History Funny / Yakuza3

* Mine saying over the phone that his plans will go through regardless while in Daigo's hospital room is a tense moment. However, the tension is undercut by the fact that Mine clearly picked up English ''very'' recently, with his English sounding like stereotypical Engrish. He's got the grammar nailed down, but he speaks in an extremely brief and accented way:
"Aro? Okey, gor it. No. Zere's no change in ze pran."

* Mine saying over the phone that his plans will go through regardless while in Daigo's hospital room is a tense moment. However, the tension is undercut by the fact that Mine clearly picked up English ''very'' recently, with his English sounding like stereotypical Engrish.

* Speaking of Kanda, his introduction scene is something else. In what appears to be rough sex as his subordinates look at the crashing wall in shock, he later reveals that it was nothing but a hard massage on a woman. Then it all leads up to Kanda slapping all of his subordinates in a hard way. What's even funny is that all of them respond with gratitude. Talk about a fucked up family...

--> '''Members:''' Thank you very much, sir!

* ''All'' the revelations. No exception.

* Majima suddenly shows up to save Kiryu from a mob of goons in a [[RealMenWearPink bright pink]] dump truck (with custom animal print interior no less), screaming incoherently the entire time he's behind the wheel. This is after his last appearance had him being in his full business suit and serious persona, so seeing him back in his old snakeskin get-up and his old chaotic antics is kind of hilarious in its suddenness.

** Meanwhile the suits who'd been surrounding Kiryu all just fall over themsleves getting out of the way spend the rest of the brief cutscene lying on the ground with stunned expressions, not even thinking to interrupt Kiryu and Majima's short exchange nor gather their wits to stop them both from getting away.

* In one substory, Kiryu jumps to the defense of a woman getting harassed by thugs. Once he gets rid of the thugs, Kiryu realizes the woman he saved was a drag queen, who now had the hots for him, [[ValuesDissonance much to Kiryu's horror]]. What comes next is a chase sequence where Kiryu tries to desperately get away from his new admirer. Understandably, this substory was [[UnacceptableTargets cut from the Remastered version]].

* In one substory, Kiryu jumps to the defense of a woman getting harassed by thugs. Once he gets rid of the thugs, Kiryu realizes the woman he saved was a drag queen, who now had the hots for him, [[ValuesDissonance much to Kiryu's horror]]. What comes next is a chase sequence where Kiryu tries to desperately get away from his new admirer.

** The QTE cutscenes near the end of Kanda's boss battle [[DoesThisRemindYouOfAnything made it look like something else]]...

** The QTA cutscenes near the end of Kanda's boss battle [[DoesThisRemindYouOfAnything made it look like something else]]...

* As always, some of the HEAT actions border on slapstick, but special mention goes to what happens if you perform one while holding a small container such as a milk crate. Kiryu will jam the object on the hapless Mook's head, then repeatedly slap it to spin it around, while the poor guy staggers around helplessly. Performing well at the accompanying QTE allows this to go on for [[OverlyLongGag a comically long time]].

* In one substory, Kiryu jumps to the defense of a woman getting harassed by thugs. Once he gets rid of the thugs, Kiryu realizes the woman he saved was transgender, who now had the hots for him, [[ValuesDissonance much to Kiryu's horror]]. What comes next is a chase sequence where Kiryu tries to desperately get away from his new admirer.

* Kiryu and Rikiya go to locate Kanda, who was in a love hotel of all places. When they try to enter, the old lady clerk stops them, saying that only couples can get in. In order to enter without suspicion, Rikiya pretends he and Kiryu are a gay couple wanting a room, much to Kiryu's shock. The old lady happily lets them in, apparently a yaoi fan girl.

--> Kanda: There ya go! [while slapping each of his subordinates] [[PunctuatedForEmphasis That's! What! I'm! Fuckin'! Talking! About!]]
--> Members: Thank you very much, sir!

* Speaking of Kanda, his introduction scene is something else. In what appears to be a rough sex as his subordinates look at the crashing wall in shock, he later reveals that it was nothing but a hard massage on a woman. Then it all leads up to Kanda slapping all of his subordinates in a hard way. What's even funny is that all of them respond with gratitude. Talk about a fucked up family...

* Despite the seriousness of the situation, Andre Richardson threatening Kiryu in perfect American English only for Kiryu to respond with a FlatWhat is pretty hilarious. It's even better when you realize that Kiryu doesn't understand him at all since he later requires Mine to translate Richardson's English for for him. Just about the only reason Kiryu's getting anything out of Richardson's earlier words in English is because he's gesturing for Kiryu like pointing upwards while mentioning Daigo by name or pulling on his gloves while challenging Kiryu.

* Speaking of Kanda, his introduction scene is something else. In what appears to be a rough sex as his subordinates look at the crashing wall in shock, he later reveals that it was nothing but a hard massage on a woman. Then it all leads up to Kanda slapping all of his subordinates in a hard way. What's even funny is that all of them respond with gratitude. Talk about a fucked up family...

* In another substory, Kiryu is approached by a couple of techs for a movie being filmed in town; their star is out sick and they need a tough guy to take his spot in the action sequence they're working on. Kiryu accepts and does his thing, and the director is so impressed he wants to hire Kiryu full time. However, during the scene Kiryu lost his shirt, and the ''entire'' crew [[MassOhCrap has a collective pants-darkening moment]] when they realize they asked an ''actual'' yakuza to help with their movie. Kiryu leaves and the crew continues to panic, while the oblivious director asks why everyone's fussing all of the sudden.