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* AuthorAvatar: David shares a few biographical details with Scott Spencer, since they both grew up the son of socialist-leaning parents on the South Side of Chicago and attended Roosevelt University at one point.
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* TwentyMinutesIntoThePast: The novel was published in 1979, and opens with David torching the Butterfield house on the night of August 12, 1967.

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* TwentyMinutesIntoThePast: The novel was published in 1979, and opens with David torching the Butterfield house on the night of August 12, in 1967.
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* ShownTheirWork: August 12, 1967 (the night David burned down Jade's house) was indeed a Saturday, as David mentions a couple of times in his narration.
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* TwentyMinutesIntoThePast: The novel was published in 1979, and opens with David torching the Butterfield house on the night of August 12, 1967.
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* ImpoverishedPatrician: While still reasonably middle class and able to live well enough, there are suggestions that Ann and Hugh were both much more wealthy than they are when we first see them, and were able to at some points influence through their money.

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* ImpoverishedPatrician: While still reasonably middle class and able to live well enough, there are suggestions that Ann and Hugh were both much more wealthy than they are when we first see them, and were able to at some points influence through their money. In one of her letters to David, Ann describes the backgrounds of Hugh and herself as "faded rich (''very'' faded)."
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* AdaptationalAttractiveness: The novel doesn't really talk much about Jade's looks, but you get the sense that she's a fairly average teenage girl. In both films she's played by actresses who also had extensive modeling careers: Creator/BrookeShields in 1981 and Gabriella Wilde in 2014.

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* AdaptationalAttractiveness: The novel doesn't really talk much about Jade's looks, but you get the sense that she's a fairly average teenage girl. In both films she's played by actresses an actress who was also had extensive modeling careers: a world-class model: Creator/BrookeShields in 1981 and Gabriella Wilde in 2014.
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* AdaptationalAttractiveness: The novel doesn't really talk much about Jade's looks, but you get the sense that she's a fairly average teenage girl. In both films she's played actresses who also had extensive modeling careers: Creator/BrookeShields in 1981 and Gabriella Wilde in 2014.

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* AdaptationalAttractiveness: The novel doesn't really talk much about Jade's looks, but you get the sense that she's a fairly average teenage girl. In both films she's played by actresses who also had extensive modeling careers: Creator/BrookeShields in 1981 and Gabriella Wilde in 2014.
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* AdaptationalAttractiveness: The novel doesn't really talk much about Jade's looks, but you get the sense that she's a fairly average teenage girl. The 1981 version cast Creator/BrookeShields, then at the peak of her modeling career, in the role.

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* AdaptationalAttractiveness: The novel doesn't really talk much about Jade's looks, but you get the sense that she's a fairly average teenage girl. The 1981 version cast Creator/BrookeShields, then at the peak of her In both films she's played actresses who also had extensive modeling career, careers: Creator/BrookeShields in the role.1981 and Gabriella Wilde in 2014.
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* AdaptationalAttractiveness: The novel doesn't really talk much about how Jade looks, but you get the sense that she's a fairly average-looking teenage girl. The 1981 version cast Creator/BrookeShields, then at the peak of her modeling career, in the role.

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* AdaptationalAttractiveness: The novel doesn't really talk much about how Jade Jade's looks, but you get the sense that she's a fairly average-looking average teenage girl. The 1981 version cast Creator/BrookeShields, then at the peak of her modeling career, in the role.

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* InformedAttractiveness: A very particular point of the book is that we are never entirely sure of how attractive Jade is, but this is done very deliberately by Scott Spencer, asking us 'Why?' in regards to her.





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\n* WhatDoesHeSeeInHer: A very particular point of the book is that we don't really learn that much about Jade. We're never sure of how physically attractive she might be, and personality-wise she doesn't come across as anything special. Scott Spencer does this very deliberately, so that we'll keep asking "why her?" when we read about the extremes David goes to for Jade.



* AdaptationalAttractiveness: In the novel Jade comes across as a fairly average-looking teenage girl. The 1981 version cast Creator/BrookeShields, then at the peak of her modeling career, in the role.

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* AdaptationalAttractiveness: In the The novel doesn't really talk much about how Jade comes across as looks, but you get the sense that she's a fairly average-looking teenage girl. The 1981 version cast Creator/BrookeShields, then at the peak of her modeling career, in the role.

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!!This novel contains examples of:

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!!This !!The novel contains examples of:



* AdaptationalHeroism: David is turned into a DoggedNiceGuy by the 2014 film adaptation, and completely lacks the obsessive nature of his counterparts from the novel and 1981 film.
* BourgeoisBohemian: Hugh and Ann, Jade's parents, are this from the first moment we see them, where David talks about how nicely furnished their home is, and how they partake in certain counter-cultural aspects of the time period.

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* AdaptationalHeroism: David is turned into a DoggedNiceGuy by the 2014 film adaptation, and completely lacks the obsessive nature of his counterparts from the novel and 1981 film.
* BourgeoisBohemian: The Butterfields are a prime example of an ultrahip middle class family from 1967. Hugh and Ann, Jade's parents, are this from the first moment we see them, where David talks about how Ann have a nicely furnished home, are accepting of Jade's sexual relationship with David, and a telling detail David discloses is that the night he set their home is, and how they partake in certain counter-cultural aspects of house on fire, the time period.whole family (children included) had taken LSD together.



* GenreShift: The 2014 film adaptation was a much more straightforward romance flick, eschewing the crime thriller elements of the original novel and (to an extent) the 1981 adaptation.



* {{Jerkass}}: Hugh Butterfield, in both movie versions. [[spoiler: He receives a HeelFaceTurn in the 2014 adaptation]].



* MoodyTrailerCoverSong: The 2014 film adaptation uses a slow, atmospheric cover of Music/RobertPalmer's '80s smash "Addicted to Love," emphasizing the insanity of love.
* MrFanservice: The 1981 features a young Creator/JamesSpader shirtless in a few scenes.



* SparedByTheAdaptation: [[spoiler: Hugh in the 2014 film adaptation]].


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* UnreliableNarrator: From the get-go, this is the case with David, who's obviously intelligent and very perceptive, but also tells the story in the most self-serving way possible. In fact, he doesn't even acknowledge how much some of his actions cross the line (like essentially stalking the Butterfields after he's released from the hospital).


!!Examples specific to the film adaptations:

* AdaptationalAttractiveness: In the novel Jade comes across as a fairly average-looking teenage girl. The 1981 version cast Creator/BrookeShields, then at the peak of her modeling career, in the role.
* AdaptationalHeroism: David is turned into a DoggedNiceGuy by the 2014 film adaptation, and completely lacks the obsessive nature of his counterparts from the novel and 1981 film.
* GenreShift: The 2014 film adaptation was a much more straightforward romance flick, eschewing the crime thriller elements of the original novel and (to an extent) the 1981 adaptation.
* {{Jerkass}}: Hugh Butterfield, in both movie versions. [[spoiler: He receives a HeelFaceTurn in the 2014 adaptation]].
* MoodyTrailerCoverSong: The 2014 film adaptation uses a slow, atmospheric cover of Music/RobertPalmer's '80s smash "Addicted to Love," emphasizing the insanity of love.
* MrFanservice: The 1981 features a young Creator/JamesSpader shirtless in a few scenes.
* SparedByTheAdaptation: [[spoiler: Hugh in the 2014 film adaptation]].

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Changed: 24

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* MoodyTrailerCoverSong: The 2014 film adaptation uses a slow, atmospheric cover of Robert Palmer's '80s smash "Addicted to Love," emphasizing the insanity of love.

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* MoodyTrailerCoverSong: The 2014 film adaptation uses a slow, atmospheric cover of Robert Palmer's Music/RobertPalmer's '80s smash "Addicted to Love," emphasizing the insanity of love. love.
* MrFanservice: The 1981 features a young Creator/JamesSpader shirtless in a few scenes.



* WalkingShirtlessScene: Keith Butterfield in the 1981 film spends quite a bit of time shirtless. He's played by a young Creator/JamesSpader, [[MrFanservice so it's not a bad thing]].

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* WalkingShirtlessScene: Keith Butterfield in the 1981 film spends quite a bit of time shirtless. He's played by a young Creator/JamesSpader, [[MrFanservice so it's not a bad thing]].thing.
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The novel was adapted to film twice: A 1981 film directed by Franco Zeffirelli starring Creator/BrookeShields and Martin Hewitt, and a 2014 version directed by Shana Feste and starring CGabriella Wilde and Creator/AlexPettyfer.

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The novel was adapted to film twice: A 1981 film directed by Franco Zeffirelli starring Creator/BrookeShields and Martin Hewitt, and a 2014 version directed by Shana Feste and starring CGabriella Gabriella Wilde and Creator/AlexPettyfer.
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The novel was adapted to film twice: A 1981 film directed by Creator/FrancoZeffirelli starring Creator/BrookeShields and Martin Hewitt, and a 2014 version directed by Shana Feste and starring Creator/GabriellaWilde and Creator/AlexPettyfer.

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The novel was adapted to film twice: A 1981 film directed by Creator/FrancoZeffirelli Franco Zeffirelli starring Creator/BrookeShields and Martin Hewitt, and a 2014 version directed by Shana Feste and starring Creator/GabriellaWilde CGabriella Wilde and Creator/AlexPettyfer.
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The novel was adapted to film twice: A 1981 film directed by Franco Zeffirelli starring Creator/BrookeShields and Martin Hewitt, and a 2014 version directed by Shana Feste and starring Gabriella Wilde and Creator/AlexPettyfer.

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The novel was adapted to film twice: A 1981 film directed by Franco Zeffirelli Creator/FrancoZeffirelli starring Creator/BrookeShields and Martin Hewitt, and a 2014 version directed by Shana Feste and starring Gabriella Wilde Creator/GabriellaWilde and Creator/AlexPettyfer.
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Misuse of Black Best Friend; was renamed to Token Black Friend.


* BlackBestFriend: The 2014 film adaptation gives David an African-American best friend, Mace.
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* SarcasticTitle: Despite its title, the book is more about David's long-term obsession with Jade than true love.

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* SarcasticTitle: Despite its title, the book is more about David's long-term obsession with Jade than true love.TrueLove.

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* IronicTitle: Despite its title, the book is more about obsession than true love.


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* SarcasticTitle: Despite its title, the book is more about David's long-term obsession with Jade than true love.
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* IronicTitle: Despite its title, the book is more about obsession than true love.



* LetThePastBurn: Rather than an ending trope, this happens at the start. David burns down Jade's home, and with it burns his own memories of what happened there. This is also the event which leads to him going into a psychiatric facility.

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* LetThePastBurn: Rather than an ending trope, this happens at the start. David burns down Jade's home, and with it burns his own memories of what happened there. This is also the event which that leads to him going into a psychiatric facility.

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missue; replaced with * Direct Line To The Author: This is directly in play throughout all of the book, as we are only hearing David's account, and Spencer himself through subtext asks how much we can ever really be sure is truthful and how much is affected by his own emotions and biases.


* DirectLineToTheAuthor: This is directly in play throughout all of the book, as we are only hearing David's account, and Spencer himself through {{subtext}} asks how much we can ever really be sure is truthful and how much is affected by his own emotions and biases.



* LiteraryAgentHypothesis: This is directly in play throughout all of the book, as we are only hearing David's account, and Spencer himself through {{subtext}} asks how much we can ever really be sure is truthful and how much is affected by his own emotions and biases.

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* {{Jerkass}}: Hugh Butterfield, in both movie versions.

to:

* {{Jerkass}}: Hugh Butterfield, in both movie versions. [[spoiler: He receives a HeelFaceTurn in the 2014 adaptation]].


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* SparedByTheAdaptation: [[spoiler: Hugh in the 2014 film adaptation]].
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* WalkingShirtlessScene: Keith Butterfield in the 1981 film spends quite a bit of time shirtless. He's played by a young Creator/JamesSpader, so it's not a bad thing.

to:

* WalkingShirtlessScene: Keith Butterfield in the 1981 film spends quite a bit of time shirtless. He's played by a young Creator/JamesSpader, [[MrFanservice so it's not a bad thing.thing]].
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to:

* WalkingShirtlessScene: Keith Butterfield in the 1981 film spends quite a bit of time shirtless. He's played by a young Creator/JamesSpader, so it's not a bad thing.
Is there an issue? Send a MessageReason:
None


The novel was adapted to film twice: A 1981 film directed by Franco Zeffirelli starring Brooke Shields and Martin Hewitt, and a 2014 version directed by Shana Feste and starring Gabriella Wilde and Creator/AlexPettyfer.

to:

The novel was adapted to film twice: A 1981 film directed by Franco Zeffirelli starring Brooke Shields Creator/BrookeShields and Martin Hewitt, and a 2014 version directed by Shana Feste and starring Gabriella Wilde and Creator/AlexPettyfer.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* {{Jerkass}}: Hugh Butterfield, in both movie versions.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* MoodyTrailerCoverSong: The 2014 film adaptation uses a slow, atmospheric cover of Robert Palmer's '80s smash "Addicted to Love," emphasizing the insanity of love.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* AdaptationalHeroism: David is turned into a DoggedNiceGuy by the 2014 film adaptation, and completely lacks the obsessive nature of his counterparts from the novel and 1981 film.


Added DiffLines:

* GenreShift: The 2014 film adaptation was a much more straightforward romance flick, eschewing the crime thriller elements of the original novel and (to an extent) the 1981 adaptation.

Added: 231

Changed: 264

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David Axelrod struggles with his love with Jade Butterfield after two very particular incidents, those events being burning Jade's house down and accidentally commits a murder. From there on, he must deal with the consequences of his actions from there onwards.

The novel was adopted to film twice: A 1981 film directed by Franco Zeffirelli starring Brooke Shields and Martin Hewitt, and a 2014 version directed by Shana Feste and starring Gabriella Wilde and Creator/AlexPettyfer.

to:

David Axelrod struggles with his love with Jade Butterfield after two very particular incidents, those events being burning Jade's house down and accidentally commits commiting a murder. From there on, he must deal with the consequences of his actions from there onwards.

The novel was adopted adapted to film twice: A 1981 film directed by Franco Zeffirelli starring Brooke Shields and Martin Hewitt, and a 2014 version directed by Shana Feste and starring Gabriella Wilde and Creator/AlexPettyfer.



* BourgeoisBohemian: Hugh and Ann, Jade's parents, are this from the first moment we see them, where David talks about how nicely furnished their home is, and how they partake in certain counter-cultural aspects of the time period.

to:

* BlackBestFriend: The 2014 film adaptation gives David an African-American best friend, Mace.
* BourgeoisBohemian: Hugh and Ann, Jade's parents, are this from the first moment we see them, where David talks about how nicely furnished their home is, and how they partake in certain counter-cultural aspects of the time period.
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''Endless Love'' is a 1979 romantic crime drama novel by Scott Spencer, a romantic crime drama detailing the

to:

''Endless Love'' is a 1979 romantic crime drama novel by Scott Spencer, a romantic crime drama detailing the
Spencer.
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The differences between the book, the 1981 film and the 2014 film don't seem to be too drastic or too many enough for each one of them to have their own page. That's why I'm moving this here.

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[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/endless_love_cover.jpg]]
[[caption-width-right:300:The cover of the 1999 version]]

''Endless Love'' is a 1979 romantic crime drama novel by Scott Spencer, a romantic crime drama detailing the

David Axelrod struggles with his love with Jade Butterfield after two very particular incidents, those events being burning Jade's house down and accidentally commits a murder. From there on, he must deal with the consequences of his actions from there onwards.

The novel was adopted to film twice: A 1981 film directed by Franco Zeffirelli starring Brooke Shields and Martin Hewitt, and a 2014 version directed by Shana Feste and starring Gabriella Wilde and Creator/AlexPettyfer.
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!!This novel contains examples of:

* AccidentalMurder: Happens at one very particular moment half way into the novel. [[spoiler: Jade's father, Hugh, runs toward David and gets hit by a car, and dies on impact.]]
* BourgeoisBohemian: Hugh and Ann, Jade's parents, are this from the first moment we see them, where David talks about how nicely furnished their home is, and how they partake in certain counter-cultural aspects of the time period.
* CrazyJealousGuy: David is this and [[LampshadedTrope admits as such]] but in a [[PlayingWithATrope different way to usual]] - rather than murder somebody, he commits arson, he himself asking if he did it out of jealousy.
* {{Foreshadowing}}: David's father overworking himself is mentioned earlier on, but comes into play much later in how it affects him.
* FramingDevice: The entire set of events is presented as David writing and talking about what happened, from the arson attack up to the very moment he started telling the story, the last part telling what he knows about Jade at the end.
* GoodLawyersGoodClients: This is {{Discussed|Trope}} by David, being mentioned that this is how David's parents like to think of themselves, with them both being left-wing lawyers working against 'the man' such as executives and corporate lawyers.
* GreenEyedMonster: [[DiscussedTrope This is suggested to be]] what causes David to start a fire in the first place - he's jealous of what Jade has, and how it's all now gone from him because he's no longer allowed in their house.
* ImpoverishedPatrician: While still reasonably middle class and able to live well enough, there are suggestions that Ann and Hugh were both much more wealthy than they are when we first see them, and were able to at some points influence through their money.
* InformedAttractiveness: A very particular point of the book is that we are never entirely sure of how attractive Jade is, but this is done very deliberately by Scott Spencer, asking us 'Why?' in regards to her.
* LetThePastBurn: Rather than an ending trope, this happens at the start. David burns down Jade's home, and with it burns his own memories of what happened there. This is also the event which leads to him going into a psychiatric facility.
* LimitedSocialCircle: David has a very limited social circle due to how his parents basically kept in touch with people who were socialist, eventually finding people who knew him who'd defend him in court.
* LiteraryAgentHypothesis: This is directly in play throughout all of the book, as we are only hearing David's account, and Spencer himself through {{subtext}} asks how much we can ever really be sure is truthful and how much is affected by his own emotions and biases.
* LookBothWays: What kills [[spoiler: Hugh]]. He didn't look both ways. Just head on, aiming towards [[spoiler: David]].
* NeverGotToSayGoodbye: David never gets to say goodbye to his father, Arthur, due to Arthur dying of a heart attack while he's locked up.
* StalkerWithACrush: On being released from the psychiatric unit, the first thing David does is to find a way to get to Jade again.
* ThereAreNoGoodExecutives: This is {{Discussed|Trope}} by David, with him saying this is a belief held by his parents, due to their status in going against the rich as lawyers.

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