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* KangarooCourt: There's a lot awry with the Court of Fontaine. For starters, the trials are treated as high-class entertainment by the locals. And then [[spoiler:when his stagehand is killed in front of the audience, Lyney is accused of the murder on the spot by the Archon herself, before the evidence is even processed. He's desperate enough to ask that the Traveler be his lawyer, and you're given but a day to build his defense. Also, the final judgments are made by a machine called the Oratrice, whose mechanizations aren't public to the people. By law, the conclusion people make does not matter. It's also possible to avoid trial altogether by dueling with one of Fontaine's top combatants, with the result of the duel determining whether the accused party is guilty. ]]
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* HumansAreFlawed: One of the ongoing theme in later stories is to show just [[HumansAreBastards how dangerous humanity could became if left unchecked.]] This is especially evident in Sumeru chapter with Fontaine chapter start to shows similiar thing as well.
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* NotUsingTheZWord: Characters in this game's setting do not use the word "[[RidiculouslyHumanRobots android]]". Instead, they're called "puppets". Initially, this is perfectly understandable, as when the first androids are introduced, the parts of the setting that had been explored were the parts that were stuck in MedievalStasis, with the androids being SchizoTech and/or LostTechnology. In [[TomorrowLand Fontaine]], where [[MechaMooks Gardemeks]] patrol the streets and characters openly speculate that someone is a "puppet", it starts to feel like the words "android" and "gynoid" should be in the setting's vocabulary.
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* NotUsingTheZWord: Characters in this game's setting do not use the word "[[RidiculouslyHumanRobots android]]". Instead, they're called "puppets". Initially, this is perfectly understandable, as when the first androids are introduced, the parts of the setting that had been explored were the parts that were stuck in MedievalStasis, with the androids being SchizoTech and/or LostTechnology. In [[TomorrowLand Fontaine]], where [[MechaMooks Gardemeks]] patrol the streets and characters openly speculate that someone is a "puppet", it begins to feel like the words "android" and "gynoid" should be in the setting's vocabulary.

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* NotUsingTheZWord: Characters in this game's setting do not use the word "[[RidiculouslyHumanRobots android]]". Instead, they're called "puppets". Initially, this is perfectly understandable, as when the first androids are introduced, the parts of the setting that had been explored were the parts that were stuck in MedievalStasis, with the androids being SchizoTech and/or LostTechnology. In [[TomorrowLand Fontaine]], where [[MechaMooks Gardemeks]] patrol the streets and characters openly speculate that someone is a "puppet", it begins starts to feel like the words "android" and "gynoid" should be in the setting's vocabulary.
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* NotUsingTheZWord: This setting does not use the word "[[RidiculouslyHumanRobots android]]". Instead, they're called "puppets". Initially, this is perfectly understandable, as when the first androids are introduced, the parts of the setting that had been explored were the parts that were stuck in MedievalStasis, with the androids being SchizoTech and/or LostTechnology. In [[TomorrowLand Fontaine]], where [[MechaMooks Gardemeks]] patrol the streets and characters openly speculate that someone is a "puppet", it begins to feel like the words "android" and "gynoid" should be in the setting's vocabulary.

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* NotUsingTheZWord: This Characters in this game's setting does do not use the word "[[RidiculouslyHumanRobots android]]". Instead, they're called "puppets". Initially, this is perfectly understandable, as when the first androids are introduced, the parts of the setting that had been explored were the parts that were stuck in MedievalStasis, with the androids being SchizoTech and/or LostTechnology. In [[TomorrowLand Fontaine]], where [[MechaMooks Gardemeks]] patrol the streets and characters openly speculate that someone is a "puppet", it begins to feel like the words "android" and "gynoid" should be in the setting's vocabulary.
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* NotUsingTheZWord: This setting does not use the word "[[RidiculouslyHumanRobots android]]". Instead, they're called "puppets". Initially, this is perfectly understandable, as when the first androids are introduced, the parts of the setting that had been explored were the parts that were stuck in MedievalStasis, with the androids being SchizoTech and/or LostTechnology. In [[TomorrowLand Fontaine]], where [[MechaMooks Gardemeks]] patrol the streets and characters openly speculate that someone is a "puppet", it begins to feel like the words "android" and "gynoid" should be in the setting's vocabulary.
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* InconsistentDub: In the English dub, Klee is said to be put into "solitary confinement" when she gets into trouble, which comes across as almost InsistentTerminology, as the Knights are just asking Klee to stay in her room. As in, [[YouAreGrounded she's grounded]]. It worked for the most part, though, as [[LittleMissBadass Klee isn't exactly an ordinary child.]] However, it's translated differently in Kaeya's Hangout Event, with the characters actually using the word grounded. Presumably, this was done during the Hangout Event as Klee thinks that Kaeya was grounded. A girl thinking her fun uncle who bails her out of trouble was grounded is cute and innocent, since it's not something that would really happen. Thinking that he's in "solitary confinement" is frightening.

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* InconsistentDub: In the English dub, Klee is said to be put into "solitary confinement" when she gets into trouble, which comes across as almost InsistentTerminology, as the Knights are just asking Klee to stay in her room. As in, [[YouAreGrounded she's grounded]]. It worked for the most part, though, as [[LittleMissBadass Klee isn't exactly an ordinary child.]] However, it's translated differently in Kaeya's Hangout Event, with the characters actually using the word grounded. Presumably, this was done during the Hangout Event as Klee thinks that Kaeya was grounded. A girl thinking that her fun uncle who bails her out of trouble was grounded is cute and innocent, since it's not something that would really happen. Thinking that he's in "solitary confinement" is frightening.
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* InconsistentDub: In the English dub, Klee is said to be put into "solitary confinement" when she gets into trouble, which comes across as almost InsistentTerminology, as the Knights are just asking Klee to stay in her room. As in, [[YouAreGrounded she's grounded]]. It worked for the most part, though, as [[LittleMissBadass Klee isn't exactly an ordinary child.]] However, it's translated differently in Kaeya's Hangout Event, with the characters actually using the word grounded. Presumably, this was done during the Hangout Event as Klee thinks that Kaeya was grounded. A girl thinking her fun uncle who bails her out of trouble was grounded is cute and innocent, since it's not something that would really happen. Thinking that he's in "solitary confinement" is frightening.
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** Fontaine and Snezhnaya avert this. Multiple Fontaine engineers are shown to be MuggleWithADegreeInMagic, and able to construct Magitek devices such as cameras. Snezhnaya is known for their military technology, with power armor, cybernetic enhancements and various guns for their footsoldiers.

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** Fontaine and Snezhnaya avert this. Multiple Fontaine engineers are shown to be MuggleWithADegreeInMagic, and able their nation is home to construct a wide variety of Magitek devices such as cameras.devices, ranging from Clockwork Meks, autonomous Aquabus boats, an automatic hammer forge and even ''autonomous airships''. Snezhnaya is known for their military technology, with power armor, cybernetic enhancements and various guns for their footsoldiers.
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Crosswicking.

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* HealthyGreenHarmfulRed: The life bar of your player characters are green, but turns red when at low HP. Enemies start with a red bar and definitely mean harm for you.
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* HateSink: While the game is full of characters whose principles and actions are hotly debated, such as Raiden Shogun, Childe/Tartaglia, and (once his backstory is explored) the Wanderer/[[spoiler:Scaramouche]], no one will bother to defend these characters.

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* HateSink: While the game is full of characters whose principles and actions are hotly debated, such as Raiden Shogun, Childe/Tartaglia, and (once his backstory is explored) the Wanderer/[[spoiler:Scaramouche]], no one will bother to defend these characters.the following characters:

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The Scrappy requires a character to be hated for reasons not intended by the narrative; Little Que'er is clearly set up to be intentionally hated by players despite being listed as The Scrappy in Genshin's ymmv page, so she would qualify more as a Hate Sink instead; moving her entry to the Hate Sink trope here while omitting out any ymmv tropes. I'm not sure if Asshole Victim is an applicable trope, despite her unsympathetic behavior.


* HateSink: While the game is full of characters whose principles and actions are hotly debated, such as Raiden Shogun and Childe/Tartaglia, no one will bother to defend the heads of the Hiiragi and Kujou clans, who respectively command the Kanjou and Tenryou Comissions in Inazuma, nor the Sages of the Akademiya, ''especially'' Azar.
** In the first case, said clan heads were willing to affiliate with the Fatui to manipulate the Shogun into starting the Sakoku and Vision Hunt Decrees, which resulted in confiscation of Visions and shutting Inazuma from the outside world, and perpetrate a civil war that was tearing Inazuma from inside out, leaving its economy and society in a shambles, as the Archon Quest and a great portion of the World Quests make clear. All this to maintain their power and influence in the political game of the nation.
** Azar and the Sages of the Akademiya somehow managed to be even worse, by neglecting the existence of Nahida [[BreaktheCutie and imprisoning her for not meeting their expectations of a goddess for 500 years]]. Not only that, they conducted experiments by reaping the dreams of Sumeru's population, who was unknowingly part of this scheme for centuries, and went as far as causing a [[GroundhogDayLoop samsara]] to continuously drain information from their unwitting citizens, trapping the entire capital in an ever-repeating day that visibly started taking a toll on the health of the weakest civilians, such as Dunyarzad. All this in order to fulfill their goal of turning The Balladeer into an artificial god, both to replace Nahida for good, to have a deity they could exert control and to brag themselves about being able to create such entity. Once the Archon Quest is finally completed, even in-game characters complain that their punishment was incredibly light considering everything they have done.

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* HateSink: While the game is full of characters whose principles and actions are hotly debated, such as Raiden Shogun and Shogun, Childe/Tartaglia, and (once his backstory is explored) the Wanderer/[[spoiler:Scaramouche]], no one will bother to defend these characters.
** Little Que'er, an NPC you may often encounter in Liyue's daily commissions, is hated by many players for her needlessly {{Jerkass}} behavior to
the Traveler, even though [[UngratefulBastard they've just climbed a high cliff to get Qingxin for her throat]]. The fact that she threatens to kill the Traveler if her crush Sun Yu isn't there only makes it worse, even moreso for being completely self-ignorant that [[BullyingADragon she's a regular human who naively thinks she can win against an elemental-wielding individual who can easily wipe the floor with her]]. Worse still, if her dialogue in Version 1.3's Lantern Rite actively demanding information about Zhiruo from Sun Yu and her typical [=MO=] towards strangers is of any indication, she is seemingly willing to hurt and assault people who cannot defend themselves, putting herself in an even more unsympathetic light. For years since the game's launch, players had to put up with her attitude. It's not until Version 3.3 is released that [[BreakTheHaughty she can be put in her place]], where a Daily Commission, ''The Day the Sword Departs'' can be completed, which has Sun Yu acknowledging that Que'er is a detriment to his goals due to her volatile behavior and abandons her, [[AssholeVictim leaving her a broken mess afterwards]].
** The
heads of the Hiiragi and Kujou clans, who clans (who respectively command the Kanjou and Tenryou Comissions in Inazuma, nor the Sages of the Akademiya, ''especially'' Azar.
** In the first case,
Inazuma) are particularly reviled for their despicable actions, with said clan heads were being willing to affiliate with the Fatui to manipulate the Shogun into starting the Sakoku and Vision Hunt Decrees, which resulted in confiscation of Visions and shutting Inazuma from the outside world, and perpetrate a civil war that was tearing Inazuma from inside out, leaving its economy and society in a shambles, shambles and with many people end up dying in the conflict, as the Archon Quest and a great portion of the World Quests make clear. All this to maintain their power and influence in the political game of the nation.
** Azar and the Sages of the Akademiya somehow managed to be even worse, worse (''especially'' Azar), by neglecting the existence of Nahida [[BreaktheCutie and imprisoning her for not meeting their expectations of a goddess for 500 years]].years without even giving her a chance of proving herself]]. Not only that, they conducted experiments by reaping the dreams of Sumeru's population, who was unknowingly part of this scheme for centuries, and went as far as causing a [[GroundhogDayLoop samsara]] to continuously drain information from their unwitting citizens, trapping the entire capital in an ever-repeating day that visibly started taking a toll on the health of the weakest civilians, such as Dunyarzad. All this in order to fulfill their goal of turning The Balladeer into an artificial god, both to replace Nahida for good, to have a deity they could exert control and to brag themselves about being able to create such entity. Once the Archon Quest is finally completed, even in-game characters complain that their punishment was incredibly light considering everything they have done.
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* MaleMightFemaleFinesse: A minor case when comparing the male Catalyst users to the female ones. A majority of the female Catalyst users tend to perform their attacks with graceful arm movements, while the male ones tend to be more "physical" with their attacks. This is best seen in the first three male Catalyst users: Heizou fights with punches and kicks, the Wanderer uses aggressive arm swiping when firing his RazorWind and can do a ShockwaveStomp, while Baizhu performs [[PressurePoint finger jabs]] as his normal attacks.
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* InexplicableTreasureChests: Found all over the place, sitting out in the open or only manifesting after completing some sort of challenge. Some also have a magic shield, and [[KillEnemiesToOpen can only be opened after killing the monsters]] guarding them. Special shielded shrines house chests with particularly rare items, requiring a key from a raid-type mission to get inside. Who sets up all these chests is anyone's guess.

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* InexplicableTreasureChests: Found all over the place, sitting out in the open or only manifesting after completing some sort of challenge. Some also have a magic shield, and [[KillEnemiesToOpen can only be opened after killing the monsters]] guarding them.them or completing a puzzle. Special shielded shrines house chests with particularly rare items, requiring a key from a raid-type mission to get inside. Who sets up all these chests is anyone's guess.
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* HoistByHisOwnPetard: With you on the receiving end; if an enemy's Electro attack or their Electro-applied body touches a Dendro Core (even those created by your team) and procs Hyperbloom, then the homing Dendro shots will go after ''you'' instead.
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* HarderThanHard: A trend in more recent combat events is an additional fourth difficulty mode involving souped-up enemy levels and hidden enemy health buffs. The difficulty of these additional challenges is often on par with, and sometimes exceeds, that of Spiral Abyss Floor 12.
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* MostWritersAreWriters: A large number of characters are writers for {{Light Novels}} published by Yae Publishing House. Most of these characters are [=NPC=]s, but some are playable characters working under a pen name, such as [[spoiler: Xingqiu]]. Since this is an {{Animesque}} game, and light novels are as close as the setting gets to manga, this allows the characters to [[ConversationalTroping converse]] the tropes used by the story and others like it.
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* MinecartMadness: The Choo-Choo Cart in the Veluriyam Mirage plays out in a similar manner where you ride a cart on a track and can complete challenges along the way by popping orange balloons with Hydro projectiles. More tracks become accessible at switching stations once certain tasks are done.

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* MinecartMadness: The Choo-Choo Cart in the Veluriyam Mirage plays out like a stock mine cart level in a similar manner all but name, where you ride a cart the titular Choo-Choo Cart on a track and can complete challenges along the way by popping orange balloons with Hydro projectiles. More You're also given brief windows at some points to switch tracks on the fly, and some tracks become accessible at the switching stations station once certain tasks are done.
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* MinecartMadness: The Choo-Choo Cart in the Veluriyam Mirage plays out in a similar manner where you ride a cart on a track and can complete challenges along the way by popping orange balloons with Hydro projectiles. More tracks become accessible at switching stations once certain tasks are done.
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* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: Teyvat has some CosmicHorrorStory elements that become more visible as time goes on, yet there's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]

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* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: Teyvat has some CosmicHorrorStory elements that become more visible as time goes on, yet but there's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]
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* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: the world of Teyvat has some CosmicHorrorStory elements that become more visible as time goes on, yet there's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]

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* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: the world of Teyvat has some CosmicHorrorStory elements that become more visible as time goes on, yet there's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]
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* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: the setting has some CosmicHorrorStory elements that become more visible as time goes on, and yet there's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]

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* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: the setting world of Teyvat has some CosmicHorrorStory elements that become more visible as time goes on, and yet there's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]
Is there an issue? Send a MessageReason:
None


* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: the setting has some CosmicHorrorStory elements that become more visible as time goes on, yet there's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]

to:

* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: the setting has some CosmicHorrorStory elements that become more visible as time goes on, and yet there's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]
Is there an issue? Send a MessageReason:
None


* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: the setting has some CosmicHorrorStory elements that become more visible as time goes on, and there's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]

to:

* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: the setting has some CosmicHorrorStory elements that become more visible as time goes on, and yet there's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]
Is there an issue? Send a MessageReason:
None


* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: the setting has some CosmicHorrorStory elements that become more visible as time goes on, but there's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]

to:

* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: the setting has some CosmicHorrorStory elements that become more visible as time goes on, but and there's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]
Is there an issue? Send a MessageReason:
None


* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is gradually drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: the setting has some CosmicHorrorStory elements that become more visible as time goes on, but there's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]

to:

* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is gradually drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: the setting has some CosmicHorrorStory elements that become more visible as time goes on, but there's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]
Is there an issue? Send a MessageReason:
None


* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is gradually drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: the setting has some CosmicHorrorStory elements that gradually become more visible as time goes on, but there's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]

to:

* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is gradually drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: the setting has some CosmicHorrorStory elements that gradually become more visible as time goes on, but there's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]
Is there an issue? Send a MessageReason:
None


* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is gradually drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: the setting has some CosmicHorrorStory elements that gradually become more visible as time goes on. There's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]

to:

* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is gradually drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: the setting has some CosmicHorrorStory elements that gradually become more visible as time goes on. There's on, but there's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]
Is there an issue? Send a MessageReason:
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* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is gradually drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: the setting has some CosmicHorrorStory elements that gradually become more visible as time goes on, although there's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]

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* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is gradually drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: the setting has some CosmicHorrorStory elements that gradually become more visible as time goes on, although there's on. There's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]
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* JigsawPuzzlePlot: The game doesn't appear to be this at first, but when Zhongli tells the Traveler (and, by extension, [[LeaningOnTheFourthWall the player]]) that ItsUpToYou to be an impartial chronicler, they're actually setting the tone for the rest of the story. The details of the two {{Great Offscreen War}}s are something that is gradually drip fed to the player as time goes on, leaving the audience guessing as to the full picture. Additionally, [[spoiler: the setting has some CosmicHorrorStory elements that gradually become more visible as time goes on, although there's never a CosmicHorrorReveal so much as a gradual lifting of the veil on a CrapsaccharineWorld.]]

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