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* SpiritualSuccessor: Being noted fans of Creator/RobertAltman, Creator/TheCoenBrothers (''Film/TheBigLebowski'') and Creator/PaulThomasAnderson (''Film/InherentVice'') made their own loose remakes of this film.
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Marlowe's old friend Terry Lennox (Jim Bouton) comes by in some sort of trouble, asking for a ride to Tijuana, which Marlowe provides. This winds up getting Marlowe in hot water with the LAPD, when it turns out that Lennox's wife Susan was murdered and Terry is the prime suspect. Meanwhile, Eileen Wade (Nina van Pallandt) hires Marlowe to find her missing husband, the noted author Roger Wade (Creator/SterlingHayden)--and it turns out that the Wades' Malibu home is right down the beach from the Lennoxes'. Things get even more complicated when crime boss Marty Augustine (Mark Rydell) comes to Marlowe's apartment demanding $355,000 that Lennox was supposed to deliver but instead has absconded with.

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Marlowe's old friend Terry Lennox (Jim Bouton) comes by in some sort of trouble, asking for a ride to Tijuana, which Marlowe provides. This winds up getting Marlowe in hot water with the LAPD, when it turns out that Lennox's wife Susan was murdered and Terry is the prime suspect. Meanwhile, Eileen Wade (Nina van Pallandt) hires Marlowe to find her missing husband, the noted author Roger Wade (Creator/SterlingHayden)--and it turns out that the Wades' Malibu home is right down the beach from the Lennoxes'. Things get even more complicated when crime boss Marty Augustine (Mark Rydell) comes to Marlowe's apartment demanding $355,000 that Lennox was supposed to deliver but instead has absconded with.
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[[quoteright:299:https://static.tvtropes.org/pmwiki/pub/images/124755f6cacf28a7068812be6816d134.jpg]]

''The Long Goodbye'' is a 1973 film directed by Creator/RobertAltman and starring Creator/ElliottGould as detective Literature/PhilipMarlowe. It was adapted from the Creator/RaymondChandler [[Literature/TheLongGoodbye novel of the same name]] by Creator/LeighBrackett (who earlier co-wrote the most famous film version of Chandler's ''Film/TheBigSleep'').

Marlowe's old friend Terry Lennox comes by in some sort of trouble, asking for a ride to Tijuana, which Marlowe provides. This winds up getting Marlowe in hot water with the LAPD, when it turns out that Lennox's wife Susan was murdered and Terry is the prime suspect. Meanwhile, Eileen Wade (Nina van Pallandt) hires Marlowe to find her missing husband, the noted author Roger Wade (Creator/SterlingHayden)--and it turns out that the Wades' Malibu home is right down the beach from the Lennoxes'. Things get even more complicated when crime boss Marty Augustine (Mark Rydell) comes to Marlowe's apartment demanding $355,000 that Lennox was supposed to deliver but instead has absconded with.

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[[quoteright:299:https://static.[[quoteright:310:https://static.tvtropes.org/pmwiki/pub/images/124755f6cacf28a7068812be6816d134.jpg]]

org/pmwiki/pub/images/the_long_goodbye_1973.jpeg]]

''The Long Goodbye'' is a 1973 film directed by Creator/RobertAltman and starring Creator/ElliottGould as detective Literature/PhilipMarlowe. It was adapted from the Creator/RaymondChandler Creator/RaymondChandler's [[Literature/TheLongGoodbye novel of the same name]] by Creator/LeighBrackett (who had earlier co-wrote co-written the most famous film version of Chandler's ''Film/TheBigSleep'').

Marlowe's old friend Terry Lennox (Jim Bouton) comes by in some sort of trouble, asking for a ride to Tijuana, which Marlowe provides. This winds up getting Marlowe in hot water with the LAPD, when it turns out that Lennox's wife Susan was murdered and Terry is the prime suspect. Meanwhile, Eileen Wade (Nina van Pallandt) hires Marlowe to find her missing husband, the noted author Roger Wade (Creator/SterlingHayden)--and it turns out that the Wades' Malibu home is right down the beach from the Lennoxes'. Things get even more complicated when crime boss Marty Augustine (Mark Rydell) comes to Marlowe's apartment demanding $355,000 that Lennox was supposed to deliver but instead has absconded with.
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* MinionWithAnFInEvil: Harry. Augustine's incompetent goon who he assigns to follow Marlow.

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* DiegeticSoundtrackUsage: Taken to its logical extreme, thanks to the skilled hands of Music/JohnWilliams. With the exception of "Hooray for Hollywoood" in the opening and closing of the movie, the only song heard in the movie is various arrangements of the theme song, "The Long Goodbye", used diegetically. So when a character turns on the radio, that's the song that plays, when a character is at a bar there's a piano player singing that song, in the supermarket, a muzak version is playing on the overhead, and when the nudist, hippie, neighbors, are chanting, they're chanting the theme also. The lyrics even {{Lampshade}} this:
-->''Can you recognize the theme?''



* DiegeticSoundtrackUsage: Taken to its logical extreme, thanks to the skilled hands of Music/JohnWilliams. With the exception of "Hooray for Hollywoood" in the opening and closing of the movie, the only song heard in the movie is various arrangements of the theme song, "The Long Goodbye", used diegetically. So when a character turns on the radio, that's the song that plays, when a character is at a bar there's a piano player singing that song, in the supermarket, a muzak version is playing on the overhead, and when the nudist, hippie, neighbors, are chanting, they're chanting the theme also. The lyrics even {{Lampshade}} this:
-->''Can you recognize the theme?''
Tabs MOD

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* ThemeTuneCameo: Taken to its logical extreme, thanks to the skilled hands of Music/JohnWilliams. With the exception of "Hooray for Hollywoood" in the opening and closing of the movie, the only song heard in the movie is various arrangements of the theme song, "The Long Goodbye", used diegetically. So when a character turns on the radio, that's the song that plays, when a character is at a bar there's a piano player singing that song, in the supermarket, a muzak version is playing on the overhead, and when the nudist, hippie, neighbors, are chanting, they're chanting the theme also. The lyrics even {{Lampshade}} this:

to:

* ThemeTuneCameo: DiegeticSoundtrackUsage: Taken to its logical extreme, thanks to the skilled hands of Music/JohnWilliams. With the exception of "Hooray for Hollywoood" in the opening and closing of the movie, the only song heard in the movie is various arrangements of the theme song, "The Long Goodbye", used diegetically. So when a character turns on the radio, that's the song that plays, when a character is at a bar there's a piano player singing that song, in the supermarket, a muzak version is playing on the overhead, and when the nudist, hippie, neighbors, are chanting, they're chanting the theme also. The lyrics even {{Lampshade}} this:
Is there an issue? Send a MessageReason:
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Marlowe's old friend Terry Lennox comes by in some sort of trouble, asking for a ride to Tijuana, which Marlowe provides. This winds up getting Marlowe in hot water with the LAPD, when it turns out that Lennox's wife Susan was murdered and Terry is the prime suspect. Meanwhile, Eileen Wade hires Marlowe to find her missing husband, noted author Roger Wade (Creator/SterlingHayden)--and it turns out that the Wades' Malibu home is right down the beach from the Lennoxes. Things get even more complicated when crime boss Marty Augustine comes to Marlowe's apartment demanding $355,000 that Lennox was supposed to deliver but instead has absconded with.

to:

Marlowe's old friend Terry Lennox comes by in some sort of trouble, asking for a ride to Tijuana, which Marlowe provides. This winds up getting Marlowe in hot water with the LAPD, when it turns out that Lennox's wife Susan was murdered and Terry is the prime suspect. Meanwhile, Eileen Wade (Nina van Pallandt) hires Marlowe to find her missing husband, the noted author Roger Wade (Creator/SterlingHayden)--and it turns out that the Wades' Malibu home is right down the beach from the Lennoxes. Lennoxes'. Things get even more complicated when crime boss Marty Augustine (Mark Rydell) comes to Marlowe's apartment demanding $355,000 that Lennox was supposed to deliver but instead has absconded with.
Is there an issue? Send a MessageReason:
None


* ThemeTuneCameo: Taken to its logical extreme. With the exception of "Hooray for Hollywoood" in the opening and closing of the movie, the only song heard in the movie is various arrangements of the theme song, "The Long Goodbye" used diegetically. So when a character turns on the radio, that's the song that plays, when a character is at a bar there's a piano player singing that song, in the supermarket, a muzak version is playing on the overhead, and when the nudist, hippie, neighbors, are chanting, they're chanting the theme also. The lyrics even {{Lampshade}} this:

to:

* ThemeTuneCameo: Taken to its logical extreme. extreme, thanks to the skilled hands of Music/JohnWilliams. With the exception of "Hooray for Hollywoood" in the opening and closing of the movie, the only song heard in the movie is various arrangements of the theme song, "The Long Goodbye" Goodbye", used diegetically. So when a character turns on the radio, that's the song that plays, when a character is at a bar there's a piano player singing that song, in the supermarket, a muzak version is playing on the overhead, and when the nudist, hippie, neighbors, are chanting, they're chanting the theme also. The lyrics even {{Lampshade}} this:
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''The Long Goodbye'' is a 1973 film directed by Creator/RobertAltman and starring Elliott Gould as detective Literature/PhilipMarlowe. It was adapted from the Creator/RaymondChandler [[Literature/TheLongGoodbye novel of the same name]] by Creator/LeighBrackett (who earlier co-wrote the most famous film version of Chandler's ''Film/TheBigSleep'').

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''The Long Goodbye'' is a 1973 film directed by Creator/RobertAltman and starring Elliott Gould Creator/ElliottGould as detective Literature/PhilipMarlowe. It was adapted from the Creator/RaymondChandler [[Literature/TheLongGoodbye novel of the same name]] by Creator/LeighBrackett (who earlier co-wrote the most famous film version of Chandler's ''Film/TheBigSleep'').
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* TheDeterminator: Marlowe suffers all sorts of setbacks, but his gut sense that something is fishy about the whole affair keeps him going, and he ultimately solves the case and tracks down Lennox.
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* AdaptedOut: Most blatantly, Linda Loring--the classy yet [[DeadpanSnarker just-as-snarky-as-Marlowe]] SpiritedYoungLady whom Marlowe meets in the book during his investigation. She's the sister of Terry's late wife, and shares Marlowe's doubts that Terry killed anyone--and thus, becomes Marlowe's ally and uneasy assistant in his investigation. Chandler's purpose for her was to be the "Princess In Sour Dress" to Marlowe's KnightInSourArmor--and their parting near the book's end forces the detective to begin questioning his once-firm love of isolation. In the movie, she's nowhere to be found, and instead Altman has Marlowe strike up a complicated relationship with Mrs. Wade--who, ironically, [[spoiler: was the murderer]] in the book.

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* AdaptedOut: Most blatantly, Linda Loring--the classy yet [[DeadpanSnarker just-as-snarky-as-Marlowe]] SpiritedYoungLady lady whom Marlowe meets in the book during his investigation. She's the sister of Terry's late wife, and shares Marlowe's doubts that Terry killed anyone--and thus, becomes Marlowe's ally and uneasy assistant in his investigation. Chandler's purpose for her was to be the "Princess In Sour Dress" to Marlowe's KnightInSourArmor--and their parting near the book's end forces the detective to begin questioning his once-firm love of isolation. In the movie, she's nowhere to be found, and instead Altman has Marlowe strike up a complicated relationship with Mrs. Wade--who, ironically, [[spoiler: was the murderer]] in the book.
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** The gangsters, represented by Marty Augustine, are the colourful minor villains who show up in many Noir movies, being LaughablyEvil and even representing a QuirkyMinibossSquad. However, the film emphasizes that these minor thugs and delinquents are incredibly dangerous and powerful to be around. The shrink Dr. Verringer is an unctous intimidating doctor who can humiliating and blackmail the burly and gregarious Roger Wade, and Marty Augustine is a brutal thug who could have killed and cut up Marlowe had he not been so lucky in getting out of spots quickly.

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** The gangsters, represented by Marty Augustine, are the colourful minor villains who show up in many Noir movies, being LaughablyEvil and even representing a QuirkyMinibossSquad. However, the film emphasizes that these minor thugs and delinquents are incredibly powerful and dangerous and powerful to be around. The shrink Dr. Verringer is an unctous intimidating doctor who can humiliating humiliate and blackmail the burly and gregarious Roger Wade, and Marty Augustine is a brutal thug who could have killed and cut up Marlowe had he not been so lucky in getting out of spots quickly.
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%% ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.

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%% ZeroContextExample Administrivia/ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.

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* GenreSavvy: Marlowe, on the typical if-this-were-a-movie dialogue for interrogation scenes:

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* GenreSavvy: GenreSavvy:
**
Marlowe, on the typical if-this-were-a-movie dialogue for interrogation scenes:
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** Several allusions to ''Film/TheThirdMan'', with Marlowe, Terry and Eileen having similarities to that film's main characters, some of the plot points, a cat figuring into the story, and ultimately [[spoiler:the ending where Marlowe walks past Eileen parodies and inverts the famous final scene of ''The Third Man''. Here, TheHero walks past and ignores the FemmeFatale and rather than being melancholy and serious, Marlowe is in a good mood]].

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** Several allusions to ''Film/TheThirdMan'', with ''Film/TheThirdMan''. Marlowe, Terry and Eileen having have similarities to that film's main characters, some of the plot points, points are the same, a cat figuring figures into the story, both stories, both films have scores based on variations of one song, and ultimately [[spoiler:the ending where Marlowe walks past Eileen parodies and inverts the famous final scene of ''The Third Man''. Here, TheHero walks past and ignores the FemmeFatale and rather than being melancholy and serious, Marlowe is in a good mood]].
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** The ending where [[spoiler:Marlowe walks past Ellen Wade is a spoof on the end of Film/TheThirdMan. Here the roles are reversed. TheHero walks past and ignores the FemmeFatale and rather than being melancholy and serious, Marlowe is in a good mood]].

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** The Several allusions to ''Film/TheThirdMan'', with Marlowe, Terry and Eileen having similarities to that film's main characters, some of the plot points, a cat figuring into the story, and ultimately [[spoiler:the ending where [[spoiler:Marlowe Marlowe walks past Ellen Wade is a spoof on Eileen parodies and inverts the end famous final scene of Film/TheThirdMan. Here the roles are reversed. ''The Third Man''. Here, TheHero walks past and ignores the FemmeFatale and rather than being melancholy and serious, Marlowe is in a good mood]].

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* {{Deconstruction}}: Supposedly Altman wanted the film to be one, UpToEleven, of the whole "Private-Eye" genre -- to the point where it would actually more or less put an ''end'' [[GenreKiller to these kinds of movies.]] Didn't happen, of course.

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* {{Deconstruction}}: Supposedly Altman wanted The film is generally a parody of the FilmNoir genre, with many of the characters being archetypes of the kind of characters who show up in those films:
** The gangsters, represented by Marty Augustine, are the colourful minor villains who show up in many Noir movies, being LaughablyEvil and even representing a QuirkyMinibossSquad. However,
the film emphasizes that these minor thugs and delinquents are incredibly dangerous and powerful to be one, UpToEleven, around. The shrink Dr. Verringer is an unctous intimidating doctor who can humiliating and blackmail the burly and gregarious Roger Wade, and Marty Augustine is a brutal thug who could have killed and cut up Marlowe had he not been so lucky in getting out of spots quickly.
** Moreover Marlowe's general sentimentality about being a "tarnished knight" is called into question. He puts on a mask of aloof cool and enjoys taunting and being a wiseacre but this is often shown to be unwise. Likewise, [[spoiler:Terry Lennox uses Marlowe's sentiment towards friendship to manipulate him and at the end, he even points out that his brutal murder
of the whole "Private-Eye" genre -- to wife is of no real social consequence, that the point where it would actually more or less put an ''end'' [[GenreKiller cops have dropped the case and that he's willing to these kinds of movies.]] Didn't happen, of course.share retirement with Marlowe. Marlowe in response, decides to take the law into his own hands]].
--> '''Philip Marlowe''': ''Nobody cares but me.''\\
'''[[spoiler:Terry Lennox]]''': Well that's you, Marlowe. You'll never learn, you're a born loser.



* PoliceAreUseless: The police harass Marlowe, but otherwise seem to just accept what anyone tells them about the Lennox case without question.

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* OnlySaneMan: Marlowe sees himself as this, and the film mostly does agree. Elliot Gould gets comedy gold by playing the straight man to every bizarre figure he comes across.
* PoliceAreUseless: The police harass Marlowe, but otherwise seem to just accept what anyone tells them about the Lennox case without question. Ultimately Marlowe agrees [[spoiler:and he decides to perform a VigilanteExecution on Terry Lennox after he's gotten away scott-free]].



* SettingUpdate: One of the reasons the film was considered daring for its time. It brought Marlowe to TheSeventies and it cast a very young actor, who was known for comic parts, as Marlowe rather than an actor like Creator/RobertMitchum (who played Marlowe in two films in TheSeventies). Altman wanted to make Marlowe a man out of his time even coining the nickname "Rip van Marlowe" and alluding it by starting the film with Marlowe waking up from sleep, implying that he was stuck in a forties time-warp.



* UnresolvedSexualTension: Marlowe gets it bad for Ellen. [[spoiler:Unfortunately she is using him.]]

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* UnresolvedSexualTension: Marlowe gets it bad for Ellen. [[spoiler:Unfortunately she is using him.him and in the end he pretty much gets over her and is happy with being a CelibateHero.]]
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* ChandlersLaw: Some people complained about the film changing the ending of the novel, even though the new ending invoked the law named after Raymond Chandler in the first place.
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* CreatorCameo: If you blink during the scene where Marlowe gets taken to the hospital, you'll miss Robert Altman as the guy sitting in the passenger seat of the ambulance.

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* TheNicknamer: Roger Wade has nicknames for almost everybody.



* TheNicknamer: Roger Wade has nicknames for almost everybody.
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* UnresolvedSexualTension: Marlowe gets it bad for Ellen. [[spoiler:Unfortunately she is using him.]]
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''The Long Goodbye'' is a 1973 film directed by Creator/RobertAltman and starring Elliott Gould as detective Literature/PhilipMarlowe. It was adapted from the Creator/RaymondChandler novel of the same name by Creator/LeighBrackett (who earlier co-wrote the most famous film version of Chandler's ''Film/TheBigSleep'').

to:

''The Long Goodbye'' is a 1973 film directed by Creator/RobertAltman and starring Elliott Gould as detective Literature/PhilipMarlowe. It was adapted from the Creator/RaymondChandler [[Literature/TheLongGoodbye novel of the same name name]] by Creator/LeighBrackett (who earlier co-wrote the most famous film version of Chandler's ''Film/TheBigSleep'').

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* NoCelebritiesWereHarmed: Roger Wade's heavy beard, heavier drinking, braggadoccio, and suicidal tendencies all paint him as a late-period Creator/ErnestHemingway.



%%* PoliceAreUseless

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%%* PoliceAreUseless* PoliceAreUseless: The police harass Marlowe, but otherwise seem to just accept what anyone tells them about the Lennox case without question.
* PreMortemOneLiner: [[spoiler: '''Marlowe''': Yeah, I even lost my cat.]]


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* WoundedGazelleGambit: While they're questioning Marlowe, one detective pushes him into the other so they can run him in for assaulting an officer.
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Marlowe's old friend Terry Lennox comes by in some sort of trouble, asking for a ride to Tijuana, which Marlowe provides. This winds up getting Marlowe in hot water with the LAPD, when it turns out that Lennox's wife Susan was murdered and Terry is the prime suspect. Meanwhile, Eileen Wade hires Marlowe to find her missing husband, noted author Roger Wade--and it turns out that the Wades' Malibu home is right down the beach from the Lennoxes. Things get even more complicated when crime boss Marty Augustine comes to Marlowe's apartment demanding $355,000 that Lennox was supposed to deliver but instead has absconded with.

to:

Marlowe's old friend Terry Lennox comes by in some sort of trouble, asking for a ride to Tijuana, which Marlowe provides. This winds up getting Marlowe in hot water with the LAPD, when it turns out that Lennox's wife Susan was murdered and Terry is the prime suspect. Meanwhile, Eileen Wade hires Marlowe to find her missing husband, noted author Roger Wade--and Wade (Creator/SterlingHayden)--and it turns out that the Wades' Malibu home is right down the beach from the Lennoxes. Things get even more complicated when crime boss Marty Augustine comes to Marlowe's apartment demanding $355,000 that Lennox was supposed to deliver but instead has absconded with.
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* FauxAffablyEvil: Marty Augustine.

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* FauxAffablyEvil: Marty Augustine.Augustine is fairly personable in-between his bursts of brutality.
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* FauxAffablyEvil: Marty Augustine.
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* HappyDance: [[spoiler:Marlowe does this at the end after killing Lennox and walking past Ellen]].


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* ShoutOut: To all kinds of private-eye movies and stories.
** The scene where Marlowe puts on black face is modelled on a scene in Creator/JeanLucGodard's ''Pierrot le Fou'' where Jean-Paul Belmondo paints his face blue.
** The ending where [[spoiler:Marlowe walks past Ellen Wade is a spoof on the end of Film/TheThirdMan. Here the roles are reversed. TheHero walks past and ignores the FemmeFatale and rather than being melancholy and serious, Marlowe is in a good mood]].
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* AuthorAvatar: Roger Wade is made into one for Raymond Chandler in the film. Indeed, Altman said that he was far more inspired by Chandler's letters and diaries in making this film than the original novel.

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* ThemeTuneCameo: Taken to its logical extreme. With the exception of "Hooray for Hollywoood" in the opening and closing of the movie, the only song heard in the movie is various arrangements of the theme song, "The Long Goodbye" used diegetically. So when a character turns on the radio, that's the song that plays, when a character is at a bar there's a piano player singing that song, in the supermarket, a muzak version is playing on the overhead, and when the nudist, hippie, neighbors, are chanting, they're chanting the theme also.

to:

* ThemeTuneCameo: Taken to its logical extreme. With the exception of "Hooray for Hollywoood" in the opening and closing of the movie, the only song heard in the movie is various arrangements of the theme song, "The Long Goodbye" used diegetically. So when a character turns on the radio, that's the song that plays, when a character is at a bar there's a piano player singing that song, in the supermarket, a muzak version is playing on the overhead, and when the nudist, hippie, neighbors, are chanting, they're chanting the theme also. The lyrics even {{Lampshade}} this:
-->''Can you recognize the theme?''
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None

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* EvenEvilHasStandards: Marty Augustine's thugs are genuinely shocked when he hits his girlfriend in the face with a Coke bottle.

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