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* The Kid from ''Literature/BloodMeridian'' has a taste for violence from a young age, being entirely willing to get into fights and kill people over slights, eventually joining a group of viscous scalp-hunters who go around killing Native Americans and Mexicans to get out of prison, but unlike pretty much everyone else in the Glanton gang, his joining up with them is more understandable because he was practically set up to go down this path from the start. His father despised him for indirectly killing his mother during childbirth and so he refused to give him an education, whatever family he might have had left weren't around, he gets roped into joining with Captain White and later Glanton as his only escape from prison life, the closest two people he has to mentor figures, Toadvine and Tobin, are also violent killers and so they can't be as helpful as they want to be, and later on he gets hounded by [[BigBad Judge Holden.]] By the end, he gets sick of this lifestyle and just wants to live in peace, but his past always catches up to him eventually.
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** Rodion Romanovich Raskolnikov, protagonist of [[Creator/FyodorDostoevsky Dostoevsky's]] ''Literature/CrimeAndPunishment''. He's malnourished and lives in squallor -- but mostly because of his sense of self-aggrandizement, because he won't "lower himself" to getting a job. He spends most of the novel bedridden with a fever--brought on by his guilt over the double-murder he commits in Part 1 and his anxiety over getting caught, and which he keeps exacerbating by getting up and wandering through the streets of Petersbug. His best friend, his sister, and his mother all try to help and support him, but he petulantly tells them to get lost and leave him alone. He even sadistically taunts the HookerWithAHeartOfGold, even after [[spoiler: she follows him to Siberia to support and be near him after he confesses to the murders.]]

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** Rodion Romanovich Raskolnikov, protagonist of [[Creator/FyodorDostoevsky Dostoevsky's]] ''Literature/CrimeAndPunishment''. He's malnourished and lives in squallor -- but mostly because of his sense of self-aggrandizement, because he won't "lower himself" to getting a job. He spends most of the novel bedridden with a fever--brought on by his guilt over the double-murder he commits in Part 1 and his anxiety over getting caught, and which he keeps exacerbating by getting up and wandering through the streets of Petersbug. His best friend, his sister, and his mother all try to help and support him, but he petulantly tells them to get lost and leave him alone. He even sadistically taunts the HookerWithAHeartOfGold, even after [[spoiler: she follows him to Siberia to support and be near him after he confesses to the murders.]]

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* Rodion Romanovich Raskolnikov, protagonist of [[Creator/FyodorDostoevsky Dostoevsky's]] ''Literature/CrimeAndPunishment''. He's malnourished and lives in squallor -- but mostly because of his sense of self-aggrandizement, because he won't "lower himself" to getting a job. He spends most of the novel bedridden with a fever--brought on by his guilt over the double-murder he commits in Part 1 and his anxiety over getting caught, and which he keeps exacerbating by getting up and wandering through the streets of Petersbug. His best friend, his sister, and his mother all try to help and support him, but he petulantly tells them to get lost and leave him alone. He even sadistically taunts the HookerWithAHeartOfGold, even after [[spoiler: she follows him to Siberia to support and be near him after he confesses to the murders.]]
** Creator/FyodorDostoevsky's novels and stories are filled with this type of character, such as (for different reasons) both Ivan and Dmitri in Literature/TheBrothersKaramazov and the narrator of Literature/NotesFromTheUnderground.

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* *[[Creator/Fyodor Dostoevsky Dostoevsky's]] novels and stories are invariably populated by these type of characters - both hateful and pathetic.
**
Rodion Romanovich Raskolnikov, protagonist of [[Creator/FyodorDostoevsky Dostoevsky's]] ''Literature/CrimeAndPunishment''. He's malnourished and lives in squallor -- but mostly because of his sense of self-aggrandizement, because he won't "lower himself" to getting a job. He spends most of the novel bedridden with a fever--brought on by his guilt over the double-murder he commits in Part 1 and his anxiety over getting caught, and which he keeps exacerbating by getting up and wandering through the streets of Petersbug. His best friend, his sister, and his mother all try to help and support him, but he petulantly tells them to get lost and leave him alone. He even sadistically taunts the HookerWithAHeartOfGold, even after [[spoiler: she follows him to Siberia to support and be near him after he confesses to the murders.]]
** Creator/FyodorDostoevsky's novels and stories are filled with this type of character, such as (for different reasons) both Ivan and Dmitri in Literature/TheBrothersKaramazov and the **The narrator of Literature/NotesFromTheUnderground.''Notes From the Underground'' is a similar social outcast and pseudo-intellectual living in squalor, who admits that spite towards others are his chief motivation in life.
**Three of the four brothers (including the bastard Smerdyakov) in ''Literature/TheBrothersKaramazov'' are this trope. Ivan's cynical and nihilistic philosophy leads him to be cold and callous to most other people, including his family members, but lives a life of despair because of his worldview. Dmitri is rash, violent, and hot-blooded, which leads him to be (unjustly) the prime suspect in his hated father's murder, thus ruining his life. The actual murderer is the bastard brother Smerdyakov, whose being a bastard and epilepsy have made him an outcast from the beginning.
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* VillainProtagonist Lucrezia Borgia from ''Literature/MirrorMirror'' is a rare example of this as the BigBad. She's a child-killing, vain, promiscuous, manipulative, and inconstant jerk, yet between her character exposition and [[FreudianExcuse messed-up backstory]] (plus the SelfInflictedHell she puts herself through), she's not entirely unsympathetic.

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* ''Literature/MirrorMirror2003'': The VillainProtagonist Lucrezia Borgia from ''Literature/MirrorMirror'' is a rare example of this as the BigBad. She's a child-killing, vain, promiscuous, manipulative, and inconstant jerk, yet between her character exposition and [[FreudianExcuse messed-up backstory]] (plus the SelfInflictedHell she puts herself through), she's not entirely unsympathetic.
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''[[Creator/TimDorsey Serge A. Storms]]'':

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''[[Creator/TimDorsey Serge A. Storms]]'':* ''Literature/SergeStorms'':
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Dark Chick has been disambiguated


** [[DarkChick Diana Ladris]]. She may have supposedly pushed her mother down the stairs and framed her father for it, she may have lied to every friend she had, she may have spied and betrayed every alliance she's been on for the sake of self preservation but the plot ''really'' makes her suffer for it, particularly in ''FEAR'' when she [[spoiler: is forced to give birth age 15 in a pitch black, smoldering hot mine. She is also being tortured down there, and it's implied that she's suffering from post partum depression. Quite understandably.]]

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** [[DarkChick Diana Ladris]].Ladris. She may have supposedly pushed her mother down the stairs and framed her father for it, she may have lied to every friend she had, she may have spied and betrayed every alliance she's been on for the sake of self preservation but the plot ''really'' makes her suffer for it, particularly in ''FEAR'' when she [[spoiler: is forced to give birth age 15 in a pitch black, smoldering hot mine. She is also being tortured down there, and it's implied that she's suffering from post partum depression. Quite understandably.]]

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''[[Creator/TimDorsey Serge A. Storms]]'': Rachael from ''Atomic Lobster'' has an "obnoxious and morally reprehensible" characterization, but can still feel pitiable. She is living in dreary circumstances (she is a drug addict and mentions she sometimes does sex work to pay her electric bill) and otherwise minding her own business until she threatens Serge in an argument over an {{Asshole Victim}}'s money and ends up cajoled into becoming Serge’s companion. Not once in 2-5 months does Serge seriously try to intervene with her pitifully desperate cocaine addiction. He only keeps her around for hate-fueled sex while [[DomesticAbuse giving her no respect (although she is just as vitriolic to him, if not more so) and constantly twisting her arm behind her back during arguments]]. She shows [[EveryoneHasStandards some standards]] by slapping groom-to-be Trevor for propositioning her on his wedding night. Finally, she only snaps and attacks her companions with a knife after she discovers that the people she's been having such a toxic relationship with killed her beloved sister Sharon ten years earlier, with Serge not showing any willingness to go easy on her despite the justifiable trauma of that revelation and how she is clearly "wired out of her head" at the time.

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''[[Creator/TimDorsey Serge A. Storms]]'': Storms]]'':
** Johnny Vegas "the accidental virgin", with the emphasis on the Woobie part usually being more pronounced but depending on the book. The way that bizarre events keep interrupting his attempts to lose his virginity with women who are happy to spend time with him no matter how close he gets is a source of painful CringeComedy. That being said, he has little respect for many of the women he tries to bed and has occasional ItsAllAboutMe moments (just sighing and turning away when he sees his latest would-be conquest fall to her presumed death, getting rid of a homing beacon to delay rescue when he and a beautiful woman are in a lifeboat together, etc.) that cost him sympathy.
**
Rachael from ''Atomic Lobster'' has an "obnoxious and morally reprehensible" characterization, but can still feel pitiable. She is living in dreary circumstances (she is a drug addict and mentions she sometimes does sex work to pay her electric bill) and otherwise minding her own business until she threatens Serge in an argument over an {{Asshole Victim}}'s money and ends up cajoled into becoming Serge’s companion. Not once in 2-5 months does Serge seriously try to intervene with her pitifully desperate cocaine addiction. He only keeps her around for hate-fueled sex while [[DomesticAbuse giving her no respect and constantly twisting her arm behind her back during arguments (although she is just as vitriolic to him, if not more so) so and constantly twisting her arm behind her back during arguments]].sometimes slaps him as well as the book progresses)]]. She shows [[EveryoneHasStandards some standards]] by slapping groom-to-be Trevor for propositioning her on his wedding night. Finally, she only snaps and attacks her companions with a knife after she discovers that the people she's been having such a toxic relationship with killed her beloved sister Sharon ten years earlier, with Serge not showing any willingness to go easy on her despite the justifiable trauma of that revelation and how she is clearly "wired out of her head" at the time.
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''[[Creator/TimDorsey Serge A. Storms]]'': Rachael from ''Atomic Lobster'' has an "obnoxious and morally reprehensible" characterization, but can still feel pitiable. She is living in dreary circumstances (she is a drug addict and mentions she sometimes does sex work to pay her electric bill) and otherwise minding her own business until she threatens Serge in an argument over an {{Asshole Victim}}'s money and ends up cajoled into becoming Serge’s companion. Not once in 2-5 months does Serge seriously try to intervene with her pitifully desperate cocaine addiction. He only keeps her around for hate-fueled sex while [[DomesticAbuse giving her no respect (although she is just as vitriolic to him, if not more so) and constantly twisting her arm behind her back during arguments]]. She shows [[EveryoneHasStandards some standards]] by slapping groom-to-be Trevor for propositioning her on his wedding night. Finally, she only snaps and attacks her companions with a knife after she discovers that the people she's been having such a toxic relationship with killed her beloved sister Sharon ten years earlier, with Serge not showing any willingness to go easy on her despite the justifiable trauma of that revelation and how she is clearly "wired out of her head" at the time.
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* Raymond Shaw from ''Literature/TheManchurianCandidate''. Yes, he's a cold, misanthropic jerk, but judging from what's implied about his childhood, it'd be amazing if he weren't -- and that's not even counting what he goes through over the course of the book. The only two people he's ever truly cared for are Major Marco and Jocie, and his mother brainwashes him into killing the latter. The universe just hates this guy.
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Anything That Moves was disambiguated. The bullet had a lot of chained sink holes that I removed.


* VillainProtagonist Lucrezia Borgia from ''Literature/MirrorMirror'' is a rare example of this as the BigBad. She's a [[AndYourLittleDogToo child-killing]], [[RichBitch vain]], [[AnythingThatMoves promiscuous]], [[ManipulativeBastard manipulative]], and [[ILied inconstant]] jerk, yet between her character exposition and [[FreudianExcuse messed-up backstory]] (plus the SelfInflictedHell she puts herself through), she's not entirely unsympathetic.

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* VillainProtagonist Lucrezia Borgia from ''Literature/MirrorMirror'' is a rare example of this as the BigBad. She's a [[AndYourLittleDogToo child-killing]], [[RichBitch vain]], [[AnythingThatMoves promiscuous]], [[ManipulativeBastard manipulative]], child-killing, vain, promiscuous, manipulative, and [[ILied inconstant]] inconstant jerk, yet between her character exposition and [[FreudianExcuse messed-up backstory]] (plus the SelfInflictedHell she puts herself through), she's not entirely unsympathetic.
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Overprotective Dad has been disambiguated


* ''Literature/InCryptid'': Jonathan Healy, while he could be rude sometimes, was overall a friendly person who loved the cryptid world and would do anything to protect it. That changed with the death of his wife Fran, murdered by unknown enemies. He blamed the cryptid world for her death, and the only reason he didn't take their daughter Alice to live somewhere far away was the risk of [[KnightTemplar the Covenant]] finding them. When Thomas moves to town, Jonathan is immediately hostile, both because he's Covenant (though all but defected like Jonathan's parents did) and because he's an OverprotectiveDad to Alice. In one of their many arguments, Thomas points out that he's only referred to Alice by name once in the conversation, the rest of the time defining her by her relationship to him ("my daughter"). He's retreated into himself in the decade since Fran's death, and built up a version of Alice in his mind that's nothing like she really is.

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* ''Literature/InCryptid'': Jonathan Healy, while he could be rude sometimes, was overall a friendly person who loved the cryptid world and would do anything to protect it. That changed with the death of his wife Fran, murdered by unknown enemies. He blamed the cryptid world for her death, and the only reason he didn't take their daughter Alice to live somewhere far away was the risk of [[KnightTemplar the Covenant]] finding them. When Thomas moves to town, Jonathan is immediately hostile, both because he's Covenant (though all but defected like Jonathan's parents did) and because he's an OverprotectiveDad to Alice.worried about Alice's safety. In one of their many arguments, Thomas points out that he's only referred to Alice by name once in the conversation, the rest of the time defining her by her relationship to him ("my daughter"). He's retreated into himself in the decade since Fran's death, and built up a version of Alice in his mind that's nothing like she really is.
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* ''Literature/TheAdventuresOfPinocchio'': At the beginning of the story, Pinocchio himself is presented as a selfish, mischievous, lazy and arrogant rascal. However, it’s shown multiple times that deep down he’s a good kid, since he genuinely cares for his father Geppetto and the Fairy with Turquoise Hair. Furthermore in his defense, beyond his parental figures, no one seems to treat him with respect, and the world seems to be against him, even when his only crimes were being a victim of circumstances (such as his encounter with The Green Fisherman) or trusting people who shouldn’t be trusted.
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* ''Literature/LAConfidential'': Bud White is, well, a thug with all the strength and self-control of a rabid rhino. But his backstory is nothing short of heartbreaking and he gets surprisingly many [[SugarWiki/{{Heartwarming}} genuinely touching]] scenes.

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* ''Literature/LAConfidential'': Bud White is, well, a thug with all the strength and self-control of a rabid rhino. But his backstory is nothing short of heartbreaking and he gets surprisingly many [[SugarWiki/{{Heartwarming}} [[SugarWiki/HeartwarmingMoments genuinely touching]] scenes.
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* Vera from Creator/VCAndrews's ''Literature/MySweetAudrina''. She's a ManipulativeBastard who constantly belittles and schemes against her half-sister Audrina, tries to steal Audrina's boyfriend/husband away from her ([[TheVamp when she's not chasing after other guys]], that is), and crosses the MoralEventHorizon at least ''twice'' by [[spoiler:being heavily implied to be the one who pushed Audrina down the stairs, nearly killing her, and being revealed to be the one who set up Audrina to be raped by a pack of boys while walking home from school on her birthday, which so [[BreakTheCutie horribly traumatized]] Audrina that her father had to deliberately invoke TraumaInducedAmnesia for her to even be remotely happy again]]. And yet, the heavy implications that her being like this is mainly due to her adoptive father [[ParentalFavoritism constantly ignoring her in favor of his daughter Audrina]] and spanking her when she desperately tried everything she could think of to gain his love, plus her being [[IllGirl very prone to injury]], garners her enough Woobie points for the audience, along with Audrina herself, to constantly swing between hating her and feeling sorry for her.

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* Vera from Creator/VCAndrews's ''Literature/MySweetAudrina''. She's a ManipulativeBastard who constantly belittles and schemes against her half-sister Audrina, tries to steal Audrina's boyfriend/husband away from her ([[TheVamp when she's not chasing after other guys]], that is), and crosses the MoralEventHorizon at least ''twice'' by [[spoiler:being heavily implied to be the one who pushed Audrina down the stairs, nearly killing her, and being revealed to be the one who set up Audrina to be raped by a pack of boys while walking home from school on her birthday, which so [[BreakTheCutie horribly traumatized]] Audrina that her father had to deliberately invoke TraumaInducedAmnesia for her to even be remotely happy again]]. And yet, the heavy implications that her being like this is mainly due to her adoptive father [[ParentalFavoritism constantly ignoring her in favor of his daughter Audrina]] and spanking her when she desperately tried everything she could think of to gain his love, plus her being [[IllGirl [[DelicateAndSickly very prone to injury]], garners her enough Woobie points for the audience, along with Audrina herself, to constantly swing between hating her and feeling sorry for her.

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** Alloran. He committed genocide on an innocent species in his attempt to stop the Yeerks from advancing further into the universe. He killed thousands of defenseless Yeerks. [[WellIntentionedExtremist He believed that everything he did was necessary if he wanted to win the war]]. And Alloran paid for all of his sins. It was made clear by just about every character that it was better to be dead than a Controller. When Alloran killed the Hork-Bajir, he prevented the Yeerks from being able to take over their bodies. Alloran himself was imprisoned for years, and forced to ''eat people'', including his former student.

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** Alloran. He committed genocide on an innocent species in his attempt to stop the Yeerks from advancing further into the universe. He killed thousands of defenseless Yeerks. [[WellIntentionedExtremist He believed that everything he did was necessary if he wanted to win the war]]. And Alloran paid for all of his sins. It was made clear by just about every character that it was better to be dead than a Controller. When Alloran killed the Hork-Bajir, he prevented the Yeerks from being able to take over their bodies. Alloran himself was imprisoned for years, and forced to ''eat people'', including his former student. After being freed, he's very much humbled by his experiences, and the Animorphs are greatly sympathetic to him.
** All of the Animorphs are Woobies of some variety, but Marco is the one who clearly qualifies for this trope. He's a ruthless UnscrupulousHero, he antagonizes his teammates frequently, and he can be very cowardly. However, he had a very hard life even before he was conscripted to fight an alien invasion, having to deal with his mother's seeming death and his father's crippling depression over it. His cowardly nature stems from his fear that his father would completely break if he died. This gets even worse when it turns that his mother in fact alive, but is serving as the host body to [[GreaterScopeVillain Visser One]], one of the most powerful Yeerks. He constantly grapples with the possibility that he may be forced to kill his own mother to win the war. This makes his jerkiness pretty understandable.
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Kill Em All was renamed Everybody Dies Ending due to misuse. Dewicking


* Every single character in ''Literature/ASongOfIceAndFire'', save for a handful. The author has a brutal tendency to spend anywhere from a chapter to a book showing you what a vain and selfish bastard everybody but the currently-narrating character is, only to switch the narration to one of the abovementioned bastard's perspectives and suddenly make you want to [[GroinAttack punch yourself in the balls]] for having ever been so unempathic to such a tragically real human being, but they should probably still get over it already before their confused pride [[KillEmAll kills everyone]].

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* Every single character in ''Literature/ASongOfIceAndFire'', save for a handful. The author has a brutal tendency to spend anywhere from a chapter to a book showing you what a vain and selfish bastard everybody but the currently-narrating character is, only to switch the narration to one of the abovementioned bastard's perspectives and suddenly make you want to [[GroinAttack punch yourself in the balls]] for having ever been so unempathic to such a tragically real human being, but they should probably still get over it already before their confused pride [[KillEmAll kills everyone]].everyone.
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* Max Dembo from ''Literature/NoBeastSoFierce'' is a quintessential example of this. He's an ex-convict and former drug addict living in poverty who has been abused his entire life and who genuinely wants to reform, but he's also a deeply amoral and violent thug with extremely racist and homophobic views.
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Dewicked trope


* Tien in ''Literature/{{Komarr}}''. He was incredibly insensitive to his wife Ekatrin. But he was himself burdened by genetic flaws and the Barrayaran prejudice that went with it. Plus he is a source of AdultFear. Few readers can imagine being a real villain; plenty can imagine being a failure as a spouse.

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* Tien in ''Literature/{{Komarr}}''. He was incredibly insensitive to his wife Ekatrin. But he was himself burdened by genetic flaws and the Barrayaran prejudice that went with it. Plus he is a source of AdultFear.worries in adult readers. Few readers can imagine being a real villain; plenty can imagine being a failure as a spouse.

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* [[spoiler:David]], the SixthRanger of ''Literature/{{Animorphs}}''. He ended up [[spoiler:going SixthRangerTraitor and betraying the team]] but his entire life was torn apart through no fault of his own and the [[AndIMustScream horrifying fate]] the Animorphs subjected him to was worse than death.
** Alloran. He committed genocide on an innocent species in his attempt to stop the Yeerks from advancing further into the universe. He killed thousands of defenseless Yeerks. [[WellIntentionedExtremist He believed that everything he did was necessary if he wanted to win the war]]. And Alloran paid for all of his sins. It was made clear by just about every character that it was better to be dead than a Controller. When Alloran killed the Hork-Bajir, he prevented the Yeerks from being able to take over their bodies. Alloran himself was imprisoned for years, and forced to eat people, including his former student.

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* *''Literature/{{Animorphs}}'':
**
[[spoiler:David]], the SixthRanger of ''Literature/{{Animorphs}}''.SixthRanger. He ended up [[spoiler:going SixthRangerTraitor and betraying the team]] but his entire life was torn apart through no fault of his own and the [[AndIMustScream horrifying fate]] the Animorphs subjected him to was worse than death.
** Alloran. He committed genocide on an innocent species in his attempt to stop the Yeerks from advancing further into the universe. He killed thousands of defenseless Yeerks. [[WellIntentionedExtremist He believed that everything he did was necessary if he wanted to win the war]]. And Alloran paid for all of his sins. It was made clear by just about every character that it was better to be dead than a Controller. When Alloran killed the Hork-Bajir, he prevented the Yeerks from being able to take over their bodies. Alloran himself was imprisoned for years, and forced to eat people, ''eat people'', including his former student.


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* ''Literature/InCryptid'': Jonathan Healy, while he could be rude sometimes, was overall a friendly person who loved the cryptid world and would do anything to protect it. That changed with the death of his wife Fran, murdered by unknown enemies. He blamed the cryptid world for her death, and the only reason he didn't take their daughter Alice to live somewhere far away was the risk of [[KnightTemplar the Covenant]] finding them. When Thomas moves to town, Jonathan is immediately hostile, both because he's Covenant (though all but defected like Jonathan's parents did) and because he's an OverprotectiveDad to Alice. In one of their many arguments, Thomas points out that he's only referred to Alice by name once in the conversation, the rest of the time defining her by her relationship to him ("my daughter"). He's retreated into himself in the decade since Fran's death, and built up a version of Alice in his mind that's nothing like she really is.

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