''Gisli's Saga'', ''Hrafnkel's Saga'', the ''Saga of Erik the Red'' and the ''Saga of Gunnlaug Serpent-Tongue''. For a more exhaustive list, check out [[http://en.wikipedia.org/wiki/Sagas_of_Icelanders the other wiki]] or our own [[Recap/TheIcelandicSagas Synopsis page]]. Note that the title of one and the same saga may be encountered in a variety of versions, due to choices made by translators and editors. For example, ''[[Literature/TheSagaOfGrettirTheStrong Grettis saga]]'' -- which is also called ''Grettla'' by Icelanders -- has been published in English as ''Grettir's Saga'' or ''The Saga of Grettir the Strong.''



* BeastlyBloodsports: Horse fights are a popular entertainment in the world of the Icelandic Sagas, and will always become the catalyzer of a quarrel or feud. A prominent example occurs in ''Njal's Saga.''

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* BeastlyBloodsports: Horse fights are a popular entertainment in the world of the Icelandic Sagas, and will always become the catalyzer of a quarrel or feud. A prominent example occurs in ''Njal's Saga.''[[Literature/NjalsSaga Njál's Saga]].''



* MagicalWeapon: Gunnar in ''Njal's Saga'' has a magic Halberd that makes its wielder invincible. He took it from a pirate who was invincible until the halberd got [[LeftStuckAfterAttack stuck in the boom of the ship.]]
* TheMagnificent: Nick- or bynames are almost ubiquitous in the saga universe. "Wolf the Unwashed", a minor supporting character in ''Njal's Saga'', is one of the odder examples.

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* MagicalWeapon: Gunnar in ''Njal's Saga'' ''Literature/NjalsSaga'' has a magic Halberd ''[[BladeOnAStick atgeir]]'' that makes its wielder invincible. He took it from a pirate who was invincible until the halberd ''atgeir'' got [[LeftStuckAfterAttack stuck in the boom of the ship.]]
* TheMagnificent: Nick- or bynames are almost ubiquitous in the saga universe. "Wolf the Unwashed", a minor supporting character in ''Njal's Saga'', ''Literature/NjalsSaga'', is one of the odder examples.



** Though ''Njal's Saga'' is arguably a really effective {{Deconstruction}}. Many of the male characters react pathetically to perceived slights to their manly honour and it is quite clear that much of the bloodshed in the story could have been easily avoided if thicker skins and cooler heads prevailed. At one point in the story, a hard-won legal settlement breaks down because a man is sent a silk garment as a gift - it isn't clear if the sender even intended to insult him.

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** Though ''Njal's Saga'' ''Literature/NjalsSaga'' is arguably a really effective {{Deconstruction}}. Many of the male characters react pathetically to perceived slights to their manly honour and it is quite clear that much of the bloodshed in the story could have been easily avoided if thicker skins and cooler heads prevailed. At one point in the story, a hard-won legal settlement breaks down because a man is sent a silk garment as a gift - it isn't clear if the sender even intended to insult him.
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* FacingTheBulletsOneLiner: A rare example where the injury comes before the quip: In one saga, a band of vigilantes aim to lynch a man who killed one of their kinsmen. While scouting out his homestead, one of the men encounters him and is mortally wounded. When the posse assembles again, his companions ask if the afflicted man has seen their prey. He answers words to the effect of: "I'm not sure whether he's home, but his spear certainly is" and then dies.

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* FacingTheBulletsOneLiner: A rare example where the injury comes before the quip: In one saga, ''NjalsSaga'', a band of vigilantes Vikings aim to lynch a man kill folk hero Gunnar Hámundarson, who killed one of their kinsmen. While scouting out his homestead, one of the men encounters him and is mortally wounded. When the posse assembles again, his companions ask if the afflicted man has seen their prey. He answers words to the effect of: His answer: "I'm not sure whether he's home, but his spear ''[[BladeOnAStick atgeir]]'' certainly is" is," and then dies.

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