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This film, released a decade before the UsefulNotes/AcademyAwardForBestForeignLanguageFilm was given out, was the first film in a language other than English to be nominated for Best Picture. It remains one of only 12. It was also the first film released on UsefulNotes/{{DVD}} by Creator/TheCriterionCollection [[note]]Actually, it ''would've'' been, but the release was delayed for a year when the long-lost original camera negative was discovered.[[/note]]. Oh, and Maréchal's uniform? That was Jean Renoir's uniform from when he fought in UsefulNotes/WorldWarI.

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This film, released a decade before the UsefulNotes/AcademyAwardForBestForeignLanguageFilm MediaNotes/AcademyAwardForBestForeignLanguageFilm was given out, was the first film in a language other than English to be nominated for Best Picture. It remains one of only 12. It was also the first film released on UsefulNotes/{{DVD}} by Creator/TheCriterionCollection [[note]]Actually, it ''would've'' been, but the release was delayed for a year when the long-lost original camera negative was discovered.[[/note]]. Oh, and Maréchal's uniform? That was Jean Renoir's uniform from when he fought in UsefulNotes/WorldWarI.
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* HarsherInHindsight: Even if Maréchal survives the war and returns to marry Elsa, their countries (and thus friends & relatives) will again be at war, two decades later.
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Here they are quartered in a room with other French officers, including Lieutenant Rosenthal (Marcel Dalio), the son of a Jewish banker, who supplies the others with food and delicacies sent from France via the Red Cross. The officers are digging a tunnel to escape from the camp, but shortly before it is finished, they are transferred to another camp. After several transfers (and failed off-screen escape attempts), de Boeldieu, Maréchal and Rosenthal are reunited in a camp in an old castle. The commandant is Major von Rauffenstein, now invalided out of frontline duty; he feels an affinity towards fellow aristocrat de Boeldieu, and talks with him about how the UsefulNotes/WorldWarI is bringing an end to the class they belong to and its code of honour. De Boeldieu provides the diversion necessary to permit Maréchal and Rosenthal to escape, forcing Rauffenstein to shoot him.

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Here they are quartered in a room with other French officers, including Lieutenant Rosenthal (Marcel Dalio), the son of a Jewish banker, who supplies the others with food and delicacies sent from France via the Red Cross. The officers are digging a tunnel to escape from the camp, but shortly before it is finished, they are transferred to another camp. After several transfers (and failed off-screen escape attempts), de Boeldieu, Maréchal and Rosenthal are reunited in a camp in an old castle. The commandant is Major von Rauffenstein, now invalided out of frontline duty; he feels an affinity towards fellow aristocrat de Boeldieu, and talks with him about how the UsefulNotes/WorldWarI Great War is bringing an end to the class they belong to and its code of honour. De Boeldieu provides the diversion necessary to permit Maréchal and Rosenthal to escape, forcing Rauffenstein to shoot him.
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Per TRS, and trope slashing isn't allowed


* GratuitousEnglish / HidingBehindTheLanguageBarrier / SurprisinglyGoodEnglish: Von Rauffenstein can speak French and de Bouldieu can speak German, but the two of them sometimes lapse into English when they are talking with each other. It's not clear why, but some scenes imply that the two of them use English when they don't want others to understand. Or it may be just a sign of cultural solidarity between the two well-educated aristocrats.

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* GratuitousEnglish / HidingBehindTheLanguageBarrier / SurprisinglyGoodEnglish: GratuitousEnglish: Von Rauffenstein can speak French and de Bouldieu can speak German, but the two of them sometimes lapse into English when they are talking with each other. It's not clear why, but some scenes imply that the two of them use English when they don't want others to understand. Or it may be just a sign of cultural solidarity between the two well-educated aristocrats.
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correcting the number of non-English Best Picture nominees


This film, released a decade before the UsefulNotes/AcademyAwardForBestForeignLanguageFilm was given out, was the first film in a language other than English to be nominated for Best Picture. It remains one of only nine. It was also the first film released on UsefulNotes/{{DVD}} by Creator/TheCriterionCollection [[note]]Actually, it ''would've'' been, but the release was delayed for a year when the long-lost original camera negative was discovered.[[/note]]. Oh, and Maréchal's uniform? That was Jean Renoir's uniform from when he fought in UsefulNotes/WorldWarI.

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This film, released a decade before the UsefulNotes/AcademyAwardForBestForeignLanguageFilm was given out, was the first film in a language other than English to be nominated for Best Picture. It remains one of only nine.12. It was also the first film released on UsefulNotes/{{DVD}} by Creator/TheCriterionCollection [[note]]Actually, it ''would've'' been, but the release was delayed for a year when the long-lost original camera negative was discovered.[[/note]]. Oh, and Maréchal's uniform? That was Jean Renoir's uniform from when he fought in UsefulNotes/WorldWarI.
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** The film's title refers to the economist Norman Angell's book "The Great Illusion"(In French, "grande" means "great"). In that book he argued that modern nations had no real economic justification for going to war, since the global economy depended on co-operation and free network among citizens. [[note]]The acknowledgment of this fact led many philosophers before him to argue that free trade could put an end to war for good. Angell however argued that wars would continued to be waged against rational economic concerns for either political benefit or a way to unite dissension at home, calling it the "Great Illusion" that rational concerns rather than sentimental or political ones, led to war.[[/note]]

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** The film's title refers to the economist Norman Angell's book "The Great Illusion"(In French, "grande" means "great"). In that book he argued that modern nations had no real economic justification for going to war, since the global economy depended on co-operation and free network among citizens. [[note]]The acknowledgment of this fact led many philosophers before him to argue that free trade could put an end to war for good. Angell however argued that wars would continued to be waged against rational economic concerns for either political benefit or a way to unite dissension at home, calling it the "Great Illusion" that rational concerns rather concerns--rather than sentimental or political ones, led ones--led to war.[[/note]]
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This film, released a decade before the UsefulNotes/AcademyAwardForBestForeignLanguageFilm was given out, was the first film in a language other than English to be nominated for Best Picture. It remains one of only nine. It was also the first film released on UsefulNotes/{{DVD}} by Creator/TheCriterionCollection. Oh, and Maréchal's uniform? That was Jean Renoir's uniform from when he fought in UsefulNotes/WorldWarI.

to:

This film, released a decade before the UsefulNotes/AcademyAwardForBestForeignLanguageFilm was given out, was the first film in a language other than English to be nominated for Best Picture. It remains one of only nine. It was also the first film released on UsefulNotes/{{DVD}} by Creator/TheCriterionCollection.Creator/TheCriterionCollection [[note]]Actually, it ''would've'' been, but the release was delayed for a year when the long-lost original camera negative was discovered.[[/note]]. Oh, and Maréchal's uniform? That was Jean Renoir's uniform from when he fought in UsefulNotes/WorldWarI.
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* HarsherInHindsight: Even if Maréchal survives the war and returns to marry Elsa, their countries (and thus friends & relatives) will again be at war, two decades later.
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* DecoyProtagonist: The first two acts of the story, the second act in particular, focus on Boeldieu. [[spoiler:However, after he is shot and killed making a distraction so Maréchal and Rosenthal can escape]], Maréchal becomes the primary focus, especially once they meet Elsa.


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* GenreShift: The first two acts are are about Bouldieu and Maréchal's attempts to escape imprisonment. The third act takes place [[spoiler:after Maréchal and Rosenthal have escaped and lay low with a German woman who has lost a husband and son to the war. It becomes a romantic drama when she and Maréchal fall in love.]]
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Marechal is said to have attempted to escape while diguised as a woman


* DisguisedInDrag: The British officers participating in the variety show in the first camp.

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* DisguisedInDrag: The British officers participating in the variety show in the first camp.camp aren't really disguised, but it's revealed that Maréchal has on separate occasions tried to escape while disguised as a German officer as well as a woman.
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* CavalryOfficer: Major von Rauffenstein, a cavalry officer turned fighter pilot.

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* LanguageBarrier: As the gang is being taken away to another prisoner-of-war camp, Maréchal tries to tell an incoming prisoner about the escape tunnel, but the new inmate is British and can't understand a word.

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* LanguageBarrier: LanguageBarrier:
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As the gang is being taken away to another prisoner-of-war camp, Maréchal tries to tell an incoming prisoner about the escape tunnel, but the new inmate is British and can't understand a word.word.
** With Elsa and Maréchal also. Rosenthal can speak German and acts as the translator when the pair stay at Elsa's, but Maréchal eventually picks up some rudimentary German.


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* RomancingTheWidow: Maréchal and Elsa slowly fall in love.
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* FateWorseThanDeath: Boeldieu says that living in a postwar world where the aristocracy no longer has a purpose will be this for von Rauffenstein.
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* WholesomeCrossdresser: The French [=POWs=] in the vaudeville show.
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* DeadpanSnarker: Pretty much everyone contributes a sarcastic quip or two, but Maréchal is the main snarker.
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During UsefulNotes/WorldWarI, two French aviators, aristocratic Captain de Boeldieu (Pierre Fresnay) and working-class Lieutenant Maréchal (Jean Gabin), embark on a flight for a reconnaissance mission. They are shot down by a German aviator and aristocrat, Captain von Rauffenstein (Creator/ErichVonStroheim) who upon returning to base, sends a subordinate to find out if the aviators are officers and, if so, to invite them to lunch. During the meal, von Rauffenstein and de Boeldieu discover they have mutual acquaintances. From there the French aviators are moved to an officers' POW camp.

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During UsefulNotes/WorldWarI, two French aviators, aristocratic Captain de Boeldieu (Pierre Fresnay) and working-class Lieutenant Maréchal (Jean Gabin), (Creator/JeanGabin), embark on a flight for a reconnaissance mission. They are shot down by a German aviator and aristocrat, Captain von Rauffenstein (Creator/ErichVonStroheim) who upon returning to base, sends a subordinate to find out if the aviators are officers and, if so, to invite them to lunch. During the meal, von Rauffenstein and de Boeldieu discover they have mutual acquaintances. From there the French aviators are moved to an officers' POW camp.

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