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History Film / ThePhantomOfTheOpera1989

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* AdaptationNameChange: Raoul de Chagny is renamed Richard Dutton.



* AdaptationNameChange: Raoul de Chagny is renamed Richard Dutton.
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[[caption-width-right:260:''One, two, Phantom's coming for you...'']]

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[[caption-width-right:260:''One, [[caption-width-right:260:''[[Franchise/ANightmareOnElmStreet One, two, Phantom's coming for you...'']]
]]'']]
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* TruerToTheText: Shocking, we know. Aside from the time travel, the deal with the Devil and the flaying/harvesting of skin, this film is actually pretty faithful to the original novel in many respects. It features a ''lot'' of details that have often been left out of the various adaptations over the years, such as Erik playing the violin for Christine at Monsieur Daae's grave; the punjab lasso; the rat catcher; Erik having a black mask rather than a WhiteMaskOfDoom like most adaptations; constant references to Gounod's version of Faust and Christine being cast as the lead role of Marguerite. This line especially is used from the original novel:

to:

* TruerToTheText: Shocking, we know. Aside know, but aside from the time travel, the deal with the Devil and the flaying/harvesting of skin, this film is actually pretty faithful to the original novel in many respects. It features a ''lot'' of details that have often been left out of the various adaptations over the years, such as Erik playing the violin for Christine at Monsieur Daae's grave; the punjab lasso; the rat catcher; Erik having a black mask rather than a WhiteMaskOfDoom like most adaptations; constant references to Gounod's version of Faust and Christine being cast as the lead role of Marguerite. This line especially is used from the original novel:
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A 1989 adaptation of ''Literature/ThePhantomOfTheOpera'', starring Creator/RobertEnglund and Creator/JillSchoelen, and directed by Dwight H. Little [[note]](''Film/Halloween4TheReturnOfMichaelMyers'', ''Film/MarkedForDeath'', ''Film/{{Tekken}}'' and ''Film/FreeWilly2TheAdventureHome'')[[/note]].

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A 1989 adaptation of ''Literature/ThePhantomOfTheOpera'', starring Creator/RobertEnglund and Creator/JillSchoelen, and directed by Dwight H. Little [[note]](''Film/Halloween4TheReturnOfMichaelMyers'', Little[[note]](''Film/Halloween4TheReturnOfMichaelMyers'', ''Film/MarkedForDeath'', ''Film/{{Tekken}}'' ''Film/Tekken2010'' and ''Film/FreeWilly2TheAdventureHome'')[[/note]].
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By TRS decision Whip It Good is now a disambiguation page. Moving entries to appropriate tropes when possible.


* SwordCane: Erik has [[WhipItGood a whip]] which has a hidden knife in its handle.

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* SwordCane: Erik has [[WhipItGood a whip]] whip which has a hidden knife in its handle.
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Added DiffLines:

* AssholeVictim: Three men attempt to corner and rob Erik in an alley. It doesn't go well for any of them.
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A 1989 adaptation of ''Literature/ThePhantomOfTheOpera'', starring Creator/RobertEnglund and Jill Schoelen, and directed by Dwight H. Little [[note]](''Film/Halloween4TheReturnOfMichaelMyers'', ''Film/MarkedForDeath'', ''Film/{{Tekken}}'' and ''Film/FreeWilly2TheAdventureHome'')[[/note]].

to:

A 1989 adaptation of ''Literature/ThePhantomOfTheOpera'', starring Creator/RobertEnglund and Jill Schoelen, Creator/JillSchoelen, and directed by Dwight H. Little [[note]](''Film/Halloween4TheReturnOfMichaelMyers'', ''Film/MarkedForDeath'', ''Film/{{Tekken}}'' and ''Film/FreeWilly2TheAdventureHome'')[[/note]].
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** [[spoiler: Richard, the Raoul equivalent, actually gets killed off by Erik.]]

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** [[spoiler: Richard, [[spoiler:Richard, the Raoul equivalent, actually gets killed off by Erik.]]



* MurderTheHypothenuse: Erik unsurprisingly attempts this on Richard. [[spoiler: and unlike in the vast majority of versions, succeeds.]]

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* MurderTheHypothenuse: MurderTheHypotenuse: Erik unsurprisingly attempts this on Richard. [[spoiler: and [[spoiler:And unlike in the vast majority of versions, succeeds.]]
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* MurderTheHypothenuse: Erik unsurprisingly attempts this on Richard. [[spoiler: and unlike in the vast majority of versions, succeeds.]]
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* AllJustADream: In the beginning, Christine is knocked out by a large sandbag, which sends her back in time a couple of centuries. After supposedly defeating Erik, she wakes up in present-day and everyone is clamoring over her accident. [[spoiler:[[OrWasItADream Then it is shown]] that the director of the play happens to be Erik. He later takes her to his apartment and reveals himself to her. He also confirms that the "dream" Christine had was real and they are bound to each other for eternity.]]

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* AllJustADream: In the beginning, Christine is knocked out by a large sandbag, which sends her back in time a couple of centuries. After supposedly defeating Erik, she wakes up in present-day and everyone is clamoring over her accident. [[spoiler:[[OrWasItADream Then it is shown]] that the director of the play show's producer happens to be Erik.Erik, going by the name "Mr. Foster". He later takes her to his apartment and reveals himself to her. He also confirms that the "dream" Christine had was real and they are bound to each other for eternity.]]
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-->Pray for them who giveth their immortal soul unto Satan... For each is damned to relive that wretched life... through all times.

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-->Pray -->''"Pray for them who giveth their immortal soul unto Satan... For each is damned to relive that wretched life... through all times."''



-->'''Erik:''' You're ... suspended!

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-->'''Erik:''' You're ...You're... suspended!



--> "This is either a wedding march or a funeral mass. You decide."

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--> "This '''Erik''': This is either a wedding march or a funeral mass. You decide."
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-->-- '''Erik'''

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-->-- '''Erik'''
'''Erik Destler'''
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* AdaptationNameChange: Raoul de Chagny is renamed Richard Dutton.

Changed: 1133

Removed: 190

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* TruerToTheText:
** Shocking, we know. Aside from the time travel, the deal with the devil and the flaying/harvesting of skin, this film is actually pretty faithful to the original novel in many respects. It features a ''lot'' of details that have often been left out of the various adaptations over the years, such as Erik playing the violin for Christine at Monsieur Daae's grave, the punjab lasso and the rat catcher. This line especially is used from the original novel.
--> "This is either a wedding march or a funeral mass. You decide."
** Another example is the Phantom having a Black Mask as in the novel, rather than a WhiteMaskOfDoom from most adaptations.

to:

* TruerToTheText:
**
TruerToTheText: Shocking, we know. Aside from the time travel, the deal with the devil Devil and the flaying/harvesting of skin, this film is actually pretty faithful to the original novel in many respects. It features a ''lot'' of details that have often been left out of the various adaptations over the years, such as Erik playing the violin for Christine at Monsieur Daae's grave, grave; the punjab lasso and lasso; the rat catcher. catcher; Erik having a black mask rather than a WhiteMaskOfDoom like most adaptations; constant references to Gounod's version of Faust and Christine being cast as the lead role of Marguerite. This line especially is used from the original novel.
novel:
--> "This is either a wedding march or a funeral mass. You decide."
** Another example is the Phantom having a Black Mask as in the novel, rather than a WhiteMaskOfDoom from most adaptations.
"
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Added DiffLines:

* FauxAffablyEvil: Erik is this in this version, being much more creepy and obsessive of Christine and lacking the redeeming qualities that his other versions have.

Added: 580

Changed: 456

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* TruerToTheText: Shocking, we know. Aside from the time travel, the deal with the devil and the flaying/harvesting of skin, this film is actually pretty faithful to the original novel in many respects. It features a ''lot'' of details that have often been left out of the various adaptations over the years, such as Erik playing the violin for Christine at Monsieur Daae's grave, the punjab lasso and the rat catcher. This line especially is used from the original novel.

to:

* TruerToTheText: TruerToTheText:
**
Shocking, we know. Aside from the time travel, the deal with the devil and the flaying/harvesting of skin, this film is actually pretty faithful to the original novel in many respects. It features a ''lot'' of details that have often been left out of the various adaptations over the years, such as Erik playing the violin for Christine at Monsieur Daae's grave, the punjab lasso and the rat catcher. This line especially is used from the original novel.


Added DiffLines:

** Another example is the Phantom having a Black Mask as in the novel, rather than a WhiteMaskOfDoom from most adaptations.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ActorAllusion: Several of the AdaptationalVillainy traits given to the Phantom in this version make him feel more like Englund's [[Franchise/ANightmareOnElmStreet Freddy Krueger]]. This version of Erik made a DealWithTheDevil to have his music live forever; ''Film/FreddysDeadTheFinalNightmare'' revealed that Freddy made a similar deal with a trio of Dream Demons in order to continue killing kids in their dreams. Erik's face has been horribly disfigured as a result from the aforementioned deal to the point that [[spoiler:when Christine confronts him in the present]], it's been rendered completely black; part of Freddy's iconic appearance involves his burned face as a result of the parents of his victims killing him in his origin story. Both characters are also prone to giving [[PreMortemOneLiner Pre-Mortem One-Liners]] before killing their victims.
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[[caption-width-right:260:''One, two, Phantom's coming for you..'']]

to:

[[caption-width-right:260:''One, two, Phantom's coming for you..you...'']]
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to:

[[caption-width-right:260:''One, two, Phantom's coming for you..'']]

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