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History Film / TheFactsInTheCaseOfMisterHollow

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* SecretSocietyGroupPicture: The OccultDetective and his eponymous source correctly presume Hollow's {{Spooky Photograph|s}} depicts a MysteryCult operating in Ontario, but the atypically rustic environs of a wooded campsite, and the jocularity of some of the figures heavily hint not only at its membership, but also its typical practices and methods of worship.

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* SecretSocietyGroupPicture: The OccultDetective and his eponymous source correctly presume Hollow's {{Spooky Photograph|s}} depicts a MysteryCult operating in Ontario, but the atypically rustic environs of a wooded campsite, and environs, the jocularity of some of the figures figures, and several odd details heavily hint not only at its membership, but also its typical practices and methods of worship.worship, including HumanSacrifice.
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* SecretSocietyGroupPicture: The OccultDetective and his eponymous source correctly presume Hollow's {{Spooky Photograph|s}} depicts a MysteryCult operating in Ontario, but the atypically rustic environs of a wooded campsite, and the jocularity of some of the figures heavily hint not only at its membership, but also its typical practices and methods of worship.
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* PsychologicalHorror: An OccultDetective investigating a MysteryCult has to slowly piece together the larger, sinister context in which a {{Spooky Photograph|s}} was taken, communicated by small details present in the photo itself, building to a conclusion that is either symbolic of the investigator's epiphany, or an explicit paranormal manifestation.
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* PenName[=/=]SueDonym: Careful examination of the OccultDetective's other documents reveals that Johnny Hollow is an alias adopted by Johnathon H. Ollow, a writer for The Greater Toronto Gazette.

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* PenName[=/=]SueDonym: Careful examination of the OccultDetective's other documents reveals that Johnny Hollow is an alias adopted by Johnathon H. Ollow, a writer for The ''The Greater Toronto Gazette.''
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* PenName[=/=]SueDonym: Careful examination of the OccultDetective's other documents reveals that Johnny Hollow is an alias adopted by Johnathon H. Ollow, a writer for The Greater Toronto Gazette.
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* JohnnyMcCoolname: Johnny Hollow, the mysterious benefactor of an unseen OccultDetective, who has provided said detective with a {{Spooky Photograph|s}} that may confirm the sinister activities of a MysteryCult.
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* BadassPreacher: The Young Priest aiming a shotgun, who, along with the Old Priest, is revealed to be hidden behind the trees, out of the sightline of the cultists.

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* BadassPreacher: The Young Priest aiming a shotgun, who, along with the an Old Priest, Priest who appears to be blessing his action, is revealed to be hidden behind the trees, out of the sightline of the cultists.
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* GodOfEvil: The MysteryCult worships the Keres, understood to be evil Greco-Roman goddesses in the film. Though not detailed in the film itself, in ClassicalMythology they are the ''daimones'' (AnthropomorphicPersonifications) of violent, painful ''death.''

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* GodOfEvil: The MysteryCult worships the Keres, understood to be evil Greco-Roman goddesses in the film. Though not detailed in the film itself, in ClassicalMythology they are the ''daimones'' (AnthropomorphicPersonifications) of violent, painful ''death.'' ''death,'' and serve as particularly nasty {{Psychopomp}}s who thirst for human blood.
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* EvilGod: The MysteryCult worships the Keres, understood to be evil Greco-Roman goddesses in the film. Though not detailed in the film itself, in ClassicalMythology they are the ''daimones'' (AnthropomorphicPersonifications) of violent, painful ''death.''

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* EvilGod: GodOfEvil: The MysteryCult worships the Keres, understood to be evil Greco-Roman goddesses in the film. Though not detailed in the film itself, in ClassicalMythology they are the ''daimones'' (AnthropomorphicPersonifications) of violent, painful ''death.''
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* EvilGod: The MysteryCult worships the Keres, understood to be evil Greco-Roman goddesses in the film. Though not detailed in the film itself, in ClassicalMythology they are the ''daimones'' (AnthropomorphicPersonifications) of violent, painful ''death.''
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In 1933, Johnny Hollow took a photograph of a woman holding a child and three men at a campsite. However, the camera pans around the photograph to reveal that things are not quite right. What is that weird symbol on everybody's wrist? What are they going to burn in that fire? As the movie progresses, the photograph changes, getting progressively more unsettling. Watch it [[http://www.youtube.com/watch?v=bzw8qdXCep8 here]].

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In 1933, Johnny Hollow took a photograph of a woman holding a child and three men at a campsite. However, the camera pans around the photograph to reveal that things are not quite right. What is that weird symbol on everybody's wrist? What are they going to burn in that fire? As the movie progresses, the photograph changes, getting progressively more unsettling. Watch all six minutes of it [[http://www.youtube.com/watch?v=bzw8qdXCep8 here]].
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* BadassPreacher: The Young Priest aiming a shotgun, who, along with the Old Priest, is revealed to be hidden behind the trees, out of the sightline of the cultists.
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* TheGreatDepression: Set in the fall of 1933, as an OccultDetective of the period investigates a {{Spooky Photograph|s}} that may contain evidence of a cult operating in Ontario.
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* LiteraryAllusionTitle: Though it only has a short form and the ParanormalInvestigation horror subgenre in common, the film's title is modeled after Creator/EdgarAllenPoe's FictionalDocument short story "The Facts in the Case of M. Valdemar."

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* LiteraryAllusionTitle: Though it only has a short form and the ParanormalInvestigation horror subgenre in common, the film's title is modeled after Creator/EdgarAllenPoe's Creator/EdgarAllanPoe's FictionalDocument short story "The Facts in the Case of M. Valdemar."
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* LiteraryAllusionTitle: Though it only has a short form and the ParanormalInvestigation horror subgenre in common, the film's title is modeled after Creator/EdgarAllenPoe's FictionalDocument short story "The Facts in the Case of M. Valdemar."
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* HumanSacrifice: Heavily {{Implied|Trope}} to be practiced by the MysteryCult, and almost certainly the intended fate of [[spoiler: the infant in the photo.]]
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* DontGoInTheWoods: The woods of northern Ontario are where a SecretSocietyOfSecrets[=/=]MysteryCult get up to the dirty business of worshipping ancient death-goddesses, and its heavily implied that HumanSacrifice is a part of that worship.

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* DontGoInTheWoods: The woods of northern Ontario are where a SecretSocietyOfSecrets[=/=]MysteryCult SecretCircleOfSecrets[=/=]MysteryCult get up to the dirty business of worshipping ancient death-goddesses, and its heavily implied that HumanSacrifice is a part of that worship.
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* DontGoInTheWoods: The woods of northern Ontario are where a SecretSocietyOfSecrets[=/=]MysteryCult get up to the dirty business of worshipping ancient death-goddesses, and its heavily implied that HumanSacrifice is a part of that worship.
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* HillybillyHorrors: involves the investigation of a MysteryCult in the woods of northern Ontario, and a [[DontGoInTheWoods camping trip]] that may have gone very, very wrong.

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* HillybillyHorrors: HillbillyHorrors: involves the investigation of a MysteryCult in the woods of northern Ontario, and a [[DontGoInTheWoods camping trip]] that may have gone very, very wrong.
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* HillybillyHorrors: involves the investigation of a MysteryCult in the woods of northern Ontario, and a [[DontGoInTheWoods camping trip]] that may have gone very, very wrong.
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* SpookyPhotographs: Johnny Hollow's photo of the four figures and a baby at a campsite, all involved in a MysteryCult, becomes progressively spookier, first showing a body that should be invisible to the viewer, then combining this with subtly [[CreepyChangingPainting changing]] expressions and limb position so that time seems to be passing in the photo, until explicitly paranormal elements are introduced, culminating with a demonic presence seemingly moving directly towards the viewer.

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* CreepyChangingPainting: The campsite photo first appears simply examined in detail, then the camera zooms in to a degree and angle impossible to achieve if the photograph remains two-dimensional, craning to reveal the reflection in a car's sideview mirror as though the viewer had stepped ''inside'' the photo rather than looked ''at'' it. From that point onward, elements change through the course of various dizzying zooms, with facial expressions altered, limbs positioned differently and other figures revealed in reflected surfaces and hidden behind trees.



* PhotosLie: PlayedForDrama as the premise of the film. The photo seems relatively innocuous until the camera progresses from showing particular details to showing things no viewer could see with the naked eye. (The contents of a rearview mirror's reflection at an angle not seen in the photo, the presence of figures obscured ''behind'' the trees.) Eventually, elements of the photo begin to change outright, suggesting that the investigator who's researching the photo is beginning to piece together a narrative about the more sinister context in which the photo was taken, as well as hinting that [[spoiler: the photo itself may be possessed.]]

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* PhotosLie: PlayedForDrama as the premise of the film. The photo seems relatively innocuous until the camera progresses from showing particular details to showing things no viewer could see with the naked eye. (The contents of a rearview sideview mirror's reflection at an angle not seen in the photo, the presence of figures obscured ''behind'' the trees.) Eventually, elements of the photo begin to change outright, suggesting that the investigator who's researching the photo is beginning to piece together a narrative about the more sinister context in which the photo was taken, as well as hinting that [[spoiler: the photo itself may be possessed.]]
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* MaybeMagicMaybeMundane: Considering that the subject of the photo is a SecretCircleOfSecrets, and its observer an OccultDetective, it's left rather ambiguous as to whether the elements of the photo that visibly ''[[CreepyChangingPainting change]]'' or manifest detail beyond what the eye could see are simply symbolic of the investigator's gradual epiphany as they tie events together and notice details they had once ignored, a GlamourFailure on the part of the cultists, or indicators of a potentially lethal PortalPicture.

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* MaybeMagicMaybeMundane: Considering that the subject of the photo is a SecretCircleOfSecrets, and its observer an OccultDetective, it's left rather ambiguous as to whether the elements of the photo that visibly ''[[CreepyChangingPainting change]]'' or manifest detail beyond what the eye could see are simply symbolic of the investigator's gradual epiphany as they tie events together and notice details they had once ignored, new details, a GlamourFailure on the part of the cultists, or indicators of a potentially lethal PortalPicture.PortalPicture, or some combination of all three.

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